Auswahl der wissenschaftlichen Literatur zum Thema „Jacksonville Museum of Modern Art“
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Zeitschriftenartikel zum Thema "Jacksonville Museum of Modern Art"
Zalman, Sandra. „Modern Art, Inc.: The Museum of Modern Art v. Huntington Hartford“. Grey Room 53 (Oktober 2013): 32–59. http://dx.doi.org/10.1162/grey_a_00126.
Der volle Inhalt der QuelleLauter, Rolf. „The museum of modern art, Frankfurt“. International Journal of Museum Management and Curatorship 5, Nr. 1 (März 1986): 27–31. http://dx.doi.org/10.1080/09647778609515002.
Der volle Inhalt der QuelleLauter, R. „The Museum of Modern Art, Frankfurt“. Museum Management and Curatorship 5, Nr. 1 (März 1986): 27–38. http://dx.doi.org/10.1016/0260-4779(86)90006-3.
Der volle Inhalt der QuelleRasmussen, Briley. „Museum as Métier: Victor D'Amico and the Museum of Modern Art“. Journal of Aesthetic Education 57, Nr. 4 (01.12.2023): 60–75. http://dx.doi.org/10.5406/15437809.57.4.04.
Der volle Inhalt der QuelleEskilson, S. „Museum Movies: The Museum of Modern Art and the Birth of Art Cinema“. Journal of American History 93, Nr. 1 (01.06.2006): 267–68. http://dx.doi.org/10.2307/4486181.
Der volle Inhalt der QuelleEmerald, Serena, und Sinta Paramita. „Marketing Public Relations dalam Mempopulerkan Seni Modern dan Kontemporer di Museum“. Prologia 8, Nr. 1 (18.03.2024): 160–69. http://dx.doi.org/10.24912/pr.v8i1.27575.
Der volle Inhalt der QuelleSelznick, Barbara. „Museum Movies: The Museum of Modern Art and the Birth of Art Cinema (review)“. Moving Image 6, Nr. 2 (2006): 136–38. http://dx.doi.org/10.1353/mov.2007.0015.
Der volle Inhalt der QuelleKoszarski, Richard. „Museum Movies: The Museum of Modern Art and the Birth of Art Cinema (review)“. Film History: An International Journal 18, Nr. 3 (2006): 350–51. http://dx.doi.org/10.1353/fih.2006.0027.
Der volle Inhalt der QuelleKeil, Charlie. „Museum Movies: The Museum of Modern Art and the Birth of Art Cinema (review)“. University of Toronto Quarterly 76, Nr. 1 (2007): 535–37. http://dx.doi.org/10.1353/utq.2007.0138.
Der volle Inhalt der QuelleAulia, Rahma, Zairin Zain und Valentinus Pebriano. „MUSEUM SENI RUPA MODERN DI PONTIANAK“. JMARS: Jurnal Mosaik Arsitektur 9, Nr. 1 (21.02.2021): 270. http://dx.doi.org/10.26418/jmars.v9i1.45157.
Der volle Inhalt der QuelleDissertationen zum Thema "Jacksonville Museum of Modern Art"
Alamsjah, Winnie 1974. „Rethinking the modern : imagining the future of the Museum of Modern Art, New York“. Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/62954.
Der volle Inhalt der QuelleIncludes bibliographical references (p. 103-105).
The thesis seeks to explore the implications of the emergence of the digital media as a new art form on the museum space. The museum as an institution has faced some ideological and philosophical contradictions in recent times. Economically, heightened competition for dwindling funds has begun to shape programming decisions. Philosophically, the museum's perceived authoritarian role clashes with the critiques of cultural hegemony that are so much a part of the contemporary art world. Contemporary art forms that intentionally subvert the equation of art and object are often less compatible with traditional conceptions of museum space. And socially, museum expansion is often used as a tool for the gentrification of museum neighborhoods, a stratagem that cheers civic boosters and troubles social critics. All these point to a social, philosophical, political critique of the museum as an institution. The thesis does not attempt to resolve all the issues rooted in the current museum culture/structure. Rather, it seeks to study the various museums built historically and propose a new way of understanding the role of the museum in relation to the issues brought up by artists, social critics, historians alike. The exploration involves both spatial and material articulation. What could a museum be?
by Winnie Alamsjah.
M.Arch.
Rasmussen, Briley. „Pedagogy for the modern : Victor D'Amico and the Museum of Modern Art, 1929-1969“. Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/42851.
Der volle Inhalt der QuelleShaw, Nancy (Nancy Alison) 1962. „Modern art, media pedagogy and cultural citizenship : the Museum of Modern Art's television project, 1952-1955“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36790.
Der volle Inhalt der QuelleFloe, Hilary Tyndall. „The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Der volle Inhalt der QuelleNicolescu, Gabriela. „Art, politics and the museum : tales of continuity and rupture in modern Romania“. Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/12491/.
Der volle Inhalt der QuelleJohansson, Michael. „Bildhuggaren, soldaten, och modern : Ivar Johnssons ”Arbete och livsbejakelse” (1939)“. Thesis, Linköpings universitet, Avdelningen för kulturvetenskaper, KVA, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-124698.
Der volle Inhalt der QuelleThis essay has touched Ivar Johnson's works "Arbete och livsbejakelse" (1939) which are placed on the facade of Östergötlands museum. The purpose of this thesis is to describe the history about the origin of the artwork and examine its relationship to the working-class themes and ideology. The history about the origin of the artwork has been written by a narrative review of protocol, from the comittee of museum building and the contemporary press. For the survey of the work's content and motives image, an analysis has been made based on Erwin Panofsky and Jan-Gunnar Sjölins methods. A discussion is made after the analysis and the results show that one can see the ideological tendencies in the work and that the motives can be seen following the work themes.
Gray, Campbell Bruce. „Recent design of the modern art museum in London : dissonance in theory and phenomenology“. Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240406.
Der volle Inhalt der QuelleWright, Lesley. „Surviving in New York : an exploration of development at the Museum of Modern Art“. ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/aa_rpts/85.
Der volle Inhalt der QuelleUzumyemezoglu, Victoria Stephanie <1992>. „Istanbul Modern Museum: storia e analisi di un’istituzione museale moderna e contemporanea in Oriente“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13043.
Der volle Inhalt der QuelleWasson, Haidee. „Modern ideas about old films : the Museum of Modern Art's Film Library and film culture, 1935-39“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0025/NQ50280.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Jacksonville Museum of Modern Art"
Museum, Jacksonville Art, Hrsg. Andrew Wyeth: Southeastern collections : Jacksonville Art Museum, January 19, 1992-April 19, 1992. Jacksonville, Fla: The Museum, 1992.
Den vollen Inhalt der Quelle findeneditor, Airoumian Zara, und Igitʻian, Henrik, writer of foreword, Hrsg. Modern Art Museum of Armenia. Yerevan: Tigran Mets Publishing House, 2017.
Den vollen Inhalt der Quelle findenWines, James. Museum of Modern Art, Frankfurt. London: Architectural Association, 1985.
Den vollen Inhalt der Quelle findenHenrik, Igitʻian, Airoumian Zara, Kʻochʻar Vahan, Khachaturov Vladimir und Ēmin Artashes, Hrsg. Modern Art Museum of Armenian. Yerevan: Tigran Mets Publishing House, 2012.
Den vollen Inhalt der Quelle findenJames, Wines, Muschamp Herbert, Architectural Association und SITE, Hrsg. Museum of Modern Art, Frankfurt. London: Architectural Association, 1985.
Den vollen Inhalt der Quelle findenLi︠u︡dvig, Muzeĭ. Muzeĭ Li︠u︡dviga v Russkom muzee =: Ludwig Museum in the Russian Museum = Museum Ludwig im Russischen Museum. [Saint-Petersburg]: Palace Editions, 1998.
Den vollen Inhalt der Quelle findenSotheby's (Firm). Impressionist & modern art. New York: Sotheby's, 2003.
Den vollen Inhalt der Quelle finden1944-, Lane John R., und San Francisco Museum of Modern Art., Hrsg. The making of a modern museum: San Francisco Museum of Modern Art. San Francisco, Calif: San Francisco Museum of Modern Art, 1994.
Den vollen Inhalt der Quelle findenStrombeek, Cultuurcentrum, Hrsg. Museum III. Gent: MER. Paper Kunsthalle, 2018.
Den vollen Inhalt der Quelle findenLowry, Glenn D. The new Museum of Modern Art. New York, NY: Museum of Modern Art, 2006.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Jacksonville Museum of Modern Art"
Brown, Michelle P. „The Modern Medieval Museum“. In A Companion to Medieval Art, 957–76. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119077756.ch39.
Der volle Inhalt der QuelleNegri, Massimo. „Louisiana Museum of Modern Art“. In Revisiting Museums of Influence, 33–36. Abingdon, Oxon ; New York : Routledge, [2021]: Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-4.
Der volle Inhalt der QuelleHay, Bruce L. „Schoeps v. Museum of Modern Art“. In Nazi-Looted Art and the Law, 227–37. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64967-2_11.
Der volle Inhalt der QuelleHay, Bruce L. „Grosz v. Museum of Modern Art“. In Nazi-Looted Art and the Law, 159–82. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64967-2_8.
Der volle Inhalt der QuelleMacLeod, Suzanne. „Louisiana Museum of Modern Art, Denmark, 1958“. In Museums and Design for Creative Lives, 194–201. Abingdon, Oxon ; New York, NY : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429398698-23.
Der volle Inhalt der QuelleBewer, Francesca G. „Experiments in a Teaching Museum“. In Histories of Conservation and Art History in Modern Europe, 127–42. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003127369-11.
Der volle Inhalt der QuelleKlöpfer, Thorsten, und Oliver Kauselmann. „MOMAK — Museum of Modern Art Kabul http://www.momak.org“. In Berichte des German Chapter of the ACM, 439–40. Wiesbaden: Vieweg+Teubner Verlag, 2003. http://dx.doi.org/10.1007/978-3-322-80058-9_56.
Der volle Inhalt der QuelleBreuer, Marcel. „Whitney Museum of American Art (Currently Frick Madison), 1964–1966“. In Great Windows in Modern Architecture, 192–201. London: Routledge, 2024. http://dx.doi.org/10.4324/9780429341977-18.
Der volle Inhalt der QuelleStanley, Nick. „Robert Goldwater and the Search for the Primitive: The Asmat Project at the Museum of Primitive Art“. In A Companion to Modern Art, 91–107. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch5.
Der volle Inhalt der QuelleNikonanou, Niki, Panagiotis A. Kanellopoulos, Elena Viseri und Elina Moraitopoulou. „Educational Commons in Art Museums“. In Educational Commons, 151–72. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51837-9_9.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Jacksonville Museum of Modern Art"
Dobranszky, Diana de Abreu. „Beaumont Newhall e o Museum of Modern Art de Nova York“. In Encontro da História da Arte. Universidade Estadual de Campinas, 2007. http://dx.doi.org/10.20396/eha.3.2007.3682.
Der volle Inhalt der QuelleWidharini, Febrika, und Dorien Kartikawangi. „Integrated Marketing Communication at Museum MACAN: Modern and Contemporary Art in Nusantara“. In The 2nd International Conference on Inclusive Business in the Changing World. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008433205200529.
Der volle Inhalt der QuelleQuinn, Terence J. „Making the Absent Object Present: Towards a holographic museum of modern art (hMoMA)“. In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.29.
Der volle Inhalt der QuelleSubroto, Dwina, und Arga Hananto. „The Influence of Experiential Quality, Excitement, Museum Image, and Experiential Satisfaction toward Revisit Intention (The Empirical Study at Modern and Contemporary Art Museum in Jakarta)“. In Proceedings of the 2nd International Conference of Business, Accounting and Economics, ICBAE 2020, 5 - 6 August 2020, Purwokerto, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.5-8-2020.2301091.
Der volle Inhalt der QuelleBîzgu, Tatiana. „The art of traditional vests — recovery of treasure“. In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.29.
Der volle Inhalt der QuelleВертяшкина, Анастасия Валентиновна, und Андрей Анатольевич Ярцев. „MUSEUM COMPLEX “FRIEDLAND GATE”: HISTORY OF 20 YEARS OF MUSEUM IFICATION OF FORTIFICATIONS“. In Международная научно-практическая конференция «Музеефикация фортификационных сооружений. проблемы и пути их решения». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.22.91.001.
Der volle Inhalt der QuelleStăvilă, Tudor. „Scenographic art in interwar Bessarabia“. In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.01.
Der volle Inhalt der QuelleRamadan, Lina Nabih. „The Role of Women Artists in Qatar and the Representation of their Work in Mathaf: Arab Museum of Modern Art“. In Qatar Foundation Annual Research Conference Proceedings. Hamad bin Khalifa University Press (HBKU Press), 2016. http://dx.doi.org/10.5339/qfarc.2016.sshasp2487.
Der volle Inhalt der QuelleZagryadskaya, A. „THE FORMATION OF THE MUSEUM AS A RESULT OF CHANGES IN AESTHETIC CONSCIOUSNESS (FROM RENAISSANCE TO NEW TIME)“. In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2558.978-5-317-06726-7/113-117.
Der volle Inhalt der QuelleMalinina, Elena. „Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Jacksonville Museum of Modern Art"
Design in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, Februar 1997. http://dx.doi.org/10.18235/0006404.
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