Dissertationen zum Thema „Jazz Analysis, appreciation“
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Mahoney, J. Jeffrey. „The Elements of Jazz Harmony and Analysis“. Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500764/.
Sugg, Andrew Norman. „Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman : a thesis presented to the Elder Conservatorium, Adelaide University, in fulfillment of the requirements of the degree of Doctor of Philosophy“. Title page, abstract and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phs947.pdf.
Cogswell, Michael. „Melodic Organization in Four Solos by Ornette Coleman“. Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501207/.
Brien, Stephen. „An investigation of forward motion as an analytic template“. Master's thesis, Sydney Conservatorium of Music, 2004. http://hdl.handle.net/2123/9045.
Williams, Alwyn. „The color of sound : jazz and the American intelligentsia, 1919-1939 / Alwyn Williams“. Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27982.
Murdock, Matthew C. „Sidewinder syndrome : improvisational vocabulary and construction of Richard "Blue" Mitchell and Lee Morgan“. Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1364934.
School of Music
Kelly, Kenneth Todd. „Chet Baker : a study of his improvisational style, 1952-1959“. Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.
School of Music
Kteily-O'Sullivan, Laila Rose. „Klangfarben, Rhythmic Displacement, and Economy of Means: A Theoretical Study of the Works of Thelonious Monk“. Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501262/.
Hedenstrom, Aaron. „Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom“. Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849643/.
Pamies, Sergio 1983. „The Controversial Identity of Flamenco Jazz: A New Historical and Analytical Approach“. Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849724/.
Heffner, Steven (Bassist). „An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance“. Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609128/.
Harris, Mark. „Polyphony as a compositional device of Dave Holland“. Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/20468.
White, Paul Greggers. „Discord suite for jazz orchestra“. Thesis, 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3110741.
De, Castro Paul Jose. „Three movements for jazz orchestra based on the Cuban rumba“. Thesis, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3108489.
Sugg, Andrew Norman. „Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman / by Andrew Norman Sugg“. Thesis, 2001. http://hdl.handle.net/2440/21706.
xi, 359 leaves : music ; 30 cm.
Investigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.
Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2001