Auswahl der wissenschaftlichen Literatur zum Thema „Interiorismo literario (Literary movement)“
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Zeitschriftenartikel zum Thema "Interiorismo literario (Literary movement)"
ABDULRAZZAQ AL-RUBAIEE, AHMED. „EL ESTILO LITERARIO EN LA EPOCA BARROCA“. Al-Adab Journal 1, Nr. 127 (05.12.2018): 40–48. http://dx.doi.org/10.31973/aj.v1i127.199.
Der volle Inhalt der QuelleDoucet, Montserrat. „El Grupo Bilbao: de grupo ectópico y alógrafo a movimiento literario“. Revista de lenguas y literaturas catalana, gallega y vasca 22 (11.01.2018): 193. http://dx.doi.org/10.5944/rllcgv.vol.22.2017.20851.
Der volle Inhalt der QuelleSánchez-Blake, Elvira Elizabeth. „El periodismo literario del conflicto en Colombia: Olga Behar, El clan de los doce apóstoles y María T. Ronderos, Guerras recicladas“. Catedral Tomada. Revista de crítica literaria latinoamericana 8, Nr. 15 (05.01.2021): 92–120. http://dx.doi.org/10.5195/ct/2020.473.
Der volle Inhalt der QuelleZapata Ferreira, Miguel. „La casa grande en la construcción de la historia de Colombia“. Estudios de Literatura Colombiana, Nr. 16 (01.11.2013): 181–206. http://dx.doi.org/10.17533/udea.elc.17357.
Der volle Inhalt der QuelleMilagres, Pedro de Oliveira, und Anderson da Cunha Baía. „A sanitarização dos rurais no discurso higienista da década de 1910“. Revista Brasileira de Educação do Campo 8 (21.10.2023): e14659. http://dx.doi.org/10.20873/uft.rbec.e14659.
Der volle Inhalt der QuelleParis-Huesca, Eva. „Masculinización y virilización de la escritura de la mujer de vanguardia: el caso de Estación. Ida y Vuelta y El Personaje Presentido“. Entrehojas: Revista de Estudios Hispánicos 3, Nr. 1 (24.04.2013). http://dx.doi.org/10.5206/entrehojas.v3i1.6134.
Der volle Inhalt der QuelleCampos Fernández-Fígares, Mar. „Enfoque transnacional para la creación de un corpus literario en el aula ELE“. Porta Linguarum. Revista Interuniversitaria de Didáctica de las Lenguas Extranjeras, Nr. 34 (01.06.2020). http://dx.doi.org/10.30827/portalin.v0i34.16732.
Der volle Inhalt der QuelleSoto, Ana Belén. „Le voyage comme palimpseste identitaire dans Grande Section, le premier roman d’Hadia Decharrière“. Estudios Románicos 29 (12.11.2020). http://dx.doi.org/10.6018/er.420781.
Der volle Inhalt der QuelleLobo, Yolanda. „Memoria e educação: "O Espírito Victorioso", de Cecília Meireles“. Revista Brasileira de Estudos Pedagógicos 77, Nr. 187 (18.06.2019). http://dx.doi.org/10.24109/2176-6681.rbep.77i187.1073.
Der volle Inhalt der QuelleYepes Hita, José L. „Los orígenes filosóficos del Romanticismo. La naturaleza como epopeya inconsciente“. Contrastes. Revista Internacional de Filosofía 19, Nr. 1 (10.07.2013). http://dx.doi.org/10.24310/contrastescontrastes.v19i1.1081.
Der volle Inhalt der QuelleDissertationen zum Thema "Interiorismo literario (Literary movement)"
Durão, Gustavo de Andrade. „A construção da negritude = a formação da identidade do intelectual através da experiência de Léopold Sédar Senghor (1920-1945)“. [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279300.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-18T03:47:10Z (GMT). No. of bitstreams: 1 Durao_GustavodeAndrade_M.pdf: 1012006 bytes, checksum: b54e80dc86e928419564dd9588ba5334 (MD5) Previous issue date: 2011
Resumo: Este trabalho propõe-se analisar a trajetória do escritor senegalês Léopold Sédar Senghor (1906-2001) no que tange à criação e participação ativa no movimento artístico e literário conhecido como Negritude. As movimentações literárias dos escritores norte-americanos e a valorização das formas de arte associadas ao negro-africano serão fundamentais para a formação dos alicerces teóricos da Negritude. A escolha da obra de Senghor "Liberté I: Négritude et Humanisme? contém interpretações importantes do seu pensamento na defesa e divulgação dos valores dos povos negro-africanos. Através desta obra se pretende compreender melhor o que foi o movimento da Negritude e o que ele representou para os escritores negros perante a realidade colonial francesa. Diante disso, este trabalho propõe um recorte temático temporal que vai de 1920 até 1945, quando Senghor e os próprios criadores da Negritude direcionam o conceito e a noção de negritude como sendo algo que vai legitimar a luta política em oposição ao colonialismo francês
Resumé: L'objectif de ce travail est d'analyser la trajectoire de l'écrivain sénégalais Léopold Sédar Senghor (1906-2001) en ce qui concerne sa création et engagement au mouvement artistique et littéraire connu sous le nom de Négritude. La prise de conscience des écrivains nord-américains et la valorisation de toutes les formes d'art liées au noir-africain seront mise en étude comme la base théorique de la Négritude. L'oeuvre de Senghor "Liberté I: Négritude et Humanisme? montre des interprétations importantes de sa pensée en défense et diffusion des valeurs des peuples Noirs africains. A partir de cette oeuvre, on cherche à mieux comprendre le mouvement de la Négritude et son importance par rapport aux écrivains noirs du contexte colonial français. Ainsi, ce travail propose un extrait thématique de 1920 jusqu'à 1945, quand Senghor et les créateurs de la Négritude mènent le concept et la notion de négritude vers la légitimation de la lutte politique en opposition au colonialisme français
Abstract: This study proposes to examine the trajectory of the Senegalese writer Leopold Sedar Senghor (1906-200 I) regarding the establishment and active participation in artistic and literary movement known as Blackness. The awareness of North-American writers and appreciation of art forms associated with black African will be related to the theoretical foundations of Blackness. The choice of the masterpiece of Senghor 'Liberti 1: Negritude et Humanisme' contains important interpretations of his thought in upholding and disseminating the values of the Black African people. Through this work is intended to better understand what was the Blackness movement and what he represented for black writers before the French colonial reality. Thus, this paper proposes a temporal thematic focus that goes from 1920 until1945, when Senghor and the creators themselves drive the concept of Blackness and the notion of blackness as something that will legitimize the political struggle in opposition to French colonialism
Mestrado
Historia Social
Mestre em História
Ferres, González Juan Pedro. „El problema de la unidad en la obra de Juan José Saer“. Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/108285.
Der volle Inhalt der QuelleThis doctoral thesis aims to demonstrate how the unity of the literary work of Juan José Saer can only be understood as an approach to each of the poles of the tragic conflict that involves writing. On one side, there is the chance to consolidate the narrative components in a structured organization, to assemble them in a whole. On the other side, there is the appearance of the work as a chaotic and inarticulate set of narrative components. To demonstrate the tragic nature of writing, we analyze the different categories of narrative and their planning into three units (that recalls the classical unities): unity of time, unity of place and what we call ‘unity of object’. The formation of each unity repeats the same conflict. The image of wholeness to which aspires with the three unities (time, place, object) coincides with its denial. Firstly, the unity of time is a recognition, a repetition of the same or a routine of cyclical events. That repetition (or ‘acronia’) involves the futility of the category of time. Secondly, the unity of place is understood in the works as a projection of an archetypical place, an Arcady, that is discovered at the same time as a ‘non-place’ or an impossible ‘Utopia’. And, lastly, the unity of objects involves the inclusion of each object in a general view or in a panorama that neglects his peculiarities or his uniqueness and brings, as a consequence, his disappearance. Therefore, the three unities that organize the narrative of Saer are at the same time three denials and his literary work finds profound meaning as an art of litotes.
Bücher zum Thema "Interiorismo literario (Literary movement)"
Dominican Republic) Ateneo Insular (Moca. El interiorismo de Bruno Rosario Candelier. Santo Domingo [Dominican Republic]: Ateneo Insular Internacional, 2015.
Den vollen Inhalt der Quelle findenVanessa, Knights, und Valerio-Holguín Fernando 1956-, Hrsg. El bolero literario en Latinoamérica. San Juan, P.R: Isla Negra Editores, 2008.
Den vollen Inhalt der Quelle findenVanessa, Knights, und Valerio-Holguín Fernando 1956-, Hrsg. El bolero literario en Latinoamérica. San Juan, P.R: Isla Negra Editores, 2008.
Den vollen Inhalt der Quelle finden1961-, Chávez Castañeda Ricardo, Hrsg. Crack: Instrucciones de uso. México: Mondadori, 2004.
Den vollen Inhalt der Quelle findenPoética del interiorismo: Teoría de la estética literaria. Moca, Rep. Dominicana: Ateneo Insular Internacional, 2015.
Den vollen Inhalt der Quelle findenEl vínculo entrañable: La experiencia trascendente en la creación interiorista. [Santo Domingo, Dominican Republic]: Ediciones de la Secretaría de Estado de Cultura, 2008.
Den vollen Inhalt der Quelle findenEl simbolismo literario en España. Alicante]: Universidad de Alicante, 2006.
Den vollen Inhalt der Quelle findenCadernos Negros: Movimento Literario Afro-Brasileiro Contemporaneo = Black Notebooks: Contemporary Afro-Brazilian Literary Movement. Africa World Press, 2006.
Den vollen Inhalt der Quelle findenQuilombhoje. Cadernos Negros: Movimento Literario Afro-Brasileiro Contemporaneo = Black Notebooks: Contemporary Afro-Brazilian Literary Movement. Africa World Press, 2006.
Den vollen Inhalt der Quelle findenNovelas bolero: Ficciones musicalizadas posnacionales. San Juan, Puerto Rico: Isla Negra Editores, 2012.
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