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Thematische Bibliographien / Jayanta Mahapatra

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Auswahl der wissenschaftlichen Literatur zum Thema „Jayanta Mahapatra“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Jayanta Mahapatra"

1

Perry, John Oliver, Jayanta Mahapatra und P. P. Raveendran. „The Best of Jayanta Mahapatra“. World Literature Today 71, Nr. 1 (1997): 223. http://dx.doi.org/10.2307/40152782.

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2

Ms. I. M. Sheeba Alorcious und Dr. K. Balachandran. „Picturization of Women: With Reference to the Select Poems of Jayanta Mahapatra“. Creative Launcher 8, Nr. 3 (30.06.2023): 50–56. http://dx.doi.org/10.53032/tcl.2023.8.3.06.

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The present research aims to explore the representation and portrayal of women in the selected poems of Jayanta Mahapatra, one of India’s most profound and prolific contemporary English poets. His compelling depictions of women often encompass and transcend the boundaries of traditional Indian cultural norms and societal structures, thus requiring a detailed, nuanced investigation. His poems deal with the alienation of women from themselves and from the society. The atrocities that are exerted on women is explicitly exposed by the poet. They were not only termed as weaker sex by the patriarchal society but also made them as such. The poet stands by the deprived section of the society and acts as a voice of them, as the silent screaming is not heard by the world. His works serve as a bridge between the world of man and the world of woman. The pivotal focus of this study is an examination of Mahapatra’s depiction of women, ranging from symbolizing pure innocence and tradition to epitomizing complex modern experiences and gendered identity. The research critically investigates how the poet’s use of imagery, metaphors, and symbolic language paints a vivid picture of women across his poems, thereby adding another dimension to the thematic concerns of his poetic oeuvre. Moreover, the paper scrutinizes the elements of socio-cultural context, gender constructs, and feminist perspectives within Mahapatra's poetic descriptions. Through this examination, it seeks to analyze the intertwining of the personal, social, and cultural experiences of women in the poet's picturization. The study further delves into Mahapatra's poetry’s use of nature and its metaphorical connections to femininity, while considering Indian societal realities and dynamics. Mahapatra’s depiction of women in his poetry transcends from being merely characters to profound representations of societal paradigms and discourses, reflecting the inherent challenges and conflicts that women face in a patriarchal society.

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3

Ghosh, Subho. „Jayanta Mahapatra’s Poetry : A Mythic Mirage of Social Introspection on the Bedrock of Reality“. INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, Nr. 11 (01.11.2023): 1–11. http://dx.doi.org/10.55041/ijsrem27373.

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Jayanta Mahapatra’s impregnation of socio-cultural backdrops that he discerns in his locale fetches him face to face with history and myth when his “self” is connoted in the act of attention. The intimacies amid the self and reality - the reality that flees but comprises self and culture form the bedrock of Mahapatra’s poetry. To him, it is the investigation of myths and it is leashed with the world of art and sculpture. He keeps on his quest for a divine spirit and for charm in the relationship between man and man, and God and God, men and sculptured art. Mahapatra holds forth to have the condemnation that tradition is and continuance, it is entirety and one has to fathom the present in terms of the past and the past in terms of the present. There is a dense token of introspection in his poetry. The elementary poetry of Mahapatra is a satiric repercussion on past and current racial, religious, cultural, and societal life. The poet's attempt to extract meaning from his emotional and intellectual existence is often shown in Oriya culture. He exercises the Oriya life caught in the current of time as the impulsive millstone for his poetry. Keywords: Indian culture, social introspection, poetry, sensibility, self-exploration, discovery

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4

Mohanty, Sachidananda. „Jayanta Mahapatra in Conversation with Sachidananda Mohanty“. South Asian Review 34, Nr. 2 (Oktober 2013): 111–22. http://dx.doi.org/10.1080/02759527.2013.11932932.

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5

Dabydeen, Cyril. „Telephone message for Mr Jayanta Mahapatra: A memoir“. World Literature Written in English 32, Nr. 1 (März 1992): 88–95. http://dx.doi.org/10.1080/17449859208589181.

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6

Dr. Ashish Gupta. „Variegated Aspect of the Poetry of Jayanta Mahapatra“. Creative Launcher 4, Nr. 4 (31.10.2019): 24–30. http://dx.doi.org/10.53032/tcl.2019.4.4.04.

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Much of modern poetry speaks about contemporary life and society. Poems of today are short and compact. They deal with various aspects of common life. Delicate feelings and personal notes are handled deftly. Creative work in poetry is a discovery of oneself at a particular moment which just happens and it does not follow a particular programme. Poetry is discovered, not invented. It is a free and natural blooming that takes place in a language rather than a planed composition meant to be accommodated in a framework, already existing. The poet creates a new form which helps him know himself, see himself, and analyse himself. It is like self-creation and self-realisation, which reveal the beauty of poetry that flows from the heart of the poet. Poets like Jayanta Mahapatra pictures the live and vital nature of earth and society and the themes of their poems bring forth and present the important places of Orissa. English Poetry in India, today makes the English language more malleable to change with ease and naturalness. The poets draw their themes, with conscious efforts, out of the glorious ancient Indian culture. The collage of concrete images derived from the multi-dimensional learning of science, economy, geography, philosophy, psychology, ethics, scriptures and so on vindicates the realistic trends that pervade modern poetry. It is in this context, the researcher feels that a study has to be undertaken on Jayanta Mahapatra who has carved a niche for himself in Indian poetry in English by merging the inward and outward modes of expression.

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7

Swain, Rachita. „Noon: New and Selected Poems by Jayanta Mahapatra (review)“. World Literature Today 98, Nr. 3 (Mai 2024): 63. http://dx.doi.org/10.1353/wlt.2024.a925288.

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8

Swain, Rabindra K. „The Lie of Dawns: Poems 1974-2008 by Jayanta Mahapatra“. World Literature Today 85, Nr. 1 (2011): 72. http://dx.doi.org/10.1353/wlt.2011.0132.

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9

Das, Mrinal Kanti. „Exploration of Humanistic Insight in the Poetry of Jayanta Mahapatra“. POETCRIT 33, Nr. 2 (25.06.2019): 57–63. http://dx.doi.org/10.32381/poet.2020.33.02.7.

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10

G., Ranjit, und Dr K. Rajkumar. „Eco-critical Elements in the Selected Poems of Jayanta Mahapatra“. SMART MOVES JOURNAL IJELLH 8, Nr. 5 (28.05.2020): 1. http://dx.doi.org/10.24113/ijellh.v8i5.10576.

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Jayanta Mahapatra is a well-known, distinguished, Indo-Anglican writer whose poems and short stories are acknowledged worldwide. He was awarded the Sahithya Akademi Award for his work Relationship in 1981, which enabled him to gain the name of one of the doyens of Indian English Poetry. His major themes are all linked with his native place Orissa. His poems mentions Puri, Konarka, Chilika lake, Bhubaneswar recurrently and each of them are pictured in detail. An Ecocritical study on his poems is worth probing as it deserves more attention and consideration in the current state of environmental crisis. His sole inspiration is his interaction with the nature and his intimate relationship to it. As ecocriticism rightly perceives it as the study of the relationship between human and nature, deserves a detailed study with his poems. River daya in his poem takes the role of a bearer of history and is the memory of the past valor and glory of Orissa. The study here focuses on the elements of ecocriticism in his selected poems.

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Dissertationen zum Thema "Jayanta Mahapatra"

1

Mitra, Zinia. „Poetry of Jayanta Mahapatra : a study in the pattern of imagery“. Thesis, University of North Bengal, 2006. http://hdl.handle.net/123456789/1144.

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2

Syal, P. „A stylistic analysis of Idanre by Wole Soyinka and Relationship by Jayanta Mahapatra, in the context of non-native literature in English“. Thesis, Lancaster University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379734.

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Bücher zum Thema "Jayanta Mahapatra"

1

Das, Bijay Kumar. The Poetry of Jayanta Mahapatra. Calcutta, India: Writers Workshop, 1992.

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2

Mahapatra, Jayanta. The best of Jayanta Mahapatra. Calicut, Kerala, India: Bodhi Pub. House, 1995.

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3

The poetry of Jayanta Mahapatra: A critical study. New Delhi: Prestige Books, 2000.

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4

1950-, Prasad Madhusudan, Hrsg. The poetry of Jayanta Mahapatra: Some critical considerations. Delhi: B.R. Pub. Corp., 2000.

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5

Modern Indian poet writing in English: Jayanta Mahapatra. Jaipur: Mangal Deep Publications, 2000.

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6

1950-, Prasad Madhusudan, Hrsg. The Poetry of Jayanta Mahapatra: A critical study. New Delhi: Sterling Publishers, 1986.

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7

Recollection as redemption: A study in the poetry of Jayanta Mahapatra, A.K. Ramanujan, R. Parthasarathy, and Kamala Das. Delhi: Authorspress, 2004.

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8

Mohan, Devinder. Jayant Mahapatra. New Delhi: Arnold-Heinemann, 1987.

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9

Contemporary Indian poetry in English: With special emphasis on Nissim Ezekiel, Kamala Das, R. Parthasarathy, and A.K. Ramanujan : other poets assessed are Kolatkar, Shiv K. Kumar, Keki Daruwala, Jayanta Mahapatra, and Arvind Krishna Mehrotra. New Delhi: Reliance Pub. House, 1990.

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10

Nature-culture metonymy: Quest for lost horizons in Jayanta Mahapatra's poetry. New Delhi: Adhyayan Publishers & Distributors, 2013.

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Buchteile zum Thema "Jayanta Mahapatra"

1

„Jayanta Mahapatra b. 1928“. In Name Me a Word, 163–69. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300235654-020.

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2

„THE POETRY OF JAYANTA MAHAPATRA (1928- )“. In Marginalized: Indian Poetry in English, 117–26. Brill | Rodopi, 2014. http://dx.doi.org/10.1163/9789401210331_008.

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