Auswahl der wissenschaftlichen Literatur zum Thema „Japanese-Style painting (nihonga)“
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Zeitschriftenartikel zum Thema "Japanese-Style painting (nihonga)"
Foxwell, Chelsea. „The Painting of Sadness? The Ends of Nihonga, Then and Now“. ARTMargins 4, Nr. 1 (Februar 2015): 27–60. http://dx.doi.org/10.1162/artm_a_00104.
Der volle Inhalt der QuelleYiengpruksawan, Mimi Hall, Ellen P. Conant, Steven D. Owyoung und J. Thomas Rimer. „Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968“. Journal of Japanese Studies 25, Nr. 1 (1999): 161. http://dx.doi.org/10.2307/133366.
Der volle Inhalt der QuelleFister, Patricia, Ellen P. Conant, Steven D. Owyoung und J. Thomas Rimer. „Nihonga, Transcending the Past: Japanese-Style Painting, 1868-1968“. Monumenta Nipponica 52, Nr. 2 (1997): 286. http://dx.doi.org/10.2307/2385583.
Der volle Inhalt der QuelleWeisenfeld, Gennifer. „Nihonga, Transcending the Past: Japanese-Style Painting 1868–1968. By Ellen P. Conant, J. Thomas Rimer, and Stephen Owyoung. New York: Weatherhill, 1995. 352 pp. $80.00.“ Journal of Asian Studies 56, Nr. 4 (November 1997): 1094–96. http://dx.doi.org/10.2307/2658329.
Der volle Inhalt der QuelleHuang, Peishan. „The Dynamics Between East and West in Meijis Japan: Hishida Shuns, Morotai, and Nihonga Paintings“. Communications in Humanities Research 18, Nr. 1 (07.12.2023): 256–66. http://dx.doi.org/10.54254/2753-7064/18/20231186.
Der volle Inhalt der QuelleGelūnas, Arūnas. „Making Art in the Japanese Way: Nihonga as a Process and Symbolic Action“. Acta Orientalia Vilnensia 5 (01.12.2004). http://dx.doi.org/10.15388/aov.2004.18245.
Der volle Inhalt der QuelleDissertationen zum Thema "Japanese-Style painting (nihonga)"
Yu, Yue. „La diffusion et la réception des arts graphiques japonais modernes en France (1919-1939)“. Electronic Thesis or Diss., Université de Lille (2022-....), 2023. http://www.theses.fr/2023ULILH062.
Der volle Inhalt der QuelleDuring the 1920s and 1930s, Japan and France enjoyed particularly rich cultural exchanges. Many Japanese artists came to Paris to study Western painting, some going so far as to compete in Parisian Salons. At least 200 artists exhibited at the parisiens Salons. On the Japanese side, for example, 32 group exhibitions of Japanese artists were organised in France during this period, either by the imperial government or on the initiative of the artists themselves. More than 70 solo exhibitions in Parisian galleries were also dedicated to Japanese artists. On the French side, the art dealer Herman d'Oelsnitz and the Société d'art franco-japonaise organised no fewer than 23 exhibitions of French art in Japan. In 1928, masterpieces from the Musée du Luxembourg were sent to Tokyo, while an exhibition of Japanese art was held at the Musée du Jeu de Paume in 1929. After this exhibition, apart from the 13 paintings bought by the French state, 81 paintings and 31 decorative arts were sold to private collectors. As for prints, 19 were bought by the French State. These particularly intense relations lead us to ask questions such as: why did Japanese artists come to Paris? What selection criteria did Japan adopt for exhibitions of Japanese art? How were Japanese artists and their works perceived in France? What type of work was acquired in France, Japanese-style painting (nihonga) or Western-style painting (yōga), or both? The analyses will pave the way for a better understanding of the dynamic exchanges between Japan and France, exchanges whose importance is also reflected in today's art world
Bücher zum Thema "Japanese-Style painting (nihonga)"
Conant, Ellen P. Nihonga: Transcending the past : Japanese-style painting, 1868-1968. St. Louis, Mo: St. Louis Art Museum, 1995.
Den vollen Inhalt der Quelle findenBijutsukan, Uehara Kindai. Korekushon: Nihonga hen. Shizuoka-ken Shimoda-shi: Zaidan Hōjin Uehara Kindai Bijutsukan, 2005.
Den vollen Inhalt der Quelle findenBijutsukan, Aichi-ken. Kindai no nihonga: Seiyō to no deai to taiwa = Nihonga, traditional-style modern Japanese painting. Nagoya-shi: Aichi-ken Bijutsukan, 1993.
Den vollen Inhalt der Quelle findenTamamura, Hokuto. Nihonga kaikaku no sendōsha Tamamura Hokuto ten =: Tamamura Hokuto : revolutionary of the Japanese style painting. [Hayama-machi]: Kanagawa Kenritsu Kindai Bijutsukan, 2007.
Den vollen Inhalt der Quelle findenKojima, Takashi. Kindai nihonga ubugoe no toki: Okakura Tenshin to Yokoyama Taikan, Hishida Shunsō. Kyōto-shi: Shibunkaku Shuppan, 2004.
Den vollen Inhalt der Quelle findenBijutsukan, Gifu-ken. Gifu-ken Bijutsukan shozō Nihonga yōga meihin 100-sen ten. [Mito-shi]: Ibaraki-ken Kindai Bijutsukan, 2004.
Den vollen Inhalt der Quelle findenBijutsukan, Tōkyō Kokuritsu Kindai. Tōkyō Kokuritsu Kindai Bijutsukan shozō kindai no meisaku: Nihonga, yōga, hanga, chōkoku. [Tokyo]: Tōkyō Kokuritsu Kindai Bijutsukan, 2000.
Den vollen Inhalt der Quelle findenBijutsukan, Tōkyō-to. Nihonga no zenʼeitachi: Imamura Shikō, Hayami Gyoshū, Matsuoka Eikyū, Kaburagi Kiyokata ... = Forerunners of Japanese-style painting, 1900-1930. Tōkyō: Tōkyō-to Bijutsukan, 1986.
Den vollen Inhalt der Quelle findenShinkōkai, Tōkyō-to Bunka. Taishō nihonga no wakaki shunʼeitachi: Imamura Shikō to Sekiyōkai = Sekiyōkai, Shikō Imamura and reformers of Japanese style painting 1912-1916. [Tokyo]: Tōkyō-to Bunka Shinkōkai, 1993.
Den vollen Inhalt der Quelle findenShimada, Yasuhiro. Nihonga ni miru sakura: Yokoyama Taikan kara Nakajima Chinami made = Picture in Japanese style of cherry blossoms. 8. Aufl. Kyōto-shi: Kabushiki Kaisha Seigensha, 2014.
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