Bücher: „Intimate exchanges“

1

Intimate exchanges: A play. London: S. French, 1985.

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2

Wohl, Victoria. Intimate commerce: Exchange, gender, and subjectivity in Greek tragedy. Austin: University of Texas Press, 1998.

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3

Shipton, Parker MacDonald. The nature of entrustment: Intimacy, exchange, and the sacred in Africa. New Haven: Yale University Press, 2007.

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4

Partners in passion: Positively transform your intimate relatioships by understanding the mystery of energy exchange. [United States]: Kora Press, 2010.

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5

Wasielewski, Amanda. From City Space to Cyberspace. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725453.

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The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.

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6

Intimate Exchanges, Volume II. Samuel French Ltd, 1985.

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7

Stirr, Anna Marie. Singing Across Divides. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190631970.001.0001.

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An ethnographic study of music, performance, migration, and circulation, this book examines how forms of love and intimacy are linked to changing conceptions of political solidarity and forms of belonging, through the lens of Nepali dohori song. The book describes dohori: improvised, dialogic performed poetry that is sung, in which a witty repartee of exchanges is based on poetic couplets with a fixed rhyme scheme, often backed by instrumental music and accompanying dance, performed between men and women, with a primary focus on romantic love. The book tells the story of dohori’s relationship with changing ideas of Nepal as a nation-state, and how different concepts of national unity have incorporated marginality, in the intersectional arenas of caste, indigeneity, class, gender, and regional identity. In the aftermath of Nepal’s ten-year civil war, changing political realities, increased migration, and circulation of people, media, and practices are redefining concepts of appropriate intimate relationships and their associated systems of exchange. Through multi-sited ethnography of performances, media production, circulation, reception, and the daily lives of performers and fans in Nepal and the United Kingdom, this book examines how people use dohori to challenge (and uphold) social categories, while also creating affective solidarities.

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8

Smith, Vanessa. Intimate Strangers: Friendship, Exchange and Pacific Encounters. Cambridge University Press, 2010.

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9

Smith, Vanessa. Intimate Strangers: Friendship, Exchange and Pacific Encounters. Cambridge University Press, 2012.

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10

Smith, Vanessa. Intimate Strangers: Friendship, Exchange and Pacific Encounters. Cambridge University Press, 2014.

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11

Smith, Vanessa. Intimate Strangers: Friendship, Exchange and Pacific Encounters. Cambridge University Press, 2012.

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12

Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. University of Texas Press, 1997.

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13

Wohl, Victoria. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. de Gruyter GmbH, Walter, 2000.

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14

Wohl, Victoria. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. University of Texas Press, 1998.

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15

Wohl, Victoria. Intimate Commerce: Exchange, Gender, and Subjectivity in Greek Tragedy. University of Texas Press, 1997.

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16

Mapping Intimacies Relations Exchanges Affects. Palgrave Macmillan, 2013.

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17

Lundy, James Clifton. Perceived intimacy in relational message exchange: A dialogic approach. 1986.

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18

Hamburg, G. M., und B. N. Chicherin. Nature of Entrustment: Intimacy, Exchange, and the Sacred in Africa. Yale University Press, 2007.

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19

Bernstein, Herman, und Roosevelt Theodore. The Willy-Nicky Correspondence: Being the Secret and Intimate Telegrams Exchanged Between the Kaiser and the Tsar. University Press of the Pacific, 2003.

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20

The Willy-Nicky Correspondence: Being the Secret and Intimate Telegrams Exchanged Between the Kaiser and the Tsar. Nabu Press, 2010.

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21

II, William. The Willy-Nicky Correspondence: Being the Secret and Intimate Telegrams Exchanged Between the Kaiser and the Tsar. Franklin Classics Trade Press, 2018.

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22

II, William. The Willy-Nicky Correspondence: Being the Secret and Intimate Telegrams Exchanged Between the Kaiser and the Tsar. Franklin Classics, 2018.

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23

Gravil, Richard. Coleridge and Wordsworth: Collaboration and Criticism from Salisbury Plain to Aids to Reflection. Herausgegeben von Frederick Burwick. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199644179.013.0003.

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This article examines the collaboration and ‘symbiosis’ of English poets Samuel Taylor Coleridge and William Wordsworth. It explains that this celebrated friendship involved intimate and creative gift exchange both in world view and in the craft of verse, and that two instances of this gift were Frost at Midnight and Tintern Abbey, two of the greatest poems of 1798. The article contends that the long-term outcome of this friendship was a weakening of each poet's confidence in his own voice.

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24

The Nature of Entrustment: Intimacy, Exchange, and the Sacred in Africa (Yale Agrarian Studies Series). Yale University Press, 2007.

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25

Telban, Borut. Commands as a form of intimacy among the Karawari of Papua New Guinea. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803225.003.0013.

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Over three thousand Karawari-speaking people live in the East Sepik Province, Papua New Guinea. Among the Ambonwari, who belong to one of four dialectal groups, canonical imperatives can be marked with -ra or -nda (‘do it!’), with -n (‘come to do it!’), and with potential -mbi (‘should do it!’). Non-canonical imperatives directed toward first person can be marked either with -n (‘let’s go to do it’) or with -mba and potential prefix and- (‘let’s do it’, ‘should do it’). Imperatives directed toward third person are marked with -mba and imperative prefix ka- (‘let them do it’). Negative imperatives have fewer forms than positive imperatives. For an egalitarian kinship-based society, where people’s lives depend on sharing, exchange, and cooperation, commands are a common way of daily communication. Being used as directives, demands, requests, instructions, exhortations, advice, and even greetings, they generate and reflect close relationships and intimacy between people.

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26

Wigston Smith, Chloe, und Beth Fowkes Tobin, Hrsg. Small Things in the Eighteenth Century. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108993296.

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Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.

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27

Wasielewski, Amanda. From City Space to Cyberspace. Amsterdam University Press B.V., 2021. http://dx.doi.org/10.5040/9789048561797.

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The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.

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28

Kumao, Heidi. Heidi Kumao: Real and Imagined. Maize Books, 2022. http://dx.doi.org/10.3998/mpub.12465060.

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Heidi Kumao: Real and Imagined documents and contextualizes narrative fabric works and animations from Kumao’s 2020 solo exhibition at the University of Michigan’s Stamps Gallery. Using fabric cutouts and stitching of everyday objects, Kumao invents a tactile visual vocabulary that distills unspoken aspects of ordinary exchanges into accessible narrative images. Weaving in her experiences as an Asian American woman, artist, and educator, Kumao creates poetic and playful open-ended visual haikus, generating a range of associations to current events, gender roles, and institutional power structures. Captured midstream, interactions from intimate relationships, medical procedures, the workplace, and the political sphere are suspended in time within felt film stills. Real and Imagined presents the reader with an opportunity to experience this remarkable oeuvre of over thirty fabric works and video animations. For over thirty years, Kumao has developed an expanded art practice that includes animations, video installations, photographs, machine art, and fabric works that give physical form to the intangible parts of our lives: our emotions, psychological states, memories, thinking patterns. Her hybrid artworks have included electromechanical girl’s legs that “misbehave,” video installations about surviving confinement, surreal, experimental stop motion puppet animations, performative staged photographs, and hand crafted cinema machines. She has exhibited her award-winning artwork in solo and group exhibitions nationally and internationally including the Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, the Museum of Image and Sound (São Paulo) and the Museum of Modern Art in Buenos Aires. Her work is in permanent and private collections including the Houston Museum of Fine Arts, Arizona State University Art Museum, the Philadelphia Museum of Art and the Exploratorium in San Francisco. She has received fellowships and grants from the Guggenheim Foundation, the Creative Capital Foundation, and the National Endowment for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan, Ann Arbor. This exhibition catalogue marks the first significant publication on Kumao’s work and includes a selection of works from across her career. It includes written contributions by: Srimoyee Mitra, curator and Director of the Stamps Gallery and NYC-based art critic; Wendy Vogel; an interview between the artist and writer Lynn Love; and poems by the Ruth Lilly Poetry Prize Award winner Marilyn Chin.

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29

Henig, David. Remaking Muslim Lives. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043291.001.0001.

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Remaking Muslim Lives: Everyday Islam in Postwar Bosnia and Herzegovina examines what it means to live a Muslim life amid the political ruptures, economic deprivation, and transformation of religious institutions in postsocialist, postwar Bosnia-Herzegovina. Popular representations of Muslim communities in Southeastern Europe have long featured simplistic images of Muslims’ lost faith, and of Islam as serving the interests of nationalism and identity politics. Drawing on a decade of ethnographic research, this book challenges these stereotypes. Through an exploration of the everyday experiences of several generations of Muslim men and women and against the backdrop of the turbulent postsocialist and postwar transformations, David Henig shows how living a Muslim life in rural Bosnia and Herzegovina is ordered and inscribed by deep relations of obligation and care with the living, the dead, and the divine that spans generations. His evocative study traces the manifestations of these relations from the intimate spheres of houses and village neighborhoods to the waiting room of an Islamic dream healer, from village mosques and outdoor prayers for rain to the “little Hajj” pilgrimage and commemorative sites for the Ottoman martyrs and those of the recent Bosnian war. This study makes a powerful contribution to our understanding of how religion and historical consciousness, interlocked through the rubric of exchange, is actively engaged to make sense of past tumultuous experiences and future-oriented expectations in the present.

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30

Fay, Jessica, Hrsg. Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803-1829. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859531.001.0001.

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This edition presents and contextualizes an archive of letters -- belonging to the Wordsworth Trust -- that reveal the creative and personal significance of the friendship between William Wordsworth and Sir George Beaumont. Beaumont is a key figure in the history of British Art. As well as being a respected amateur landscape painter, he was a prominent patron, collector, and co-founder of the National Gallery. Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and the letters reveal that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry) the letters chart the progress of an increasingly intimate inter-familial relationship that included Lady Beaumont and Dorothy and Mary Wordsworth. The picture that emerges is of a coterie that—in influence, creativity, and affection—rivals Wordsworth’s more famous exchange with Coleridge in the 1790s. The edition includes an extended critical study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.

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31

Berman, Elise. Talking Like Children. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190876975.001.0001.

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Presented as a series of captivating stories from a village in Oceania, Talking Like Children is an intimate analysis of interaction that shows how age comes to be. Children in the Marshall Islands do many things that adults do not: they walk around half naked, display food in public, and explicitly refuse to give. Although many see these behaviors as natural results of children’s immaturity, the author shows that children are socialized to be different from adults—to be rude and immature. She analyzes a variety of interactions all broadly based around exchange: adoption negotiations, efforts to ask for or avoid giving food, debates about supposed child abuse. In these dramas both large and small, age differences emerge through the decisions people make, the emotions they feel, and the asymmetries they produce. Age and the life course often appear less interesting, less important, or more biologically determined than gender, race, or class. But Berman shows that, like gender and race, age differences are culturally produced and socially influential. Age differences give Marshallese children and adults “aged agency,” or the ability to manipulate social life in distinct but complementary ways. These differences are also a central mechanism of language socialization. Talking Like Children reestablishes age as a foundational concern of anthropological and linguistic research and as a variable that transforms our views of socialization, cultural reproduction, agency, giving, and culture.

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32

Bezzant, Rhys S. Edwards the Mentor. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190221201.001.0001.

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Among his many accolades, Jonathan Edwards was an effective mentor who trained many leaders for the church. Though his pastoral work is often overlooked, this book investigates the background, method, theological rationale, and legacy of his mentoring ministry. He does what mentors normally do—meeting with individuals to discuss ideas and grow in skills—but undertakes these activities in a distinctly modern or affective key. His correspondence is composed in an informal style, his understanding of friendship and conversation takes up the conventions of the great metropolitan cities of Europe of his day, his pedagogical commitments are surprisingly progressive, and his aspirations for those he mentors are bold and subversive. The practice of mentoring is presented in this book as the exchange between authority and agency, in which the more experienced person in the mentoring relationship empowers the one in the position of a learner, whose own character and competencies are nurtured. When Edwards explains his mentoring practice theologically, he expounds the theme of seeing God face to face, which recognizes that human beings learn through the example of friends as well as the exposition of propositions. The book is a case study in cultural engagement, for Edwards deliberately takes up certain features of the modern world in his mentoring and yet resists other pressures that the Enlightenment generated. If his world witnessed the philosophical evacuation of God from the created order, Edwards’s mentoring is designed to draw God back into an intimate connection with human experience.

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33

Ceccarelli, Paola, Lutz Doering, Thorsten Fögen und Ingo Gildenhard, Hrsg. Letters and Communities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804208.001.0001.

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The writing of letters often evokes associations of a single author and a single addressee, who share in the exchange of intimate thoughts across distances of space and time. This model underwrites such iconic notions as the letter representing an ‘image of the soul of the author’ or constituting ‘one half of a dialogue’. However justified this conception of letter-writing may be in particular instances, it tends to marginalize a range of issues that were central to epistolary communication in the ancient world and have yet to receive sustained and systematic investigation. In particular, it overlooks the fact that letters frequently presuppose and are designed to reinforce communities—or, indeed, constitute them in the first place. This volume offers a theoretically informed Introduction on the interrelation of letters and communities, followed by thirteen case studies from four key cultural configurations in the ancient world: Greece and Rome, Judaism and Christianity. After two papers on the theory and practice of epistolary communication that focus on ancient epistolary theory and the unavoidable presence of a letter-carrier who introduces a communal aspect into any correspondence (Section A), the volume comprises five chapters that explore configurations of power and epistolary communication in the Greek and Roman worlds, from the archaic period to the end of the Hellenistic age (Section B). Five chapters on letters and communities in ancient Judaism and early Christianity follow (Section C). The final Section D (‘Envoi’) contains a paper on the trans-historical or indeed timeless philosophical community Seneca the Younger construes in his Letters to Lucilius.

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34

Sowerby, Tracey A., und Joanna Craigwood, Hrsg. Cultures of Diplomacy and Literary Writing in the Early Modern World. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198835691.001.0001.

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This interdisciplinary volume explores core emerging themes in the study of early modern literary-diplomatic relations, developing essential methods of analysis and theoretical approaches that will shape future research in the field. Contributions focus on three intimately related areas: the impact of diplomatic protocol on literary production; the role of texts in diplomatic practice, particularly those that operated as ‘textual ambassadors’; and the impact of changes in the literary sphere on diplomatic culture. The literary sphere held such a central place because it gave diplomats the tools to negotiate the pervasive ambiguities of diplomacy; simultaneously literary depictions of diplomacy and international law provided genre-shaped places for cultural reflection on the rapidly changing and expanding diplomatic sphere. Translations exemplify the potential of literary texts both to provoke competition and to promote cultural convergence between political communities, revealing the existence of diplomatic third spaces in which ritual, symbolic, or written conventions and semantics converged despite particular oppositions and differences. The increasing public consumption of diplomatic material in Europe illuminates diplomatic and literary communities, and exposes the translocal, as well as the transnational, geographies of literary-diplomatic exchanges. Diplomatic texts possessed symbolic capital. They were produced, archived, and even redeployed in creative tension with the social and ceremonial worlds that produced them. Appreciating the generic conventions of specific types of diplomatic texts can radically reshape our interpretation of diplomatic encounters, just as exploring the afterlives of diplomatic records can transform our appreciation of the histories and literatures they inspired.

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35

Holloway, Sally. The Game of Love in Georgian England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198823070.001.0001.

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Courtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and perilous journey across a turbulent sea. This book brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era—most notably with the arrival of the printed valentine card—revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, in order to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges from this study as something that we do in practice, enacted by couples through particular socially and historically determined rituals.

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