Zeitschriftenartikel zum Thema „Jesus Christ Art“
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Pozdnyakova, D. Y. „Coptic Christian Symbolism in Art as a Problem of Cultural Studies“. MGIMO Review of International Relations, Nr. 3(30) (28.06.2013): 241–42. http://dx.doi.org/10.24833/2071-8160-2013-3-30-241-242.
Badriah Mohamed Abdullah Alfozan, Badriah Mohamed Abdullah Alfozan. „Monotheism among the Christians its concept and Creed implications(Critical Study)“. journal of king abdulaziz university arts and humanities 26, Nr. 3 (03.03.2018): 47–75. http://dx.doi.org/10.4197/art.26-3.3.
Wibowo, Wahju Satria. „Yesus Sejarah atau Kristus Iman?: Historisitas Iman dan Karya Allah dalam Yesus Kristus“. GEMA TEOLOGIKA: Jurnal Teologi Kontekstual dan Filsafat Keilahian 6, Nr. 1 (30.04.2021): 51. http://dx.doi.org/10.21460/gema.2021.61.631.
Bussieres, Marie-Pierre. „A Twenty-First-Century Gospel: Jesus at the Vatican in Paolo Sorrentino’s The Young Pope“. Journal of Religion and Popular Culture 32, Nr. 3 (01.01.2021): 204–18. http://dx.doi.org/10.3138/jrpc.2018-0005.
Albright, Thomas D. „The Veiled Christ of Cappella Sansevero: On Art, Vision and Reality“. Leonardo 46, Nr. 1 (Februar 2013): 19–23. http://dx.doi.org/10.1162/leon_a_00479.
Buettner, Jamie. „Embracing Jesus: Mystical Union with Christ in Seventeenth-century Art and Imagination“. International Journal of Religion and Spirituality in Society 3, Nr. 4 (2014): 13–27. http://dx.doi.org/10.18848/2154-8633/cgp/v03i04/51070.
Gamba, Ezio. „Du sollst dir kein Bildnis machen: Das Problem der künstlerischen Darstellung des Göttlichen in Hermann Cohens Ästhetik“. Zeitschrift für Religions- und Geistesgeschichte 62, Nr. 4 (2010): 356–66. http://dx.doi.org/10.1163/157007310793352197.
Citlak, Amadeusz. „Psychobiography of Jesus Christ in view of Władysław Witwicki’s theory of cratism“. Journal for Perspectives of Economic Political and Social Integration 21, Nr. 1-2 (01.12.2015): 155–84. http://dx.doi.org/10.2478/pepsi-2015-0007.
Vogt, Peter. „"Honor to the Side": The Adoration of the Side Wound of Jesus in Eighteenth-Century Mordvian Piety“. Journal of Moravian History 7, Nr. 1 (2009): 83–106. http://dx.doi.org/10.2307/41179862.
Atwood, Craig D. „Little Side Holes: Moravian Devotional Cards of the Mid-Eighteenth Century“. Journal of Moravian History 6, Nr. 1 (2009): 61–75. http://dx.doi.org/10.2307/41179848.
Gooding-Williams, Robert. „Beauty as Propaganda“. Philosophical Topics 49, Nr. 1 (2021): 13–33. http://dx.doi.org/10.5840/philtopics20214912.
Vardanyan, Satenik. „The Image of Jesus Christ in the 20th Century and Contemporary Art of Armenia“. IKON 8 (Juni 2015): 137–44. http://dx.doi.org/10.1484/j.ikon.5.107799.
Wicaksono, Singgih Prio, und Anik Juwariyah. „The Visual Language of Consumerism in Contemporary Artworks“. Journal of Urban Society's Arts 6, Nr. 1 (01.05.2019): 56–62. http://dx.doi.org/10.24821/jousa.v6i1.2263.
Knust, Jennifer, und Tommy Wasserman. „Earth Accuses Earth: Tracing What Jesus Wrote on the Ground“. Harvard Theological Review 103, Nr. 4 (Oktober 2010): 407–46. http://dx.doi.org/10.1017/s0017816010000799.
Elliott, Scott S. „Jesus in the Gutter“. Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 7, Nr. 2 (20.08.2014): 123–48. http://dx.doi.org/10.1558/post.v7i2.123.
Gusakova, Victoria. „“Ideal” and “life path” as concepts of spiritual and moral education of present-day schoolchildren“. St. Tikhon's University Review. Series IV. Pedagogy. Psychology 65 (30.06.2022): 49–62. http://dx.doi.org/10.15382/sturiv202265.49-62.
Денисюк, Татьяна Владимировна. „Eucharistic Themes in Ukrainian Art of the XVII-XVIII centuries: A Review of the Monuments“. Вестник церковного искусства и археологии, Nr. 1(1) (15.06.2019): 124–41. http://dx.doi.org/10.31802/2658-5111-2019-1-124-139.
sadek, sherin. „DIFFERENT ATTITUDES OF JESUS CHRIST IN COPTIC ART الأوضاع المختلفة للسید المسیح فى الفن القبطى“. Conference Book of the General Union of Arab Archeologists 16, Nr. 16 (01.11.2013): 209–46. http://dx.doi.org/10.21608/cguaa.2013.32586.
Walsh, Richard. „The Gospel According to Judas: Myth and Parable“. Biblical Interpretation 14, Nr. 1-2 (2006): 37–53. http://dx.doi.org/10.1163/156851506776145832.
Lee, Peggy Kyoungwon. „The Alpha Orient“. TDR: The Drama Review 66, Nr. 2 (Juni 2022): 45–59. http://dx.doi.org/10.1017/s1054204322000090.
Posset, Franz. „Martin Luther on Deësis: His Rejection of the Artistic Representation of "Jesus, John, and Mary"“. Renaissance and Reformation 32, Nr. 3 (22.01.2009): 57–76. http://dx.doi.org/10.33137/rr.v32i3.11576.
Павлова, Анна Леонидовна. „Composition «The trial of Jesus Christ» as a Part of St. Nicholas Church Mural Paintings in Boboli Village“. Вестник церковного искусства и археологии, Nr. 2(3) (15.08.2020): 37–51. http://dx.doi.org/10.31802/bcaa.2020.3.2.003.
Čulina, Tatjana. „Five Depictions of the Circumcision of Jesus Christ from the Croatian Sacral Heritage“. Acta medico-historica Adriatica 19, Nr. 1 (2021): 19–32. http://dx.doi.org/10.31952/amha.19.1.1.
Szymik, Jerzy. „Chrystocentryzm. Dialog Kościoła i świata“. Verbum Vitae 6 (14.12.2004): 227–39. http://dx.doi.org/10.31743/vv.1374.
Graham, Gordon. „Book Review: Jesus Incognito: The Hidden Christ in Western Art since 1960, written by Martien E. Brinkman“. Journal of Reformed Theology 9, Nr. 2 (2015): 232–33. http://dx.doi.org/10.1163/15697312-00902012.
Maksimovic, Jovan, und Marko Maksimovic. „Key moments of terrestrial life of the main biblical characters in sacral iconography of Vojvodina“. Archive of Oncology 18, Nr. 4 (2010): 103–10. http://dx.doi.org/10.2298/aoo1004103m.
Duţică, Gheorghe. „Voices of Edification Calls for Salvation – an Oratorio (Pilgrims to Saint Parascheva) by Viorel Munteanu“. Artes. Journal of Musicology 23, Nr. 1 (01.04.2021): 97–132. http://dx.doi.org/10.2478/ajm-2021-0005.
MĂNĂILESCU, Sorana. „The Bible and Musical Postmodernism“. Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (27.01.2022): 117–26. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.11.
Stoian, S. P. „UKRAINIAN BAROQUE IN VISUAL ARTS – NATIONAL SYMBOLS IN THE CONTEXT OF EUROPEAN CULTURE“. UKRAINIAN CULTURAL STUDIES, Nr. 2(9) (2021): 88–94. http://dx.doi.org/10.17721/ucs.2021.2(9).15.
Lipovetsky, Mark. „A Trickster in Drag: Vlad Mamyshev-Monroe’s Aesthetic of Camp“. Arts 11, Nr. 5 (13.09.2022): 87. http://dx.doi.org/10.3390/arts11050087.
Khromov, Oleg. „TWO PRINTS BY LEONTY BUNIN IN THE 18TH CENTURY SERBIAN GRAPHIC“. Scientific and analytical journal Burganov House. The space of culture 16, Nr. 2 (10.06.2020): 100–113. http://dx.doi.org/10.36340/2071-6818-2020-16-2-100-113.
Jose, Chiramel Paul. „Blake’s Songs, Their Introductions and the Bible“. English Language and Literature Studies 7, Nr. 2 (30.05.2017): 43. http://dx.doi.org/10.5539/ells.v7n2p43.
Saenkova, Elena. „A Newfound Icon “Sophia the Wisdom of God with Miracle-Working Icons of the Mother of God” of the Late 17th — Early 18th Century: Aspects of the Iconographic Programme“. ISTORIYA 12, Nr. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015810-0.
Sharapenkova, Natalia, und Polina Iakusheva. „THE GOD-SEEKING IN PÄR LAGERKVIST’S PROSE“. Studia Humanitatis 17, Nr. 4 (Dezember 2020): 26–33. http://dx.doi.org/10.15393/j12.art.2020.3664.
Hunt, Margaret Wiedemann. „‘Playwrights Are Not Evangelists’: Dorothy L. Sayers on Translating the Gospels into Drama“. Studies in Church History 53 (26.05.2017): 405–19. http://dx.doi.org/10.1017/stc.2016.24.
ΦΩΣΚΟΛΟΥ, Βασιλική. „Αναζητώντας την εικόνα του Ελκομένου της Μονεμβασίας. Το χαμένο παλλάδιο της πόλης και η επίδρασή του στα υστεροβυζαντινά μνημεία του νότιου ελλαδικού χώρου“. BYZANTINA SYMMEIKTA 14 (26.09.2008): 229. http://dx.doi.org/10.12681/byzsym.879.
Rials, Megan Joy, und Jerry L. Walls. „Reflecting Christ in Life and Art: The Divine Dance of Self-Giving in C. S. Lewis’s Till We Have Faces“. Perichoresis 20, Nr. 3 (19.05.2022): 73–90. http://dx.doi.org/10.2478/perc-2022-0018.
Mary Philip, Daphne. „Christianity and Spirituality in Healthcare“. Journal of Quality in Health Care & Economics 5, Nr. 3 (2022): 1–4. http://dx.doi.org/10.23880/jqhe-16000274.
Van den Berg, Mariecke. „Zie de mens“. Religie & Samenleving 11, Nr. 2 (01.09.2016): 249–70. http://dx.doi.org/10.54195/rs.12214.
Anderson, Michael Alan. „The One Who Comes After Me“. Journal of the American Musicological Society 66, Nr. 3 (2013): 639–708. http://dx.doi.org/10.1525/jams.2013.66.3.639.
Shyroka, Оksana. „ORIGIN, STRUCTURE AND ICONOGRAPHY OF AKATHIST TO THE VIRGIN AND AKATHIST OF JESUS CHRIST IN THE UKRAINIAN ART OF THE XVII—XVIII CENTURIES“. Ethnology Notebooks 144, Nr. 6 (05.11.2018): 1589–95. http://dx.doi.org/10.15407/nz2018.06.1589.
Odrekhivskyi, Roman. „Memorial buildings of Ternopil region (origins and formation of design in the XIX — first third of the XX century)“. Culturology Ideas, Nr. 21 (1'2022) (2021): 128–37. http://dx.doi.org/10.37627/2311-9489-21-2022-1.128-137.
Fedorova, Irina. „THE TEMPTATION MOTIF IN THE OLD RUSSIAN APOCRYPHA "ZOSIMA’S JOURNEY TO THE RAHMANS"“. Проблемы исторической поэтики 19, Nr. 4 (Dezember 2021): 149–70. http://dx.doi.org/10.15393/j9.art.2021.10143.
Казакова, Ирина Борисовна, und Евгения Викторовна Сафонова. „UNITY OF TRAINING AND EDUCATION IN ART LESSONS: PEDAGOGICAL TECHNOLOGY «IMAGE AND THOUGHT»“. Вестник Тверского государственного университета. Серия: Педагогика и психология, Nr. 3(60) (17.10.2022): 128–38. http://dx.doi.org/10.26456/vtpsyped/2022.3.128.
Sargsyan, Lusine, und Davit Ghazaryan. „Armenian Amulets from the Collection of Armenian Orthodox Diocese in Baghdad“. Incantatio. An International Journal on Charms, Charmers and Charming 9 (Dezember 2021): 42–79. http://dx.doi.org/10.7592/incantatio2020_9_sargsyan_ghazaryan.
Vasnev, Sergey Ivanovich. „The spiritual path of Fyodor Dostoevsky“. Neophilology, Nr. 2 (2022): 385–92. http://dx.doi.org/10.20310/2587-6953-2022-8-2-385-392.
Tsihan, Xia. „ROCK OPERA GENRE AND ITS OUTSTANDING EXAMPLES IN THE MUSICAL CULTURE OF THE LAST THIRD OF THE XXTH CENTURY“. Arts education and science 1, Nr. 3 (2020): 168–72. http://dx.doi.org/10.36871/hon.202003020.
Grene, Clement. „Book Review: Next Time I’m in Church, Please No Photos: Martien E. Brinkman (trans. Henry Jansen), Jesus Incognito: The Hidden Christ in Western Art since 1960“. Expository Times 126, Nr. 5 (Februar 2015): 248–49. http://dx.doi.org/10.1177/0014524614549132d.
Turilov, Anatolij A. „On the Palaeographic Dating of Two Reliquaries from the Annunciation Cathedral of the Moscow Kremlin“. Slovene 4, Nr. 1 (2015): 511–25. http://dx.doi.org/10.31168/2305-6754.2015.4.1.31.
Naie, Lăcrămioara. „4. Project “Easter Triptych”“. Review of Artistic Education 1, Nr. 23 (01.04.2022): 34–39. http://dx.doi.org/10.2478/rae-2022-0004.