Auswahl der wissenschaftlichen Literatur zum Thema „Iranian Actor“
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Zeitschriftenartikel zum Thema "Iranian Actor"
Sharifzadeh, Maryam, Gholam Zamani, Ezatollah Hossein Karami, Davar Khalili und Arthur Tatnall. „The Iranian Wheat Growers’ Climate Information Use“. International Journal of Actor-Network Theory and Technological Innovation 4, Nr. 4 (Oktober 2012): 1–22. http://dx.doi.org/10.4018/jantti.2012100101.
Der volle Inhalt der QuelleSalami, Ali, und Amir Ghajarieh. „The gendered discourse of ‘equal opportunities for men and women’ in Iranian EFL textbooks“. Gender in Management: An International Journal 31, Nr. 2 (11.04.2016): 114–33. http://dx.doi.org/10.1108/gm-04-2015-0036.
Der volle Inhalt der QuelleKobialka, Michal. „Tadeusz Kantor and Hamed Taheri: Of Political Theatre/Performance“. TDR/The Drama Review 53, Nr. 4 (November 2009): 78–91. http://dx.doi.org/10.1162/dram.2009.53.4.78.
Der volle Inhalt der QuelleAquino, Rowena Santos. „Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)“. CINEJ Cinema Journal 1, Nr. 2 (20.04.2012): 50–61. http://dx.doi.org/10.5195/cinej.2012.42.
Der volle Inhalt der QuelleKhalid, Muhammad Munib, Uzma Naz und Sajida Begum. „‘EMPOWERED IRAN’ IN A COMPLEX REGION (MIDDLE EAST): TEHRAN’S FOREIGN POLICY CHALLENGES AND DIMENSIONS IN THE 21ST CENTURY“. Global Political Review V, Nr. I (30.03.2020): 234–40. http://dx.doi.org/10.31703/gpr.2020(v-i).26.
Der volle Inhalt der QuelleMelamed-Visbal, Janiel David, César Niño und María Eugenia Gómez-Arias. „Hezbollah as an Iranian proxy and its progressive expansion in Latin America“. Revista Científica General José María Córdova 22, Nr. 45 (30.03.2024): 133–51. http://dx.doi.org/10.21830/19006586.1277.
Der volle Inhalt der QuelleAli, Othman, und Zhirwan A. Ismail. „Impacts of Syrian Crisis on Turkish-Iranian Relations: (Rojava Factor)“. Journal of University of Human Development 3, Nr. 3 (31.08.2017): 570. http://dx.doi.org/10.21928/juhd.v3n3y2017.pp570-577.
Der volle Inhalt der QuelleRafatpanah, Houshang, Masoud Amin, Mohsen Ghasemshirazi, Mohammad Kazemiarababadi, Hossein Khorramdelazad, Hamid Abousaidi, Ziba Shabani, Ahmadreza Sayadi, Gholamhossein Hassanshahi und Jamile Samadi. „The SDF-1α3′A Genetic Variation Is Correlated with Susceptibility of Asthma in Iranian Patients“. BioMed Research International 2013 (2013): 1–6. http://dx.doi.org/10.1155/2013/759361.
Der volle Inhalt der QuelleRakel, Eva. „IX. Paradigms of Iranian Policy in Central Eurasia and Beyond“. Perspectives on Global Development and Technology 2, Nr. 3 (2003): 549–71. http://dx.doi.org/10.1163/156915003322986398.
Der volle Inhalt der QuelleVolkov, Denis. „Peculiarities of the USSR’s Foreign Policy Decision Making towards the Islamic Republic of Iran“. Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, Nr. 5 (2022): 110. http://dx.doi.org/10.31857/s086919080017099-5.
Der volle Inhalt der QuelleDissertationen zum Thema "Iranian Actor"
Plumer, Andrew G. „Iranian Sanctions An Actor-Centric Analysis“. Thesis, Monterey, California. Naval Postgraduate School, 2012. http://hdl.handle.net/10945/6852.
Der volle Inhalt der QuelleSarsangi, Majid. „A sacred house for creation : a study of theatrical environment & actor-audience relationship in religious drama : the case study of Iran“. Thesis, Birmingham City University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289474.
Der volle Inhalt der QuelleMomeni, Mohammad. „A study of actor-audience relationship & theatrical environment in Western and Iranian dramatic activity“. Thesis, Birmingham City University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.404061.
Der volle Inhalt der QuellePessuto, Kelen. „O 'espelho mágico ' do cinema iraniano = uma análise das performances dos "não" atores nos filmes de arte“. [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284435.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-19T05:09:01Z (GMT). No. of bitstreams: 1 Pessuto_Kelen_M.pdf: 3175741 bytes, checksum: 12122eeb3b192b833dfc0faebb26d576 (MD5) Previous issue date: 2011
Resumo: Esta dissertação analisa as performances dos "não" atores no cinema de arte iraniano, a partir das obras Close-up (Nema-ye Nazdik, 1990, Abbas Kiarostami), Salve o cinema (Salam cinema, 1995, Mohsen Makhmalbaf), Tartarugas podem voar (Lakposhtha parvaz mikonand, 2004, Bahman Ghobadi) e O espelho (Ayneh, 1997, Jafar Panahi). Com base na antropologia da performance, busca-se responder às seguintes perguntas: Quem são os "não" atores? Por que são usados esse tipo de ator em vez de atores profissionais? Quais os métodos empregados em sua direção? Qual a relação que se estabelece entre o ator e o personagem? Para tanto, utiliza-se além da bibliografia pertinente a essa disciplina, ao teatro e ao cinema, o método comparativo, com filmes do mesmo diretor, assim como de outras cinematografias. Conclui-se que não há necessidade do ator ter uma técnica préestabelecida, sendo que a direção proposta por esses cineastas requer o mínimo de atuação. O ator-performer vivencia as situações que lhes são impostas e, a partir disso, cria personagens, algumas vezes baseados em sua própria experiência de vida, como em uma grande brincadeira de faz de conta
Abstract: This thesis analyzes the performance of the "non" actors in the Iranian art cinema, in movies Close-up (Nema-ye Nazdik, 1990, Abbas Kiarostami), Salam cinema (1995, Mohsen Makhmalbaf), Turtles can fly (Lakposhtha parvaz mikonand, 2004, Bahman Ghobadi) and The Mirror (Ayneh, 1997, Jafar Panahi). Based on the anthropology of performance, we seek to answer the following questions: Who are these "non" actors? Why they used that kind of actor instead of professional actors? What are the methods employed in its direction? and What is the relationship established between the actor and character? For this, we use the comparative method, with films from these directors, as well movies by other cinematographies. The conclusion reached is that there is no need for the actor to have a pre-established technique, because the direction proposed by these filmmakers requires minimal action. The actor-performer experience situations that are imposed for them and they create characters, sometimes based on their own experience of life, as in a grand game of make-believe
Mestrado
Artes Cenicas
Mestre em Artes
Bücher zum Thema "Iranian Actor"
Momeni, Mohammad. A study of actor-audience relationship & theatrical environment inWestern and Iranian dramatic activity. Birmingham: University of Central England in Birmingham, 2004.
Den vollen Inhalt der Quelle findenSerasinghe, Irangani. Irangani: As told to Kumardesilva. Colombo: EWS Samaranayake Publishers, 2013.
Den vollen Inhalt der Quelle findenKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. Lus Ānjilis: Bunyād-i Farhangī-i Parvīz Khaṭībī, 1994.
Den vollen Inhalt der Quelle findenKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. Lus Ānjilis: Bunyād-i Farhangī-i Parvīz Khaṭībī, 1994.
Den vollen Inhalt der Quelle findenAsadʹzādah, Dāriyūsh. Sayrī dar tārīkh-i tiyātr-i Īrān qabl az Islām tā sāl-i 1357 shamsī: Survey in the history of Iranian theatre before advent Islam till 1939. 8. Aufl. Tihrān: Āvardgāh-i Hunar va Andīshah, 2010.
Den vollen Inhalt der Quelle findenKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. 8. Aufl. Los Angeles, CA: Ketab Corp., 2007.
Den vollen Inhalt der Quelle findenKhaṭībī, Parvīz. Khāṭirātī az hunarmandān. 8. Aufl. Tihrān: Intishārāt-i Muʻīn, 2001.
Den vollen Inhalt der Quelle findenJavad Nazari (Shekarchi): جواد نظری. Iran Film, 2023.
Den vollen Inhalt der Quelle findenHunter, Shireen T. Iran’s Foreign Policy in the Post-Soviet Era. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798400672514.
Der volle Inhalt der QuelleI'm not a terrorist, but I've played one on TV: Memoirs of a Middle Eastern funny man. 2015.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Iranian Actor"
Labafi, Somayeh. „Iranian Data Protection Policy in Social Media; An Actor-Network Theory Approach“. In Contemporary Applications of Actor Network Theory, 121–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7066-7_7.
Der volle Inhalt der QuelleFreilich, Charles D., Matthew S. Cohen und Gabi Siboni. „The Iranian Cyber Threat“. In Israel and the Cyber Threat, 107–38. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197677711.003.0006.
Der volle Inhalt der QuellePartovi, Pedram. „Filmfarsi as Counter-Memory“. In Counter-Memories in Iranian Cinema, herausgegeben von Matthias Wittmann und Ute Holl, 189–215. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479752.003.0011.
Der volle Inhalt der QuelleKamrava, Mehran. „Iran in the World“. In Triumph and Despair, 199–224. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197678411.003.0007.
Der volle Inhalt der QuelleHarvey, Katherine. „Saudi Arabia Shuns Iraq“. In A Self-Fulfilling Prophecy, 143–76. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197631324.003.0005.
Der volle Inhalt der QuelleKoláček, Jakub. „The Khomeinists: Between Sedentarisation and Perpetual Revolution“. In Revolutionaries and Global Politics, herausgegeben von Ondrej Ditrych, Jan Daniel und Jakub Záhora, 145–62. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399505550.003.0009.
Der volle Inhalt der QuelleHemmasi, Farzaneh. „Googoosh’s Voice“. In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0011.
Der volle Inhalt der QuelleKile, Shannon N. „Final thoughts on Iran, the EU and the limits of conditionality“. In Europe and Iran, 122–35. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199290871.003.0007.
Der volle Inhalt der QuelleFinkelstein, Claire. „Fighting State Actors with the Tools of Hybridized Warfare“. In Between Crime and War, 153—C6.N46. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197638798.003.0007.
Der volle Inhalt der QuelleHollyfield, Jerod Ra'Del. „Epic Multitudes: Postcolonial Genre Politics in Shekhar Kapur’s The Four Feathers“. In Framing Empire, 91–114. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429948.003.0006.
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