Dissertationen zum Thema „Italian words“
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Piccinin, Sabrina. „Native and non-native processing of morphologically complex words in Italian“. Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20027.
Der volle Inhalt der QuelleThe present work focuses on the organization of the mental lexicon in native and non-native speakers and aims at investigating whether words are connected in the mind in terms of morphological criteria, i.e., through a network of associations establishing when a co-occurrence of form and meaning is found. Psycholinguistic research on native lexical access has demonstrated that morphology indeed underlies the organization of the mental lexicon, even though controversies about the locus of this level of organization remain. On the other hand, research in the field of second language acquisition has only recently turned to investigate such issues and its findings so far have been controversial. Specifically, the debate centers on whether native and non-native speakers share the same processing systems. According to recent proposals (Heyer & Clahsen 2015), this would not be the case and L2 processing would be more affected by formal rather than morphological criteria. In this light, the present work is aimed at verifying the impact of formal characteristics in native and non-native lexical access focusing on the processing of formally transparent versus non-transparent words in Italian
Urraro, Giuseppe. „Neighbourhood size and neighbourhood frequency effects in the recognition of Italian written words“. Doctoral thesis, Universita degli studi di Salerno, 2012. http://hdl.handle.net/10556/340.
Der volle Inhalt der QuelleThe present research investigates neighbourhood size and neighbourhood frequency effects in recognition of Italian written words. Neighbourhood size is the number of words that may be generated by changing one letter of the target word, preserving letter positions; neighbourhood frequency refers to the relationship between the frequencies of neighbours and the frequency of the stimulus word (Grainger, O’Regan, Jacobs & Segui, 1989). By extending the studies on Italian non words of Arduino & Burani (2004) and Mulatti, Peressotti & Job (2007) to Italian five-letter words, four experiments were carried out in order to test the neighbourhood size and the neighbourhood frequency effects, as well as the possible interaction between them. We have used, as experimental tasks, the simple lexical decision, the word and nonword naming and the lexical decision with unmasked orthographic priming.[edited by author]
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Philip, Gillian Susan. „Collocation and connotation : a corpus-based investigation of colour words in English and Italian“. Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410301.
Der volle Inhalt der QuelleSamperi-Mangan, Jacqueline. „Languages in contact : error analysis of Italian childrens' compositions in a multilingual context“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60594.
Der volle Inhalt der QuelleAn effort is made to show all the different errors and interferences that occur, and to discover a pattern of their causes. The data put forth might eventually serve as a base for further studies on the pedagogical prevention or correction of errors in the teaching of Standard Italian as adapted to the specific situation in Montreal.
ZOBBI, VIRNA FRANCA. „Allattamento al seno: validazione del breastfeeding assessment score ridotto, su un gruppo di puerpere italiane. [Breastfeeding: validation of a reduced Breastfeeding Assessment Score (BAS) in a group of Italian women]“. Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/10281/84423.
Der volle Inhalt der QuelleShuneika, Hanna. „Proofreading and analysis of the Italian localization of the first 5 chapters of the videogame The Last of us“. Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16484/.
Der volle Inhalt der QuelleTycz, Katherine Marie. „Material prayers : the use of text in early modern Italian domestic devotions“. Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.
Der volle Inhalt der QuelleGochin, Lara Shantal. „Maria Messina : her works“. Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/14600.
Der volle Inhalt der QuelleIn this thesis I examine the work of the tum-of-the century Sicilian writer, Maria Messina (1887-1944). Relatively prolific, she received attention from some of the major critics of her day. But her works were forgotten after her death until the early 1970s. Messina's works are significant for their contribution to the understanding of both women's literature and the position of the woman in a patriarchal society during the period of Fascist control of Italy. Although there is growing interest in Messina's works, no full-length study exists which combines a general overview of her writings in their historical and cultural context with an accurate biographical history, which also includes unpublished and rare documents by and on Messina. This thesis fills this gap. All available criticism of Messina's writings, both from the early Twentieth century and from the last twenty years has been taken into account. This comprises the overlooked and forgotten reviews from journals and newspapers as well as the recent German and American ones. The corpus of the known works by Messina has been increased by tracing unknown publications in literary journals of the 1910s and 1920s. Messina's known published correspondence has been increased by the discovery of her unpublished letters to Alessio DiGiovanni, which span the years 1910-40, and those to Enrico Bemporad. The former provide new knowledge of her life, cultural formation and social interaction. The latter serve as documents for her publishing history and her private life in general. A more historically accurate picture of Messina's life and work can now be formed, not only from the unpublished letters but also from the documents and certificates obtained from archives and municipal records. On the strength of internal and external evidence, not previously taken into account, a detailed biography and personality sketch of Messina and an assessment of her cultural and literary formation have now been provided. The literary analysis examined Messina's short stories and novels on a separate basis, while taking into account certain themes which were central to both genres. Rediscovered short stories were found to contribute greatly to a balanced understanding of Messina's subject matter: the tormented mother-child relationship, the dichotomy between greed and need, the ambivalent stance towards love. The analysis of the novels also revealed new insight into Messina's attitude towards the female condition within society. The present feminist-oriented criticism on Messina has tended to overlook her ambiguous representation of the career-woman. Nor has it been aware of the progressive weakening and elimination of the authoritative male figure. These aspects have been seen to be the externalisation of Messina's attitude towards Fascism. In her historical context, on one level Messina appears to accept and transmit Fascism's idealisation of the wife and mother and the glorification of the rural and traditional ways of life. On another level she denounces Fascist doctrine by ridiculing its cardinal symbol of the virile male. While considering Messina's writings as important literary and sociological documents of the condition of the woman in a critical historical moment, the analysis of the text is not oriented from the sole perspective of feminist criticism, which would have been too restrictive. It is instead conducted from a general critical perspective, moving from the texts themselves in order to assess their structural, thematic, stylistic and symbolic components. Research was carried out in the principal libraries of Italy and those in which Messina resided - Rome, Florence, Urbino, Naples, Palermo, Catania, Pistoia - for published and unpublished material written on and by Messina. Searches for biographical information and documents were carried out in all the centres in which Messina lived. Family members and descendents of her friends were contacted. The material obtained was used to compile a biographical history and analyses of her writings.
Volino, Massimo Salvatore. „Word grammar, unification, and the syntax of Italian clitics“. Thesis, University of Edinburgh, 1990. http://hdl.handle.net/1842/20854.
Der volle Inhalt der QuelleMaxson, Brian. „Social Historical Approaches to Italian Humanists and Humanism“. Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etsu-works/6223.
Der volle Inhalt der QuelleGibson, Francesca P. „Themes of exile in the early works of Cesare Pavese“. Thesis, University of Reading, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316351.
Der volle Inhalt der QuelleMacinante, Alessandra Paola. „Le Epystole di Francesco Petrarca: uno studio critico sul testo e la sua tradizione“. Doctoral thesis, Scuola Normale Superiore, 2018. http://hdl.handle.net/11384/86101.
Der volle Inhalt der QuelleMaxson, Brian Jeffrey. „Why the Italian Renaissance Happened and Why that Matters“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2672.
Der volle Inhalt der QuelleSlagle, Judith Bailey. „Gothic Interactions: Italian Gothic Translations of Margaret Holford Hodson“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/3222.
Der volle Inhalt der QuelleValentino, Gabriella. „Italian translations of the works of P.G. Wodehouse : an epistemic approach“. Thesis, Swansea University, 2017. https://cronfa.swan.ac.uk/Record/cronfa40909.
Der volle Inhalt der QuelleMaxson, Brian. „The Crusades and the Lost Literature of the Italian Renaissance“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etsu-works/6225.
Der volle Inhalt der QuelleMaxson, Brian. „Review of The Italian Renaissance and Cultural history of the Rinascimento“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6193.
Der volle Inhalt der QuelleReid, Joshua. „The Figure of the Poet-Translator in the Italian Romance Epic“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2862.
Der volle Inhalt der QuelleBonacossa, Federico Jes. „Franco Margola's Chamber Works with Guitar: A Guide and Annotated Catalog“. Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/321.
Der volle Inhalt der QuelleNieri, Valentina. „La tradizione dei volgarizzamenti toscani dell'Opus agricolturae di Palladio. Saggio di edizione del volgarizzamento III“. Doctoral thesis, Scuola Normale Superiore, 2018. http://hdl.handle.net/11384/86106.
Der volle Inhalt der QuelleReid, Joshua. „Lyric Augmentation and Fragmentation of the Italian Romance Epic in English Translations“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2861.
Der volle Inhalt der QuelleMaxson, Brian. „Review of The Cambridge Companion to the Italian Renaissance, ed. by Michael Wyatt“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6180.
Der volle Inhalt der QuelleMaxson, Brian. „Review of The Early Modern Italian Domestic Interior, 1400-1700: Objects, Spaces, Domesticaries“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6192.
Der volle Inhalt der QuelleMaxson, Brian Jeffrey. „Book Review of A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2656.
Der volle Inhalt der QuelleMaxson, Brian Jeffrey. „Quattrocento“. Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5466.
Der volle Inhalt der QuelleVo, Phuong Vi. „A Comparison of Picture to Word Training and Word to Word Training on Native English Speaking College Students’ Acquisition of Italian Vocabulary“. Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc407810/.
Der volle Inhalt der QuelleMaxson, Brian. „Review of Isabella d’Este and Francesco Gonzaga: Power Sharing at the Italian Renaissance Court“. Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/6205.
Der volle Inhalt der QuelleScarna, Antonina. „Lexical processing in monolinguals and bilinguals“. Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/10883/.
Der volle Inhalt der QuelleReid, Joshua. „Translation Fragmentation and the ‘Transformission’ of Genre“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2859.
Der volle Inhalt der QuelleReid, Joshua. „Translation Studies“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2866.
Der volle Inhalt der QuelleDAL, CENGIO Martina. „Le Rime di Girolamo Molin (1500-1569) e la poesia veneziana del Cinquecento. Edizione critica e commento“. Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/90686.
Der volle Inhalt der QuelleBALABAN, Ioan. „International and multinational banking under Bretton Woods (1945-1971) : the experience of Italian banks“. Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/69996.
Der volle Inhalt der QuelleExamining Board: Professor Youssef Cassis (European University Institute); Professor Federico Romero (European University Institute); Professor Catherine Schenk (Oxford University); Professor Stefano Battilossi (University of Carlo III)
Business economists and financial historians distinguish between a first and a second wave of international and multinational banking. The Great Depression and the two World Wars interrupted the first wave which began in the mid 19th century. The second wave began in the 1960s and was triggered by the advent of the Euromarkets under the international monetary regime of Bretton Woods (1944-1971). The thesis investigates the determinants of the internationalization of European commercial banks under Bretton Woods by focusing on the experience of Italian banks. I argue that Italian banks re-entered international and multinational banking from the late 1940s onwards in order to contribute to establish Italy as a commercial power. Competition between the banks in the international arena led them to integrate Eurodollar deposits into their international and domestic banking strategies in the 1950s and the 1960s thus contributing to the globalization of finance. The big European continental commercial banks internationalized in parallel to Italian banks and for the same reasons. Nevertheless, in contrast to latter, the former became major actors in the Euromarkets as a result of the American challenge after 1965. The thesis argues that the growth of the Euromarkets in the second half of the 1960s was sponsored by the Federal Reserve of the United States. The Federal Reserve encouraged the growth of the Euromarkets, and the role of American banks in the market, in order to defend the US official gold stock and the US balance of payments. Sources are drawn from bank and central bank archives in Italy, France and the United States.
Maxson, Brian Jeffrey. „Book Review of Pagan Virtue in a Christian World: Sigismondo Malatesta and the Italian Renaissance“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2663.
Der volle Inhalt der QuelleRattalino, Elisabetta. „The seasons in the city : artists and rural worlds in the era of Calvino and Pasolini“. Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/15588.
Der volle Inhalt der QuelleMaxson, Brian. „Reviews of Biondo Flavio, Italy Illuminated. Biondo Flavio's Italia Illustrata“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/6216.
Der volle Inhalt der QuelleReid, Joshua. „From Flesh to Spirit: Dalí’s Visual Transmutation of Dante’s Purgatorio“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2865.
Der volle Inhalt der QuelleGrassia, Salvatore. „L’«impostura» della scrittura nel Sorriso dell’ignoto marinaio“. Doctoral thesis, Scuola Normale Superiore, 2009. http://hdl.handle.net/11384/86081.
Der volle Inhalt der QuelleBakun, Ewa. „Worlds imagined and worlds experienced : Italians in America in Vita by Melania Mazzucco and Umbertina by Helen Barolini“. Connect to resource, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1162317019.
Der volle Inhalt der QuelleKrieger, Gerlinde. „Die Integration der Richtlinie über Europäische Betriebsräte in die Rechtssysteme Deutschlands, Italiens und Grossbritanniens /“. Aachen : Shaker, 2004. http://www.gbv.de/dms/sbb-berlin/385310862.pdf.
Der volle Inhalt der QuelleReid, Joshua. „Textual Physiognomy: A New Theory and Brief History of Dantean Portraiture“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2856.
Der volle Inhalt der QuelleReid, Joshua. „Review of Printers without Borders: Translation and Textuality in the Renaissance“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2857.
Der volle Inhalt der QuelleReid, Joshua. „Angelic Viscosity: Dali and Dante in Paradise“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/2864.
Der volle Inhalt der QuelleReid, Joshua. „He Do the Orlando Furioso in Different Voices: Ariosto’s Ventriloquizing Presence in English Translation“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/2860.
Der volle Inhalt der QuelleReid, Joshua. „Serious Play: Sir John Harington’s Material-Textual Errancy in Orlando Furioso in English Heroical Verse (1591)“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2858.
Der volle Inhalt der QuelleCastagna, Valentina <1996>. „A word is born: the meaning of Abilismo“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20244.
Der volle Inhalt der QuelleChacon, Victor. „Verismo in the works of Gian Carlo Menotti : a comparison with late nineteenth-century Italian opera /“. Thesis, Connect to this title online; UW restricted, 1991. http://hdl.handle.net/1773/11394.
Der volle Inhalt der QuelleSantovetti, Olivia. „Digression : a narrative strategy in the Italian novel : the works of Manzoni, Dossi, Pirandello and Calvino“. Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621168.
Der volle Inhalt der QuelleGriffiths, Sarah Abigail. „Luigi Rossi: Early Baroque Italian Cantatas for the Modern Singer, with Modern Editions of Selected Works“. Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc84209/.
Der volle Inhalt der QuelleGava, Lucia <1973>. „A Journey with Elizabeth Gaskell: An Examination of Italian Translations of the Works of Elizabeth Gaskell“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21674.
Der volle Inhalt der QuelleReid, Joshua. „Romance of Translation: Tasso’s Gerusalemme Liberata in the Elizabethan Twilight“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2855.
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