Auswahl der wissenschaftlichen Literatur zum Thema „Intellectual property in motion pictures“
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Zeitschriftenartikel zum Thema "Intellectual property in motion pictures"
Yang, Yubin, Seungyoup Choo und Seong-Joon Limb. „Vertical Integration Strategies and Environmental Uncertainty: China’s Film Industry“. SAGE Open 13, Nr. 1 (Januar 2023): 215824402311563. http://dx.doi.org/10.1177/21582440231156351.
Der volle Inhalt der QuelleNaseby, L. „Government motion on plain packaging for cigarettes undermines intellectual property rights“. BMJ 351, Nr. 19 6 (19.11.2015): h6128. http://dx.doi.org/10.1136/bmj.h6128.
Der volle Inhalt der QuelleYoon, Sang-Young, und Myung-Chul Jung. „Trends of Intellectual Property on Musculoskeletal Disorder, Motion Capture Technology and Ergonomics“. Journal of the Ergonomics Society of Korea 34, Nr. 5 (31.10.2015): 437–45. http://dx.doi.org/10.5143/jesk.2015.34.5.437.
Der volle Inhalt der QuelleMoutu, Andrew. „The Dialectic of Creativity and Ownership in Intellectual Property Discourse“. International Journal of Cultural Property 16, Nr. 3 (August 2009): 309–24. http://dx.doi.org/10.1017/s094073910999021x.
Der volle Inhalt der QuelleKumar, Nishant, Reetu Gour und Navneet Sharma. „Intellectual Property Rights and Economical Development: A Brief Overview“. Journal of Scientific Research and Reports 30, Nr. 5 (15.03.2024): 145–62. http://dx.doi.org/10.9734/jsrr/2024/v30i51930.
Der volle Inhalt der QuelleSafiranita, Tasya, Sherly Ayuna Putri und Hazar Kusmayanti. „Penyelesaian Sengketa Merek Terkenal “SEPHORA” atas Dasar Persamaan Pada Pokoknya Berdasarkan Herzien Inlandsch Reglement (HIR) dan Undang-Undang Merek“. Dialogia Iuridica: Jurnal Hukum Bisnis dan Investasi 9, Nr. 1 (30.11.2017): 112. http://dx.doi.org/10.28932/di.v9i1.734.
Der volle Inhalt der QuelleAl-Farouqi, Akhmad, Nandang Sutrisno und Budi Agus Riswandi. „The Law of Anime: Otaku, Copyright, Fair Use, and It’s Infringements in Indonesia“. JIPRO : Journal of Intellectual Property 3, Nr. 1 (01.07.2020): 42–60. http://dx.doi.org/10.20885/jipro.vol3.iss1.art3.
Der volle Inhalt der QuelleQiu, Xuesong, Zhao Yang, Shuyang Shi, Huiqin Li und Yulin Zhou. „Type synthesis of 90°/180° dual-function upenders for large shell units of nuclear reactor“. Proceedings of the Institution of Mechanical Engineers, Part C: Journal of Mechanical Engineering Science 234, Nr. 13 (20.02.2020): 2610–23. http://dx.doi.org/10.1177/0954406220907635.
Der volle Inhalt der QuelleFister, Barbara. „Playing for Keeps: Lifelong Learning in the Ludic Library“. Pennsylvania Libraries: Research & Practice 1, Nr. 1 (14.04.2013): 5–9. http://dx.doi.org/10.5195/palrap.2013.10.
Der volle Inhalt der QuelleGeranfar, Babak. „The Malick Viewed“. Conversations: The Journal of Cavellian Studies, Nr. 5 (27.02.2018): 70–73. http://dx.doi.org/10.18192/cjcs.v0i5.2408.
Der volle Inhalt der QuelleDissertationen zum Thema "Intellectual property in motion pictures"
Candela, Buddy Anthony James. „Unlucky: A Student Film“. Kent State University Liberal Studies Essays / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuls1460646282.
Der volle Inhalt der QuelleStone, Reuben. „Intellectual property rights in the underlying literary elements of motion picture films“. Thesis, Aberystwyth University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429730.
Der volle Inhalt der QuelleShipman, Lori-Lin. „The movie piracy industry in China and its relationship with intellectual property rights“. online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1446018.
Der volle Inhalt der QuelleBennett, Austin N. „Cognitive Constituents of Character“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1378503177.
Der volle Inhalt der QuelleBritt, Tara Danielle. „Phenomenology, film and curriculum theory an inquiry into the intellectual persona of teachers /“. Click here to access dissertation, 2007. http://www.georgiasouthern.edu/etd/archive/summer2007/tara_d_britt/britt_tara_d_200708_edd.pdf.
Der volle Inhalt der Quelle"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." In Education Administration, under the direction of Linda M. Arthur. ETD. Electronic version approved: December 2007. Includes bibliographical references (p. 140-144) and appendices.
Zha, Yu 1970. „The mythology of Hero : a study of Chinese national cinema“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79987.
Der volle Inhalt der QuelleHwang, Yun Mi. „South Korean historical drama : gender, nation and the heritage industry“. Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.
Der volle Inhalt der QuelleBücher zum Thema "Intellectual property in motion pictures"
Sterling, J. A. L. Intellectual property rights in sound recordings, film and video. London: Sweet & Maxwell, 1992.
Den vollen Inhalt der Quelle findenḤasanayn, Nāṣir Jalāl. al-Sīnimā wa-ḥuqūq al-milkīyah al-fikrīyah. [Cairo]: al-Hayʼah al-ʻĀmmah li-Quṣūr al-Thaqāfah, 2003.
Den vollen Inhalt der Quelle findenGoetzmann, William N. Soft information, hard sell: The role of soft information in the pricing of intellectual property. Cambridge, MA: National Bureau of Economic Research, 2004.
Den vollen Inhalt der Quelle findenUnited States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Intellectual Property, and the Administration of Justice. Moral rights and the motion picture industry: Hearing before the Subcommittee on Courts, Intellectual Property, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, One Hundred First Congress, second session, January 9, 1990. Washington: U.S. G.P.O., 1991.
Den vollen Inhalt der Quelle findenSterling, J. A. L. Intellectual property rights in sound recordings, film and video: Protection of phonographic and cinematographic recordings and works in national and international law. London: Sweet and Maxwell, 1994.
Den vollen Inhalt der Quelle findenFamily Entertainment and Copyright Act of 2005: Report together with minority views (to accompany S. 167) (including cost estimate of the Congressional Budget Office). [Washington, D.C: U.S. G.P.O., 2005.
Den vollen Inhalt der Quelle findenSammataro, James. How to avoid reel legal problems: A film making & multimedia legal guide. [St. Paul, Minn.]: Thomson/West, 2004.
Den vollen Inhalt der Quelle findenAlesina, Juan C. Derecho del entretenimiento: Empresas culturales; propiedad intelectual; cine; radio y televisión; música; libros, diarios y revistas; teatro; deportes. Buenos Aires, República Argentina: Ad-Hoc, 2006.
Den vollen Inhalt der Quelle findenUnited States. Congress. Senate. Committee on the Judiciary. Competition, innovation, and public policy in the digital age: Is the marketplace working to protect digital creative works? : hearing before the Committee on the Judiciary, United States Senate, One Hundred Seventh Congress, second session, March 14, 2002. Washington: U.S. G.P.O., 2003.
Den vollen Inhalt der Quelle findenUnited States. Congress. House. Committee on International Relations. Subcommittee on International Economic Policy and Trade. Intellectual property rights: The music and film industry : hearing before the Subcommittee on International Economic Policy and Trade of the Committee on International Relations, House of Representatives, One Hundred Fifth Congress, second session, May 21, 1998. Washington: U.S. G.P.O., 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Intellectual property in motion pictures"
Baecker, Ronald M. „Digital media and intellectual property“. In Computers and Society. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827085.003.0007.
Der volle Inhalt der QuelleJay Dougherty, F. „Individual and collectively bargained contractual substitutes for moral rights in the US motion picture industry“. In Research Handbook on Intellectual Property and Moral Rights, 167–84. Edward Elgar Publishing, 2023. http://dx.doi.org/10.4337/9781789904871.00020.
Der volle Inhalt der QuelleGong, James Jianxin, und S. Mark Young. „Financial and Nonfinancial Performance Measures for Managing Revenue Streams of Intellectual Property Products: The Case of Motion Pictures“. In Advances in Management Accounting, 1–37. Emerald Group Publishing Limited, 2016. http://dx.doi.org/10.1108/s1474-787120160000027001.
Der volle Inhalt der QuelleGaines, Jane M. „Copying Technologies“. In The Oxford Handbook of Silent Cinema, 72–92. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190496692.013.15.
Der volle Inhalt der QuelleGaines, Jane M. „What Next? The Historical Time Theory of Film History“. In How Film Histories Were Made. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463724067_ch02.
Der volle Inhalt der QuelleMeli, Domenico Bertoloni. „General Introduction“. In Equivalence and Priority: Newton versus Leibniz, 1–16. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198539452.003.0001.
Der volle Inhalt der QuellePagani, Margherita. „The Critical Role of Digital Rights Management Processes in the Context of the Digital Media Management Value Chain“. In Information Security and Ethics, 3499–509. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-937-3.ch235.
Der volle Inhalt der QuelleGurko, Anton. „PROBLEM OF LEGAL PROTECTION OF THREE-DIMENSIONAL ANIMATIONS“. In LAW IN FUTURE: INTELLECTUAL PROPERTY, INNOVATION, INTERNET, 164–69. INION RAN, 2019. http://dx.doi.org/10.31249/pravbud/2019.00.17.
Der volle Inhalt der QuelleHarris, James C. „Understanding and Evaluating Emotional and Behavioral Impairment“. In Intellectual Disability. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195178852.003.0009.
Der volle Inhalt der QuelleBruno, Giuliana. „Sites of Screening“. In The Moving Eye, 121–40. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.003.0009.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Intellectual property in motion pictures"
Jung, Choonghyun, Kwangmu Shin und Kidong Chung. „Motion skip mode using dynamic property of anchor pictures in multi-view video coding“. In 2010 IEEE Southwest Symposium on Image Analysis & Interpretation (SSIAI). IEEE, 2010. http://dx.doi.org/10.1109/ssiai.2010.5483888.
Der volle Inhalt der QuelleLiu, Qianfeng, Yuzheng Li, Huang Zhang und Bo Hanliang. „Experimental Study of Motion-Resistance Force of Hydraulic Cylinder of CRHDM“. In 2018 26th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/icone26-81214.
Der volle Inhalt der QuelleLiu, Qianfeng, Yuzheng Li, Benke Qin und Bo Hanliang. „Theoretical Analysis of Step-Down of Hydraulic Cylinder Motion for Control Rod Hydraulic Drive System Based on Model II“. In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-66364.
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