Thematische Bibliographien / Jewelry

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Jewelry“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "Jewelry"

1

Auble, Cassandra. „Royal Jewelry Exchange in Sixteenth Century Anglo-Scottish Politics“. Explorations in Renaissance Culture 46, Nr. 1 (24.06.2020): 70–82. http://dx.doi.org/10.1163/23526963-04601002.

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This paper explores how Mary, Queen of Scots and Elizabeth i utilized jewelry in political settings to construct meaning, represent themselves, and negotiate personal and political relationships. Studying the complexities of jewelry’s exchange and circulation between the courts of England and Scotland provides a more nuanced picture of early modern diplomacy and material culture. Jewelry provided a valuable resource from which rulers and diplomats regularly drew when framing their political discourse. Jewels used in diplomacy were as politically meaningful as the gestures and rituals of formal diplomatic audiences and domestic ceremonies. As an object of exchange with a variety of functions, jewelry was absorbent of meaning and memories. Thus, jewelry could forge bonds between those who exchanged it, and also bring about hostilities and complications.
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Dadamukhamedov, Bobur. „DEVELOPMENT PROCESSES OF INNOVATIVE JEWELRY ART IN UZBEKISTAN“. CURRENT RESEARCH JOURNAL OF HISTORY 04, Nr. 02 (01.02.2023): 1–6. http://dx.doi.org/10.37547/history-crjh-04-02-01.

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The article analyzes the innovative style and jewelry based on it, created in 2000-2022 on the basis of such trends as modern, non-traditional, modern, avant-garde in the work of young jewelers and their creations. It was analyzed that the creativity of representatives of the older generation and many other young talented jewelers in the innovative direction continue to strive to create innovative jewelry, as well as to produce high-quality original jewelry in jewelry factories, enterprises and brands.
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GÜNEY, Hilmi, Menekşe SAKARYA, Hamide Tuba KIZILKAYA und Esra VAROL. „EXAMINATION OF THE NECKLACE AND PENTANDS FOUND IN NİĞDE MUSEUM“. Zeitschrift für die Welt der Türken / Journal of World of Turks 14, Nr. 2 (15.08.2022): 259–72. http://dx.doi.org/10.46291/zfwt/140214.

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The tradition of using jewelry has always preserved its importance as a means of adornment. The most precious metals and gemstones have been used in the making of jewelry for a long time, and they have been produced by developing special techniques. Gemstone and precious metal processing started in ancient times as well as in every period with the aim of providing faith, fertility, magic, and good luck; In addition to these meanings from time to time, religious rituals also included purposes such as presenting gifts to the gods or the dead, an indicator of social privilege and status, an expression of wealth and of course looking beautiful, according to the beliefs of the period. Our museums, which are active in preserving and preserving the artifacts of Anatolian civilizations today, are also home to jewelery with or without stones from all times, which were removed from our country. With this study, it is planned to determine the metal and stone types of jewelery with or without gemstones brought to the Niğde Museum during archaeological excavations or by confiscation, and to update them in the museum inventory. It is aimed to emphasize the importance of examining other antique period jewelery with or without stones, which are kept and exhibited in museums in our country, in terms of jewelry and gemology. Considering the existence of the remains of ancient civilizations in our country and the state and private history museums that have increased in recent years, the contribution of this study to our cultural tourism will be important. Keywords: Jewellery, Choker, Necklace, Ornament, Nigde Museum
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Ермалицкая, К. Ф., und Н. А. Плавинский. „Preliminary Results of the Nonferrous Metals Articles from the Barrow Cemeteries in Western Regions of Polotsk Land Element Composition Study“. Археология и история Пскова и Псковской земли, Nr. 33 (25.12.2018): 288–94. http://dx.doi.org/10.25681/iaras.2018.978-5-94375-278-0.288-294.

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В белорусской археологии Средневековья мало внимания уделяется технологии изготовления и составу металла ювелирных изделий. Такая ситуация не позволяет получить полное понимание особенностей технологии ювелирного ремесла, определение центров ювелирных изделий производство и способы попадания в регион сырья, необходимого для работы ювелиров. В данной публикации представлены предварительные результаты исследования ювелирных изделий с погребальных памятников верхнего Повилья. In Belarusian archeology of the Middle Ages little attention is paid to the technology of manufacturing and composition of metals. Such situation does not allow to get a full understanding of the jewelery handicraft technology features, to determine the centers of jewelry production and the ways of entering the region of raw materials necessary for the work of jewelers. In this publication preliminary results of the study of jewelry from burial cemeteries of the Upper Viliya Region are represented.
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Afzal, Syeda Sadia. „Importance of jewelry in Women: Case Study in Pakistan“. Journal La Sociale 1, Nr. 2 (19.05.2020): 27–32. http://dx.doi.org/10.37899/journal-la-sociale.v1i2.92.

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Jewelry’s anecdotes have been growing up since kingdom times. Getting acceptation day by day, women are using jewelry cutturely, etiquette generation and acquiesce. Passion of jewelry in women has trending now a days, another trending of young generation to become more attractive and beautiful with the help of jewelry. Everyone use jewelry for their capacity like, Diamon, Gold, Silver, Pearls and other materials. Time is changed and the importance of jewelry has been increased, Gold and Silver’s values are different but getting expensive of Gold other material take place here some other introduction of jewelry.
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Pereira, Beulah, Kevin Teah, Billy Sung und Min Teah. „Building blocks of the luxury jewellery industry: conversations with a CEO“. Asia Pacific Journal of Marketing and Logistics 31, Nr. 4 (09.09.2019): 817–29. http://dx.doi.org/10.1108/apjml-10-2018-0415.

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Purpose The purpose of this paper is to conduct an in-depth interview with the Chief Executive Officer (CEO) of Larry Jewelry, a luxury jeweller with boutiques in Hong Kong and Singapore. Given the ever-evolving luxury jewellery market in South East Asia, it is paramount to understand the success factors of the luxury jewellery sector. Design/methodology/approach An in-depth interview approach is used to understand the antecedents of the success of the luxury jewellery sector. Specifically, this paper presents a complex business model of Larry Jewelry and an in-depth interview with the CEO of Larry Jewelry for current insights in the sector. Findings This paper highlights the history of Larry Jewelry, its product segments and the key elements of its business blueprint. Specifically, the success of Larry Jewelry is attributed to its business model and strong branding on quality, craftsmanship, rarity, human interaction and trust. Originality/value Despite the substantial growth in the luxury jewellery sector, there is relatively little research on the success factors of this industry, especially in South East Asia. The current research provides practical insights into business blueprint of a successful luxury jeweller in Hong Kong and Singapore.
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Kravchenko, Marta. „Artistic peculiarities of jewellery in Ukraine at the beginning of the 21st century. Concepts of morphogenesis“. Text and Image: Essential Problems in Art History, Nr. 1 (2019): 77–89. http://dx.doi.org/10.17721/2519-4801.2019.1.05.

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The article reveals the tendencies in development of contemporary art jewelry in Ukraine in 2000-2015. The feature of jewelry art of the last third of XX - beginning of XXI century in Ukraine is a parallel activity of three generations of artists, which apply to different materials, imaginative solutions in decorations. During 2000-2015, modern Ukrainian decorative applied art reached a new level, there was a galaxy of young artists who interpret a new jewelry and possess strong position in the European artistic space. Alternative or avant-garde thinking was closer to the young generation of jewelry artists 2000-2015 years, in their works away from the trend of creating independent objects and materials for jewelry. On the example of creativity of young leading artists (O. Ivasuta, O. Buyvidt, M. Kotelnytska, O. Savchuk, A. Bolukh and other) here is an analysis of the main conceptual foundations, common and distinctive features in the work of masters. In the article is given the conditions for the formation of art jewelry in Ukraine with the obligatory focus on the concepts of classic jewelry and new art jewelry with using of alternative materials. New generation of artists is working with alterantive material in jewellery. Experiments in jewellery bring new forms and view in this art. The peculiarities of formation environments emergence jewelry not precious alternative materials and their relationship with fine and decorative art. The attention in the article is focused on the properties of alternative materials in modern jewelry in the works of leading artists.
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Sapfirova, N. „AN ECLECTIC TREND IN PRODUCTS OF JOZEPH MARSHAK'S JEWELRY FACTORY ON EXAMPLE OF A SILVER TEA AND COFFEE SET, EXIBITED AT THE ALL-RUSSIAN EXIBITION IN KIEV IN 1913“. Innovative Solution in Modern Science 6, Nr. 42 (28.02.2021): 204. http://dx.doi.org/10.26886/2414-634x.6(42)2020.12.

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The subject of research is the legacy of Joseph Abramovich Marshak – famous Kiev jeweler and owner of a jewelry enterprise, whose period of activity covers 1878–1918. Among the large number of jewelry made during the forty years of the factory's operation, it should be noted products that correspond to the stylistic trends of the era of historicism, in particular, the silver tea and coffee set, exhibited at the All-Russian Exhibition in Kiev in 1913. The main task of this work is to investigate artful language of eclecticism, expressiveness of which allowed artists of J. Marshak's era to combine decorative heritage and semantic interpretation from Antiquity to beginning of the 20th century. Methodology of this work is based on general scientific principles of historicism and an art history approach. They were realized through the use of following general scientific research methods: otnological, hermeneutic, semiotic, cultural, cross-cultural, iconographic, typologization and art history analysis. Scope of results application outlines teaching activities in specialized educational institutions in formation of plans for art and cultural disciplines, jewelry attribution by Kiev jewelers of marked period, writing scientific and popular scientific works, reference books, encyclopedias, textbooks. Main conclusion: features of jewelry artistic language, which were presented in the tea and coffee set, produced in eclectic style at the Joseph Marshak's factory are revealed. Importance of active exhibition activity and its connection with improvement of stylistic solutions in the jewelry production is displayed. It has been established that eclecticism was given priority in comparison with other stylistic directions at the basis of creative developments at J. Marshak's factory.Key words: jewelry, eclecticism, Joseph Marshak, late 19th – early 20th century.
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Ariza, Nur, Nuriadi Manurung und Masitah Handayani. „FORECASTING THE GOLD JEWELRY SALES USING SINGLE EXPONENTIAL SMOOTHING METHOD“. Jurnal Teknik Informatika (Jutif) 3, Nr. 6 (26.12.2022): 1573–80. http://dx.doi.org/10.20884/1.jutif.2022.3.6.395.

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Gold is a precious metal that plays an important role in people's daily lives. People use gold jewelry as a dowry so that gold is sought after, such as earrings, necklaces, pendants, bracelets, rings and others. However, buying and selling gold jewelry at a gold jewelry store has a different strategy. Gold sellers must carry out the gold jewelry production process to meet gold jewelry supplies and market demand. The results of the sale of gold jewelry sometimes increase and decrease every day which cannot be predicted every day, so this can affect the store to find out the profits and losses that will be obtained in the future. The purpose of this study was to determine the results of forecasting sales of gold jewelry at the Yoga Gold Shop using the single exponential smoothing method in the coming month. The results of this study resulted in March 2022 9 carat gold jewelry totaling 4191.16 grams with a 3.01% MAPE, 10 carat gold totaling 2095.53 grams with a 3.01% MAPE, Surabaya gold 1047.76 grams with a 3.03% MAPE and london gold jewelery 523.83 grams with a MAPE of 3.41%. So it can be concluded that applying the single exponential smoothing method can help in predicting the sales results of gold jewelry.
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Waridah Muthiah und Agus Sachari. „MOTIF KALAMAKARA PADA TEMUAN PERHIASAN EMAS ERA MAJAPAHIT KOLEKSI MUSEUM NASIONAL JAKARTA“. PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 3 (17.02.2021): 36–41. http://dx.doi.org/10.33153/semhas.v3i0.135.

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Jewelry in the Classical era in Indonesia, especially in the Late Classic era, occupies an important position in society. Apart from being a symbol of a person's status and position, when discussing the depiction of jewelry on a statue or relief, the jewelry worn by a character is also an indication in determining the identity of the character. Jewelry in the Late Classical era was made of gold, which was considered to have high material, symbolic, and religious value in society at that time. Based on the findings of jewelry in the Late Classic era, especially the Majapahit era, there is an interesting phenomenon, namely the depiction of animal figures as decorations or ornaments. This phenomenon is seen in the crown, earrings, and shoulder harness, as found in Trowulan. In some jewelery, the form of kalamakara (kalamakara) is displayed, which is usually depicted on the gate of the temple, as a repellent to disaster. The depiction of kalamakara in jewelry raises questions about the background behind the depiction. This research was conducted using qualitative methods through observation of four samples of Majapahit era jewelry found in Trowulan, the collection of the Jakarta National Museum. It can be concluded that the existence of kalamakara as a motif in jewelry is related to the meaning of kalamakara in Javanese society, namely as a repellent for disaster. Keywords: jewelry, kalamakara motif, Majapahit era
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Dissertationen zum Thema "Jewelry"

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Aranda, Huete Amelia Cruz Valdovinos José Manuel. „La joyería en la corte durante el reinado de Felipe V e Isabel de Farnesio“. Madrid : Fundación Universitaria Española, 1999. http://catalog.hathitrust.org/api/volumes/oclc/43708934.html.

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Řeháček, Petr. „Business plan - Jewelry“. Master's thesis, Vysoká škola ekonomická v Praze, 2008. http://www.nusl.cz/ntk/nusl-4919.

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The goal of this work is to find the conditions and responsibilities important for start and expansion business in the Czech Republic, especially to get and organize business plan merge including its feasibility. I think about retail with gold and silver jewelry, ground glasses, watches and porcelain. This business activity falls under buying and selling goods and services. To achieve goals of this work I'll seperate it on two parts - theoretical and practical. In first part I'll putt my mind generally on the characteristics of business and business plan. Also I'll write something about choosing of corporate form, options how to finance the business plan, about organisation providing various services to the other firms and also something about gold history and Assay office. In practical part I'll focus on doing concrete business plan. I'll analyze market environment to found new potencial clients, their needs and buying decision, potencial risks, competition, their weaknesses and threats, and try to using it against them.
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Byrne, Emily Christiana. „Jewelry as narrative“. Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4585.

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Cassavoy, Jamie. „African ornamentalism /“. Online version of thesis, 1996. http://hdl.handle.net/1850/11928.

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Voirol, Mary Agnes. „Interactive mechanized fairytale jewelry“. Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1178353.

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The Primary objectives of this creative project were the exploration of well-known fairy tales (such as Snow White), and the process of creating interactive jewelry based on my own personal interpretation of these stories. I designed and constructed seven jewelry pieces using traditional metal working techniques along with innovative contemporary surface treatments such as etching, sandblasting and colored pencil decoration. Each piece contained a "surprise" interactive element - some pieces contain moving parts, while others contain small pieces of fabric tape on which sentences are written. These tapes are mechanized to wind up into the ring or pendant.This body of work required a variety of metalsmithing techniques including complex constructions, copper forming, casting, lathe turning, and stone setting.
Department of Art
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Jiang, Yingyun. „Contemporary Jewelry and Nature“. Thesis, Konstfack, Ädellab, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7797.

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This paper presents an investigation of how a jewelry artist understands the life/death cycleof nature and natural processes, the relationship between the human (body), nature,materials, and jewelry, by communicating in the form of jewelry.I will discuss the relationship between human, nature and jewelry from many aspects. Themovement of objects, life and death, how jewelry shows the position and state of humanin nature and the relationship with nature, as well as the significance to the contemporarysociety. My main method is jewelry. My jewelry is emotional and expresses the series ofcollision and balance when humankind meets nature, and the acceptance of life and death.
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Huusko, Källman Rebecka. „Social participation in contemporary art jewellery : An investigation of contemporary art jewellery’s ability to discuss complex questions within western society“. Thesis, Konstfack, Ädellab/Metallformgivning, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4666.

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On the base of cultural norms, it seems that it is commonly accepted that one animal is considered 'friend', while the other 'food'. Even though people's opinion may differ in regards to the world's largest animal rights organization PETA (People for the Ethical Treatment of Animal) (Kulkarni, 2009), the organization asks a relevant question: “ If your cat tasted like chicken would you eat her?” As I work within the contemporary art jewellery field, it is through the body, jewellery, and the conscious act of wearing it, that I would like to encourage consumers to reflect on their personal meat consumption and to connect the packaged meat to the animal it comes from: what is it that we are eating? Where does it come from? Through this essay and my work/practice, I aim to critically reflect on the different existing values between animals in our society and to inspire more conscious and well informed decisions concerning meat. This essay is a research project prior to my practical exam work at the Jewellery + Corpus Master program at Konstfack and will serve as a basis for my artistic exam work. Against this background, I look at relevant literature and case studies representative of the field of contemporary art jewellery, in order to research/address the following question in this essay: -          Is it possible to discuss complex questions within society though the media of contemporary art jewellery?  Within the field, opinions differ between art historians as well as makers; it seems that the framework of contemporary art jewellery provides the medium, on one side, with great potential to speak of issues within society, although, on the other side, the same frame work commonly hinders the medium’s ability to reach out to the general public, in order to generate a wider discussion.
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Romaguera, Aminta C. „Elements affecting style /“. Online version of thesis, 1989. http://hdl.handle.net/1850/11316.

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Won, Jaesun. „Sculptural jewelry in line composition /“. Online version of thesis, 2008. http://hdl.handle.net/1850/6247.

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Glover, Benjamin A. „The element of line in jewelery design /“. Online version of thesis, 1990. http://hdl.handle.net/1850/10974.

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Bücher zum Thema "Jewelry"

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Debra, Healy, und Fasel Marion, Hrsg. Hollywood jewels: Movies, jewelry, stars. New York: H.N. Abrams, 1992.

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Debra, Healy, und Fasel Marion, Hrsg. Hollywood jewels: Movies, jewelry, stars. New York: Abradale Press, 1996.

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Clive, Streeter, Hrsg. Jewelry. New York: DK Pub., 1996.

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Janet, Swarbrick, Hrsg. Jewelry. Edison, NJ: Chartwell Books, 1996.

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Casey, Kevin K. Jewelry. Vero Beach, Fla: Rourke Publications, 1996.

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Tythacott, Louise. Jewelry. New York: Thomson Learning, 1995.

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Torres, Laura. Jewelry. Irvine, CA: QEB Publishing, 2014.

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Doney, Meryl. Jewelry. New York: F. Watts, 1996.

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Vera, Federico De. Jewelry. New York, NY: De Vera, 2010.

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Grace, Priscilla. Jewelry. Philadelphia: The Museum, 1986.

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Buchteile zum Thema "Jewelry"

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Kleyn, Tatyana. „Smuggling Jewelry“. In (An)Archive, 135–37. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0383.21.

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Strasser, Monika. „Bijoux Schmuck Jewelry“. In Bourses fédérales de design Eidgenössische Förderpreise für Design Swiss Federal Design Grants 2007, 13–15. Basel: Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8450-0_1.

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Zimmermann, Thomas. „Ancient Jewelry in Turkey“. In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–14. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10188-1.

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Castor, Alexis Q. „Etruscan Jewelry and Identity“. In A Companion to the Etruscans, 275–92. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118354933.ch19.

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Zimmermann, Thomas. „Ancient Jewelry in Turkey“. In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 310–20. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_10188.

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Miller, Anna M. „The Appraiser“. In Gems and Jewelry Appraising, 1–20. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-1404-2_1.

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Miller, Anna M. „Appraisal Procedures and the Nature of Value“. In Gems and Jewelry Appraising, 21–38. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-1404-2_2.

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Miller, Anna M. „Conducting the Appraisal“. In Gems and Jewelry Appraising, 39–72. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-1404-2_3.

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Miller, Anna M. „Research and Analysis: How to Estimate Value“. In Gems and Jewelry Appraising, 73–92. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-1404-2_4.

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Miller, Anna M. „Jewelry from Antiquity to the Modern Era“. In Gems and Jewelry Appraising, 93–120. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-1404-2_5.

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Konferenzberichte zum Thema "Jewelry"

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Miner, Cameron S., Denise M. Chan und Christopher Campbell. „Digital jewelry“. In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634067.634098.

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Miner, Cameron S., Denise M. Chan und Christopher Campbell. „Digital jewelry“. In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634089.634098.

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Rantala, Inka, Ashley Colley und Jonna Häkkilä. „Smart Jewelry“. In PerDis '18: The International Symposium on Pervasive Displays. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3205873.3205891.

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Ju, Alexandra Ling, und Mirjana Spasojevic. „Smart Jewelry“. In MobiSys'15: The 13th Annual International Conference on Mobile Systems, Applications, and Services. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2754633.2754637.

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Tenuta, Livia, Susanna Testa und Beatrice Rossato. „Immersive Innovation: Bridging Digital Design and Virtual Realities in Jewellery“. In Human Interaction and Emerging Technologies (IHIET-AI 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004571.

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The paper presents the results of the workshop "Utopia: Jewelry Beyond the Body," held at the School of Design of the Politecnico di Milano as part of the Master degree program with the aim to develop an innovative design methodology for future creatives. The workshop's main objective was to explore the process of designing a virtual jewelry collection conceived to be worn and experienced in the digital world. The paper describes the workshop's deifferent stages of the methodology, with a specific focus on the use of Artificial Intelligence for the ideation phase, and the creation of a virtual exhibition hosted on Spatial.io, in the final stage.First, the paper addresses the context of the workshop. The jewelry and fashion fields have undergone a profound transformation, with a gradual shift from tangible, physical interactions to the dematerialized domain of the virtual. The pervasive integration of digital technology has affected the entire value chain of these sectors, from design practices to distribution consumptions. Considering this change, the work highlights the need to explore digital manifestations of tangible products and experiment with spaces of digital co-creation. Then the contribution focuses on the methodology implemented in the workshop, integrating digital technologies, such as virtual reality and artificial intelligence.Finally, the document presents the experience's outputs with quantitative and qualitative results. The results provide insights into the effectiveness of the design methodology, highlighting the impact of the research conducted.Furthermore, the experience is evaluated with a focus on the possibilities that can be obtained merging jewellery design and virtual exhibition practices.The "Utopia: Jewelry Beyond the Body" workshop represents an initiative between jewelry design, digital innovation, and academic pedagogy. By describing the workshop's evolving context, methodology, and results, this article contributes to a deeper understanding of the relationship between digital technology, design creativity, and the evolution of the jewelry industry.
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Silina, Yulia, und Hamed Haddadi. „New directions in jewelry“. In the 2015 ACM International Symposium. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2802083.2808410.

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Orlov, I. I., S. A. Shennikov, O. S. Pavlova und A. V. Martinova. „Historiography of the problem of jewelry design of the 20-th century“. In Global science. Development and novelty. НИЦ "LJournal", 2022. http://dx.doi.org/10.18411/gsdn-03-2022-07.

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Abstract: Jewelry is one of the most sought after destinations since ancient times. The article provides a brief overview of the historiography of the jewelry design problem of the second half of the 20th century. The search and development of technology that will allow you to create jewelry with elements of exact copies of plant material in metal is relevant in modern jewelry design.
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Silva, Aryuska A. Santos S. da, und Thamyres Oliveira Clementino. „Discontinuity in jewelry design: sustainable actions in contemporaneous Brazil“. In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n1.p58-70.

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This article consists of a survey of forms of discontinuity in jewelry design, from ecodesign and design for sustainability concepts, with the objective of contributing to the search for the reduction of the environmental impacts generated by this chain, in addition to disseminating what been carried out in different contexts of the country. For this, a bibliographic review and a systemic survey were carried out in publications of a magazine and annals of a meeting on sustainability from 2018 to 2022, in addition to the annals of the last International Symposium on Goldsmithing, Jewelry and Design (II SIDGEM) in order to seek reports and research on discontinuities in jewelry design, through the keywords: jewelry design, jewelry, sustainability, jewelry and gems. From the survey, fourteen articles were selected that served as a basis for the selection of relevant cases for this article and the construction of the summary table presented at the end.
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Efkolidis, Nikolaos, Prodromos Minaoglou, Kyriaki Aidinli und Panagiotis Kyratsis. „Computational design used for jewelry“. In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p60.

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Nowadays more and more computer-aided technologies and computational techniques are applied to product design. Jewelry belongs to those products. Jewelry is considered as part of human civilization and adopted to human’s needs. In recent years, computational design is applied in order to overcome the limitations of traditional CAD systems, when reaching an increased level of complexity and geometrical controls. Computational design supports the evolution of creative design and develops models as a form of the computational exploration. Furthermore, additive manufacturing (AM) pieces of equipment are widely used to create models and prototype parts in various applications. AM plays an important role, when developing jewelry models, as it is utilized with an aim to produce high-quality models in rather reduced numbers and complex shapes. In the current paper, a computer-based design tool was applied in order to develop algorithms for the generation of new artistic forms for the design of a set of jewelry. Then, Stereolithography (SLA) technique is chosen for the prototype models construction.
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Romãozinho, Mónica. „Somewhere Between Architecture and Jewelry“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001366.

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Our projects talk about knowledge and experience accumulated through time, so they work like powerful memory boxes. All that information reappears when we start sketching our first exploratory drawings. Architecture always influenced the way we see and understand the world and things in general, the “real” architecture which surrounds us every day, but maybe in a particular way the imaginary one that we can discover through set design projects, ephemeral exhibition design, even visionary drawings related to unbuilt ideas. We aim to demonstrate that jewels and architecture can share fundamental principles. When we look at a jewellery piece, we can observe its volumetric, how does light and shadow model the piece, the scale, the contrast between full and empty spaces, the composition, the sense of horizontality or verticality, its symmetry or asymmetry, its ergonomics, among other aspects but how can we relate to this intriguing object, what kind of emotions can it arouse in us? Perhaps we can play with similar feelings in other scales. In this perspective, our article focuses on the relation between architecture and jewellery applied research considering the philosophy “learning-by-doing” pursued by Charles and Ray Eames, inspiring and timeless references from the past. We follow a design methodology that implies continuous research about other authors and movements, the continuous selection of waste objects and materials, the development of sketches along with all the processes, and experimental prototyping. On the other hand, we incorporate specific goals related to product sustainability since the beginning of the present projects, namely upcycling. The main goals transversal to these experimental series consists of exploring space as a concept, interaction, and, at last, wearability. The jewel itself can have a strong presence in a certain way very close to the artwork but it is created and materialized for real people so we prefer to think about it as design because it is supposed to be owned and appropriated by someone and to contribute simultaneously to communicate their personality, to break with typified and mass fashion design, to conquer an immaterial dimension, to provoke emotion the moment we “dress” it.
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Berichte der Organisationen zum Thema "Jewelry"

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Kollmeyer, Douglas. Jewelry from the environment. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.5243.

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Iushkina, Nadezhda. Diamonds in the New Century: innovations and prospects. Intellectual Archive, September 2023. http://dx.doi.org/10.32370/iaj.2941.

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We will discuss not only the use of diamonds in jewelry but also their significance in industry. Diamonds are not just ornaments, it is engineering marvels. The chapter will explore the application of diamonds in the industrial sector, including their use in material processing, the creation of high-precision medical equipment, and even in the aerospace industry. We will delve into the use of diamonds in drilling, cutting, grinding, and the development of high-tech materials. Diamonds, often associated with luxury and jewelry, also hold significant importance in engineering and industry. Thanks to their unique physical and chemical properties, diamonds are used in various fields where high hardness, thermal conductivity, and wear resistance are required.
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Rogg, Christian S. The Impact of Access to Credit on the Saving Behavior of Microentrepreneurs: Evidence from 3 Latin American Countries. Inter-American Development Bank, April 2000. http://dx.doi.org/10.18235/0011211.

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This paper aims to shed light on changes in the saving behavior of microentrepreneurs in response to improved access to credit. This paper argues that it is necessary to extend the analysis to the shifting of assets between different forms of savings. The econometric analysis in this paper, which is based on data from IDB evaluations of its Micro and Small Enterprise Global Programs in Ecuador, El Salvador and Paraguay, concludes that increased access to credit induces borrowers to shift their savings from livestock, jewelry and other assets with low or negative returns into deposit accounts with positive returns. This shift takes place as microentrepreneurs develop an understanding of, and confidence in, the various operations and services of the financial sector. As a result of this shift, borrowers tend to achieve a better return on their savings.
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Pande, Kanupriya. Jeweled Couture Dress-1. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-723.

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Pande, Kanupriya. Jeweled Couture Dress-2. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-724.

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Swetz, Frank J. Mathematical Treasure: Waymouth's 'Jewell of Artes'. Washington, DC: The MAA Mathematical Sciences Digital Library, November 2012. http://dx.doi.org/10.4169/loci003951.

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Pond, Franklin, Hrsg. Willard B. Jewell (1899-1969): southeast Alaska photographs, 1924-1925. Alaska Division of Geological & Geophysical Surveys, Juli 2012. http://dx.doi.org/10.14509/23984.

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Huycke, Edward C. U.S. Military Academic Medical Centers: Crown Jewels or White Elephants? Fort Belvoir, VA: Defense Technical Information Center, April 1996. http://dx.doi.org/10.21236/ada309230.

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Cortés-Selva, L., M. Jurado-Martín und L. Ostrovskaya. European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography. Revista Latina de Comunicación Social, März 2018. http://dx.doi.org/10.4185/rlcs-2018-1272en.

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Dupret, Louis, und Daniel Swanson. Plant community composition and structure monitoring at Jewel Cave National Monument: 2021 data report. National Park Service, September 2022. http://dx.doi.org/10.36967/2293480.

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