Zeitschriftenartikel: „Jahanara“

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Hussain, Ashna. „Jahanara Begum: Self-representation in the Public Space“. Journal for the Academic Study of Religion 33, Nr. 2 (02.10.2020): 134–54. http://dx.doi.org/10.1558/jasr.42388.

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Ramsey, Mary K. „Paradise, Death and Doomsday in Anglo-Saxon Literature. Ananya Jahanara Kabir“. Speculum 80, Nr. 1 (Januar 2005): 242–43. http://dx.doi.org/10.1017/s0038713400007090.

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3

Rehman Ganie, Zahied. „CONTRIBUTION OF ROYAL MUGHAL LADIES IN THE FIELD OF ART AND ARCHITECTURE FROM 1526-1707 A.D: A BRIEF SURVEY“. International Journal of Research -GRANTHAALAYAH 6, Nr. 12 (31.12.2018): 34–37. http://dx.doi.org/10.29121/granthaalayah.v6.i12.2018.1074.

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Indian woman since ancient days had played an important role in the socio-cultural and philosophical development of the country. Especially in Medieval India, the royal ladies of the Mughal court were almost as remarkable as their male counterparts. Royal Mughal ladies like Hamida Banu Begam, Haji Begam, Nurjahan Begam, Jahanara Begam, Roshanara Begam, Zeb-un-Nisa Begum etc. not only played a dominant role in contemporary politics but also contributed a lot to artistic field. The present article is an attempt to highlight the contribution of Royal Mughal ladies especially in Artistic field.

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Adrián-Hernández, Jairo. „Ananya Jahanara Kabir’s Partition’s Post-Amnesias: 1947, 1971 and Modern South Asia“. Revista Canaria de Estudios Ingleses 76 (Mai 2018): 279–80. http://dx.doi.org/10.25145/j.recaesin.2018.76.025.

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Adrián-Hernández, Jairo. „Ananya Jahanara Kabir’s Partition’s Post-Amnesias: 1947, 1971 and Modern South Asia“. Revista Canaria de Estudios Ingleses, Nr. 76 (2018): 279–80. http://dx.doi.org/10.25145/j.recaesin.2018.76.25.

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6

Mumtaz, Khawar. „Nasra M. Shah (eel.). Pakistani Women: A Socioeconomic Demographic Profile. Islamabad: Pakistan Institute of Development Economics/Honolulu: East-West Center. 1986. xliv+412 pp.lllus., bibliog., index. Price: US$12.oo for hard cover; US$ 10.00 for paperback.“ Pakistan Development Review 26, Nr. 1 (01.03.1987): 121–23. http://dx.doi.org/10.30541/v26i1pp.121-123.

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Until very recently, women did not claim the attention of academicians in Pakistan. Short of cliche-ridden write-ups glorifying their exalted and sometimes imagined roles, little else was written to reveal the reality of women in the country's tribal, feudal, changing society. The exceptions have been reports and case studies, mostly commissioned by the Government or by international agencies. These, however, have remained confined to departmental files and a limited readership. The few titles which have appeared in the last ten years or so, besides a few autobiographies (e.g. Jahanara Shah Nawaz's, Shaista Ikramullah's), include Rashida Patel's book on the family laws, Parveen Shaukat Ali's study of women in the Muslim world and Kishwar Naheed's collection, in Urdu, of papers on some aspects of women in Pakistan.

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Maulana, M. Iqbal. „SPIRITUALITAS DAN GENDER: Sufi-Sufi Perempuan“. Living Islam: Journal of Islamic Discourses 1, Nr. 2 (28.11.2018): 359. http://dx.doi.org/10.14421/lijid.v1i2.1734.

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Today there have been many studies of Sufism, but not many studies have discussed the involvement and contribution of women in the realm of Islamic mysticism in particular. This fact cannot be used as an excuse to say that Sufism, especially Islam, completely ignores the position and contribution of women. The few studies, once again, cannot be used as an excuse that women have little contribution and position in the development and spread of Sufism's teachings, doctrines and prac- tices.This paper discusses the equality of women and men not only in the conceptual level as stated in the Qur'an and Hadith. Furthermore, a number of female Sufi fig- ures such as Rabi'ah Adawiyah, Aishah al-Ba'uniyyah, Jahan Malek Khatun, Mahsati Ganjavi (Persia), Habba Khatoon, Jahanara Begum (India), were shown, which proved that women had equal opportunities in achieving spiritual knowledge.

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Khan, Naiza, und Ananya Jahanara Kabir. „Near and Far SightSites Converge“. Monsoon 1, Nr. 1 (01.05.2023): 51–71. http://dx.doi.org/10.1215/2834698x-10345980.

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Abstract This conversation between an academic (Ananya Jahanara Kabir, Kings College London) and a visual artist (Naiza Khan, London-Karachi) draws on an intellectual exchange of over a decade to dredge up submerged histories of the Indian Ocean that both share as part of their relationship to the port cities of Kolkata and Karachi respectively. Responding to key works by Khan that reference the monsoon as a sensory context for that history, the interlocutors mobilize a conjunction of near and far sites and sights. They thereby reveal the necessity of recognizing water in all its atmospheric states as a connector between African and Asian landmasses; as a releaser of creolized ways of life that are repressed by nationalist, nativist, and casteist narratives; and as a generator of alegropolitics, or the politics of embodied joy, through which to resist those convergent landcentric hegemonies.

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Jalais, Annu. „Book Review: Ananya Jahanara Kabir. 2013. Partition’s Post-amnesias: 1947, 1971 and Modern South Asia“. Contributions to Indian Sociology 50, Nr. 3 (Oktober 2016): 435–37. http://dx.doi.org/10.1177/0069966716657468.

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10

Zaman, Independent University, Bangladesh, Niaz. „From Islamic Feminism to Radical Feminism: Roquiah Sakhawat Hossein to Taslima Nasrin“. Asiatic: IIUM Journal of English Language and Literature 10, Nr. 1 (15.06.2016): 4–26. http://dx.doi.org/10.31436/asiatic.v10i1.781.

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This paper examines four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh: Roquiah Sakhawat Hossein, Sufia Kamal, Jahanara Imam and Taslima Nasrin. The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers in different genres â€“ poetry, prose, fiction â€“ with the last best known for her diary about 1971. While these iconic figures contributed towards womenâ€™s empowerment or peopleâ€™s rights in general, Taslima Nasrin is the most radically feminist of the group. However, while her voice largely echoes in the voices of young Bangladeshi women today â€“ often unacknowledged â€“ she has been shunned by her own country. The paper attempts to explain why, while other women writers have also said what Taslima Nasrin has, she alone is ostracised.

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Kilroy, Lauren Grace. „Postcolonial Approaches to the European Middle Ages: Translating Cultures ed. by Ananya Jahanara Kabir, Deanne Williams“. Comitatus: A Journal of Medieval and Renaissance Studies 37, Nr. 1 (2006): 284–86. http://dx.doi.org/10.1353/cjm.2006.0005.

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Finke, Laurie. „Postcolonial Approaches to the European Middle Ages: Translating Cultures ed. by Ananya Jahanara Kabir and Deanne Williams“. Arthuriana 16, Nr. 2 (2006): 105–6. http://dx.doi.org/10.1353/art.2006.0086.

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13

MERRILLS, A. H. „Postcolonial Approaches to the European Middle Ages: Translating Cultures - Edited by Ananya Jahanara Kabir and Deanne Williams“. Early Medieval Europe 15, Nr. 3 (13.07.2007): 356–59. http://dx.doi.org/10.1111/j.1468-0254.2007.210_4.x.

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14

Mahbub, Rifat, und Anika Saba. „Homed, Unhomed and Rehomed in Partition Stories of East Bengal/East Pakistan“. Asiatic: IIUM Journal of English Language and Literature 12, Nr. 1 (09.07.2018): 108–25. http://dx.doi.org/10.31436/asiatic.v12i1.1212.

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Taking three translated short stories with specific focus on â€œhome,â€ namely Syed Waliullahâ€™s â€œThe Tale of a Tulsi Plant,â€ Abu Rushdâ€™s â€œThe Boneâ€ and Ashraf Siddiquiâ€™s â€œA House with a Pondâ€ from Niaz Zamanâ€™s edited book, The Escape and Other Stories of 1947 (2000), this paper will attempt to bring to light both the erasure and the enduring memory of the 1947 Partition of Bengal. We interpret â€œhomeâ€ as a symbol of uprooting and enrooting for people crossing from the West to East Bengal within a volatile world of insecurity, loss and fear. While the stories do not directly engage with the grand and populist discourses of the 1947 riots, they represent an uncanny world-in-transition for Muslims trying to cross into East Bengal/East Pakistan to start a new life. We analyse the storiesâ€™ indissoluble relation between materiality and memory, necessary for the identity of the regionâ€™s collective posterity. In doing so, we employ Ananya Jahanara Kabirâ€™s terms such as â€œpostmemoryâ€ and â€œpost-amnesiaâ€ to argue that the essay is our attempt to reclaim the literary memories of 1947, which shape the intergenerational identities of Bangladeshis.

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Rouse, Robert Allen. „Postcolonial Approaches to the European Middle Ages. Edited byAnanya Jahanara Kabir and Deanne Williams. Cambridge: Cambridge University Press, 2005. Pp. xii+298.“ Modern Philology 103, Nr. 4 (Mai 2006): 519–22. http://dx.doi.org/10.1086/509021.

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Robinson, Fred C. „Ananya Jahanara Kabir. Paradise, Death and Doomsday in Anglo-Saxon Literature. (Cambridge Studies in Anglo-Saxon England 32.) New York: Cambridge University Press. 2001. Pp. xi, 210. $70.00. ISBN 0-521-80600-3.“ Albion 35, Nr. 2 (2003): 257–58. http://dx.doi.org/10.1017/s0095139000069842.

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RACHMAN, AYUNI. „Pemeranan Tokoh Paijah dalam Naskah Malam Jahanam Karya Motinggo Boesje dengan Metode Akting Stanislavsky“. Creativity And Research Theatre Journal 3, Nr. 1 (29.05.2021): 28. http://dx.doi.org/10.26887/cartj.v3i1.2142.

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ABSTRAKPemeranan tokoh Paijah dalam naskah Malam Jahanam karya Motinggo Boesje merupakan bentuk penciptaan yang dilakukan oleh pemeran. Perwujudan pemeranan tokoh Paijah dimulai dengan menganalisis naskah Malam Jahanam dan melakukan identifikasi tokoh serta mengkaitkan hubungan tokoh dengan tema dan alur. Perwujudan dan pencapaian tokoh Paijah dalam naskah Malam Jahanam diwujudkan dengan menggunakan metode akting Stanislavsky. Perwujudan tokoh Paijah juga menggunakan metode meliputi; observasi, mengidentifikasi tokoh, menubuhkan tokoh, menjiwai tokoh, mengontrol emosi tokoh, dan mendandani tokoh. Melalui pertunjukan naskah Malam Jahanam karya Motinggo Boesje, pemeran ingin memperlihatkan bahwa sebuah penyesalan selalu datang di akhir. Hal ini dapat dilihat melalui tokoh Paijah, yang pada akhirnya menyesal karena berselingkuh dengan Soleman, sahabat suaminya sendiri. Naskah Malam Jahanam mengangkat realitas kehidupan yang umum terjadi. Jika Mat Kontan tidak sibuk dengan burung-burung peliharaannya dan bermain judi, mungkin Paijah tidak akan selingkuh. Kesepian dan keinginan untuk mendapatkan seorang anak menjadi alasan Paijah melakukan perselingkuhan

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Cohen, J. J. „ANANYA JAHANARA KABIR and DEANNE WILLIAMS (eds), Postcolonial Approaches to the European Middle Ages: Translating Cultures. Pp. xii+298 (Cambridge Studies in Medieval Literature 54). Cambridge, New York, Oakleigh: Cambridge University Press, 2005. 50.00 (ISBN 0 521 82731 0).“ Notes and Queries 53, Nr. 2 (01.06.2006): 221–22. http://dx.doi.org/10.1093/notesj/gjl040.

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Eka Suryani, Syahroma, und Dian Uswatun Hasanah. „Representasi Perempuan dalam Cerbung Lelaki Jahanam Karya Novie Purwanti di Komunitas Bisa Menulis (Analisis Wacana Kritis)“. MABASAN 15, Nr. 1 (30.06.2021): 15–34. http://dx.doi.org/10.26499/mab.v15i1.420.

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Cerita bersambung Lelaki Jahanam karya Novie Purwanti banyak menampilkan gambaran perempuan yang termarjinalkan, terkurung dalam budaya patriarki dan persoalan lain yang dihadapi perempuan dalam rumah tangga. Permasalahan seperti demikian dekat dengan realita kehidupan saat ini. Penelitian ini bertujuan untuk mendeskripsikan representasi perempuan dalam cerita bersambung Lelaki Jahanam karya Novie Purwanti di grup media sosial Facebook, yaitu Komunitas Bisa Menulis (KBM). Metode penelitian yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan analisis wacana kritis prespektif Fairclough. Wacana, paragraf dan dialog dalam cerita bersambung dianalisis bagaimana ideologi turut merepresentasikan perempuan. Dari hasil penelitian tentang representasi perempuan dalam cerbung Lelaki Jahanam dapat disimpulkan bahwa terdapat tiga representasi yang ditemukan, yaitu representasi perempuan dilihat dari pengaruh gender, representasi perempuan dalam melawan patriarki, dan representasi perempuan dilihat dari status sosial.

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Puspita, Dewi, und Kamal Yusuf. „SKETCHING THE SEMANTIC CHANGE OF JAHANAM AND HIJRAH: A CORPUS BASED APPROACH TO MANUSCRIPTS OF ARABIC-INDONESIAN LEXICON“. Arabi : Journal of Arabic Studies 5, Nr. 1 (05.06.2020): 1. http://dx.doi.org/10.24865/ajas.v5i1.246.

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There are a significant number of lexical borrowings from Arabic language to Indonesian language. Among of them are the words jahanam and hijrah. These words are diachronically can be traced and found in literatures and religious texts. This paper seeks to scrutinize the semantic change of jahanam and hijrah. This paper analyses jahanam and hijrah as they are used in both old manuscripts and modern texts. To see their semantic change behaviour, collocation and concordance of their contexts were analysed. The manuscripts employed as the source of research data were taken from the Malay Concordance Project (MCP) which comprises of 165 classical Malay literatures containing some Islamic texts, Corpora Collection Leipzig University, and WebCorp Live Birmingham City University. Using the corpus linguistics method, this research manages to demonstrate how words change semantically through time. The results of this study can be used as material for the preparation of the Indonesian-Arabic etymology dictionary.

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Sari Ramdhani, Intan, und Rizka Khoironi. „TINDAK TUTUR ILOKUSI PADA TEATER MODERN MALAM JAHANAM (TEATER SATIVA)“. Diksa : Pendidikan Bahasa dan Sastra Indonesia 7, Nr. 2 (06.12.2021): 114–23. http://dx.doi.org/10.33369/diksa.v7i2.22650.

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This study aims to describe the illocutionary speech acts in each of the dialogues spoken by the characters in the performance of the Modern Malam Jahanam Theater (Theater Sativa) by playing a Realist Drama adaptation of a script from Motinggo Boesje's work entitled Malam Jahanam. This study uses a qualitative research with a descriptive approach. The data in this research is the video of the Modern Malam Jahanam Theater (Theatre Sativa). The source of the data taken is a Theater video uploaded in February 2021 with a duration of 44 minutes 28 seconds. The results of the study show that there are five types of illocutionary speech acts in this study: (1) Directive there are 8 dialogues which state the directive speech of ordering, inviting, asking, suggesting, challenging, and advising. (2) Expressiveness, there are 3 dialogues that express expressive speech, namely blaming, praising, and flattering. (3) There are 3 commissives, namely a promise, threatening, blaming. (4) There are 4 assertives, namely the words stating, complaining, reporting, and showing. (5) There are 2 declarative utterances in the dialogue, namely deciding and prohibiting.

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Ramadhani, Aulia Fitri, und Vani Dias Adiprabowo. „Inferioritas Perempuan dalam Film Perempuan Tanah Jahanam“. Jurnal PIKMA : Publikasi Ilmu Komunikasi Media Dan Cinema 5, Nr. 2 (31.03.2023): 320–36. http://dx.doi.org/10.24076/pikma.v5i2.929.

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Injustice or discrimination against women continues to be seen in the media, one of which is in the film media in telling their stories. This problem is related to the depiction of women in films who are shown as helpless, deserving of being underestimated, and harassed. Issues related to gender injustice and discrimination manifest in the placement of women's roles which are limited to the domestic sphere as housewives, helpers, and commodities to satisfy men's desires. This problem is a perspective that places women as inferior beings. In films, especially horror films, this problem is still portrayed in a vulgar and caricatured way. Unlike most other Indonesian horror films, Perempuan Tanah Jahanam, directed by Joko Anwar, wants to present women as the main characters who have a central role in the story in the movie. The film portrays women as strong, brave, and unyielding figures. However, Joko Anwar has not automatically eliminated patriarchal values ??in the film Perempuan Tanah Jahanam. This is because filmmaking cannot be separated from the culture that develops in the local community and is value-free. Several scenes in the film still depict the existence of inferiority that applies to women. The author's goal in conducting this research is to find the forms of female inferiority in the film Perempuan Tanah Jahanam. The method used in this research is the critical discourse analysis method from Sara Mills. The results obtained from this study are that forms of female inferiority are still found, as depicted in the film Perempuan Tanah Jahanam. This is due to the social construction that distinguishes men and women.

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Silverstan, Audrey Alicia, Injo Cindy Priscilla Wiryanto, Medelyn Aurellia, Tamara Audrey Tamosee und Brian Alvin Hananto. „ANALISIS VISUAL POSTER FILM “PEREMPUAN TANAH JAHANAM (2019)” MENGGUNAKAN METODE ANALISIS CONTEXT, FORM, DAN CONTENT“. GESTALT 3, Nr. 1 (23.06.2021): 43–56. http://dx.doi.org/10.33005/gestalt.v3i1.74.

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Dalam rangka melanjutkan penelitian tindakan kelas penulis, makalah ini akan membahas mengenai hasil analisis visual poster film “Perempuan Tanah Jahanam” dengan menggunakan metode analisis form, konten, dan konteks. Film “Perempuan Tanah Jahanam” adalah sebuah film horror yang memiliki poster yang berbeda dengan poster-poster film horror pada umumnya. Dengan menggunakan metode analisis form, konten, dan konteks, dapat dipahami bagaimana poster ini secara efektif mengkomunikasikan pesan dan kesan dari poster film itu. Metode ini merupakan sebuah materi utama dalam mata kuliah Metodologi Desain yang diselenggarakan pada Program Studi Desain Komunikasi Visual Universitas Pelita Harapan. Dengan demikian, pemahaman mahasiswa-mahasiswi akan metode ini dan keberhasilan mahasiwa-mahasiswi dalam menggunakan metode ini menjadi sebuah indikator dari keberhasilan penelitian tindakan kelas dan juga pelaksanaan kelas tersebut.

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Rosyidah, Elok Nuriyatur, und Akhmad Rifai. „Semiotic Analysis of Feminism in Joko Anwar’s Movie “Perempuan Tanah Jahanam”“. KOMUNIKA: Jurnal Dakwah dan Komunikasi 16, Nr. 1 (30.04.2022): 51–64. http://dx.doi.org/10.24090/komunika.v16i1.6001.

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Movies be a part of entertainment media that represent the state of the community and record the dynamism of nowadays's social society, ranging from inequality of poverty to gender injustice. The Perempuan Tanah Jahanam movie is a gore horror genre featuring female actors. Its story focuses on four women as a lead female actresses. Joko Anwar as director, presents and describes female actors not solely as supernumerary and accessories in movies. The purpose of this study is to explore the value of feminism in the Perempuan Tanah Jahanam movie through signs and markers using Roland Barthes' semiotic analysis method, which also employs the radical and postmodern feminism concept inspired by Rosemarie Putman tong. Based on this study's analysis, it is concluded that women are capable and control themselves over their bodies. Women refuse to follow the public perspective that women are powerless and must always propose to male protectors. Women are independent and dare to refuse sexual abuse. The film reflects feminism in how female actresses play roles in Perempuan Tanah Jahanam's movie.

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Aman, Mohammed M. „Managing the Oil Wealth: OPEC's Windfalls and Pitfalls: Jahangia Amuzegar“. Digest of Middle East Studies 10, Nr. 2 (Januar 2001): 48–50. http://dx.doi.org/10.1111/j.1949-3606.2001.tb00422.x.

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Winiarti, Winiarti, Sifa Yuha Firdaus und Rudi Adi Nugroho. „Kajian Psikoanalisis Tokoh Mat Kontan Dalam Naskah Malam Jahanam Karya Motinggo Boesje“. Prawara: Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, Nr. 1 (14.06.2024): 20. http://dx.doi.org/10.20884/1.jpbsi.2024.5.1.10825.

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Kajian ini bertujuan mengungkap kondisi psikologis tokoh utama Mat Kontan dalam naskah drama Malam Jahanam karya Motinggo Boesje. Pendekatan sastra yang digunakan didasarkan pada teori psikoanalisis Sigmund Freud, yaitu mengkaji struktur kepribadian dan mekanisme pertahanan diri. Kajian ini menggunakan metode kualitatif yang bersifat deskriptif analitik. Peneliti memperoleh data berupa penggalan dialog dari naskah drama Malam Jahanam, lalu memaparkan kondisi psikologis tokoh Mat Kontan dalam bentuk uraian naratif. Berdasarkan analisis tersebut, diperoleh hasil Mat Kontan memiliki kondisi psikologis aspek id, ego dan superego yang tidak stabil. Aspek id Mat Kontan terlihat dari pribadinya yang selalu membanggakan anak, istri, dan burung kesayangannya. Mat Kontan memiliki kecenderungan berlebih dalam aspek id terhadap burungnya, sehingga berdampak pada ketidakmampuan mengendalikan ego dan superegonya. Aspek ego Mat Kontan tampak ketika ia tak dapat mengontrol diri saat menghabiskan uang hasil borongan ikannya untuk membeli burung perkutut. Superego yang dimiliki Mat Kontan terlihat ketika ia berniat membunuh orang yang membuat burung kesayangannya mati. Secara mekanisme pertahanan diri, Mat Kontan memiliki aspek rasionalisasi dan reaksi formasi. Mat Kontan menggunakan rasionalisasi kepada Paijah agar kesenangannya terhadap burung dapat diterima. Mat Kontan melakukan reaksi formasi sebagai mekanisme pertahanan ego untuk membunuh Soleman karena telah menimbulkan kecemasan terhadap id yang dimilikinya.

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Mukminin, Muhamad Saiful. „Representation of Violence and Resistance of Female Characters in the Perempuan Tanah Jahanam“. Jurnal Penelitian Ilmu-Ilmu Sosial 5, Nr. 2 (24.06.2024): 81–98. http://dx.doi.org/10.23917/sosial.v5i2.4641.

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In literary works, women are often portrayed as subjects who have no power, making them vulnerable to violence. Resistance is also carried out as an effort made by women in dealing with the violence experienced. This study aims to describe the forms of violence and resistance carried out by female characters in the movie Perempuan Tanah Jahanam. This research is descriptive qualitative research with an objective approach that focuses on literary works. The data in this study are in the form of dialog and excerpts of scenes that represent forms of violence and resistance efforts of female characters in the face of violence. The data collection technique used is library technique and analyzed with descriptive analytic technique. The results of this study show that in Perempuan Tanah Jahanam, there are three forms of violence experienced by female characters, including physical, psychological, and sexual violence. The efforts of female characters in dealing with the violence are depicted through open and closed resistance. The open form of resistance is threatening with words and sharp weapons, while the closed resistance is hiding, running away, and seeking help.

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Hamdani, Agus. „DRAMA “MALAM JAHANAM” KARYA MOTINGGO BUSYE: SEBUAH TELAAH PSIKOLOGIS“. Jurnal Pendidikan Bahasa dan Sastra 16, Nr. 2 (19.12.2016): 235. http://dx.doi.org/10.17509/bs_jpbsp.v16i2.4485.

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Abstract This article summarizes the results of research that seeks to dismantle the psychological side of the main characters in the drama Hell Night work is Motinggo Busye.Melalui study analysis shows that the main character of this drama named Soleman have a picture of physical and non-physical round. Factors that influence personality Soleman are internal and external factors. Internal factors such as congenital inherited from his father. External factors such as the bitter life experiences Apart from families poor moral, environmental conditions also provide opportunities for Soleman for having an affair with the wife of the lain.Secara indirectly, Soleman personality in the drama that reinforces the opinion of the middle of two opposite schools of psychology (nativism and empiricism), that a person's personality is basically influenced by two factors simultaneously, which is a factor in (hereditary) and external (environmental). Keywords: drama, psychological study, psychology literature.

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Samanda, Glen Aviaro, und Ade Kusuma. „Analisis Semiotika Terhadap Tokoh Utama Perempuan dalam Film Perempuan Tanah Jahanam“. Az-Zahra: Journal of Gender and Family Studies 4, Nr. 1 (26.12.2023): 1–11. http://dx.doi.org/10.15575/azzahra.v4i1.25547.

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Horror is still a popular genre in the growth of Indonesian films. Female characters are often featured iconically in the narrative of a horror film. However, there is a negative stigma about the presence of female characters in horror films who appear as antagonistic characters. Female characters often play the role of ghosts, victims of crimes, and other complementary characters. This study uses qualitative research and Roland Barthes semiotics to analyze the representation of female characters in Perempuan Tanah Jahanam. This research focuses on the main female characters in the movie. The results of this study explain the denotation that describes the female characters in Perempuan Tanah Jahanam as women who become the main characters in filling various important roles in horror films, while in the connotation there are various meanings that the main female characters have social strengths such as courage in fighting patriarchal culture, supporting fellow women, working hard and being independent, from the denotation and connotation that the author found formed a myth in the form of elements of feminism that were constructed on the four main characters in the film. Researchers found that the main female character is no longer represented as a victim or a seductive and sexy ghost. Female characters are also not used as a means of supporting the success and interests of commercialism in a horror film.

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Iwasaki, Arihiro, Haruka Fujimura, Shinichiro Okamoto, Takafumi Kudo, Shizuka Hoshina, Shimpei Sumimoto, Toshiaki Teruya und Kiyotake Suenaga. „Isolation of Jahanene and Jahanane, and Total Synthesis of the Jahanyne Family“. Journal of Organic Chemistry 83, Nr. 17 (13.08.2018): 9592–603. http://dx.doi.org/10.1021/acs.joc.8b00310.

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Husain, Akhlaq, und Wajid Hasan. „Review and Updating: Anurans (Amphibia) of Bihar and Jharkhand, India, with some new records from Jehanabad (Bihar) and their role as potential biological controllers“. International Journal of Agricultural and Applied Sciences 2, Nr. 1 (30.06.2021): 1–23. http://dx.doi.org/10.52804/ijaas2021.211.

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Present review is meant to update and bring the scattered records of anuran species from Bihar and Jharkhand at one place. A total of 22 valid species (19 from Bihar and 15 from Jharkhand) have been recorded from the existing literature and present new records from Jehanabad (Bihar) are dealt herewith in detail (relevant synonyms, common names, diagnostic features, size, altitudinal records, distribution in Bihar (including new records from Jahanabad), Jharkhand, rest of India and elsewhere and conservation status of each species and their role as potential biological controllers). Variations found in some morphological characters of species studied by various workers from different locations have been recorded.

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Karnanta, Kukuh Yudha, und Ni Luh Ayu Sukmawati. „Diskursus Martabat dan Tragedi Manusia dalam Film Perempuan Tanah Jahanam (2019)“. MOZAIK HUMANIORA 21, Nr. 2 (17.01.2022): 209–24. http://dx.doi.org/10.20473/mozaik.v21i2.29666.

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Penelitian ini bertujuan mengeksplisitkan aspek naratif dan diskursif film Perempuan Tanah Jahanam karya Joko Anwar meliputi aspek penokohan, genre, dan master genre, yang berujung pada pemaknaan terhadap film tersebut. Data-data didapatkan dengan teknik simak-catat dari transkripsi dialog dan tangkap layar scene film. Data-data dianalisis berdasarkan teori naratif model aktansial Greimas dan puitika film David Bordwell untuk menunjukkan sintaksis naratif, skema aktansial, hingga pada semiotic square. Penelitian ini menemukan bahwa, pertama, meskipun dikemas dalam genre horor supranatural dan ditemukan penggunaan naratif tragedi Aristotelian sebagai master genre, film ini sesungguhnya berbicara tentang martabat manusia hidup, khususnya martabat perempuan. Hal itu terlihat dari aktan-aktan yang mendominasi sintaksis naratif cerita adalah perempuan dengan premis cerita keinginan mendapatkan harta warisan hingga pada akhirnya mendorong seseorang untuk berjuang mengakhiri misteri dan kutukan keluarga. Tokoh-tokoh perempuan itu digambarkan sebagai subjek bagi tindakan serta tubuhnya, tetapi jauh dari kesan eksploitasi seksual seperti pada film horor Indonesia lainnya. Kedua, pada aspek diskursif, penelitian ini menemukan diskursus eksotifikasi yang ditunjukkan dengan hadirnya kode-kode sinematik tentang stereotipe masyarakat eastern yakni irasional, mistis, tradisional, eksotis, dan bahkan masih berperilaku bar-bar.

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Khan, Dr Sakina I. H. „The Ethical Significance of Ziauddin Barni’s Fatwa-E Jahandari and its Contemporary Relevance“. SMART MOVES JOURNAL IJELLH 6, Nr. 10 (10.10.2018): 19. http://dx.doi.org/10.24113/ijellh.v6i10.5095.

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Ziauddin Barni was the first Muslim to write the history of India. His close association with the ruling circles of Delhi enabled him to observe the administrative activities of the kings. Based on his experiences, he has documented the historical data in his works. His Fatwa-e Jahandari is a monumental work, which is a record of not only the historical facts but also a detailed account of the qualities of an ideal ruler. It enumerates and illustrates twenty four political ideals that should be part and parcel of a good ruler. This research paper focuses on ten values advocated by Barni, which could be viewed as an essential part of the ethical values. It showcases the significance of ethical leadership and offers an analysis of ten select values in the light of ethics. Subsequently, it depicts how the ethical values recommended by Barni are pertinent to the contemporary society.

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Sayfullaevna, Tuychieva Oydin. „THE ARRIVAL OF BABURI QUEENS AT TAZKIRA’S“. Current Research Journal of Philological Sciences 5, Nr. 5 (01.05.2024): 11–16. http://dx.doi.org/10.37547/philological-crjps-05-05-03.

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Like the princes, the princesses and women of the Timurid dynasty also included talented politicians, orators, mature scholars and poets. Saray Mulkhonum (Bibikhanum, 1341-1408), wife of Sahibkiron Amir Temur, wife of Shahrukh Mirza in Herat - Gavharshadbegim (1379-1457), wife of Sultan Hussein Baygaro - Khadichbegim (1451-1511), eldest daughter of Umar Sheikh Mirza - Khanzodabegim (1477- 1544), daughter of Zakhiriddin Muhammad Baburshah - Gulbadan Begim (1523-1603), granddaughters of Babur Aisha Sultanbegim, Jahan Sultanbegim, beloved wife of Jahangir Shah - Nurjahonbegim (Mehrinisa, 1577-1645), beloved wife of Shah Jahan - Mumtaz Mahal (Arjumandbanu 1549 - 1631), daughter of Shah Jahan - Jahanoro Begim (1614-1681), daughter of Avranzeb Alamgir Zebunnisa Begim (1639-1702) was a mature scholar, poetess and mentor of her time, and we are talking about queens who participated in governing the country as wise advisers.

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Iwasiów, Sławomir. „(Trans)narodowe podróże. Na przykładzie wybranych utworów prozatorskich Andrzeja Stasiuka“. Forum Poetyki, Nr. 2 (02.12.2015): 32–41. http://dx.doi.org/10.14746/fp.2015.2.26690.

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Celem artykułu jest przedstawienie podróżniczych wątków w twórczości Andrzeja Stasiuka na tle teorii Jahana Ramazaniego, amerykańskiego literaturoznawcy z University of Virginia, autora książki A Transnational Poetics (2009). Teoria Ramazaniego daje się streścić w następujący sposób: sensem literatury jest podróżowanie, a utwory – przede wszystkim poetyckie – posiadają cechy podobne do podróży, są dynamiczne, zmienne, przekraczają granice. W takiej perspektywie samego Andrzeja Stasiuka – autora prozy podróżniczej – można przedstawić jako pisarza (trans)narodowego, specyficznego, ale równocześnie uniwersalnego. Gdyby trzeba było ułożyć (trans)narodowy kanon literacki, to Stasiuk mógłby reprezentować obszar kultury polskiej.

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Delić, Lidija. „Bik u sistemu folklornog mišljenja“. Narodna umjetnost 60, Nr. 2 (19.12.2023): 187–201. http://dx.doi.org/10.15176/vol60no211.

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Višestruko divergentnu i složenu simboliku bika u mitskim narativima indoevropskog i severnoafričkog basena baštinio je i srpski usmeni folklor. U zavisnosti od žanrovskih strategija i obrednih praksi akcentovani su njegovi različiti potencijali – veza sa solarnim kultom i vremenom (dan/noć); divinizacija, s ambivalentnim refleksima u božićnim ritualima (životinjski položajnik) i praksi žrtvovanja; figuriranje u “meteorološkim” narativima vezanim za nepogode (vo “oblačar”) i veza sa zemaljskim, najčešće htonskim vodama (predanja o vodenom biku); veza s kultom plodnosti (rog obilja, s neposrednim refleksima u bajkama); uloga u konceptualizaciji i osmišljavanju prostornog modela sveta (bik kosmofor), te parodijska nefunkcionalnost jahanja na volu, čija se arhaična ishodišta naziru u drevnim ritualima na širokom potezu od Sredozemlja do Indije, a odrazi prate u atrubuiranju konja najvećih epskih junaka.

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Evelyn, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 2, Nr. 1 (29.01.2016): 127. http://dx.doi.org/10.11114/afa.v2i1.1343.

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Applied Finance and Accounting [AFA] would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue. Reviewers for Volume 2, Number 1 Aneta Karina Bernat Augustine Akhidime Feng Jui Hsu Florin Peci Gheorghe Morosan Hajar Jahangard Hong Bo Iulia Lupu Kesseven Padachi Mazurina Mohd Ali Nicoleta Radneantu Noriaki Okamoto Odumeso-Jimoh M I John Professor Wilson E. Herbert Rui Fernandes Vineet Chouhan Angelia Evelyn Editorial Assistant On behalf of, The Editorial Board of Applied Finance and Accounting Redfame Publishing 9450 SW Gemini Dr. #99416 Beaverton, OR 97008, USA E-mail: afa@redfame.com URL: http://afa.redfame.com

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Eve, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 1, Nr. 2 (31.07.2015): 150. http://dx.doi.org/10.11114/afa.v1i2.996.

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Applied Finance and Accounting [AFA] would like to thank the following reviewers for reviewing manuscripts from February 1, 2015 to July 31, 2015. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Redfame Publishing appreciates the following reviewers’ rigorous and conscientious efforts for this journal. Each of the reviewers listed below returned at least one review during this period. Abdelaziz HAKIMI Adam Zaremba Ana Iglesias-Casal Anastasia,Kopaneli Aneta Karina Bernat Augustine Akhidime Desti Kannaiah Feng Jui Hsu Florin Peci Ghazi Alassaf Gheorghe Morosan Haitham Nobanee, Hajar Jahangard Hong Bo Kesseven Padachi Lee Kian Tek Luca Sensini Luo Yongli Marco Muscettola Mazurina Mohd Ali Meri Boshkoska Mohamed Jalloh Nicoleta Radneantu Nikolay Patonov Noriaki Okamoto Odumeso-Jimoh M I John Peibiao Zhao Wei-Bin ZHANG Wilson E. Herbert Rui FERNANDES Shahram Fattahi Vineet Chouhan Yao Zheng Yu Peng Lin

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Wood, Barry D. „TheTarikh-i Jahanarain the Chester Beatty Library: an illustrated manuscript of the “Anonymous Histories of Shah Isma'il”“. Iranian Studies 37, Nr. 1 (März 2004): 89–107. http://dx.doi.org/10.1080/0021086042000232956.

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Evelyn, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 7, Nr. 1 (26.02.2021): 58. http://dx.doi.org/10.11114/afa.v7i1.5178.

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Applied Finance and Accounting [AFA] would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue.Reviewers for Volume 7, Number 1Aderaw Gashayie Ayaliew, Higher institution, EthiopiaAnastasia Kopaneli, University of Patras, GreeceAndrey Kudryavtsev, The Max Stern Yezreel Valley Academic College, IsraelFahri ÖZSUNGUR, Adana Science and Technology University, TurkeyGheorghe Morosan, Stefan Cel Mare University Suceava Romania, RomaniaHaitham Nobanee, Abu Dhabi University, UAEHajar Jahangard , Central Bank of Iran(CBI), IranJayendra S. Gokhale, Embry-Riddle Aeronautical University, USAMarco Muscettola, Independent researcher, ItalyMawih Kareem Alani, Dhofar University, OmanShahram Fattahi, Razi University,, IranYu Peng Lin, University of Detroit Mercy, USA Angelia EvelynEditorial AssistantOn behalf of,The Editorial Board of Applied Finance and AccountingRedfame Publishing9450 SW Gemini Dr. #99416Beaverton, OR 97008, USAURL: http://afa.redfame.com

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Evelyn, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 7, Nr. 2 (28.07.2021): 60. http://dx.doi.org/10.11114/afa.v7i2.5309.

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Applied Finance and Accounting [AFA] would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue.Reviewers for Volume 7, Number 2Adina Criste, “Victor Slavescu” Centre for Financial and Monetary Research, Romanian Academy, RomaniaAnastasia Kopaneli, University of Patras, GreeceDapeng Zhu, Shanghai Lixin University of Accounting and Finance, ChinaFabio Rizzato, University of Turin, ItalyHaitham Nobanee, Abu Dhabi University, UAEHajar Jahangard, Central Bank of Iran(CBI), IranHassan Rkein, Al Maaref University , LebanonJayendra S. Gokhale, Embry-Riddle Aeronautical University, USAMawih Kareem Alani, Dhofar University, OmanVolodymyr Vysochansky, Uzhhorod National University, UkraineZi-Yi Guo, Wells Fargo Bank, N.A., USA Angelia EvelynEditorial AssistantOn behalf of,The Editorial Board of Applied Finance and AccountingRedfame Publishing9450 SW Gemini Dr. #99416Beaverton, OR 97008, USAURL: http://afa.redfame.com

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Ramazani, Jahan. „Poetyka transnarodowa“. Forum Poetyki, Nr. 2 (02.12.2015): 42–65. http://dx.doi.org/10.14746/fp.2015.2.26691.

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Fragment książki Jahana Ramazaniego A Transnational Poetics. Książka ta zaproponowała opis anglojęzycznego piśmiennictwa literackiego należącego do wielu kultur literackich, który wydobył interesujący potencjał badanej przez niego poezji oraz określił nowe pole rozpoznań teoretycznych. Zamiast powracających napięć wertykalnych między literaturą widzianą globalnie (kosmopolityczną, łatwą do przełożenia na każde realia kulturowe) i lokalnie (przekonaną, iż zakorzenienie stanowi całkowicie wystarczalne i niepojęte dla innych źródło twórczości) Ramazani wskazał na decydującą wartość przemieszczeń horyzontalnych. Nie znosi się w nich całkowicie poznawczej nieprzejrzystości tego, co swojskie, ale i zachowuje się fascynującą zagadkowość nieoczekiwanych oraz udanych transmisji swojskości w inne miejsca i przestrzenie. Literatura ujawnia wówczas zdolność przenoszenia jednej lokalności w świat lokalności innej, powodując konfuzje i pobudzenia, nieporozumienia oraz odkrycia, dzięki którym nieustannie budowana jest twórcza transnarodowa i translokalna wspólnota literacko-kulturowa.

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Harman, Stefanus, und I. komang Sulatra. „Types and reason of code mixing found in dedy corbuzier conversation in the podcasts“. Journal of Language and Applied Linguistics 3, Nr. 2 (31.07.2022): 374–88. http://dx.doi.org/10.22334/traverse.v3i2.206.

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The study concerns the code mixing found in Deddy Corbuzier conversation in the podcasts.. The objectives of this research are to classify the types and to analyze the reasons of code mixing found in Deddy Corbuzier conversation in the podcasts. The writer analyzed the types of code mixing based on theory by Hoffman (1983: 75) and theory by Hoffman (1991) was used to analyze the reasons In this research, descriptive qualitative is used as the method of the analysis. The data were taken from one video of Chef Juna-Guy? Jahanam? Silahkan. This researcher shows that all types of code-mixing, such as intra sentential mixing, intra lexical code mixing, and involving a change of pronunciation were found in Deddy Corbuzier conversation in the podcasts. Meanwhile, the reasons for code mixing found in the podcasts were talking about a particular topic, expressing feelings about something, and the last, the most dominant one was intention of clarifying the speech for the interlocutor. Some of the reasons were not found data such as, quoting someone words, interjection (inserting sentences filler or sentences connector), repetition used for clarification, expressing group identity.

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Bogut, Irella. „Mišljenja studenata edukacijske rehabilitacije o procesima dječje rehabilitacije potpomognute konjima“. Život i škola 69, Nr. 1 (20.10.2023): 51–61. http://dx.doi.org/10.32903/zs.69.1.4.

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Rehabilitacija potpomognuta konjima poznata je od davnina te su danas poznate mnoge dobrobiti terapijskoga jahanja i suodnosa konja s osobama s posebnim potrebama. Zbog uočene važnosti uporabe životinja u terapeutske svrhe, na Fakultetu za odgojne i obrazovne znanosti u Osijeku u programu Prijediplomskoga sveučilišnog studija Edukacijska rehabilitacija provodi se izborni predmet Rehabilitacija potpomognuta životinjama. Cilj je istraživanja bio ispitati mišljenja studenata o rehabilitaciji potpomognutoj konjima. Svi studenti koji su upisali spomenuti kolegij (N=33) sudjelovali su u procjenjivanju gdje su izražavali svoja mišljenja posredstvom Likertove ljestvice o slaganju ili ne slaganju s predloženim tvrdnjama. Rezultati istraživanja pokazuju da se većina studenata slaže s tim da rehabilitacija potpomognuta konjima može pomoći psihičkom razvoju djeteta, razvoju socijalnih vještina kao i razvoju motoričkih vještina djeteta. Rezultati istraživanja, također, ukazuju na to da se većina studenata slaže s tvrdnjom da je poželjno razvijati terapijski pristup s konjima, a iskustvo s vježbi voljelo bi ponoviti čak 73 % studenata u obliku volonterskoga rada. Iz dobivenih rezultata istraživanja zaključuje se da su praktično obrađene teme rehabilitacije potpomognute konjima u potpunosti ispunile svoju svrhu u kontekstu budućega zanimanja edukacijskoga rehabilitatora te da postoji mogućnost daljnjega istraživanja u području rehabilitacije potpomognute konjima.

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Safira, Martha. „LAW IS A TOOL OF SOCIAL ENGINEERING DALAM PENANGANAN TINDAK PIDANA KORUPSI DI INDONESIA DITINJAU DARI HUKUM ISLAM DAN PERUNDANG-UNDANGAN DI INDONESI“. Kodifikasia 11, Nr. 1 (26.08.2017): 118. http://dx.doi.org/10.21154/kodifikasia.v11i1.1140.

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Tindak pidana korupsi merupakan suatu masalah sangat serius dan perlu diperhatikan, karena tindak pidana korupsi dapat membahayakan stabilitas dan keamanan negara dan masyarakatnya, membahayakan pembangunan sosial dan ekonomi masyarakat, politik, bahkan dapat pula merusak nilai-nilai demokrasi serta moralitas bangsa karena dapat berdampak membudayanya tindak pidana korupsi. Korupsi dalam Islam digolongkan sebagai suatu perbuatan yang tercela dan sangat merugikan orang lain maupun bangsa Indonesia serta pelakunya termasuk sebagai orang-orang yang munafik, dzalim, kafir, dan merupakan dosa yang besar karena mereka telah memakan atau mengambil sesuatu yang bukan haknya atau bukan miliknya dan ancaman hukumannya adalah neraka jahanam. Alloh SWT melarang umatnya untuk memakan atau mengambil harta maupun hak orang lain dengan cara yang tidak halal, baik melalui pencurian, copet, rampok, pemerasan, pemaksaan, ataupun bentuk-betuk lainnya. Pandangan Al Qur’an tentang korupsi sangatlah tegas yaitu haram, karena termasuk dalam memakan harta sesama dengan cara yang tidak halal.Penegakkan hukum terhadap Undang-Undang Korupsi masih sangat sulit diterapkan di Indonesia. Oleh sebab itu Undang-Undang No. 31Tahun 1999 jo. Undang-Undang No. 20 Tahun 2001 tentang Pencegahan dan Penanggulangan Tindak Pidana Korupsi (disingkat UU Korupsi) harus bisa menjadi sarana rekayasa sosial bagi masyarakat. Serta bagaimana hukum Islam juga bisa menjadi kontrol sosial untuk membantu pemerintah dalam menerapkan efek jera bagi pelaku tindak pidana korupsi.

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El Ebaidi, Saad K., und Ahmed M. Muftah. „Geochemical and petrographical analyses of Miocene Qarat Jahanam Clays of Maradah formation in Jabal Zaltan, North Central Sirt Basin, Libya“. Arabian Journal of Geosciences 8, Nr. 7 (24.07.2014): 5015–21. http://dx.doi.org/10.1007/s12517-014-1561-1.

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Evelyn, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 5, Nr. 2 (27.08.2019): 74. http://dx.doi.org/10.11114/afa.v5i2.4480.

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Applied Finance and Accounting [AFA] would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue.Reviewers for Volume 5, Number 2Adina Criste, “Victor Slavescu” Centre for Financial and Monetary Research, Romanian Academy, RomaniaAndrey Kudryavtsev, The Max Stern Yezreel Valley Academic College, IsraelAnna Viktorovna Kravchuk, Academy of the State Penitentiary Service, UkraineFabio Rizzato, University of Turin, ItalyFeng Jui Hsu, National Taichung University of Science and Technology, TaiwanFlorin Peci, University of Peja, KosovoGheorghe Morosan, Stefan Cel Mare University Suceava Romania, RomaniaHajar Jahangard, Central Bank of Iran (CBI), IranIoan Bogdan Robu, Alexandru Ioan Cuza University of Iasi, RomaniaJayendra S. Gokhale, Embry-Riddle Aeronautical University, USALingesiya Kengatharan, University of Jaffna, Sri LankaLuca Sensini, University of Salerno, ItalyLuo Yongli, Houston Baptist University, United StatesMarco Muscettola, Independent researcher, ItalyMawih Kareem Alani, Dhofar University, OmanMohamed Jalloh, Economic Community of West African States (ECOWAS), NigeriaNicoleta Radneantu, Romanian – American University, RomanianNikolay Patonov, European Polytechnical University, BulgariaNoriaki Okamoto, Rikkyo University, JapanPeibiao Zhao, Nanjing University of Science and Technology, ChinaShahram Fattahi, Razi University,, IranVineet Chouhan, Sir Padampat Singhania University, IndiaVolodymyr Vysochansky, Uzhhorod National University, UkraineYu Peng Lin, University of Detroit Mercy, USAZi-Yi Guo, Wells Fargo Bank, N.A., USA

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Evelyn, Angelia. „Reviewer Acknowledgements“. Applied Finance and Accounting 6, Nr. 1 (27.02.2020): 79. http://dx.doi.org/10.11114/afa.v6i1.4735.

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Applied Finance and Accounting [AFA] would like to acknowledge the following reviewers for their assistance with peer review of manuscripts for this issue. Many authors, regardless of whether AFA publishes their work, appreciate the helpful feedback provided by the reviewers. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Each of the reviewers listed below returned at least one review for this issue.Reviewers for Volume 6, Number 1Adina Criste, “Victor Slavescu” Centre for Financial and Monetary Research, Romanian Academy, RomaniaAnastasia Kopaneli, University of Patras, GreeceAndrey Kudryavtsev, The Max Stern Yezreel Valley Academic College, IsraelAnthony Okafor, University of Louisville, USAAugustine Akhidime, Benson Idahosa University, NigeriaDesti Kannaiah, James Cook University, SingaporeFeng Jui Hsu, National Taichung University of Science and Technology, TaiwanGheorghe Morosan, Stefan Cel Mare University Suceava Romania, RomaniaHajar Jahangard , Central Bank of Iran(CBI), IranJayendra S. Gokhale, Embry-Riddle Aeronautical University, USALektore Oltiana Muharremi, University of Vlora, AlbaniaMarco Muscettola, Independent researcher, ItalyMawih Kareem Alani, Dhofar University, OmanMohammad Sami Ali Al-Dahrawi, Zarqa University, JordanNicoleta Radneantu, Romanian – American University, RomanianNikolay Patonov, European Polytechnical University, BulgariaNoriaki Okamoto, Rikkyo University, JapanRui Fernandes, Porto Accounting and Business School, PortugalShahram Fattahi, Razi University,, IranVolodymyr Vysochansky, Uzhhorod National University, UkraineZi-Yi Guo, Wells Fargo Bank, N.A., USA Angelia EvelynEditorial AssistantOn behalf of,The Editorial Board of Applied Finance and AccountingRedfame Publishing9450 SW Gemini Dr. #99416Beaverton, OR 97008, USAURL: http://afa.redfame.com

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Hidayat, Ahmad. „SALAT DAN TERAPI PROBLEMATIKA PSIKOLOGIS MANAJER DAKWAH“. INTELEKSIA - Jurnal Pengembangan Ilmu Dakwah 7, Nr. 2 (30.12.2017): 465–84. http://dx.doi.org/10.55372/inteleksiajpid.v7i2.167.

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Fokus kajian dalam studi ini adalah: (1) tantangan dan masalah psikologis yang dihadapi manajer dakwah, meliputi sebab, dampak bagi moril/keberanian, spirit/semangat perjuangan dalam melakukan syiar ajaran Islam, (2) esensi, fungsi, serta peran salat bagi pemecahan masalah/hambatan psikologis manajer dakwah dalam sejarah Nabi, (3) teknis memfungsikan salat untuk mengatasi berbagai hambatan yang dihadapi manajer dakwah. Pendekatan teori yang digunakan adalah psikologi existensial dengan teknis logoterapinya. Studi ini secara metodologi menggunakan studi literature. Adapun kesimpulan yang didapatkan: pertama, bahwa besarnya tanggung jawab, dinamika kerja, tantangan, dan hambatan yang dihadapi manajer dakwah dalam mengelola organisasi dakwahnya akan menekan secara psikologis (menciptakan kejenuhan, ketakutan gagal/ancaman kompetitor) bahkan menimpulkan sikap keputusasaan bila tidak tepat dalam memaknai stressor tersebut. Manajer dakwah perlu memaknai stressor tersebut sebagai sesuatu yang bermakna (hukum alamiah untuk melakukan perubahan, akan mengantarkan ke cita-cita dan mendapatkan ganjaran surga) bukan sesuatu yang mengancam saja. Kedua, salat adalah sistem yang senantiasa memberikan kesadaran secara teratur melalui perbandingan antara: (a) besarnya/sulitnya hambatan dakwah dengan kebesaran/kekuasaan Allah, (b) kerasnya perjuangan dengan siksa neraka bila berputus asa dengan meninggalkan kewajiban berdakwah, (c) pengkondisian kebebasan lingkungan yang dapat melalaikan/meredupkan semangat dalam menyebarkan ajaran tauhid dengan siksa jahanam dan jaminan surga bila tak pernah berputus asa dan konsisten dalam berdakwah. Ketiga, dalam teknis salat terdapat mekanismemekanisme pembangkitan kesadaran makna dibalik kesulitan, bencana, ancaman yang dihadapi para manajer dakwah.

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Jahanfar, Ali, Bahram Gharabaghi, Edward A. McBean und Brajesh K. Dubey. „Erratum for “Municipal Solid Waste Slope Stability Modeling: A Probabilistic Approach” by Ali Jahanfar, Bahram Gharabaghi, Edward A. McBean, and Brajesh K. Dubey“. Journal of Geotechnical and Geoenvironmental Engineering 143, Nr. 9 (September 2017): 08217001. http://dx.doi.org/10.1061/(asce)gt.1943-5606.0001763.

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