Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: Interpretation research.
Dissertationen zum Thema „Interpretation research“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Dissertationen für die Forschung zum Thema "Interpretation research" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Dissertationen für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
1
Carlin, Richard Michael. „Exploratory study on the process of early recollection interpretation“. Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25361.
Der volle Inhalt der QuelleAnnotation:
This study explored the reasoning process of interpreters during the process of early recollection (ER) interpretation, and in the identification of central life style theme using Mosak's typology system (1971). ERs from ten subjects were collected using a guestionnaire format and distributed to six interpreters. Three interpreters were experienced in ER interpretation and three received two hours of training in ER interpretation prior to the study. All interpreters were requested to record their impressions and thoughts during the interpretive process on audio tape for later analysis, and to assign a primary and secondary life style theme to each subject using Mosak's typologies. The results of this study provided information about the cues found in ERs that seem to guide interpreters, the effect of interpreter style on the final outcome, and the reliability of inter-judge agreement on life style theme from ER interpretation. The results showed that training in ER interpretation immediately provided the trainees with an ability to identify the perceptual schema of the subjects but it did not give them the same skill possessed by the experienced clinicians in metaphor analysis or an understanding of Mosak's typology system. Similarities and differences between the experienced clinicians and the trainees were analyzed.Education, Faculty of
Educational and Counselling Psychology, and Special Education (ECPS), Department of
Graduate
2
Inagaki, Yasuyoshi, Katsuhiko Toyama, Nobuo Kawaguchi, Shigeki Matsubara und Yasuyuki Aizawa. „Spoken Language Corpus for Machine Interpretation Research“. ISCA(International Speech Communication Association), 2000. http://hdl.handle.net/2237/15104.
Der volle Inhalt der Quelle
3
Garrett, Peter. „Language attitudes : methods and interpretation in sociolinguistic research“. Thesis, Cardiff University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420328.
Der volle Inhalt der Quelle
4
Inagaki, Yasuyoshi, Nobuo Kawaguchi, Shigeki Matsubara und Koichiro Ryu. „Bilingual Speech Dialogue Corpus for Simultaneous Machine Interpretation Research“. The oriental chapter of COCOSDA (The International Committee for the Co-ordination and Standardization of Speech Databases and Assessment Techniques), 2003. http://hdl.handle.net/2237/15076.
Der volle Inhalt der Quelle
5
Pena, Bonifacio I. dela. „Effective and total stress strength interpretation for silts“. Thesis, This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-10222009-125111/.
Der volle Inhalt der Quelle
6
Piper, K. „Interpretation of clinical imaging examinations by radiographers : a programme of research“. Thesis, Canterbury Christ Church University, 2014. http://create.canterbury.ac.uk/13316/.
Der volle Inhalt der QuelleAnnotation:
Background Studies which have investigated the interpretation of plain skeletal examinations by radiographers have demonstrated encouraging findings, however, the studies have not extended beyond this area of practice and radiographers' diagnostic performance for other more complex investigations has not been established. Comparisons of performance between groups of healthcare practitioners to date, has also been limited. Aim This research programme aimed to investigate the interpretation of clinical imaging examinations by radiographers, and other healthcare practitioners, in the provision of initial interpretations and/or definitive reports of plain imaging ( skeletal and chest) and crosssectional ( magnetic resonance imaging [MRI] – lumbar/thoracic spine, knees and internal auditory meati [IAM]) investigations. Methods The eight studies utilised a variety of methodological approaches and included quasiexperimental and observational studies. One quasi-experimental study compared the performance of radiographers, nurses and junior doctors in initial image interpretation and another similar study included a training intervention; both utilised alternate free-response receiver operating characteristic curve (AFROC) methodology. Three of the observational studies investigated the ability of radiographers to provide definitive reports on a wide range of clinical examinations, including chest and MRI investigations, in a controlled environment. One large multi-centre observational study investigated the performance of radiographers, in clinical practice (A/E: skeletal examinations) during the implementation of a radiographic reporting service. The agreement between consultant radiologists' MRI reports of lumbar/thoracic spine, knee and IAM examinations was investigated in another observational study. The final study compared the reports of trained radiographers and consultant radiologists, with those of an index radiologist, when reporting on MRI examinations of the knee and lumbar spine, as part of a prospective pre-implementation agreement study. Results The first AFROC study demonstrated statistically significant improvements after training, for radiographers (A1=0.55 - 0.72) and nurses (A1=0.65 - 0.63), although the radiographers maintained a better overall performance post training (p=0.004) in providing an initial image interpretation of trauma radiographs of the appendicular skeleton. Radiographers also achieved statistically higher (p<0.01) AUC values (A1=0.75) than nurses (A1=0.58) and junior doctors (A1=0.54) in the second AFROC study. Three studies, which examined 11155 reports, were conducted under controlled conditions in an academic setting and provided evidence of radiographers’ high levels of accuracy in reporting of skeletal A/E (93.9%); skeletal non A/E (92.5%); chest (89.0%); MRI lumbar/thoracic spine (87.2%), knees (86.3%) and IAM (98.4%) examinations. In the multi-centre clinical study, the mean accuracy, sensitivity and specificity rates of the radiographers reports (n=7179) of plain examinations of the skeletal system in the trauma setting was found to be 99%, 98% and 99%, respectively. The considerable range of values for agreement, between consultant radiologists reports of MRI examinations of the thoracic/lumbar spine (k=0 – 0.8), knee (k=0.3 – 0.8) and IAM (k=1.0) was similar to other studies and resulted in a reasonable estimation of the performance, in the UK, of an average non specialist consultant radiologist in MRI reporting. In the final study, radiographers reported in clinical practice conditions, on a prospective random sample of knee and lumbar spine MRI examinations, to a level of agreement comparable with non-musculoskeletal consultant radiologists (Mean difference in observer agreement <1%, p=0.86). Less than 10% of observers' reports (radiographers and consultant radiologists) were found to be sufficiently discordant to be clinically important. Conclusion The outcomes of this research programme demonstrate that radiographers can provide initial interpretations of radiographic examinations of the appendicular skeleton, in the trauma setting, to a higher level of accuracy than A/E practitioners. The findings also provide evidence that selected radiographers with appropriate education and training can provide definitive reports on plain clinical examinations (A/E and non A/E referral sources) of the skeletal system and the chest; and MRI examinations of the knee, lumbar/thoracic spine and IAM to a level of performance comparable to the average non specialist consultant radiologist. Wider implementation of radiographer reporting is therefore indicated and future multi-centre research, including economic evaluations, to further inform practice at a national level, is recommended.
7
Mead, Jonathan Tufts. „Argument structure and the interpretation of deverbal compounds“. Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64082.
Der volle Inhalt der Quelle
8
Tohyama, Hitomi, 茂樹 松原, Shigeki Matsubara, 信夫 河口, Nobuo Kawaguchi und Yasuyoshi Inagaki. „Construction and Utilization of Bilingual Speech Corpus for Simultaneous Machine Interpretation Research“. International Speech Communication Association, 2005. http://hdl.handle.net/2237/93.
Der volle Inhalt der Quelle
9
Kyeyune, Apolo Peter. „The interpretation and use of mixed methods research within programme evaluation practice“. Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5349.
Der volle Inhalt der QuelleAnnotation:
Thesis (MPhil (Sociology and Social Anthropology))--University of Stellenbosch, 2010.The contemporary evaluation literature advocates for and recommends a pluralistic approach to programme evaluation, with some writers contending that the use of multiple and/or mixed methods for the practice is inevitable. The rationale for such an approach encompasses aspects of both the ‘technical’ and the ‘political’ requirements of evaluation practice. A review of evaluation research literature underscores the important role of mixed methods research towards realizing richer evaluation findings, and addressing the pragmatic, democratic and political facets of the evaluation practice. However, it is observed that there is a dearth of literature that focuses on how the use of a mixed methods evaluation approach facilitates the realization of richer conclusions or inferences about programme merit/worth. Thus, the overarching aim of the thesis is to establish how the perception and implementation of mixed methods research among evaluation practitioners influences the nature of inferences they make. This thesis aims at identifying patterns and relationships within and between conceptions and practices of mixed methods evaluation through a descriptive process. The selection of cases is therefore purposive and includes fourteen published evaluation articles on projects/programmes. An analytical framework is developed on the basis of a literature review on mixed methods research and background literature on evaluation research. This framework guides the qualitative content analysis of each case study and the cross-case analysis across the fourteen studies to identify common patterns. The findings reveal two prominent perspectives of mixed methods evaluation prevailing among evaluation practitioners. The first (labeled a ‘strong’ conception) has the intention of and places emphasis on the integration of the qualitative and quantitative components, with the primary objective of obtaining richer evaluation inferences. In this conception, the use of the methods and the data/inferences thereof are synthesized to achieve this goal. This conception is congruent with mixed methods purposes of: - ‘complementarity’ and ‘triangulation’ and is responsive to the ‘technical’ needs of evaluation. The second perspective (labeled a ‘weak’ conception) is silent about the integration of the respective methods or data/findings/inferences, qualifying the use of multiple methods and data in a single study as sufficing for a mixed methods approach. It resonates with justifications of mixed methods research that address issues of: - comprehensiveness, multiple view points, inclusiveness and democracy and seems more tailored to the ‘political’ needs of evaluation. The findings also reveal that the resulting multiple inferences from this ‘weak’ conception can weaken each other when contradicting or inaccurate qualitative and quantitative findings result, especially when the complimentary function of either method is not planned a priori. Therefore within the context of realizing richer and more valid evaluation findings/inferences, it is recommended that the purposes and qualification as mixed methods research of the second perspective be re-considered. It is apparent that in embracing the ‘political’ needs of evaluation practice, this conception seems to eschew the ‘technical’ requirements initially intended for a mixed methods approach. This has implications particularly for the mixed methods purpose of ‘expansion’ and rationales of pluralism, inclusiveness and democracy, which are seemingly popular within programme evaluation practice.
10
Garcia, Marelys L. „Autonomous Interpretation of Statistical Analysis For Engineering Decision Making“. FIU Digital Commons, 1999. https://digitalcommons.fiu.edu/etd/3834.
Der volle Inhalt der QuelleAnnotation:
Existing statistical software fails to explain the meaning of their output. Practicing engineers, in areas of application where statistics is heavily used, have to deal not only with the nuances of different statistical packages but also with learning what the results from their analyses mean. An Architecture and a prototype for a knowledge-based statistical output interpreter has been designed. CLIENS integrates different heterogeneous components and it uses object oriented design principles to enable modularity and package independence. Outputs from several statistical packages were analyzed to discover common patterns. A heuristic was developed to search automatically for these patterns in the output files. An in-depth study of a small set of statistical techniques resulted in the derivation of descriptive and inferential knowledge, which is used by CLIENS to interpret statistical outputs. Experimentation with the prototype indicates that autonomous interpretation is feasible and that package independence is achievable. However, issues pertaining to natural language need to be resolved before a commercial CLIENS exists.
11
Terras, Melissa M. „Image to interpretation : towards an intelligent system to aid historians in the reading of the Vindolanda texts“. Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:cfb340cc-b411-4c90-80d3-ca1ccb9d84b4.
Der volle Inhalt der QuelleAnnotation:
The ink and stylus tablets discovered at the Roman Fort of Vindolanda have provided a unique resource for scholars of ancient history. However, the stylus tablets in particular have proved extremely difficult to read. The aim of this thesis is to explore the extent to which techniques from Artificial Intelligence can be used to develop a system that could aid historians in reading the stylus texts. This system would utilise image processing techniques that have been developed in Engineering Science to analyse the stylus tablets, whilst incorporating knowledge elicited from experts working on the texts, to propagate possible suggestions of the text contained within the tablets. This thesis reports on what appears to be the first system developed to aid experts in the process of reading an ancient document. There has been little previous research carried out to see how papyrologists actually carry out their task. This thesis studies closely how experts working with primary sources, such as the Vindolanda Texts, operate. Using Knowledge Elicitation Techniques, a model is proposed for how they read a text. Information regarding the letter forms and language used at Vindolanda is collated, A corpus of annotated images is built up, to provide a data set regarding the letter forms used in the ink and stylus texts. In order to relate this information to the work done on image processing, a stochastic Minimum Description Length (MDL) architecture is adopted, and adapted, to form the basis of a system that can propagate interpretations of the Vindolanda texts. In doing so a system is constructed that can read in image data and output textual interpretations of the writing that appears on the documents. It is demonstrated that knowledge elicitation techniques can be used to capture and mobilise expert information. The process of reading ancient, and ambiguous texts, is made explicit. It is also shown that MDL can be used as a basis to build large systems that reason about complex information effectively. This research presents the first stages towards developing a cognitive visual system that can propagate realistic interpretations from image data, and so aid the papyrologists in their task.
12
Mokwatlo, Annah Mmannana. „A usability study of printed pamphlets of the Agricultural Research Council (ARC) in the rural community of G-Matlala“. Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-05162008-132904.
Der volle Inhalt der Quelle
13
Haglund, Liza. „Towards Epistemic and Interpretative Holism : A critique of methodological approaches in research on learning“. Doctoral thesis, Stockholms universitet, Institutionen för pedagogik och didaktik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-140540.
Der volle Inhalt der QuelleAnnotation:
The central concern of this thesis is to discuss interpretations of learning in educational research. A point of departure is taken in core epistemological and ontological assumptions informing three major approaches to learning: behaviourism, cognitive constructivism and socioculturalism. It is argued that all three perspectives provide important insights into research on learning, but each alone runs the risk of reducing learning and interpretations of learning to single aspects. Specific attention is therefore given to Intentional Analysis, as it has been developed to account for sociocultural aspects that influence learning and individual cognition. It is argued that interpretations of learning processes face challenges, different kinds of holism, underdetermination and the complexity of intentionality, that need to be accounted for in order to make valid interpretations. Interpretation is therefore also discussed in light of philosopher Donald Davidson’s theories of knowledge and interpretation. It is suggested that his theories may provide aspects of an ontological and epistemological stance that can form the basis for interpretations of learning in educational research. A first brief sketch, referred to as ‘epistemic holism’, is thus drawn. The thesis also exemplifies how such a stance can inform empirical research. It provides a first formulation of research strategies – a so-called ‘interpretative holism’. The thesis discusses what such a stance may imply with regard to the nature and location of knowledge and the status of the learning situation. Ascribing meaning to observed behaviour, as it is described in this thesis, implies that an action is always an action under a specific description. Different descriptions may not be contradictory, but if we do not know the learner’s language use, we cannot know whether there is a difference in language or in beliefs. It is argued that the principle of charity and reference to saliency, that is, what appears as the figure for the learner, may help us decide. However, saliency does not only appear as a phenomenon in relation to physical objects and events, but also in the symbolic world, thus requires that the analysis extend beyond the mere transcription of an interview or the description of an observation. Hence, a conclusion to be drawn from this thesis is that the very question of what counts as data in the interpretation of complex learning processes is up for discussion.At the time of the doctoral defense, the following paper was unpublished and had a status as follows: Paper 4: Manuscript.
14
HUNG, SHUN YU, und 洪順玉. „Research on Narrow Interpretation of Concurrent Sentences“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/48201253143569163440.
Der volle Inhalt der Quelle
15
Jung, Yang Pei, und 楊佩蓉. „The Research and Interpretation of Schumann's Davidsbündlertänze,Opus6“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/34411732805210111566.
Der volle Inhalt der Quelle
16
Lu, An-Ni, und 呂安妮. „The Interpretation and Research of Brahms’s Klavierstücke, Op. 118“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/27965284235191774927.
Der volle Inhalt der QuelleAnnotation:
碩士台南女子技術學院
音樂研究所
94
About Brahms (Johannes Brahms , 1833-1897 ) , someone calls him a conservative musician; The view was also expressed that he is the forerunner. This seemingly contradictory but in fact it is not. Although his works have been linked with the traditional classical music, but also infuses into the new romanticism music elements. This article will take place through Brahms's personality and creative style, understand the impact of 118 works of piano pieces. And through the analysis of the melody and annotation explanatory note , probe into the style characteristic of the piano works in later period deeply. With the above illustrate, Brahms classical principles will be combined with the spirit of romanticism, forming his unique style of music, but also to Europe have a great contribution to the development of musical culture.
17
Chen, Tin-chu, und 陳亭竹. „The Research and T he Interpretation of Liturgical Drama“. Thesis, 2005. http://ndltd.ncl.edu.tw/handle/52219542244816736542.
Der volle Inhalt der QuelleAnnotation:
碩士輔仁大學
音樂研究所
93
Medieval period in Europe lasts about a thousand years from the cease of Western Empire（476 AD）to the break of Eastern Empire（1453 AD）. At this time, drama manifests its forms from comic in ancient Rome to religious, which is born from the catholic rituals and performed in the abbeys and churches. Religious drama then spreadsaround Europe. As government and economy continue to prosper, it adds in folk materials and goes beyond the walls of churches. With more and more local features joining in, religious drama becomes enriched and develops into Renaissance drama. Catholicism has been the powerful support for stabilizing and sustaining the society. Liturgical drama is one played with the church ceremonies relating to Old Testament and New Testament. It closely associates with the church and eventually evolves today’s drama. This thesis examines liturgical drama, accompanying with those in ancient Greece and ancient Rome and down to the medieval period, which are all imbedded in the whole concept of liturgical drama. Furthermore, it focuses on its development, service, dramatization, musical elements and extension. In conclusion, it attempts to offer some suggestion about the influence it makes to the subsequent dramas.
18
Lai, Yu-Chieh, und 賴又緁. „The research and interpretation of Bach Goldberg Variation BWV988“. Thesis, 2017. http://ndltd.ncl.edu.tw/handle/9693sd.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺灣師範大學
音樂學系
105
J. S Bach 's "Goldburg Variations ,BWV988" is the classic masterpiece of the Baroque period, in this piece Bach showing his superb skills for the harpsichord and the mastering techniques in variations . And the aria shows in the beginning and the end, also deeply influenced later generations of composers for the creative thinking of variations. There are six chapters in this paper: the first chapter describes the motivations and aims of this paper and the research methods. The second chapter will analyze and discuss the creative background and music structure of "Goldberg Variations". In the third chapter, focus on the first part of "Goldberg Variations", the aria to the fifteenth variation of the music analysis and performance interpretation. In the fourth chapter, focus on the second part, the sixteenth variation to the thirty variation of the music analysis and performance interpretation. And the fifth Chapter for the conclusion of this paper. Chapter 6 lists the reference materials.
19
Kui, Zhang, und 張奎. „Research on Amis' Local Craft Innovation and Design Interpretation“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/8dgd45.
Der volle Inhalt der QuelleAnnotation:
碩士國立雲林科技大學
創意生活設計系
107
After many years of development and improvement of Amis' traditional craft have stagnated. Some of traditional craft arts have even experienced the cultural faults and fraction.Through the reinvigoration, the inheritors have pieced together the technology and culture of the craft in the broken information and memory. In the post-colonial society and the globalized environment, the development after the revitalization is inevitably mixed with the knowledge and technology of other cultures. How do these factors affect the cultural context and identity transformation of the Amis’ traditional craft; in order to make traditional crafts and modern society In order to find the use value of modern life, innovation is an inevitable development path, and which way can balance tradition and innovation, which is the part of this research. In this study, four Amis' traditional techniques were discussed as bark cloth, Amis pottery, rattan, and weaving. Using case study method to collect data and conduct interviews, analyze the content of interviews with Grounded Theory, sort out the development process of inheritors from inheritance to innovation, and then use Amis pottery as a classic case to compare and analyze the records of past literature and explore the process. The transformation of culture. Finally, based on the Hybridity and innovative theory, the paper summarizes the methods of hybridization and the types of innovation, and finds the attitudes to be maintained in innovation and the mode of constructing innovative practices. The study found that the inheritors have different levels of innovative behavior at different levels, innovation affects the transformation of identity, and identity also affects the degree of innovation development, because the inheritors will shape themselves in the process of inheritance. The subjective consciousness and spiritual principle of craft culture, that is, the individual's craft culture identity, some innovative means will not be accepted within the identity, and some will be encouraged. The innovative development of traditional crafts is not like the modern economic products. It can be developed without restrictions. The traditional crafts have their own appearance and style, and they can maintain the subjective consciousness and not be eroded by other cultures.
20
Huang, Ya-Yin, und 黃雅音. „Research and Performing Interpretation ofJohannes Brahms Waltzes, Op. 39“. Thesis, 2010. http://ndltd.ncl.edu.tw/handle/y8ctvg.
Der volle Inhalt der Quelle
21
Ting, Chang Ya, und 張雅婷. „The Research and Interpretation of Paul Hindemith‘s “Der Schwanendreher”“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/34409918290602582053.
Der volle Inhalt der QuelleAnnotation:
碩士臺北市立大學
音樂學系碩士班
102
In 20th century, 「Neo-Classicism」is one of the most important musical style, which Paul Hindemith（1895-1963）and Igor Fyodorovich Stravinsky( 1882-1971) were both named as the representive composers for its style. Paul Hindemith is known as one of the most influential German composers of the 20th century. In addition to show the elements of the classicism, but also comprehensively integrated the modern style in his composition. In many of his works, he used the Baroque’s counterpoint with the chromatic system and harmony, which is a very prevalence style in the 20th century. Hindemith’s“Der Schwanendreher”is the work which indeed influenced from this conception. This thesis“The Research and Interpretation of Paul Hindemith‘s Der Schwanendreher”, will be discussed in five chapters：（1）Introduction of research motivations, purposes, and methods；（2）Paul Hindemith’s biography and compositional style；（3）The background and analysis of“Der Schwanendreher”；（4）The performance edition comparison of “Der Schwanendreher”, to discuss the interpretation of the analysis between two audio recordings；（5）The conclusion, expecting to provide a thorough comprehension of this great work, and facilitate a distinctive style in performance.
22
Wang, Ko-Yu, und 王可育. „Research and Performing Interpretation of Carl Nielsen’s Flute Concerto“. Thesis, 2009. http://ndltd.ncl.edu.tw/handle/11211259374387902963.
Der volle Inhalt der QuelleAnnotation:
碩士國立高雄師範大學
音樂學系
98
Revered as the most celebrated musical figure in Denmark, Carl Nielsen straddled the 19th and 20th centuries, and with consideration to the dramatically changing musical climate of that time, Nielsen’s vast output is stylistically complex. His music covers a wide range of styles, from Brahmsian Romanticism to a personal brand of neo-classicism in his late years. This Flute Concerto is composed within Nielsen’s last style period. This work shows the maturity of the composer’s treatment toward music, in which he sought purity, transparency, and simplicity. In addition, this work also demonstrates Nielsen’s polyphonic technique and the exploratory view of tonality, and blends both classic and contemporary elements. The purpose of this thesis is to give dependable and possible ways of interpretative suggestions in terms of classifying Nielsen’s composing styles, examining his approach towards this flute concerto, analyzing the formal structure of this work, and discussing the characters of music sections. Chapter One is the generalization of this thesis. Chapter Two gives an overview of Nielsen’s life, and introduces the development of Nielsen’s composing style. Chapter Three focuses on the background of this flute concerto and examines the classical and modern elements included in the work. Chapter Four gives suggestions for interpretation from two facets: analyzing the formal structures of the two movements of this concerto and discussing the characters of music sections. Chapter Five is the conclusion.
23
Zhu, Shixiong. „Quantitative evaluation and interpretation of polymer-polymer interactions“. 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3116244.
Der volle Inhalt der Quelle
24
Huang, Hui-Chun, und 黃惠君. „The Research and Performance Interpretation of Frédéric Chopin’s Four Ballades“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/21536744897300534817.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺北教育大學
音樂學系碩士班
99
Frédéric Françiois Chopin was one of the most important composers in the 19th century. He devoted himself to writing diverse piano music during his lifetime, and created a large number of popular works that possessed unique music syntax and characteristic. Chopin was the first composer to write a Ballade as an instrumental musical work to express the connotation of literature. His four Ballades contained abundant musical material and literary associated speculation between ballades and ballads, but there was no fixed structure of musical form. As the diversity of ballades, it had caused a lot of research and discussion. This thesis is divided into six chapters and probing into Chopin’s four ballades. The first chapter is introduction, explaining author’s research motivation, purpose, methodology of writing this paper. The second chapter introduces the life of Chopin and through his background to find out the reasons for the formation of musical styles. Finally, summarizing Chopin’s compositional techniques and music characteristics. The third chapter introduces the development of the ballade, association with national sentiment, and compositional background of Chopin’s four ballades. The forth and the fifth chapter, I would focus on the analysis and interpretation of these ballades, and the sixth chapter is the conclusion. By theses research process, it is hope that performer can understand more about the ideas of interpreting in playing Chopin’s ballades.
25
Chang, Ke-Hsin, und 張可欣. „The Interpretation and Research of F. Schubert "Impromptus" D.935“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/30324885288059817729.
Der volle Inhalt der QuelleAnnotation:
碩士輔仁大學
音樂研究所
100
Franz Peter Schubert (1797-1828), “King of Kuns Lieder”, was born during the time music was transforming from Classical into Romantic. That’s the reason Schubert’s music combined the form and structure of Classical style but with the harmonic foundation of Romantic style. Schubert composed more than one thousand works in his short life, among this huge number of works, one third were written for piano and most of them were Characteristic pieces. Schubert’s impromptus D.935 is among the most important examples to define this new genre and to represent the composer’s piano composing style. Characteristic pieces in Romantic era included many styles, such as fantasia, dance, scherzo, variation and so on. The “Impromptus” D.935 studied in this paper is one of the Characteristic pieces. There are six chapters in this paper which are: I. Introduction. II. Schubert’s biography with the background of the era. III. Schubert’s piano works and the style of his compositions. IV. Analysis of “Impromptus” D.935. V. Interpretation of “Impromptus” D.935. VI. Conclusion. The purpose of this paper is to analyze “Impromptus” D.935 in order to help students improve their piano skills. It is also hoped that this paper can lead to a greater understanding of this great composer’s piano composition style and interpretation.
26
Hsu, Tsai-Chen, und 許綵宸. „Research on interpretation of human-animal images in ink painting“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/zk3nx7.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺南大學
視覺藝術與設計學系碩士班
104
The subject of this essay is about the pattern of the relationship between human and animal, using the personifying animal images as major imagine performance. The concept of the creation from author is surrounding a sense of caring, and discussing issued on phenomenon and relationship between human and animal, in purpose of having this creation related to society instead of vigorous ideas. Besides driven by mainstream society, the author explores and seeks a dialogue of self-creation of his or her own way of thinking. Therefore, the author observes the events occur in her life by caring, and acquires inspirations through those life events, and then transforms the inspirations to the creative topic after absorbing and thinking. The author finds the important direction of creation and academic theory about what to need to explore gradually, during many times of modification and discovery through creating process. Therefore, in beginning of this essay, author expects reader to recognize the introductory notion through first chapter. In first chapter, author illustrates the purpose of motivation, method of creation, and scope and limitation of the essay. In chapter two, readers will enter the creation of logic details level, thinking the possible causes for pattern of the relationship between human and animal and then realizing the issues are worth to discuss. And then in chapter three, the reader will understand the significance and observability of human-animal images. Finally, in chapter four and five, the conclusion and review will be illustrated by using the concept, manipulation, and details from sufficiently analyses through creative research. Through above progress, the author attempts to obtain resolution in ink paint field, positions individual’s artistic creation content and the artistic style orientation, and makes readers recognizing the relationship between human and animal from the different perspective to generate other ideas, making development of artistic creation more influential.
27
Yeh, Chan-Yu, und 葉展毓. „Research and Interpretation on Gustav Mahler's Lieder eines fahrenden Gesellen“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/77081646593637979952.
Der volle Inhalt der Quelle
28
Chen, Po-Ting, und 陳柏廷. „The Interpretation of Images — Chen Po-Ting’s Paintings and Research“. Thesis, 2019. http://ndltd.ncl.edu.tw/handle/nznafb.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺灣藝術大學
書畫系造形藝術碩士班
107
The author uses the content of oriental poetry and literature as the source of inspiration. Through the analysis of the poetry aesthetics and the aesthetics of painting.This paper analyzes the poetic paintings of famous artists and summarizes their interpretation of poetry in the works. Learning to transform it into its own creation, and finally make choices in the materials. Makes adjustment into a creative model with personal characteristics. The first chapter is the introduction, which describes the origin of the author's own creative background, and then the research motivation, and explains the main research purposes. The second chapter is the theoretical basis and the literature exploration. Through the search for the materials, the dialogue between the oriental classics and the paintings is summarized. The third chapter is the creative concept and practice, expounding its own artistic creation concept, and using the materials, and finally enumerating the analysis of the works that affect the author. The fourth chapter is the analysis and interpretation of individual works. It is divided into four series: (1) Four Happiness Of Life Series, (2) Frog Series, (3) The Four Beauties Series, and (4) Five Elements Series. Each piece in different series has its corresponding cultural and historical allusions. It is expected that the viewer can cross-reference the picture with the picture according to the description of the poem in the introduction of the work, plus academic aid to understand the author's creation and academic basis connection. The fifth chapter concludes the review and future prospects of the author's research. It saves the process of completing this theory. Through systematic organization, in addition to more understanding and understanding of the context of its own works, it can be more clearly defined in the future creation.
29
Chen, Yun-An, und 陳韻安. „The Interpretation and Research of Brahms''s Klavierstucke, Op.118“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/39pxam.
Der volle Inhalt der Quelle
30
Hsu, Yu-Fang, und 許玉芳. „The Research and Interpretation of Isaac Albeniz’s “Iberia” Book Three“. Thesis, 2014. http://ndltd.ncl.edu.tw/handle/58656487170117780892.
Der volle Inhalt der Quelle
31
Chou, Tzu Jiun, und 周姿君. „The Research and Interpretation of Schumann'' s Intermezzi, Op. 4“. Thesis, 2000. http://ndltd.ncl.edu.tw/handle/99099606620149466964.
Der volle Inhalt der Quelle
32
Wang, Tzu Wen, und 王姿文. „A research on interpretation of "a Flower" for erhu solo:musical arrangement and interpretational difference between suona and erhu“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/22329973280573831384.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺南藝術大學
民族音樂學研究所
97
Erhu has been a solo instrument for approximately a hundred years. During this period the repertoire, instrumentation, and the style developed from early monotonic to modern multimodal or atonal works, from small solo pieces to large-scale concerti or double concerti with other instruments, from traditional ideas of program music to contemporary abstractions. These developments present the variety of Erhu performance. Some repertoire transcribed or arranged from other instrumental or vocal works also increase the virtuosity and expressiveness of the Erhu. “Yi Zhi Hua” for Suona solo was the first work that Ren-tong-xiang arranged. The piece expresses civil artists’ laments for the differences between old and new societies. In 1982 Zhang-shi-ye arranged the slow melody from “Yi Zhi Hua” for the soundtrack of the television program “Wu Song” to represent Wu Song’s heroic personality. This soundtrack music was later arranged for solo Erhu. This thesis contains musical analyses and discussions of the arrangement and the differences between the Suona and Erhu transcriptions of “Yi Zhi Hua”. The content includes four chapters. The first chapter is a simple biography of the arranger, Zhang-shi-ye and later introduces his compositional style. Then, the second chapter reveals the arranging process of “Yi Zhi Hua” for solo Erhu, including the correlations between motifs, titles, and musical appearances. Next the third chapter analyzes the work’s melodic materials and the musical structure. The fourth chapter compares the Suona and Erhu transcriptions by approaching the instruments’ characteristics and techniques as well as the different interpretations.
33
Wu, Hsian-Yu, und 吳相妤. „Albert Roussel's Joueurs de flute, op. 27 : A Research and Interpretation“. Thesis, 2002. http://ndltd.ncl.edu.tw/handle/67384801078391450056.
Der volle Inhalt der QuelleAnnotation:
碩士東吳大學
音樂學系
91
In France, from the end of 19th century to the beginning of 20th century, Wagner’s influence still dominated the French music. On the other hand, however, the nationalism which caused by the Franco-Prussian War obviously enforced its invasion upon every aspects. Furthermore, the latter was also regarded as a trigger of the “Neo-Classicism,” which was popular in the 1920s.Under these two different trends, the masterpiece “Joueurs de flute” by Albert Roussel (1869-1937) was appeared in 1924. This thesis contains three chapters. The background of Roussel’s music and his unusual life are briefly addressed in the first chapter. Roussel’s music creation process can be divided into three stages and each of them is carefully studied to uncover how his music style was developed. The literature implication and criticism about his work “Joueurs de flute” is also introduced in this chapter. The following chapter analyzes the structure and the application of his composition method in this work. Five dimensions are focused:“Form”,“Modes and Tonalities”, “Melody”, “Harmony”, and “Beat and Rhythm Pattern”. The Final chapter combines the previous research in order to find the more appropriate way to perform this work.
34
Yeh, Huey-jing, und 葉惠菁. „A Research and Interpretation of Piano Sonata “Reminiscenza” by Nikolai Medtner“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/86947111484437813808.
Der volle Inhalt der QuelleAnnotation:
碩士東吳大學
音樂學系
97
Medtner is a composer who was almost forgotten by the people in the music world. He was born in Russia and studied at the Moscow Music Conservatory. He got the highest honor, the “Golden Medal” when he was graduated from the piano department in the school. As being a composer and pianist of exceptionally high caliber, all of his compositions involve the piano, including the piano concerto, piano sonata, piano pieces, vocal pieces and chamber music. He is expecially known by his characteristic music- the fairy tales. Although his compositions relied totally on traditional forms, his clever pianistic writing and distinctive harmony and use of rhythm makes his works unique. Rachmaninoff, who had great respect for Medtner as a pianist and composer, said: “ Medtner is too much an individual to bear resemblance to anyone except the Russian composer Medtner.” The sonata “Reminiscenza” is the first piece in Medtner’s suite for piano entitled “Forgotten Melodies”, Opus38. This sonata was structured in sonata form, and contains a single movement. Because of the highly lyrical and poetic nature of the work, “Reminiscenza”, Medtner stated, was the most favorite all his piano sonatas. This thesis has a total of five chapters. Chapter one is the introduction. Chapter two contains the life and the music of Medtner. Chapter three and four focus the analysis and the performing practice of the “Reminiscenza”, including the background of this piece, the form, the elements of the melody, the mode, the harmony, and the rhythm. The last chapter is the conclusion of this thesis.
35
Wu, Yi Shan, und 吳依珊. „The Research and Interpretation of "Les Nuits D’Été" by Hector Berlioz“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/12256614329068427210.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺南藝術大學
鋼琴合作藝術研究所
100
Hector Berlioz ( 1803-1869 ), a 19th-century Romantic French composer, was born in a small and ordinary family. Although there was no musical background in the family, but with great enthusiasm for music and tiredless efforts, Berlioz became an important composer in music history. He was rather meticulous regarding the nuances and colors in his compositions. Throughout his life, he composed huge numbers of orchestral music, some operatic and choral works. The masterpiece Symphonie Fantastique ( 1830 ) proclaims his unique creativity in musical ideas and tonal inventions, for example, “idée fixe”. In addition, he also made an important contribution in the field of art songs. This paper explores the song cycle Les Nuits D'Été ( 1840-1841 ), the most well-known and highly acclaimed work, taken from the six poems from the poetry collection La Comédie de la Mort ( 1838 ) written by Théophile Gautier ( 1811-1872 ). By taking Les Nuits d'Été as an example and supplemented with related biographies, essays, and analysis, the author would like to explore Berlioz’s interpretation of poetry through music, and how he brought new life to the poems. This paper can be divided into three parts. The first part including chapterⅠtoⅡ, introduces Berlioz’s life, the characteristics of each compositional stage, and the representation works. The second part, chapter Ⅲ, presents the poet Gautier, introduces his works and the developmental process of his writing. The third part, chapter Ⅳ, explores how to arrive at a suitable interpretation by analyzing the text and the music.
36
Lin, Meng-Chieh, und 林孟頡. „A Research and Interpretation of “Papillons, Op.2” by Robert Schumann“. Thesis, 2012. http://ndltd.ncl.edu.tw/handle/64140326653415920946.
Der volle Inhalt der QuelleAnnotation:
碩士台南應用科技大學
音樂研究所
100
Robert Schumann’s (1810-1856) character piece took an important role in his musical works. Papillons, Op.2 is not only the earliest work of him, but it brings out the spirits of dances such as polonaise and marzurka. Schumann started integrating the soul of literature while he composed this piece, and it turned out a corner stone master piece in the piano literature. This paper is a theoretical and interpretative survey on the subject of Papillons, Op.2. It displays the motivation and aim of this study in the first chapter. The second chapter discusses characteristics of Schumann’s works and Jean Paul’s influence on Schumann’s compositions. The third chapter mainly analyzes Schumann’s writing style of Papillons, Op.2. The fourth chapter demonstrates the performance practice of the same work.
37
Tsai, Yi-Ting, und 蔡依婷. „The Interpretation and Research of J. S. Bach's Manualiter Toccata BWV913“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/18186074663227401308.
Der volle Inhalt der QuelleAnnotation:
碩士輔仁大學
音樂研究所
96
Johann Sebastian Bach (1685-1750) was an important composer in the Baroque period. His music has left an important mark in music history. During his early years as a composer, he composed a lot of colorful toccatas. Interested in his complicated forms and styles to further research on this topic. The paper begins from the short description of J. S. Bach’s life history and the background why J. S. Bach composed The Manualiter Toccatas. Then it goes to analyze the work piece Manualiter Toccata BWV913 and display personal interpretation about this work. Finally, the analysis and notions are summed up as the conclusion. In this paper, the analysis of the work piece Manualiter Toccata BWV913 are discussed from many aspects, including forms, styles, tonalities, cadences, tempo and ornamentations. Moreover, today’s theoretical views of this piece and personal interpretation will be included in it. This paper then hopes that people will be more familiar with Bach’s keyboard pieces and understand Bach’s compositional techniques.
38
Chou, Yi-Tso, und 周枻佐. „The Research and Interpretation of “Fantasien Opus 116” by Johannes Brahms“. Thesis, 2008. http://ndltd.ncl.edu.tw/handle/10487818324800114031.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺北教育大學
音樂學系碩士班
97
Brahms’ piano works in his final years were all“character pieces”, and the style of these works are introspective and deep. “Fantasien Op. 116” was finished in 1892, including seven short pieces named “Capriccio” or “Intermezzo”. Brahms were considered a “classic” before the 20th century composer Arnold Schönberg called him “Brahms the Progressive” in his book “Style and Idea”, where Schönberg indicates that the use of material, harmony, phrasing and rhythm by Brahms is in fact progressive and advanced. In this thesis, the writer first expounds how Brahms’ music style formed, the specific characteristics of his piano works and the background of his final years. In chapter three, the “Developing Variations” method is thoroughly discussed, besides the discussion of form, structure, harmony, and tonality of Op.116. In chapter four, technique is first explored with Brahms’ work “Fifty-one Exercise”, then the writer gives personal interpretative views on tempo, melody and stratification. Appropriate pedaling which should concern harmony and sound effect, is also explained in this chapter. Brahms’ great artistic contribution could be appreciated from three aspects- classical, romantic and modern. Brahms’ later piano works, such as Op. 116, are epitome and wisdom of his life.
39
CHEN, YU-JHEN, und 陳妤甄. „Research on Discussing the Representation and the Interpretation in the Cinema“. Thesis, 2009. http://ndltd.ncl.edu.tw/handle/72926753419950417780.
Der volle Inhalt der Quelle
40
Hsu, Li-Hsuan, und 徐儷軒. „The Research and Interpretation of “Die Drei Zigeuner” by Franz Liszt“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/98297328512661645346.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺南藝術大學
鋼琴合作藝術研究所
104
Franz Liszt (1811-1886) was an important Hungarian-born pianist, composer and conductor of Romantic music in the nineteenth century. His contributions on the piano and orchestral works are particularly outstanding, for example, he created the form of symphonic poem and developed a rather fully modern piano technique. In addition, Liszt also wrote many outstanding art songs, but which were least known. In 1830, the July Revolution, revolted in France, intensified Liszt’s patriotic feelings. Therefore, Liszt became more cherished to Hungarian-gypsy music and widely collected the folk music of his country and published several theses about Hungarian-gypsy music. In 1860, Liszt used Nikolaus Lenau (1802-1850)’s text of Die drei Zigeuner to compose a german lied. Liszt expressed the vivid image of Gypsy and integrated the characteristics of Gypsy music into Die drei Zigeuner. Meanwhile, Liszt also showed his dramatic musical expression in this song. This report consists of three parts. The first part describes the life of Liszt and Lenau, as well as the compositional styles of Liszt’s art songs. The second part contains the historical development of Gypsy and the characteristics of Gypsy music. The third part introduces Die drei Zigeuner’s poetry and its music analysis. At last, the interpretative suggestions of performance are given.
41
Lin, Ching-Yu, und 林晴羽. „The Cross-Cultural Interpretation Research on Modern Chinese Diplomats in France“. Thesis, 2014. http://ndltd.ncl.edu.tw/handle/55704279433797018242.
Der volle Inhalt der QuelleAnnotation:
博士國立中興大學
中國文學系所
102
Based upon the framework of Sino-French cross-cultural relations, this study focuses on the earliest diplomats visiting France during China’s modern history, who inspects Sino-French cross-cultural activities of translation and transmission. The timeline includes the second half of the nineteenth century, in other words, from the Opium Wars to the end of the nineteenth century. Since in 1866 Qing Empire sent the first embassy represented by Bin Chung to Europe, there were subsequent Chinese diplomatic missions including the embassy led by Zhi Gang, Ambassador to England and France Kuo Sungtao, Ambassador Tseng Chitse, Ambassador Xue Fucheng, Counselor Tcheng Kitong, Counselor Li Shuchang, translator Ma Kitchong, and Li Hongzhang, who visited France. Under the worldwide upheaval, these diplomats walked out the gate of the dynasty and toward the world. Being pushed to the frontline and to the other place totally distinctive from Chinese culture, they initiated the process of dialogues beyond cultural boundaries. About the conceptual framework, this thesis will use diachronism as comparison and synchronism as dialogue. Diachronically, the thesis will examine how Chinese and French cultures in the seventeenth and eighteenth century launched early exchanges through the French Jesuits and how Chinese culture was translated and transmitted reversely. These exchanges not only brought different sensual experiences, sparked the imagination of exotic culture, but also inspired and innovated intellectual ideas. Synchronically, the thesis retraces the historical context of Sino-French cultural exchanges and returns to the Sino-French historical and linguistic environment in the second half of the nineteenth century. First, this thesis will focus on Tcheng Kitong, “the most Parisian Chinese” called by the French press. He published books, gave lectures, and frequented salons, parties, and official residences. He even made the cover of French magazines, newspapers and became a best-selling writer. He translated and transmitted the East-West cultural differences, constructing an idealized Chinese world and image. Secondly, I will focus on “modern city Paris” and “intellectual transformation” two dimensions. Based upon the three levels including material objects, institutions, and ideas, I will explore how the Qing diplomats watched, learned and experienced western industrial civilization, city life, diplomatic etiquette, norms of interactions between the king and his subjects, and changes of regimes during the French Second Empire and the Third Republic. Challenging their previous perceptions and conceptions, these cultural shocks made them reexamine the relationships between the world, countries and themselves. In addition, during the process in which Chinese diplomats traversed different cultures, this thesis tries to break through the singular historical and linguistic context. Through the investigation of historical documents, this thesis aims to represent the double backdrops of Chinese and French environments and to return to the historical scene to clarify these modern cross-cultural translators’ confrontations with foreign cultures. From shock, repulsion, thinking to finally, the change of world view, they embodied an important age when the East clashed with the West, the new substituted the old and knowledge underwent transformation. Finally, this study expects its result to be able to enrich the issue of Chinese modernity in the cross-cultural perspective.
42
Yun, Lo Ya, und 羅雅云. „The Interpretation and Research of Felix Mendelssohn〝Variations Sérieuses" Op.54“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/68377352670991801006.
Der volle Inhalt der QuelleAnnotation:
碩士輔仁大學
音樂研究所
99
Early Romantic music school composer – Felix Mendelssohn. Even he died young but still he has many marvelous works. Such as: his orchestral work A Midsummer Night's Dream and piano pieces Lieder ohne Worte. Variations are very important music form in the early middle ages. It type with as a series of the form based on the single theme. Felix Mendelssohn Variations Sérieuses has seventeen sections plus a coda and is one of his outstanding piece. The Variations Sérieuses is the greatest masterpiece written for by Felix Mendelssohn. The theme is deeply weighed by a religious choalel and develop into complexity. The purpose of this examine this stylistic variations. My analysis focus on theme treatment., harmonic practice and texture in different varied sections.This paper then hopes that people will be more familiar with Mendelssohn’s keyboard pieces and understand Mendelssohn’s compositional techniques. Key Words: Felix Mendelssohn ; Variations ; Variations Sérieuses
43
Choc, Wu-Chang, und 周武昌. „Dialogue research and the interpretation analysis of the education dialogue text“. Thesis, 2009. http://ndltd.ncl.edu.tw/handle/84246410597174899382.
Der volle Inhalt der QuelleAnnotation:
博士國立臺北教育大學
教育政策與管理研究所
97
This research is for the purpose of defining the connotation of the dialogue clearly and the understanding ideas of the dialogue theory. From the dialogue theory develops dialogue methodology and it makes a thorough inquiry and analyzes the conversational education dialogue text. First of all, by way of the dialogue conceptual analysis and the theory discussion discovered that there are three forms of the dialogue with seven kinds of connotations. The three forms contain the human with self, the human and others, and the human and the text dialogue. The seven kinds of connotations contain intersubjectivity, utterance interactive, the equal words power, the course creativity, situation openness, the motion ethicality, and consciousness criticalness. Secondly, the three forms of synthesis dialogue with seven kinds of connotations form 21 kinds of conversational analysis constructions as a tool to study, so as to evaluate education dialogue text. the discovered of the education dialogue is the dialogue with a special kind of metaphor. The research education dialogue needs the research techniques to the dialogue. The education dialogue needs “in the long-term time” to brew, participates in the experience and put into practice in one’s life. Inclusive education and dialogue consciousness produce the true trend, the good and the beautiful brand-new education philosophy. This is an ideal development direction of education dialogue. Finally, this research obtains seven conclusions to include: Defines clearly the dialogue implication, the expansion dialogue category, to model the dialoguecriterion, the construction dialogue theory, the development dialogue research technique, to form the dialogue analysis construction and the guiding rule, the guiding education dialogue development. At the same time, this research proposed that five suggestions include: The dialogue form's again expansion, our country dialogue theory again development, the dialog research category again growth, the education dialogue scope to increase, the education dialogue development direction again localization again.
44
Ming-Ching, Wu, und 吳明瑾. „The Research and Interpretation of Hindemith"Viola Sonata, op. 11-4"“. Thesis, 2007. http://ndltd.ncl.edu.tw/handle/24394212645243068203.
Der volle Inhalt der Quelle
45
Yun-Shan, Lu, und 陸昀姍. „The Research and Interpretation of Liszt’s Piano Sonata in B Minor“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/06487596152206797820.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺北教育大學
音樂教育學系碩士班
94
This thesis mainly discusses Liszt’s sonata in B minor. The paper is divided into three chapters and nine sections. The first chapter is Liszt’s live. In 1884,the letter of two years before Liszt passing away, he mentioned that the most important performance and composition are not classical, but they are similar to classical tragedy divides which is separated into five sections and divided his life into five phase: “primitive development”, “the affect of N. Paganini, H. Berlioz, and F. Chopin”, “Liszt’s best period”, “the Weimar period”, and the sunset of Liszt’s age.The secondary chapter is an analysis of Liszt’s sonata in B minor, which is divided into two sections. The first section is the background of its creation. It mainly discusses Liszt’s creation of the background of sonata in B minor-the Weimar period, which is dedicated to Schumann, when this creation represents, it is described by turmoil and argument and quotes contemporary comments to testify. The secondary section is the structure of this piece, which is one of important parts in this thesis. This sonata, strictly in the perspective of classical music, is the first sonata, which only has one movement. However, the whole melody does not only distribute into three sections-faster, slower, and faster, but also it is the same as the sonata before which has three movements. Therefore, many musicians and scholars, according to this portion, have different thought, and the author cites the different views of many predecessors, extracts the theories that are acceptable, and combines all materials to develop the perspective of his own. The third chapter enters the interpretation of Liszt’s sonata in B minor. In this chapter, we will discuss the content of this sonata’s cultivation in the first section, and this part induces a lot of arguments as structure. Liszt was a musician who advocates program music, but composed this piano sonata, which has no program. Nevertheless, this composition teems with the imagination, whether it makes the competition of “Program Music”, or not, according to this, the author mentions his evidence and thought in this section. The secondary section primarily enters into the interpretation, the author does not merely emphasize the change of subject and the unique paragraph but also he intensify the diversity of tune and timbre. Liszt largely used the technique of the change of subject in this sonata. As a result, the same motivation or subject has diversity of aspects and characters, and how to interpret it becomes an important proposal. On the other hand, how to interpret and perform in timbre, according to the change of harmony and tune, is a necessary point. Therefore, the compositions, in the period of romance, having the most appealing and beautiful part, are in the change of harmony and tune. Moreover, if we carefully cope with tune, we can make the music more vivid and alive. I hope that this thesis can provide further discussion and pragmatic contribution and aspire the new interpretation of Liszt’s sonata in B minor.
46
shen, chun ching, und 沈俊清. „The Research and Interpretation of Gustav Mahler-Lieder eines fahrenden Gesellen“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/36468082566749479887.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺北教育大學
音樂教育學系碩士班
95
The symphony and lied are the main compositions in the career of Gustav Mahler’s musical creation. Nevertheless, these two compositions have their own uniqueness and correlation. Taking an example in the topic of my study, ”The songs of a wayfarer” (Lieder eines fahrenden Gesellen ), it is absolutely not a simple song cycle; nor a subjective emission of his affection. It is deeply related to his No.1 Symphony. The first movement of the No.1 Symphony ( Titan ), for example, is based on the theme song “ I went this morning over the countryside “ (Geieng heut’ Morgen über’ Feld ) ,which is the second song of “The songs of a Wayfarer” ; and the third movement is based on ”Alla Marcia”, the rear part of “The two blue eyes” (Die zwei blauen Augen ). Judging from the complicated and intriguing process while the composer was writing this song, the changes of the mood between “The songs of a Wayfarer” and “No.1 Symphony” is worth studying. He was a co-conductor of the Royal Kassel Opera House, when he wrote this song and then he was in love with the famous soprano Johanna Richter. Before long the love slowly faded away, Mahler tasted the bitterness of garbing. The exhausted and depressed Mahler reflected the feeling to the work .So the song was always satirically called” the creation of Mahler’s style autobiography.” From the objective analysis, The song plays an important part in the career of his creation. In term of the characteristic of his songs, the key in the beginning and the key in the end are different in each song. It is much different from others’ in his age. For example, the first song “When my sweetheart has her wedding “ begins with d minor IV and ends with g minor, while the second song “ I went this morning over the countryside” begins with d major and ends with F# major. Moreover, judging from the cadence, each song does not end with a key note. From this, he gives the piano a spacious perspective and imagination. He wrote the lyrics for his own songs. This reflected the mood when he wrote his songs at that time. They are: the first song “When my sweetheart has her wedding “ (Wenn mein Schatz macht ) ,the second song “ I went out this morning over the countryside “, the third “I have a growing knife “ , and the fourth “The two blue eyes “. With an analysis of these four songs he might be very depressed at that time, especially the last one “The two blue eyes” with the theme song “Alla Marcia”. It is clear that he was so desperate that he wanted to end his life. From these aforementioned indications, Mahller’s “The song of a Wayfarer “was much similar to Schubert’s “Winterreise” in mood. The main actors were all deserted by their lovers. In the end, they all fell in agony. Though there is difference in composing songs, the perspective of love and emission of the emotion are the same. A researcher must collect more data and evidence in every aspect, not only study the superficial side.
47
Wu, Pei-Chuan, und 吳佩娟. „The Research and Interpretation of Maurice Duruflé's Requiem, Op.9 / Graduate recital“. Thesis, 2002. http://ndltd.ncl.edu.tw/handle/63227354507018257651.
Der volle Inhalt der QuelleAnnotation:
碩士東吳大學
音樂學系
91
Maurice Durufle,born in Louviers(France),he was renowned as a virtuoso organist and a composer in the 20th century.The most celebrated choral works of Durufle is his "Requiem"Op.9 that completed in 1947,the whole work is based on plainsong from the Mass for the Dead.Unlike his fellow-student Olivier Messiaen,Durufle eschewed the avant-garde experimentation that might have resulted in a fashionable new language,choosing instead a retrospective stance,looking to plainsong for his inspiration, and great French composers:Debussy,Ravel and Faure for his models. The purpose of this dissertation is to provide the choral conductor with an analysis and interpretation of Durufle's Requiem,in order to assist in preparing the work for performance. Chapter I :Background and Music style of Maurice Durufle and his Requiem. Chapter II:Durufle v.s. the gregorian chant and the plainsong requiem. Chapter III:From the plainsong requiem to Durufle's requiem Op.9. Chapter IV:Analyusis & performance considerations of Durufle's Requiem.
48
簡幸玲. „The Research and Interpretation of Brahms's Klavierstucke, op.118/The piano concert“. Thesis, 2002. http://ndltd.ncl.edu.tw/handle/21816062155497100202.
Der volle Inhalt der QuelleAnnotation:
碩士東吳大學
音樂學系
91
The piano work opus 118 of Johannes Brahms (1833-1897) was written in 1983, which was during a period of time when the composer was grieving over the loss of close family and friends in his life. This music piece seems to reflect Brahms’ deep sorrow for the fragility of human life. This thesis will discuss this piano work in four chapters. By introducing the composer’s personality and life provides a background to understand his musical style and the lyrical tone color that is full of emotions. Music to Brahms was the most faithful media to expresses his abundant heart. In addition to the composer’s life, the thesis will include musical analysis of this piece. The uses of harmony, motive, dynamic, tempo, musical language, the interrelationship between the six pieces and the musical structure will be studied to develop a thorough understanding of the style of the later works of Brahms. Moreover, the third chapter focuses on performance practice and interpretation. Some interpretation matters such as tempo, tone color, dynamic, phrasing will be discussed. To conclude this thesis work, a summary of each chapter along with the author’s input in interpretation will be included in the last chapter. The concert program: D.Scarlatti:3 piano sonata k.394 k.208 k.15 L.V.Beethoven:piano sonata No.27,op.90 J.Brahms:6 klavierstucke op.118 I.Albeniz:Iberia Evocacion Rondena
49
Tsai, I.-Fan, und 蔡依帆. „The Interpretation and Research of L.v.Beethoven's Piano Sonata in E major,Opus109“. Thesis, 2007. http://ndltd.ncl.edu.tw/handle/25244550579067292860.
Der volle Inhalt der Quelle
50
Tsai, I.-Hsuan, und 蔡宜璇. „The Research Of Performing Interpretation Of “ Concierto de Aranjuez ”By Joaquin Rodrigo“. Thesis, 2013. http://ndltd.ncl.edu.tw/handle/46298929134152447352.
Der volle Inhalt der QuelleAnnotation:
碩士國立臺灣藝術大學
音樂學系
100
Joquin Rodrigo, a three Year-old child, is facing a world full of darkness, even though music is colorful and picturesque. His work "Concierto de Aranjuez" is an important guitar piece throughout the Guitar history, opening a new gateway, creating new ideas. Rodrigo has a calm attitude in life, smiling at the difficulties he is exposed to. Three years after the Civil War, Rodrigo wrote " Concierto de Aranjuez " to bring comfort to the world of work, the work of the birth of the Spanish people. Perhaps on the historical performance of music much more than three years of Civil War, affected the people, body and soul and caused it to deplete. Many documents and important artists have been exiled to other countries, to assume the Rodrigo revival movement, hoping that through song recalls King Carlos IV of Spain (Carlos IV of Spain, 1748 ~ 1819) and Ferdinand VII (Ferdinand VII of Spain, 1784 ~ 1833) era of the reign of the wealthy. The light and bright melodies, rich in Spanish culture, have elements of "flamenco" which most folk especially dance to. Spanish music in the classical music world is a unique style and well received and loved by many important composers. By the study of the song, it showed features of music from Spain, the Spanish flamenco music is not just a dance, but also shows the deeper meaning of Spanish spirit. Classical guitar for all musical instruments which in dynamic terms are weak. The concerto for guitar was very rare until Rodrigo wrote the "Concierto de Aranjuez" for the guitar was played in the orchestra. It’s achieve a balance between guitar and Orchestra. Many revolutionary changes, cause other composers wrote concertos for guitar. "Concierto de Aranjuez" for guitar, has brought many new materials into the word. The use of Spanish musical elements, have given a better understanding to the world with Spanish music. Even Rodrigo can not see this colorful world, but he is the composer of the music, and is as colorful as the all human.