Thematische Bibliographien / Intellectual property Australia

Auswahl der wissenschaftlichen Literatur zum Thema „Intellectual property Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 19. Februar 2022

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Zeitschriftenartikel zum Thema "Intellectual property Australia":

Mitra-Kahn, Benjamin, Matthew Johnson, Bradley Man und Luke Meehan. „Intellectual Property Government Open Data: Australian Business Number Links to All Intellectual Property Data in Australia“. Australian Economic Review 49, Nr. 1 (März 2016): 96–104. http://dx.doi.org/10.1111/1467-8462.12147.

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Coulepis, Anthony. „Biotechnology Industry in Australia: Growing Fast“. Asia-Pacific Biotech News 09, Nr. 16 (30.08.2005): 769–86. http://dx.doi.org/10.1142/s0219030305000030.

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The article discusses about the fast fact on Australia's biotechnology industry and its key industry sectors. It also contains the major stakeholders of the big players in biotechnology sector. Also, it touches on the regulatory bodies and the intellectual property laws in Australia.

Richardson, Megan. „Sui Generis Intellectual Property Law Reform: Issues for Australia“. Victoria University of Wellington Law Review 32, Nr. 1 (05.03.2001): 19. http://dx.doi.org/10.26686/vuwlr.v32i1.5904.

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This article begins by describing the current range of intellectual property rights in Australia (statutory and common law/equity), then canvasses recent reforms that seek to address some of the problems raised by new innovation practices. A particular focus of the article is the piecemeal nature of the law reform process which continues to treat the law in this area in a highly compartmentalised fashion. Some tentative proposals for improvement are made at the end.

Maskus, Keith. „Strengthening Intellectual Property Rights in Asia: Implications for Australia“. Australian Economic Papers 37, Nr. 3 (September 1998): 346–61. http://dx.doi.org/10.1111/1467-8454.00025.

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Faber-Castell, Natalie, und Richard Fletcher. „Case Study: Faber-Castell Australia defends its intellectual property“. Australasian Marketing Journal (AMJ) 17, Nr. 3 (September 2009): 182–87. http://dx.doi.org/10.1016/j.ausmj.2009.06.009.

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Blakeney, Michael. „Intellectual property, biological diversity, and agricultural research in Australia“. Australian Journal of Agricultural Research 53, Nr. 2 (2002): 127. http://dx.doi.org/10.1071/ar00153.

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This paper examines the impact of national and international intellectual property and biodiversity laws upon the conduct of agricultural research in Australia, by both public and private agricultural research institutes. The paper concludes that implications of these legal developments, for both plant breeding and plant patenting, counsels the establishment of a coordination officer responsible for the legal obligations of agricultural research institutes.

Malbon, Justin. „The Australia-United States Free Trade Agreement: Trade Trumps Indigenous Interests“. Media International Australia 111, Nr. 1 (Mai 2004): 34–45. http://dx.doi.org/10.1177/1329878x0411100106.

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This article argues that the Australia–United States Free Trade Agreement (AUSFTA) selectively recognises and affirms international conventions and agreements that promote the narrow economic self-interests of powerful groups. It does this whilst disregarding those international instruments — including the Convention on Biological Diversity and the UNESCO Universal Declaration on Cultural Diversity — that seek to recognise and promote the cultural and intellectual property rights of Indigenous people. Although AUSFTA does make some concessions for Indigenous interests by providing negative exemptions from the chapters dealing with trade in services, government procurement and investment, these concessions are relatively weak in the face of the Agreement's pursuit of free trade. Using the model of Chapter 19, which imposes positive obligations on the United States and Australia to promote environmental interests, it is proposed that future Australian FTAs should enunciate positive obligations for Australia's Indigenous people.

Anderson, Jane. „The Making of Indigenous Knowledge in Intellectual Property Law in Australia“. International Journal of Cultural Property 12, Nr. 3 (August 2005): 347–73. http://dx.doi.org/10.1017/s0940739105050174.

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The challenge of how to stop the unauthorized use of Indigenous knowledge has been firmly constituted as a problem to be solved by and managed through the legal domain. In this paper, my questions are directed to the way Indigenous knowledge has been made into a category of intellectual property law and consequently how law has sought to define and manage the boundaries of Indigenous knowledge.

LAWSON, CHARLES, und CATHERINE PICKERING. „‘TRIPs‐plus’ patent privileges—an intellectual property ‘Cargo cult’ in Australia“. Prometheus 22, Nr. 4 (Dezember 2004): 355–77. http://dx.doi.org/10.1080/08109020412331311632.

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Devarapalli, Pratap, und Seema Soni. „Design rights for Start-ups: Drawing a line of protection“. International Journal of Innovation 7, Nr. 2 (04.04.2019): 312–20. http://dx.doi.org/10.5585/iji.v7i2.332.

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Designs are considered as one of the imperative aspects of a business. Design rights as a branch of Intellectual property rights plays a crucial role in protecting unique designs from infringement. In this regard, design rights have become increasingly important for designers and businesses all over the globe. Primarily, this article provides an overview of design law and registration process in Australia with an emphasis on Start-ups and SMEs. Secondly, this article provides insights on design registration trends of Start-ups and SMEs in Australia. Thirdly, the study provides the importance of designs as an intellectual property for Start-ups and SMEs. Further, the study sheds some light on how registered designs can be used as collaterals.

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Dissertationen zum Thema "Intellectual property Australia":

Anderson, Jane Elizabeth Law Faculty of Law UNSW. „The production of indigenous knowledge in intellectual property law“. Awarded by:University of New South Wales. School of Law, 2003. http://handle.unsw.edu.au/1959.4/20491.

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The thesis is an exploration of how indigenous knowledge has emerged as a subject within Australian intellectual property law. It uses the context of copyright law to illustrate this development. The work presents an analysis of the political, social and cultural intersections that influence legal possibilities and effect practical expectations of the law in this area. The dilemma of protecting indigenous knowledge resonates with tensions that characterise intellectual property as a whole. The metaphysical dimensions of intellectual property have always been insecure but these difficulties come to the fore with the identification of boundaries and markers that establish property in indigenous subject matter. While intellectual property law is always managing difference, the politics of law are more transparent when managing indigenous concerns. Rather than assume the naturalness of the category of indigenous knowledge within law, this work interrogates the politics of its construction precisely as a ???special??? category. Employing a multidisciplinary methodology, engaging theories of governmental rationality that draws upon the scholarship of Michel Foucault to appreciate strategies of managing and directing knowledge, the thesis considers how the politics of law is infused by cultural, political, bureaucratic and individual factors. Key elements in Australia that have pushed the law to consider expressions of indigenous knowledge in intellectual property can be located in changing political environments, governmental intervention through strategic reports, cultural sensitivity articulated in case law and innovative instances of individual agency. The intersection of these elements reveals a dynamic that exerts influence in the shape the law takes.

Rimmer, Matthew Rhys. „The pirate bazaar the social life of copyright law“. View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.

Lamlert, Wariya. „International uncertainty in the exceptions for individual use in copyright law : a comparative study of Australia and Thailand /“. Canberra, 2007. http://erl.canberra.edu.au/public/adt-AUC20080912.140432/index.html.

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Forsyth, Guy, und N/A. „A minimalist sui generis legislative proposal for the application of common law principles to the protection of computer software“. University of Canberra. Law, 1998. http://erl.canberra.edu.au./public/adt-AUC20090714.142532.

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This thesis examines the development of copyright and patent protection in the United States, United Kingdom and Australia and proposes that intellectual property is not the correct mechanism for protecting computer software. Both copyright and patent protection are evaluated in relation to their application to protecting the various elements of software. The increased desire for patent protection of software in the United States has recently impacted the debate over the correct regime for intellectual property protection. There has also been a corresponding restriction in the application of copyright protection by the courts. Combined with an undercurrent of sui generis software legislation being advocated by academia this has lead to the situation where there is continuing uncertainty over which method of protection should be provided for software. It will be shown that copyright is inadequate for the protection of computer software and that it does not address the correct element requiring protection. Patents, by corollary, provide protection that is excessive. The socio-economic effects of patent protection will be shown to demonstrate that it is not a worthy successor or adjunct to copyright. While copyright has attempted to protect one aspect (source code) patents have attempted to protect another (functionality). The thesis identifies the fundamental flaws in the protection offered by both regimes and proposes that they are equally unsuitable for the protection of software. Software will be shown to possess a diverse array of elements that are largely indivisible if adequate protection is to be provided. It is proposed that software be considered as a new form of property, referred to as Binary property, which covers informational and information processing entities. Further, the existing common law principles should be applied to the aspects that are at the heart of the intellectual property protection dilemma. In reality the elements requiring protection in software are activities that wrongfully duplicate a work or replicate it to create clones. It will be shown that the common law principles of theft, trespass, breach of contract and passing-off are suitable for protecting developers from these infringements. It will also be contended that any legislative intervention should be limited so that a certain degree of replication is allowable where there is a benefit to society through technological advancement or enhancement through standardisation. As such the application of common law principles are applied in a minimalist legalistic environment. The minimalist approach takes the position that there should be minimal legislative intervention in the computer industry. It proposes that there should be legislative intervention to enable the existing common law to take account of computer technology and provide for its continuing impact on society that will accelerate into the next millennium. It further shows that the continuing development of computer technology will outpace intellectual property necessitating the recognition of computer software as a unique form of new property in existing jurisprudence. The application of existing common law principles of property and the reduction in the monopolistic nature of intellectual property will not only benefit the highly dynamic and creative international computer industry but it will also be in the best interests of the Australian software development industry.

Ludlow, Karinne Anne. „Which little piggy to market? : legal challenges to the commercialisation of agricultural genetically modified organisms in Australia“. Monash University, Faculty of Law, 2004. http://arrow.monash.edu.au/hdl/1959.1/5489.

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Shay, Richard Michael. „Users' entitlements under the fair dealing exceptions to copyright“. Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71691.

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Thesis (LLM)--Stellenbosch University, 2012.
Includes bibliography
ENGLISH ABSTRACT: This thesis analyses current South African copyright law to ascertain the proper interpretation and application of the fair dealing provisions contained in the Copyright Act 98 of 1978. Copyright law ensures that authors’ works are not used without their consent, which they can grant subject to compensation or conditions attached to the use. Fair dealing exceptions allow the general public to use copyright works for certain purposes without the copyright owner’s consent and without paying compensation. These provisions are intended to balance copyright owners’ interests with the interest that members of the public have in using copyright works for socially beneficial purposes. These provisions typically allow the use of a copyright work for the purposes of research or private study, personal or private use, criticism and review, and news reporting. Unfortunately there is no South African case law concerning the fair dealing provisions, and the application of these exceptions remains unclear. This study aims to clarify the extent of application of the fair dealing exceptions to copyright infringement so that courts may be more willing to consider foreign and international law and in doing so develop South African intellectual property law. The social and economic policy considerations underlying the fair dealing exceptions are considered to determine their function. International conventions relating to copyright and neighbouring rights are examined, specifically the provisions allowing exceptions to copyright. The legislation and case law of Australia and the United Kingdom are analysed to determine the proper interpretation and application of these statutory defences. This knowledge is then used to inform South African law. The Copyright Act 98 of 1978 does not contain a fair dealing exception for parody and satire. Australian legislation does contain such an exception, and it is analysed in that context. An exception for parody is proposed for South African law, and the need for and application of this provision is considered. The constitutionality of the proposed exception is evaluated in terms of its impact on the constitutional property rights of copyright owners.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek Suid-Afrikaanse outeursreg om die behoorlike uitleg en toepassing van die “billike gebruik”-bepalings in die Wet op Outeursreg 98 van 1978 te bepaal. Outeursreg beskerm die werk van ŉ outeur teen ongemagtigde gebruik van haar intellektuele eiendom. Gebruik kan deur die outeur gemagtig word, òf teen vergoeding òf onderhewig aan bepaalde voorwaardes. Artikels 12-19B (die billike gebruik-bepalings) van die Wet op Outeursreg laat ander toe om sekere werke te gebruik sonder die toestemming van die eienaar van die werk en sonder om vergoeding te betaal. Die bepalings streef om ŉ balans te tref tussen die belange van die outeur en die belange van die publiek. ŉ Werk mag volgens hierdie bepalings tipies gebruik word vir die doeleindes van navorsing of private studie, persoonlike of private gebruik, beoordeling of resensie, of om nuus te rapporteer. Daar is tans geen Suid-Afrikaanse regspraak rakende hierdie uitsonderings nie, en hul toepassing is dus onseker. Hierdie tesis beoog om die werking van die billike gebruik-bepalings duidelik uiteen te sit om hoër gewilligheid in howe te skep om internasionale en buitelandse reg toe te pas, en sodoende Suid-Afrikaanse immateriële goederereg te ontwikkel. Die sosiale en ekonomiese beleidsoorwegings wat die bepalings ondersteun word geanaliseer om die doel daarvan te bepaal. Internasionale outeursreg-verdragte word bespreek om ŉ raamwerk vir die uitsonderings te skep. Wetgewing en regspraak van Australië en die Verenigde Koninkryk word ondersoek, en die kennis wat daar opgedoen word, word toegepas op die Suid-Afrikaanse bepalings. Die Wet op Outeursreg 98 van 1978 bevat geen uitsondering vir die doeleindes van parodie en satire nie. Die Australiese Wet op Outeursreg 63 van 1968 bevat wel so ŉ uitsondering, en dit word in hierdie verband beoordeel. ŉ Uitsondering vir parodie en satire word voorgestel en oorweeg in die konteks van Suid-Afrikaanse outeursreg. Die grondwetlikheid van die voorgestelde uitsondering word bepaal na aanleiding van die impak wat dit sal hê op outeurs se eiendomsreg.

Mason, Renate Surveying &amp Spatial Information Systems Faculty of Engineering UNSW. „Developing Australian Spatial Data Policies - Existing Practices and Future Strategies“. Awarded by:University of New South Wales. Surveying and Spatial Information Systems, 2002. http://handle.unsw.edu.au/1959.4/18646.

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This thesis investigates the problems associated with the development of Spatial Data Infrastructures (SDIs). The results of this investigation are used as input for the development of new spatial data policy strategies for individual organisations to enable an improved better facilitation of SDIs. Policy issues that need to be considered by an organisation when developing spatial data policies, were identified as being: SDI requirements; organisational issues; technical issues; Governmental/organisational duties; ownership/custodianship; privacy and confidentiality; legal liability, contracts and licences; Intellectual Property Law; economic analysis; data management; outreach, cooperation and political mandate; and users' choices, rights and obligations. In order to gain an understanding of current spatial data policy practices and to device new policy strategies a spatial data survey was conducted. This survey addressed the identified SDI problem areas. Some 6630 questionnaires were mailed out with more than 400 responses returned. These were reduced to 379 useful responses. Once analysed, the results were compared with the findings of the SDI investigation and used throughout the thesis. The results of the analysis to the spatial data survey are displayed in tables and graphs throughout Chapters 3, 4, 5 and 6 and in Appendix 2. The tables and graphs show the answers to the questions asked in the questionnaire as a percentage of the total number of respondents. The survey discovered that many organisations had no spatial data policies, nor individual policies on spatial data pricing and/or intellectual property protection. This thesis established that SDI requirements are not being met by many spatial data policies used by individual organisations. Hence, the thesis studied the spatial data policy issues that are involved when an organisation develops new policies with the aim to aid the development of SDIs. It uniquely established current Australian spatial data policy practices in the areas of spatial data quality, access, pricing, and legal issues to form the basis for future strategies. It reviewed the current knowledge of intellectual property law applied to spatial data and devised new approaches to deal with all the identified policy issues. Finally, the thesis defines spatial data policies that facilitate SDI development.

Helth, Ulrich. „Der Schutz der kommerziellen Aspekte der Persönlichkeit im australischen Recht /“. Baden-Baden : Nomos, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016139809&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Loff, Beatrice. „Health and human rights : case studies in the potential contribution of a human rights framework to the analysis of health questions“. Monash University, Dept. of Epidemiology and Preventive Medicine, 2004. http://arrow.monash.edu.au/hdl/1959.1/5291.

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Pavis, Mathilde Goizane Alice. „The author-performer divide in intellectual property law : a comparative analysis of the American, Australian, British and French legal frameworks“. Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23692.

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Western intellectual property frameworks have at least one feature in common: performers are less protected than authors. This situation knows many justifications, although all but one have been dismissed by the literature: performers are simply less creative than authors. As a result, the legal protection covering their work has been proportionally reduced compared to that of their authorial peers. This thesis investigates this phenomenon that it calls the 'author-performer divide'. It uncovers the culturally-rooted principles and legal reasoning that policy-makers and judges of Australia, France, the United Kingdom and the United States have developed to create in the legal narrative a hierarchy between authors and performers. It reveals that those intellectual property systems, though continuously reformed, still contain outdated conceptions of creativity based on the belief in ex nihilo creation and over-intellectualised representations of the creative process. Those two precepts combined have led legal discourse to portray performers as their authors' puppets, thus underserving of authorship themselves. This thesis reviews arguments raised against improving the performers' regime to challenge the preconception of performers as uncreative agents and questions the divide it supports. To this end, it seeks to update the representations of creativity currently conveyed in the law by drawing on the findings of other academic disciplines such as creativity research, performance theories as well as music, theatre and dance studies. This comparative inter-disciplinary study aims to move current legal debates on performers' rights away from the recurring themes and repeated arguments in the scholarship such as issues of fixation or of competing claims, all of which have made conversations stagnate. By including disciplines beyond the law, this analysis seeks to advance the legal literature on the question of performers' intellectual property protection and shift thinking about performative forms of creativity.

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Bücher zum Thema "Intellectual property Australia":

Stewart, Andrew. Intellectual property in Australia. Chatswood, NSW: LexisNexis Butterworths, 2013.

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McKeough, J. Intellectual property in Australia. 3. Aufl. Chatswood, NSW: LexisNexis Butterworths, 2004.

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McKeough, J. Intellectual property in Australia. Sydney: Butterworths, 1991.

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Stewart, Andrew. Intellectual property in Australia. 4. Aufl. Chatswood, N.S.W: LexisNexis Butterworths, 2010.

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Caenegem, William van. Intellectual property law in Australia. Alphen aan den Rijn: Kluwer Law International, 2010.

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Davison, Mark J. Australian intellectual property law. Cambridge: Cambridge University Press, 2007.

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Davison, Mark J. Australian intellectual property law. 2. Aufl. Port Melbourne, Vic: Cambridge University Press, 2012.

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Bowrey, Kathy, Michael Handler und Dianne Nicol. Emerging challenges in intellectual property. South Melbourne: Oxford University Press, 2011.

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Criminology, Australian Institute of. Intellectual property crime and enforcement in Australia. Canberra, A.C.T: Australian Institute of Criminology, 2008.

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Bowrey, Kathy. Australian intellectual property: Commentary, law, and practice. South Melbourne, Vic: Oxford University Press, 2010.

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Buchteile zum Thema "Intellectual property Australia":

Jedličková, Barbora, Julie Clarke und Sitesh Bhojani. „Australia“. In LIDC Contributions on Antitrust Law, Intellectual Property and Unfair Competition, 43–76. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27158-3_2.

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Jedličková, Barbora, und Julie Clarke. „Australia“. In LIDC Contributions on Antitrust Law, Intellectual Property and Unfair Competition, 41–68. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-45753-5_2.

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Jedličková, Barbora, und Julie Clarke. „Australia“. In LIDC Contributions on Antitrust Law, Intellectual Property and Unfair Competition, 41–89. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71419-6_2.

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Clarke, Julie, und Barbora Jedličková. „Australia“. In LIDC Contributions on Antitrust Law, Intellectual Property and Unfair Competition, 33–68. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55813-4_2.

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McCracken, Sheelagh. „Security Rights in Intellectual Property in Australia“. In Ius Comparatum - Global Studies in Comparative Law, 47–84. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-44191-3_2.

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Frankel, Susy, und Megan Richardson. „Limits of Free Trade Agreements: The New Zealand/Australia Experience“. In MPI Studies on Intellectual Property and Competition Law, 315–33. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-30888-8_11.

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Suzor, Nicolas, Rachel Choi und Kylie Pappalardo. „Moments of Flux in Intermediary Liability for Copyright Infringement in Australia“. In Global Governance of Intellectual Property in the 21st Century, 129–49. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31177-7_8.

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Yan, Henry. „The China-Australia Free Trade Agreement and the Choice of Intellectual Property Interest Balance in the Two Countries“. In Free Trade Agreements, 119–37. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-3038-4_7.

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van Mosseveld, Anneke. „Military Control over Intellectual Property“. In The Australian Army Uniform and the Government Clothing Factory, 187–205. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71425-7_9.

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Wishart, Kane. „Management of Intellectual Property in Australia’s Clean Technology Sector: Challenges and Opportunities in an Uncertain Regulatory Environment“. In Intellectual Property and Clean Energy, 177–206. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-2155-9_7.

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Berichte der Organisationen zum Thema "Intellectual property Australia":

Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, März 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.