Thematische Bibliographien / Jane de La Vaudère

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Jane de La Vaudère“

Autor: Grafiati
Veröffentlicht am 29. März 2025

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Zeitschriftenartikel zum Thema "Jane de La Vaudère"

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Mesch, Rachel. „Husbands, Wives and Doctors: Marriage and Medicine in Rachilde, Jane de La Vaudère and Camille Pert“. Dix-Neuf 11, Nr. 1 (November 2008): 90–104. http://dx.doi.org/10.1179/147873108790872648.

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Christiansen, Hope. „Decadent Feminism: Mentorship in Jane de La Vaudère's Les Demi-sexes (1897)“. Rocky Mountain Review 76, Nr. 2 (September 2022): 221–43. http://dx.doi.org/10.1353/rmr.2022.0025.

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Larson, Sharon. „The Feminine Copy: Travel and Textual Reproduction in Jane de la Vaudère's Les Demi-sexes“. Women in French Studies 2018, Nr. 1 (2018): 225–40. http://dx.doi.org/10.1353/wfs.2018.0011.

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Martinez, Meritxell. „Jean, Jeanne, Jane, sweet Jane“. Lignes 49, Nr. 1 (2016): 56. http://dx.doi.org/10.3917/lignes.049.0056.

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Bilgere, George. „Jane“. Academic Medicine 90, Nr. 4 (April 2015): 448. http://dx.doi.org/10.1097/acm.0000000000000651.

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Edwards, Niki. „Jane“. Advances in Mental Health and Learning Disabilities 2, Nr. 2 (Juni 2008): 49–54. http://dx.doi.org/10.1108/17530180200800018.

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Macari, Anne Marie. „Jane“. Italian Americana XLI, Nr. 2 (01.08.2023): 133–34. http://dx.doi.org/10.5406/2327753x.41.2.14.

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Freeman, Michael. „Jane Boylan and Jane Dalrymple, eds.“ International Journal of Children’s Rights 22, Nr. 1 (2014): 232–33. http://dx.doi.org/10.1163/15718182-55680143.

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Hopgood, F. „Jane Campion: Cinema, Nation, Identity * Jane Campion“. Screen 51, Nr. 1 (01.03.2010): 84–89. http://dx.doi.org/10.1093/screen/hjp047.

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Habel, Jennifer. „Jane and the Escapes, and: Diagnosis: Jane“. Pleiades: Literature in Context 40, Nr. 1 (2020): 164–65. http://dx.doi.org/10.1353/plc.2020.0029.

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Dissertationen zum Thema "Jane de La Vaudère"

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Lavigne, Valérie. „« Féminiflores » : le motif de la femme-fleur dans l'imaginaire décadent“. Electronic Thesis or Diss., Université Côte d'Azur, 2024. https://theses.hal.science/tel-05000838.

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Le motif de la femme-fleur, récurrent dans les représentations littéraires et iconographiques de la fin du XIXe siècle, a un sens spécifique dans l'imaginaire décadent. Un large corpus de romans, de nouvelles et de poèmes, organisé notamment autour des œuvres de Jane de La Vaudère et de Félicien Champsaur, ainsi que de tableaux, d'affiches et de lithographies, faisant la part belle aux œuvres d'Edmond Rocher, de Georges de Feure et d'autres artistes Art nouveau, permet de rendre compte de son succès entre 1880 et 1910 et d'analyser ses caractéristiques symboliques. En lien avec un contexte de misogynie avérée d'une part et d'engouement pour l'horticulture d'autre part, la parenté entre femme et fleur témoigne des obsessions d'une époque. La femme-fleur est l'une des modalités de la femme fatale, figure d'une essence féminine séductrice et duplice, à la fois belle et dangereuse. La thèse s'attache non seulement à mettre au jour la fécondité des images florales pour dire la femme fatale, mais aussi à montrer qu'elles ont pour effet d'érotiser et d'esthétiser cette figure du féminin fatal, d'en faire à la fois un objet de désir et un objet d'art. Le travail est organisé en trois parties : l'enracinement du motif de la femme-fleur dans l'esthétique décadente, l'éclosion d'un érotisme floral, et l'épanouissement d'une icône 1900. La première partie vise à identifier et analyser les traits caractéristiques des femmes-fleurs décadentes, envisagées comme des parangons de cette esthétique. La deuxième partie étudie la portée érotique de l'association entre femme et fleur, détaillant comment les dimensions concrètes et symboliques de la fleur permettent de décrire le sexe et la sexualité. La troisième partie traite de la consécration et de la codification du motif de la femme-fleur, devenu emblématique au début du XXe siècle, marquant le triomphe de son caractère ornemental sur son caractère fatal. Ce parcours souligne que le motif de la femme-fleur est crucial dans l'imaginaire décadent, dont il cristallise plusieurs dimensions, et permet de conclure à une objectification et à une minoration symbolique du féminin par les images florales
The motif of the flower-woman, widespread in literature and the pictorial arts at the end of the nineteenth century, carries specific meaning in the Decadent movement. Through a broad corpus of novels, short stories and poems, centered on Jane de La Vaudère and Félicien Champsaur, as well as paintings, posters and lithographs by various Art nouveau artists like Edmond Rocher and Georges de Feure, this dissertation accounts for the trope's success between 1880 and 1910, and analyzes its symbolic characteristics. In a context marked by blatant misogyny and horticultural enthusiasm, the link between women and flowers encapsulates the obsessions of an era. The flower-woman is one of the many facets of the femme fatale, a figure of the seductive and duplicitous female, both beautiful and dangerous. The thesis not only sheds light on the fecundity of floral images to express the femme fatale, but also shows that they serve to eroticize and aestheticize it, making it both an object of desire and a work of art. The dissertation is organized in three parts: the rooting of the flower-woman motif in Decadent aesthetics, the blossoming of a floral eroticism, and the flourishing of a 1900 icon. The first part identifies and analyzes the characteristic traits of decadent flower-women, considered as paragons of this aesthetic. The second part studies the erotic scope of the association between woman and flower, detailing how the concrete and symbolic aspects of flowers express sex and sexuality. The third part considers the consecration and codification of the motif of the flower-woman, which became emblematic at the beginning of the twentieth century, marking the triumph of its ornamental character over its fatal character. This thesis shows that the flower-woman motif is crucial in the Decadent movement, of which it crystallizes several dimensions, and that the floral images objectify and debase the female gender
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French, Esther. „Sadie Jane“. TopSCHOLAR®, 2019. https://digitalcommons.wku.edu/theses/3161.

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Sadie Jane is a novella set in the town of Gypsum, a fictional location in rural Kentucky. The introduction covers the inspiration for the novella, which is based on Southern storytelling traditions and features the adventures of Sadie Jane, an independent octogenarian who returns to her hometown after many years. Sadie experiences the internal challenges of regrets and grief as well as the external challenges of busybodies and car thieves before finding her place in the community.
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Caldas, Marina Oliveira. „Pelos olhos de Jane: o in between em Jane Eyre“. Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-09012018-181955/.

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A presente dissertação tem como objetivo investigar a sedimentação sócio-histórica do romance de estreia de Charlotte Brontë, Jane Eyre (1847), a partir de seu foco narrativo. Ao atentar à fortuna crítica da obra, em especial às resenhas que seguiram a publicação do romance e às críticas materialista e feminista, distinguem-se duas tendências, dois modos de entender Jane Eyre. Por meio da análise de trechos do romance, visa-se ilustrar como essas duas vias de leitura são possíveis por conta da posição ambígua da narradora-personagem dentro da sociedade vitoriana. Expandindo o conceito de Terry Eagleton do in between, argumenta-se que, por estar sempre em uma posição entre as classes alta e baixa e por desejar inserção, Jane relata e denuncia as violências que permeiam a sociedade vitoriana e, ao mesmo tempo, incorpora o discurso dominante, mesmo quando esse vai contra ela mesma. Entende-se, assim, que o romance retrata a situação contraditória da classe média e o impacto de viver nessa posição na própria consciência do indivíduo, isto é, na sua visão de si e do mundo, como observado na voz da narradora de Jane Eyre.
The aim of this dissertation is to investigate the social and historical sedimentation of Charlotte Brontës 1847 debut novel, Jane Eyre, by exploring its point of view. Drawing from the novels literary criticism, especially from the reviews that followed its publication and from the Feminist and Marxist criticism, two different ways of understanding Jane Eyre are distinguished. The close reading of excerpts from Charlotte Brontës work aims at highlighting that these two readings are possible due to the narrators ambiguous position in the Victorian social structure. By expanding Terry Eagletons concept of the in between, it is discussed that, since Jane is from the very beginning of the novel in a position between the upper and lower classes and she longs for inclusion, she accounts on and denounces the violence that permeated the Victorian society, just as, at the same time, she incorporates the dominant discourse even when it speaks against herself. Thus, it is understood that the novel portrays the contradictory situation of the petty bourgeoisie and the impact of being in such a position on the individuals consciousness, as it is seen in Jane Eyres narrators voice.
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Glosson, Sarah G. „Performing Jane: a cultural history of Jane Austen's fans in America“. W&M ScholarWorks, 2015. https://scholarworks.wm.edu/etd/1539720290.

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Jane Austen's American fans have a vibrant history. This dissertation traces how fans have sustained devotion to Austen, her works, and her world since the early nineteenth century through a set of practices still current among fans today: collecting objects and knowledge; writing imitative works; and carrying out literary pilgrimage.;I argue that these three modes of engagement are performative. Through practices such as creating and collecting material objects, and writing and reading fan fiction, fans engage in acts of what Joseph Roach has called surrogation. This is a performative means through which fans seek a substitute for a past affective experience that can never be repeated in the same way, such as reading a beloved novel for the first time. These acts take place within the everyday lives of fans who seek pleasure from Austen's world. Through pilgrimage fans enter into a liminal space, apart from the quotidian, where they may perform subjectivity as fans. These performances are enacted during pilgrimage to Austen-related sites, as well as to special events like those sponsored by the Jane Austen Society of North America.;Throughout this dissertation I offer evidence of fan practices overlooked or underrepresented by past studies. This evidence reveals nearly two hundred years of continuity within the American Austen fandom. These fans enjoy a nostalgic, personal connection to Austen, her characters, and her era. their practices offer means of entering Austen's world, seeking pleasure, fulfillment, and community; they also offer means of re-engaging with the original texts, always in search of something new within the familiar.;This case study of Jane Austen fandom contributes to the larger understanding of fans and fan practices. The Austen fandom boasts unique qualities and has a history predating the term "fan," yet it resembles recent popular culture media fandoms. Through a history of three modes of fan practices, I describe and theorize how performativity and surrogation work within fandom, proposing new, more specific ways of understanding the subjectivity, history, and practices of fans---representing prevalent and creative ways American culture consumes literature and narrative media.
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Stensson, Anna-Maja. „Jane Eyre av Charlotte Brontë? : En komparativ analys av Charlotte Brontës Jane Eyre och en lättläst adaptation av Jane Eyre“. Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-47932.

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Sedan 1968 har det producerats lättlästa böcker i Sverige. Lättlästa böcker som riktar sig till vuxna läsare som har någon form av svårighet med att läsa. Den här uppsatsen presenterar en komparativ analys av Charlotte Brontës Jane Eyre och en svensk lättläst adaptation av romanen. Uppsatsen handlar om vad som händer när ett litterärt verk omarbetas till en lättläst text. Analysen berör skillnader och likheter i vad som berättas och hur det berättas. De båda verken diskuteras parallellt. Det ges även en presentation av vad lättlästa böcker är. Resultatet visar på att det finns skillnader mellan de två verken och att adaptationen är en mycket förkortad och förenklad version av originalet, där det både har tagits bort men även gjorts ändringar i handlingen.
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Johansson, Agneta. „The Struggle Within Jane“. Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-6904.

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Begum, Jinat Rehana. „Jane Austen's early readers“. Thesis, University of York, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533498.

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James, Nicola. „Jane Gardam : religious writer“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7628/.

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This thesis examines the work of the award-winning contemporary English short story and novel writer Jane Gardam. It proposes that much of her achievement and craft stems from her engagement with religion. It draws on Gardam’s published works from 1971 to 2014 including children’s books and adult novels. While Gardam has been reviewed widely, there is little serious critical appreciation of her fiction and there are misreadings of the influence of religion in her work. I therefore analyse the religious dimensions of her stories: the language, stylistics and hermeneutic of Gardam’s three religious influences, namely the Anglo-Catholic, Benedictine and Quaker movements and how she sites them within her work. The thesis proposes lectio divina, arguably an ancient form of contemporary reader-response criticism, as a framework to describe the Word’s religious agency when embedded or alluded to in fiction. It also considers and applies critical discussion on the medieval concept of the aevum, a literary religious space. Finally, I suggest that religious writing such as Gardam’s has a place in the as yet unexplored ‘poetic’ strand of Receptive Ecumenism, a new movement that seeks to address reception of the Word between members of different faith communities. Having examined many aspects of Gardam’s writing, its history and potential, I conclude that her achievement owes much to her engagement with particular and divergent forms of religious life and practice.
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Trunel, Lucile Cachin Marie-Françoise Ogée Frédéric. „Les éditions françaises de l'oeuvre de Jane Austen (1815-2007) : l'apport de l'histoire éditoriale à la compréhension de la réception de l'auteur en France /“. [S. l.] : [s. n.], 2008. http://catalogue.bnf.fr/ark:/12148/cb41260867p.

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Thèse de doctorat--Sociétés anglophones--Paris 7, 2008.
Contient un résumé en anglais. Bibliogr. et webliogr. p. 508-538. Chronologie de la vie de Jane Austen p. 539-540. Table des éditions française de Jane Austen p. 541-547. Notes bibliogr. Index.
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Edwards, John Stephan. „'Jane the Quene': A new consideration of Lady Jane Grey, England's nine-days queen“. Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3256390.

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Bücher zum Thema "Jane de La Vaudère"

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Lindner, April. Jane. New York: Little, Brown, 2010.

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Behrman, S. N. Jane. Alexandria, VA: Alexander Street Press, 2005.

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Kehoe-Hokanson, Channing. Jane. [New York: Columbia University ; School of the Arts, 2011.

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Denis, Falque, Hrsg. Jane. Tournai: Casterman, 1998.

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Tan, Maureen. AKA Jane. New York: Mysterious Press, 1997.

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Resurrecting Jane de la Vaudère: Literary Shapeshifter of the Belle Époque. Pennsylvania State University Press, 2024.

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Larson, Sharon. Resurrecting Jane de la Vaudère: Literary Shapeshifter of the Belle Époque. Pennsylvania State University Press, 2022.

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Jane. Panini Comics, 2018.

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Vivino, Annalisa Esposito. Jane. Independently Published, 2017.

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Enamorado, Miguel Jordán. Jane. Independently Published, 2018.

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Buchteile zum Thema "Jane de La Vaudère"

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Leavy, Patricia, und Victoria Scotti. „Jane“. In Low-Fat Love Stories, 35–41. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6300-818-1_5.

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Dawson, Peg Hurley. „Jane“. In Sand Therapy for Out of Control Sexual Behavior, Shame, and Trauma, 145–58. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003388302-15.

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Dawson, Peg Hurley. „Jane“. In Sand Therapy for Out of Control Sexual Behavior, Shame, and Trauma, 134–44. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003388302-14.

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Jakes, Simon. „Jane“. In Using Psychodynamic Thinking to Enhance CBT in Clients with Psychosis, 89–96. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003168379-9.

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Mazur, Krystyna. „Becoming-Jane Becoming-Animal: Jane Brakhage“. In Experimental Film and Artists’ Moving Image, 189–231. Cham: Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-59695-7_6.

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Arthure, Susan. „Balme, Jane“. In Encyclopedia of Global Archaeology, 1276–77. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2398.

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Miller, Erica-Jane. „Dieulafoy, Jane“. In Encyclopedia of Global Archaeology, 3282–83. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_3306.

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Singh, Karun K. „Addams, Jane“. In International Encyclopedia of Civil Society, 1–2. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-99675-2_170-1.

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Neumann, Birgit. „Urquhart, Jane“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17280-1.

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Markwick, Margaret. „Jane Eyre“. In A Companion to the Brontës, 101–13. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118405543.ch6.

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Konferenzberichte zum Thema "Jane de La Vaudère"

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Shokhrukhovna, Ulugova, Uktamova Khasanovna und Abdullayeva Parvina. „Metaphorical Insights into Human Psychology in Jane Eyre“. In The Second Pamir Transboundary Conference for Sustainable Societies- | PAMIR, 138–42. SCITEPRESS - Science and Technology Publications, 2023. https://doi.org/10.5220/0012680200003882.

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Wang, Jinhuan, Yuzhen Zhao, Xujie Song, Wenzhou Chen und Qi Xuan. „JANE: Joint Angle Networks Assisting 3D Human Pose Estimation“. In ICASSP 2025 - 2025 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 1–5. IEEE, 2025. https://doi.org/10.1109/icassp49660.2025.10888577.

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Vila Maior, Guilherme, Bruno Giesteira und Viviane Peçaibes. „JANE DOE’S MISSION: A SERIOUS-CRITICAL DIGITAL GAME FOR WEB DESIGNERS AND DEVELOPERS TO TRAIN WEB ACCESSIBILITY FOR SCREEN READERS“. In 17th annual International Conference of Education, Research and Innovation, 8917–26. IATED, 2024. https://doi.org/10.21125/iceri.2024.2240.

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Viveiros, Geneviève De. „Naturalisme et théorie littéraire dans « Le Sang » de Jane de la Vaudère“. In Théorie littéraire féminine à la Belle Époque. Fabula, 2023. http://dx.doi.org/10.58282/colloques.10997.

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Machidon, Octavian, Davor Sluga und Veljko Pejović. „Queen Jane Approximately“. In EuroSys '21: Sixteenth European Conference on Computer Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3437984.3458833.

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Zhu, Shiting. „Why Jane Eyre is Jane Eyre – An Analysis of the Influence of Foster Care Education on Jane Eyre with Satya’s Iceberg Theory“. In The 5th World Conference on Social Sciences and Humanities. Acavent, 2022. http://dx.doi.org/10.33422/5th.shconf.2022.10.104.

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Yang, Liang, Yuexue Wang, Junhua Gu, Chuan Wang, Xiaochun Cao und Yuanfang Guo. „JANE: Jointly Adversarial Network Embedding“. In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/192.

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Motivated by the capability of Generative Adversarial Network on exploring the latent semantic space and capturing semantic variations in the data distribution, adversarial learning has been adopted in network embedding to improve the robustness. However, this important ability is lost in existing adversarially regularized network embedding methods, because their embedding results are directly compared to the samples drawn from perturbation (Gaussian) distribution without any rectification from real data. To overcome this vital issue, a novel Joint Adversarial Network Embedding (JANE) framework is proposed to jointly distinguish the real and fake combinations of the embeddings, topology information and node features. JANE contains three pluggable components, Embedding module, Generator module and Discriminator module. The overall objective function of JANE is defined in a min-max form, which can be optimized via alternating stochastic gradient. Extensive experiments demonstrate the remarkable superiority of the proposed JANE on link prediction (3% gains in both AUC and AP) and node clustering (5% gain in F1 score).
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Casey, Tom. „Dick and Jane do math“. In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281851.

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Chunling, Liu. „The Lexical Characteristics of Jane Eyre“. In 2015 International Conference on Social Science and Technology Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.75.

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Davis, Joyce, und Sarah Kuhn. „What makes Dick and Jane run?“ In the 2003 SIGMIS conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/761849.761878.

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Berichte der Organisationen zum Thema "Jane de La Vaudère"

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Martínez del Pozo, Álvaro. Retratos de Mujeres en Bioquímica: Jane S. Richardson. Sociedad Española de Bioquímica y Biología Molecular, August 2012. http://dx.doi.org/10.18567/sebbmdiv_rmb.2012.08.1.

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Tecle, Sam, Abena Offeh-Gyimah, Talisha Ramsaroop und Lorna Schwartzentruber. Jane Finch Community Research Partnership : November 29, 2016 Symposium Report. York University-TD Community Engagement Centre, 2016. http://dx.doi.org/10.25071/10315/36884.

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Turner, B., M. Quat, R. Debicki und P. Thurston. Jane Goodall Reclamation Trail, Greater Sudbury: healing Greater Sudbury's landscape. Natural Resources Canada/CMSS/Information Management, 2015. http://dx.doi.org/10.4095/329902.

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Trubey, D. K. JANE, A new information retrieval system for the Radiation Shielding Information Center. Office of Scientific and Technical Information (OSTI), Mai 1991. http://dx.doi.org/10.2172/6042716.

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Turner, B., M. Quat, R. Debicki und P. Thurston. Sentier de réhabilitation Jane Goodall, Grand Sudbury : remise en état du paysage du Grand Sudbury. Natural Resources Canada/CMSS/Information Management, 2015. http://dx.doi.org/10.4095/329903.

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Desk, Front. Report on the Regional Focal Points Meeting - Africa and Europe. Commonwealth of Learning (COL), April 2023. http://dx.doi.org/10.56059/11599/5316.

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The Regional Focal Points Meeting for Africa and Europe was held in Mahe, Seychelles from 20-21 February 2023. The two-day meeting was chaired by Prof. Asha Kanwar, President and CEO, Commonwealth of Learning (COL) and facilitated by Ms Frances Ferreira, Acting Director: Skills, Mr Robert Okinda, Adviser: TVSD, and Professor Jane-Frances Agbu, Adviser: Higher Education. Official representatives from 20 Commonwealth countries in the region participated in the two-day meeting. The list of participants and agenda of the meeting are included as Annex 1 and 2, respectively.
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Anker, Gabriel, Michael Herz, Josephine Müller, Cynthia Ruppert und Nabila Sayah. "Ich denke mir einfach, welche Personen will ich da unten sehen." : Soziale Praktiken des Selektierens an der Tür eines Technoclubs. Universitätsbibliothek J. C. Senckenberg, Frankfurt am Main, Dezember 2024. https://doi.org/10.21248/gups.87434.

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Die vorliegende ethnografische Studie beleuchtet die sozialen Praktiken des Selektierens an der Tür des Frankfurter Technoclubs FREUD, mit besonderem Fokus auf die Rolle der Selekteurin Jane Konchakov. Durch die Methode der teilnehmenden Beobachtung und systematischen Auswertung wird die Türpolitik am Clubeingang untersucht, um die komplexen Mechanismen und Dynamiken der Zugangskontrolle und deren sozialen Folgen zu verstehen. Dabei stehen im Vordergrund der Beobachtungen insbesondere die Interaktion zwischen den verschiedenen Akteuren - der Selekteurin, den Türstehern und auf der anderen Seite den Clubgästen - sowie den Selektionskriterien, wie Dresscode, äußere Erscheinung und Verhalten. Die Ergebnisse zeigen, dass die Selektionspraxis mehr als nur eine reine Zugangskontrolle ist: Ein zentraler Faktor ist die Konstituierung einer Crowd als Mittel für ein bestimmtes Image nach außen und um aus dem Selbstverständnis des Clubs heraus der queeren Community einen safer space zu bieten. Der Selektionsprozess an der Tür ist dabei als Abbild gesellschaftlicher Strukturen, Hierarchien und Wertvorstellungen zu sehen, die durch die spezifische Türpolitik ebenso reproduziert werden. Die Arbeit leistet einen Beitrag zur Soziologie des Bewertens und zur ethnografischen Näherung an urbane Nachtkulturforschung.
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Wendland, Sebastian, und Leila Rudzki. Exploring the Social Space in Theory and Practice. Association Inter-University Centre Dubrovnik, November 2024. http://dx.doi.org/10.53099/ntkd4312.

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In an essay, the authors of the University of Wuppertal want to devote themselves to the theory and practical methodology of "exploring and researching social space" in the context of socially just urban planning and, in doing so, first present positions of historical and contemporary urban planning and architectural criticism (such as from the Charter of Athens (cf. source year), urban planning concepts by Robert Moses as well as by Jane Jacobs and Jan Gehl) and set them against each other against the background of the consideration of researching social space. Furthermore, the essay can present practical examples from the methodology of social space research as applied in the exam project of Leila Rudzki in the course of study "Public Interest Design" and reflect on them against the background of the previously named parameters of socially just urban development. In addition to the above-mentioned thesis, the text contribution is based on a 60-minute lecture by the authors on the same topic, which was presented at the Convention „Narrative of the social" on 29.05. to 02.06.23 at the IUC under the direction of Prof. Dr. Heinz Sünker (University Wuppertal, Germany) and Prof. Dr. Goran Gretić (University of Zagreb, Croatia). The lecture expanded the plenary of the Convention, which was largely dedicated to the thematic stand of the "social" from the perspective of epistemological and critical theory, to include a design and planning-conceptual perspective, disciplines that represent the essential reference sciences of the study programme "Public Interest Design".
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‘Child Bereavement’ talks from Jane Fitz, and Suzie Phillips. ACAMH, Februar 2018. http://dx.doi.org/10.13056/acamh.4080.

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Narrative Matters: Wasting away and fed up – dietary battles in history. ACAMH, Januar 2024. http://dx.doi.org/10.13056/acamh.26051.

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Paper from the CAMH journal - 'Histories of anorexia nervosa (AN), mostly written since the 1970s, have a standard narrative. The story is of largely Eurocentric self-starvation in adolescent girls in response to sociocultural pressures on women who are trapped in disempowering patriarchal systems.' Jane Whittaker
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