Dissertationen zum Thema „Irish 20th century Correspondence“
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Fridén, Gunnar. „National theatre and the 20th century Irish dream play /“. Göteborg : Department of Languages and Literature, University of Gothenburg, 2010. http://gup.ub.gu.se/gup/record/index.xsql?pubid=121509.
Der volle Inhalt der QuelleBachorz, Stephanie Vanessa. „Dialectics of postcoloniality : Adorno and 20th-century Irish literature“. Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517204.
Der volle Inhalt der QuelleMcLaughlin, Robert. „Irish Canadians and the Struggle for Irish Independence, 1912-1925: A Study of Ethnic Identity and Cultural Heritage“. Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/McLaughlinR2004.pdf.
Der volle Inhalt der QuelleHansson, Karin. „The Autonomous and the Passive Progressive in 20th-Century Irish“. Doctoral thesis, Uppsala : Acta Universitatis Upsaliensis : Univ.-bibl. [distributör], 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-4263.
Der volle Inhalt der QuelleBennett, Sarah. „The American contexts of Irish poetry, 1950-present“. Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.
Der volle Inhalt der QuelleKinmonth, Claudia. „Irish vernacular furniture 1700-1950“. Thesis, Bucks New University, 1997. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714441.
Der volle Inhalt der QuelleO’Neill, Patrick Nathaniel. „Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson“. Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
Der volle Inhalt der QuelleRiordan, Michael, und n/a. „Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey“. Griffith University. School of Humanities, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040615.132200.
Der volle Inhalt der QuelleRiordan, Michael. „Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey“. Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367087.
Der volle Inhalt der QuelleThesis (Masters)
Master of Philosophy (MPhil)
School of Humanities
Full Text
Potvin, Carole 1964. „L'autoportrait dans la correspondance de Sartre et de Beauvoir“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84539.
Der volle Inhalt der QuelleWe examine the two principal figures that emerge from the letters of each writer. Sartre appears as both an intellectual and an imperialist; Beauvoir appears as a earthy woman who is also respectful of Sartre.
The thesis is divided in two sections: "Le monologue" and "Le dialogue". In fact, we have discovered that some of the figures, the intellectual and the earthy woman, emerge in a context where the letter writer reacts infrequently to the discourse of the addressee. That is why this section is entitled "Le monologue". In contrast, other figures, the imperialist and the respectful woman, appear in a context where both letter writers react to the image that the addressee projects of himself. That is why this section is named "Le dialogue". In addition, each figure presents a dark side. Therefore, we have studied each of them firstly "in the sun" and secondly "in the shadows". Moreover, our study of this correspondence has permitted us to better identify the general characteristics of the epistolary self-portrait genre.
Macbeth, Georgia School of Theatre Film & Dance UNSW. „A Plurality of Identities: Ulster Protestantism in Contemporary Northern Irish Drama“. Awarded by:University of New South Wales. School of Theatre, Film and Dance, 1999. http://handle.unsw.edu.au/1959.4/33257.
Der volle Inhalt der QuelleWhite, Jonathan Paul. „The symphonies of Charles Villiers Stanford : constructing a national identity?“ Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:6d16fac7-bb70-4ba9-bf0e-17c0a9f26ce5.
Der volle Inhalt der QuelleHopper, Keith. „Imagining otherwise : Neil Jordan's counter-narratives“. Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669873.
Der volle Inhalt der QuelleKaplan, Stacey Meredith 1973. „The modern(ist) short form: Containing class in early 20th century literature and film“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10574.
Der volle Inhalt der QuelleMy dissertation analyzes the overlooked short works of authors and auteurs who do not fit comfortably into the conventional category of modernism due to their subtly experimental aesthetics: the versatile British author Vita Sackville-West, the Anglo-Irish novelist and short-story writer Elizabeth Bowen, and the British emigrant filmmaker Charlie Chaplin. I focus on the years 1920-1923 to gain an alternative understanding of modernism's annus mirabulus and the years immediately preceding and following it. My first chapter studies the most critically disregarded author of the project: Sackville-West. Her 1922 volume of short stories The Heir: A Love Story deserves attention for its examination of social hierarchies. Although her stories ridicule characters regardless of their class background, those who attempt to change their class status, especially when not sanctioned by heredity, are treated with the greatest contempt. The volume, with the reinforcement of the contracted short form, advocates staying within given class boundaries. The second chapter analyzes social structures in Bowen's first book of short stories, Encounters (1922). Like Sackville-West, Bowen's use of the short form complements her interest in how class hierarchies can confine characters. Bowen's portraits of classed encounters and of characters' encounters with class reveal a sense of anxiety over being confined by social status and a sense of displacement over breaking out of class groups, exposing how class divisions accentuate feelings of alienation and instability. The last chapter examines Chaplin's final short films: "The Idle Class" (1921), "Pay Day (1922), and "The Pilgrim" (1923). While placing Chaplin among the modernists complicates the canon in a positive way, it also reduces the complexity of this man and his art. Chaplin is neither a pyrotechnic modernist nor a traditional sentimentalist. Additionally, Chaplin's shorts are neither socially liberal nor conservative. Rather, Chaplin's short films flirt with experimental techniques and progressive class politics, presenting multiple perspectives on the thematic of social hierarchies. But, in the end, his films reinforce rather than overthrow traditional artistic forms and hierarchical ideas. Studying these artists elucidates how the contracted space of the short form produces the perfect room to present a nuanced portrayal of class.
Committee in charge: Paul Peppis, Chairperson, English; Michael Aronson, Member, English; Mark Quigley, Member, English; Jenifer Presto, Outside Member, Comparative Literature
Lynch, Robert John. „The Northern IRA and the early years of partition 1920-22“. Thesis, University of Stirling, 2003. http://hdl.handle.net/1893/1517.
Der volle Inhalt der QuelleWiten, Michelle Lynn. „Perceiving in registers : the condition of absolute music in James Joyce's Ulysses and Finnegans Wake“. Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669882.
Der volle Inhalt der QuellePage, Michael von Tangen. „The IRA, Sinn Fein and the hunger strike of 1981“. Thesis, University of St Andrews, 1993. http://hdl.handle.net/10023/14348.
Der volle Inhalt der QuelleDuncan, Dawn E. (Dawn Elaine). „Language and Identity in Post-1800 Irish Drama“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc277916/.
Der volle Inhalt der QuelleRyan, Catriona Majella. „Border states in the writings of Tom MacIntyre : a paleo-postmodern perspective“. Thesis, Swansea University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678339.
Der volle Inhalt der QuelleSvan, Moa. „Svärmisk vänskap bland ogifta yrkesarbetande kvinnor : Mikrohistorisk studie av vänskap genom Maja Beskows korrespondens och dagböcker mellan år 1886–1923“. Thesis, Södertörns högskola, Historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-46447.
Der volle Inhalt der QuelleDerby, Mark. „Czar Cullen : Police Commissioner John Cullen and coercive state action in early 20th century NZ : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in New Zealand Studies /“. ResearchArchive@Victoria e-Thesis, 2007. http://hdl.handle.net/10063/351.
Der volle Inhalt der QuellePaterson, Adrian. „'Words for music perhaps' : W.B. Yeats and musical sense“. Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c.
Der volle Inhalt der QuelleDixon, Marzena M. „The structure and rhetoric of twentieth-century British children's fantasy“. Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.
Der volle Inhalt der QuelleMercurio, Jeremiah Romano. „Fantasy as a mode in British and Irish literary decadence, 1885–1925“. Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1964.
Der volle Inhalt der QuelleRock, Brian. „Irish nationalism and postcolonial modernity : the 'minor' literature and authorial selves of Brian O'Nolan“. Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/2495.
Der volle Inhalt der QuelleKariya, Toshinobu. „Antonin Artaud épistolier : une pratique paradoxale de l’expression du moi“. Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20033/document.
Der volle Inhalt der QuelleThe correspondence of Antonin Artaud (1896-1948) occupies an essential place in his writings. It shows probably better than his other texts the singularity of his expression. This dissertation examines the role played by his correspondence, the importance of which is admitted, but still insufficiently explored. From the publication of the Correspondence with Jacques Rivière (1924), that started following the refusal of Rivière to publish the poems of Artaud, he publishes letters or texts in epistolary style as if they could replace his works in which he is unable to express his own reality because of his illness : he refuses works "separated from life" and believes he can better express himself in letters. The epistolary expression is for him a way to make the "cry of life" heard and to fight against the "feeling of lack of cause". However, it is not clear that, although anchored in real situations, the correspondence can function as Artaud wants. Rather, in the 1920s and 1930s, its position for him is ambiguous.Chapter 1 approaches this problem in two aspects : the authenticity and the temporality. In his letters, we can see Artaud complain very often of his addressees’ misunderstanding about his pain. His letters do not prove its authenticity, and the ambiguity always goes into them. For him, the authenticity must be proven by the accord of his writings with the present time. But his illness, as well as the fact that the letters consist of words, prevent the realization of this accord. His letters can transcribe only his hustle and time gaps. Thus, far from showing his raw reality, the correspondence becomes an attempt to cover these gaps, to find the reality that he cannot seize, his true self, original and intact. To do this, Artaud uses imaginary elements, still asking for the immediate contact, which makes the role of his letters paradoxical. Chapter 2 examines the problem of destination. The presence of others is necessary for Artaud to think, to complete his lack. His addressees are depositories of his self. But his letters are addressed, beyond actual addressees whose presence is after all imaginary, to the transcendent instance, to the Other as notes Vincent Kaufmann in L’Équivoque épistolaire, instance that allow him access to the expression and restores his identity. His addressees who are authorities and paternal (critics, religious leaders, statesmen, doctors, etc.) are figures of the Other. In addition, the female addressees who are his lovers are his halves that must be incorporated to find again the original unity. His love letters are so marked by his strong desire of fusion. Yet at the same time, the union by love exposes his unity to loss in the flow of things. Letters are also written in order to introduce a distance. The issue of his travel letters, discussed in Chapter 3, is to make simultaneously the two opposite movements (close and away). Distant countries represent for Artaud metaphysical places where he should find his original unity. During his travels in Mexico (1936) and Ireland (1937), his letters are like a stage for the advent of a new identity, stage where meet the beyond and the here-now. It is here that the paradoxical use of letters reaches the peak, because the realization of the "real drama" means, as prophesied he, the disappearance of the material world and therefore that of the letters. His letters direct their own disappearance, which curiously coincides with his arrest in Dublin and the beginning of his life in asylums (1937-1946)
Manuel, Daniel. „Les correspondants français de Canova (1785-1822) : contribution à une histoire sociale et matérielle du goût au tournant du XIXe siècle“. Thesis, Brest, 2018. http://www.theses.fr/2018BRES0104.
Der volle Inhalt der QuelleThe novel subject of this thesis is based upon archive material. It is centered on how the work of Italian neo-classical sculptor Antonio Canova was received in the most glamorous clubs and salons, through the study of letters exchanged by French celebrities from different walks of life during upon the periods of the Consulate, the Empire and the Restauration. Letter after letter, the image of an artist confronted with économie, artistic and sentimental challenges emerges. He succeeds in winning over the Napoleonides who grant him their patronage and their protection. He also gains the support of government représentatives in Rome and of fashionable women who are enraptured by the charm and the refinement of the Italian sculptor’s compositions. Référencés appear as a privileged form of exchange between artists, and reflect the vitality of this type of letter, and the variety of networks.Correspondence demonstrates the changing status of the artist who adjusts his réputation to the demands of his patron, thus becoming a true businessman. Torn between his longing forfreedom and his commitment to the artistic leanings of his mentor Quatremère de Quincy, Canova's production has many facets, which endear him to critics and to the public who wishes to see him as the modem heir of Greek sculptors. Yet as he rarely visits Paris and his work is rarely exhibited there, his impact is limited. The influence of early romanticism on ne classical painting permeates Canova’s works, and is a tribute to his originality. Studying these letters brings to light historical, material and esthetic questions that their authors bear witness to
Tin, Emerson. „Em busca do "Lobato das cartas" : a construção da imagem de Monteiro Lobato diante de seus destinatarios“. [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270302.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-09-11T21:10:11Z (GMT). No. of bitstreams: 1 Tin_Emerson_D.pdf: 7686424 bytes, checksum: 723efe5ae07964b1fc4faa355f42ba96 (MD5) Previous issue date: 2007
Resumo: O objetivo desta tese é identificar e analisar o ¿Lobato das cartas¿, ou seja, o processo de construção da imagem de Monteiro Lobato em sua correspondência ativa. Há, assim, o Lobato familiar, o escritor e o editor, o dos Estados Unidos, o do ferro e do petróleo, o da prisão e o das crianças. Essa imagem, porém, varia não só segundo circunstâncias de tempo e de lugar mas também em função do destinatário. Palavras-chave: Lobato, Monteiro, 1882-1948 ¿ Correspondência ¿ Crítica e interpretação, Cartas brasileiras ¿ Séc. XX ¿ História e crítica
Abstract: The objective of this thesis is to identify and to analyze the ¿Lobato of the letters¿, that is, the process of construction of the Monteiro Lobato¿s image in his active correspondence. There are the familiar Lobato, the writer and the publisher, the Lobato of the United States, the Lobato of the iron and the oil, the Lobato of the prison and the Lobato of the children. This image, however, not only varies according to circumstances of time and place but also in function of the addressee. Keywords: Lobato, Monteiro, 1882-1948 ¿ Correspondence ¿ Criticism and interpretation, Brazilian letters ¿ 20th century ¿ History and criticism
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
O'Farrell, Kevin. „Joyce after Nietzsche : irony and the will to truth“. Thesis, University of Oxford, 2012. https://ora.ox.ac.uk/objects/uuid:3de0686a-b70f-433c-ae20-9de7d554b08e.
Der volle Inhalt der QuelleBurke, Edward. „Understanding small infantry unit behaviour and cohesion : the case of the Scots Guards and the Argyll and Sutherland Highlanders (Princess Louise's) in Northern Ireland, 1971-1972“. Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/8507.
Der volle Inhalt der QuelleMartin, Shirley Helen. „Freedom to obey : the obedience of Christ as the reflection of the obedience of the Son in Karl Barth's 'Church dogmatics'“. Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/762.
Der volle Inhalt der QuellePAGLIARULO, CARLA. „I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale»: alcuni carteggi indediti“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Der volle Inhalt der QuelleThis dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
PAGLIARULO, CARLA. „I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale»: alcuni carteggi indediti“. Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Der volle Inhalt der QuelleThis dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
Paul, Salomé. „Avatars contemporains du tragique grec : le Mythe dans la dramaturgie de Sartre, Anouilh, Camus, Paulin, Kennelly et Heaney“. Thesis, Sorbonne université, 2020. http://www.theses.fr/2020SORUL029.
Der volle Inhalt der QuelleThis research intends to underline the paradigmatic change that has occurred reguarding the approach to the tragic phenomenon and the genre of tragedy in the contemporary period. Tragedy, such as dramatized by the Greeks in the 5th century B.-C., was built on the concept of dikè, meaning justice. However, in the twentieth century, the idea of tragic is apprehended through the perspective of human freedom. This transformation of the philosophical and dramatic approaches to the tragic phenomemon arises from the social and political events occuring in the Western world, and more specifically in Eu-rope, during that period. Thus, our research relies on the comparison of several Greek tragedies — Aeschylus’s The Persians, The Oresteia, and Prometheus Bound; Sophocles’s Antigone and Philocte-tes; Euripides’s Medea and The Trojan Women — with some contemporary transpositions that have been produced in France and in Ireland to adress events threatening individual freedom of, at least, a part of the population living in France or in Ireland. Therefore, our research considers three plays creat-ed during or shortly after the Nazi Occupation of France: Sartre’s The Flies (1943), Anouilh’s Antigone (1944), Camus’s Caligula (1945); one play performed during the decolonial period of 1960: Sartre’s The Trojan Women (1965); three plays produced during the period of the Troubles (1968-1998): Paulin’s The Riot Act (1984) and Seize the Fire (1989), and Heaney’s The Cure at Troy (1990) ; and three plays performed to deal with the issue of women’s rights in the Republic of Ireland: Kennelly’s Antigone (1986), Medea (1989), and The Trojan Women (1993)
Pacey, John David Michael. „An unexpected alliance: the Layton-Pacey correspondence“. Thesis, 1994. http://hdl.handle.net/2429/6971.
Der volle Inhalt der QuelleDUNPHY, Richard. „Class, power and the Fianna Fail Party : a study of hegemony in Irish politics, 1923-1948“. Doctoral thesis, 1988. http://hdl.handle.net/1814/5257.
Der volle Inhalt der QuelleExamining Board: Prof. Ian Budge, Univ. of Essex ; Prof. Joseph Lee, Univ. College, Cork ; Prof. Jean Blondel, E.U.I., Florence ; Dr. Ferdinan Muller-Rommel, Hochschule Lüneburg ; Prof. Derek Urwin, Univ. of Warwick, Coventry
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Hynes, Colleen Anne 1978. „"Strangers in the house": twentieth century revisions of Irish literary and cultural identity“. Thesis, 2007. http://hdl.handle.net/2152/3383.
Der volle Inhalt der QuelleHsu, Hsiu-Hua, und 許秀華. „The Plague Incident in San Francisco’s Chinatown and the Correspondence of Overseas Chinese at the Turn of the 20th Century“. Thesis, 2017. http://ndltd.ncl.edu.tw/handle/21285563366942616609.
Der volle Inhalt der Quelle國立中興大學
歷史學系所
105
In the 1850s, there were drought and natural disasters, thieves arose numerously, made people lived in chaos society in mainland China. At this time, people found gold in the United States and need a lot of laborers. A large number of Chinese decided to go to San Francisco in order to earn money and support their China family. After the gold mine exhausted and the Pacific Railroad completed, the Chinese laborers lost their jobs and gathered together in Chinatowns. In the late 1860s, the inexpensive and industrious Chinese laborers were favored by white employers in California labor market, therefore, caused the unemployment among other ethnic groups. In this case, the attacks and exclusions of Chinese laborers were set off everywhere in California. Chinese laborers, so called “Yellow Peril”, were been discriminated and chased away. In 1882, Chinese Exclusion Act was signed to prohibiting all immigration of Chinese laborers. The United did not abolish the bill which showed racial discrimination until the military cooperation between China and the United States in 1943. However, in 6th March 1900, the first suspected plague occurred in San Francisco’s Chinatown. San Francisco Health Bureau took racial discriminative measures immediately before waiting for the result of the test, and the same measures in 29th May brought the inconvenience to the residents in Chinatown. Through the measures of the plague in Chinatown, the United State Government, Medical Officials, and Americans’ attitude toward racial discrimination, and injustice of the Chinese was shown in evidence during the exclusion period. For example, the United State Government intended isolating the Chinese in Chinatown, chasing them away and possessing the Chinatown by plague. The Government blamed the dirty and uncleanness Chinese for the epidemic of plague. In the society of the United States, people slandered and vilified Chinese people through the newspapers and magazines in America. The Chinese Government and society solid, because of the unfair treatments, was supported the overseas Chinese. Wu Tingfang, the ambassador to the United States, He You, the consul of San Francisco, and The Chinese Consolidated Benevolent Association (CCBA) sued San Francisco Health Bureau and Dr. Kinyoun to fight for the rights that Chinese in Chinatown deserved. Furthermore, because of being treated inequality and oppression, Chinese launched a boycott of American products from 1905 to 1906. Despite the failure, Chinese showed an admirable strength of unity. Chinese consciousness was awaked through the plague of the Chinatown in San Francisco. The Chinese fought for equal status with the Americans, the rights for ethnic groups, Chinese self-consciousness, and basic respect. The exclusion of Chinese from the United States made the result of the unfair treatment toward Chinese in the United States. From this thesis, I try to reconstruct the neglected and important evidences of the racial discrimination of the Chinese in the United States, through the historical archives and data, Chinese and Western daily newspaper, and the related cases and so on. I hope can through this topic to arise people to concern the topic of overseas Chinese immigrants in America.
NYHAN, Miriam. „Comparing Irish migrants and county associations in New York and London : a cross-cultural analysis of migrant experiences and associational behaviour circa 1946-1961“. Doctoral thesis, 2008. http://hdl.handle.net/1814/12587.
Der volle Inhalt der QuelleExamining Board: Prof. E.A. Rees (EUI) - supervisor Prof. J.J. Lee (NYU) Prof. Gearóid Ó Tuathaigh (NUI Galway) Prof. Kiran Patel (EUI)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
This study significantly broadens our understanding of the migration process by placing a form of associational behavior in the wider historical context of leaving one country and settling in one of two destinations, in the decade and a half after World War II. Taking the Irish as a case-study, the aim is to explore the impact that choosing New York over London had, in how migrants made the transition from the homeland and adapted to migrant life. The focus on county associations, common to both cities, facilitates a comparative level of analysis. These associations allow us to excavate experiences in a way that sheds light on migrant responses on the individual level and in a collective sense, and in this way it is an innovative way of presenting the history of ethnic communities. A combination of written material and oral sources allows for the presentation of specific characteristics which impacted on experiences. It shows how the different histories of Irish migration to New York and London, the geopolitical influences and the roles of socio-political dynamics all shaped how the Irish responded to the environments in which they found themselves. Through these associations, we see an ethnic community adapting a structure to recreate a semblance of what life was like in the homeland. The comparative frameworks provided a means of highlighting the similarities and divergences between the locations. The narrative shows that while county associations were broadly similar in terms of their format and membership profiles, the environments in which they operated diverged significantly and this variation reflects the tension that has differentiated Irish London from Irish New York for at least the latter half of the twentieth century. This study makes an important contribution to the Irish diaspora history. More importantly however, this thesis provides a case-study which broadens our understanding of, and approach to, documenting migrant experiences. It does this by presenting factors that shape associational practices in migrant communities and by demonstrating how associational behavior has implications for issues like identity and allegiance.
O’Shea, Eileen. „The professional experience of Irish Catholic women teachers in Victoria from 1930 - 1980“. Thesis, 2015. https://vuir.vu.edu.au/31017/.
Der volle Inhalt der QuelleWilson, Susan Ruth. „Hugh MacDiarmid and Sorley MacLean: modern makars, men of letters“. Thesis, 2007. http://hdl.handle.net/1828/306.
Der volle Inhalt der QuelleBližňáková, Magdalena. „Irská dramata v repertoáru Činoherního klubu“. Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-408916.
Der volle Inhalt der QuelleBody, Ralph Mark. „Behind the Scenes: Hans Heysen’s Art World Networks“. Thesis, 2019. http://hdl.handle.net/2440/120159.
Der volle Inhalt der QuelleThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2019
Johnson, Amy R. „Stranger in the Room: Illuminating Female Identity Through Irish Drama“. Thesis, 2007. http://hdl.handle.net/1805/918.
Der volle Inhalt der QuelleTitle from screen (viewed on May 23, 2007) Department of English, Indiana University-Purdue University Indianapolis (IUPUI) Includes vita. Includes bibliographical references (leaves 82-83)
Moldová, Klára. „Demlova rodina v dopisech a díle“. Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310382.
Der volle Inhalt der QuellePopovici-Toma, Cosmin. „De l'absolu littéraire au neutre : les fins de la littérature selon Maurice Blanchot et Samuel Beckett“. Thèse, 2017. http://hdl.handle.net/1866/20461.
Der volle Inhalt der Quelle(8722203), Ricardo Quintana Vallejo. „CHILDREN OF GLOBALIZATION: DIASPORIC COMING-OF-AGE NOVELS IN GERMANY, ENGLAND, AND THE UNITED STATES“. Thesis, 2020.
Den vollen Inhalt der Quelle findenChildren of Globalization: Diasporic Coming-of-age Novels in Germany, England, and the United States is an exploration of contemporary Diasporic Coming-of-age Novels written in the context of globalized and de facto multicultural societies. Framed in the long tradition of Bildungsroman studies, this study illuminates the structural transformations that the coming-of-age genre has undergone in contemporary diasporic communities. Children of Globalization analyzes the complex identity formation of first- and subsequent-generation migrant protagonists in globalized rural and urban environments and dissects the implications that these diasporic formative processes have for the tercentennial genre. While the most traditional iteration of the Bildungsroman genre follows male middle-class heroes who forge their identities in a process of complex introspection to become citizens and workers, contemporary Diasporic Coming-of-age Novels represent formative processes that fit into, resist, or even disregard, narratives of nationhood. Recent changes in the global genre are the direct consequence of the intricacies of the formative processes of culturally-hybrid protagonists who must negotiate their access into adulthood and citizenship, and puzzle over sexuality and gender identity, in host societies that at times regard them with contempt and distrust. The study spans three centuries as it traces both perennial and volatile elements of the genre through its contemporary state. In doing so, it identifies thematic and structural seeds which, planted through the centuries in varied locations, have bloomed into nuanced explorations of the self in an interconnected world where regional and national definitions of identity are increasingly contested and in flux.
In order to contextualize the genre and provide evidence of its enduring malleability, the study begins in Germany, tracing what I term Proto-Bildungsromane, long medieval narrative poems that follow the formative processes of knights and heroes in grandiose style. Wolfram von Eschenbach’s thirteenth-century poem Parzival and the coeval Gottfried von Straßburg’s Die Geschichte der Liebe von Tristan und Isolde ponder the development of the self but too heavily rely on destiny to be considered Bildungsromane. Still in Germany, I illustrate the fundamental characteristics of the genre in Wolfgang von Goethe’s Wilhelm Meisters Lehrjahre. In order to showcase the flexibility of the genre, I analyze its early transformations in England in prominent works by Jane Austen, Charles Dickens, and E. M. Forster. The last four chapters focus on the exciting development of Diasporic Coming-of-age Novels in England, the United States, and Germany. Despite the stark differences between these societies and the particular cultural wealth of diasporic groups that have migrated there, the Diasporic Coming-of-age Novel has enabled sophisticated explorations of identity and belonging in all three countries. As the chapter summaries show, contemporary writers have used the Diasporic Coming-of-age Novel to untangle complicated formative processes, understand the expectations of their social environments, and achieve different levels of belonging and maturity.
With Children of Globalization, I seek to deepen our understanding of the exciting influence that contemporary diasporic movements have on the coming-of-age genre in particular and literary studies in general. Additionally, it is my hope that the exploration of Diasporic Coming-of-age Novels contributes to a capacious understanding of the important role of literature in the study of migration.