Auswahl der wissenschaftlichen Literatur zum Thema „Installations (art) – Occident – 2000-“
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Zeitschriftenartikel zum Thema "Installations (art) – Occident – 2000-"
Anker, Helle Tegner, Chris W. Backes, Lasse Baaner, Andrea M. Keessen und Stefan Möckel. „Natura 2000 and the Regulation of Agricultural Ammonia Emissions“. Journal for European Environmental & Planning Law 16, Nr. 4 (06.12.2019): 340–71. http://dx.doi.org/10.1163/18760104-01604003.
Der volle Inhalt der QuelleHyun, Soojung. „Mapping Spirituality in the Art of Sook Jin Jo“. Religion and the Arts 27, Nr. 1-2 (11.04.2023): 43–61. http://dx.doi.org/10.1163/15685292-02701017.
Der volle Inhalt der QuelleKazurova, Natalia V., und Ekaterina Yu Trushkina. „THE CORPOREAL IN THE VIDEO INSTALLATIONS OF IRANIAN-AMERICAN ARTIST AND FILMMAKER SHIRIN NESHAT“. RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, Nr. 2 (2023): 119–36. http://dx.doi.org/10.28995/2686-7249-2023-2-119-136.
Der volle Inhalt der QuelleHärmä, Vuokko. „Experiencing Pervasive Computer Mediated Art Exhibitions“. Suomen Antropologi: Journal of the Finnish Anthropological Society 35, Nr. 3 (01.09.2010): 90–93. http://dx.doi.org/10.30676/jfas.127502.
Der volle Inhalt der QuelleGreyson, John. „Bazoocam 4′33″“. TDR/The Drama Review 56, Nr. 2 (Juni 2012): 2–3. http://dx.doi.org/10.1162/dram_a_00182.
Der volle Inhalt der QuelleStrafella, Giorgio, und Daria Berg. „Yang Zhichao’s performance art at the margins: Within the Fourth Ring Road (1999) and the Chinese contemporary“. Journal of Contemporary Chinese Art 10, Nr. 1 (01.08.2023): 205–25. http://dx.doi.org/10.1386/jcca_00082_1.
Der volle Inhalt der QuelleWei, Chu-Chiun. „The aesthetics of the multitude in Chen Chieh-Jen’s Lingchi: Echoes of a Historical Photograph (2002) – A genealogy“. Journal of Contemporary Chinese Art 5, Nr. 1 (01.03.2018): 61–76. http://dx.doi.org/10.1386/jcca.5.1.61_1.
Der volle Inhalt der QuelleSavasta Alsina, Mene. „Music is not enough“. Revista Música 20, Nr. 1 (09.07.2020): 381–400. http://dx.doi.org/10.11606/rm.v20i1.170852.
Der volle Inhalt der QuelleDonnelly, Mark. „Can Counter Histories Disturb the Present? Repohistory’s Street Signs Projects, 1992–1999“. Art History & Criticism 14, Nr. 1 (01.12.2018): 51–61. http://dx.doi.org/10.2478/mik-2018-0005.
Der volle Inhalt der QuelleHuschka, Sabine. „Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe“. Dance Research Journal 42, Nr. 1 (2010): 61–72. http://dx.doi.org/10.1017/s0149767700000838.
Der volle Inhalt der QuelleDissertationen zum Thema "Installations (art) – Occident – 2000-"
Lauraire, Héloïse. „Parcours scéniques : un genre de dispositif esthétique spécifique dans l'art contemporain occidental des années 2005-2012 : étude d’une sélection d’œuvres de Christoph Büchel, Mike Nelson, Jonah Freeman & Justin Lowe“. Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080034.
Der volle Inhalt der QuelleBetween the early 2000s and the early 2010s, four contemporary Western artists Christoph Büchel, Mike Nelson, Jonah Freeman and Justin Lowe built gigantic and enigmatic multi-room installations in Europe and the United States. Our initial hypothesis was that there were relationships between the labyrinthine super-productions of these artists, both in terms of their conceptions and their receptions.Our study describes and analyzes the specificities (construction, visitors reception, themes and references ...) and the issues (exploration, elaboration of a story, visitors’ endangerment and risk-taking...) of the aesthetic experiences offered by these works of art, nowadays invisible. The gathering and assessment of unpublished archives concerning ten of these artistic devices and their geneses as well as a field survey carried out among their spectators have enabled us to reconstruct mental images of these works. The plans and ekphrases, illustrated fictions, presented in this thesis reveal the spatial and temporal dimensions of these aesthetic walkthroughs and bring to light a set of similar set ups, materials, and themes. Based upon the scenographic strategies of the artists and the feelings of the spectators, our analysis leads us to consider these works as emotional installations and as dystopian narrative spaces. Walking across these, as if journeying through a voyage of initiation, sparks the spectator’s imagination and makes him fully conscious of his individuality and ability to take action
Cho, Nan-Young. „Rupture, restitution, prolifération dans les arts visuels entre orient et occident : trois moments créateurs de l'espace contemporain“. Paris 1, 2008. http://www.theses.fr/2008PA010603.
Der volle Inhalt der QuelleRutily, Aline. „Tapis-jardin. Migration, mutation, transculturalité : entre Orient et Europe, arts visuels et littérature“. Paris 1, 2012. http://www.theses.fr/2012PA010654.
Der volle Inhalt der QuelleLe, Fur Iris. „La plasticité sonore : la création visuelle et sonore, une interaction sensorielle, émotionnelle et sémantique“. Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0101.
Der volle Inhalt der QuelleOn the basis of an artistic practice exploring the vibratory phenomenon of matter, this thesis proposes a reflection on the interactions between sound and visual materials within the same plastic production. It is a matter of analyzing the act of creation comprising a sensoriel arrangement of various auditory and ocular elements reacting reciprocally and causing a mutation of their sensory, emotional and semantic perception. A survey of some of the major 20th and 21st century players in the history of sonic cultural practices will address the issue of the interaction between hearing and sight in an artistic production. The notions of sound plasticity, of vibratory movement through alteration, as well as that of plastic mixing resulting from cultural intermingling will be discussed. secondly, my study will focus on the process of creating a sound installation by vibratory mode, through listening, the process of sound writing and the characteristics of public spaces as an artwork. Finally, the study of the specificity of sound vibration to generate emotions, highlighting the cerebral mechanisms required by bi-sensory perception both in the body of the creative artist and those of the public experiencing the 'artwork
Bücher zum Thema "Installations (art) – Occident – 2000-"
Berger, Maurice. Fred Wilson: Objects and installations 1979-2000. Baltimore, Md: Center for Art and Visual Culture, University of Maryland Baltimore County, 2001.
Den vollen Inhalt der Quelle findenArgiles, Mónica Sánchez. La instalación en España, 1970-2000. Madrid: Alianza Editorial, 2009.
Den vollen Inhalt der Quelle findenRogala, Mirosław. Gesty wolnosci: Prace 1975-2000 = Gestures of freedom : works 1975-2000. Warszawa: Centrum Sztuki Wspóczesnej-Zamek Ujazdowski, 2002.
Den vollen Inhalt der Quelle findenRogala, Mirosław. Gesty wolności: Prace 1975-2000 = Gestures of freedom : works 1975-2000. Warszawa: Centrum Sztuki Współczesnej-Zamek Ujazdowski, 2001.
Den vollen Inhalt der Quelle findenPla, Eduardo. Eduardo Pla: Obras 2000/05. [Buenos Aires]: Planetario Galileo Galilei, 2005.
Den vollen Inhalt der Quelle findenArgiles, Mónica Sánchez. La instalación en España, 1970-2000. Madrid: Alianza Editorial, 2009.
Den vollen Inhalt der Quelle findenArgiles, Mónica Sánchez. La instalación en España, 1970-2000. Madrid: Alianza Editorial, 2009.
Den vollen Inhalt der Quelle findenKuskowski, Kamil. Kamil Kuskowski, 2000-2012: Prace = works. Bielsko-Biała: Galeria Bielska BWA, 2011.
Den vollen Inhalt der Quelle findenPak, Hyŏn-gi. Pak Hyŏn-gi, 1942-2000 mandara: Mandala : a retrospective of Park Hyunki (1942-2000). Kyŏnggi-do Kwach'ŏn-si: Kungnip Hyŏndae Misulgwan, 2015.
Den vollen Inhalt der Quelle findenBarclay, Claire. Moderna Museet projekt: 16.6-13.8 2000. Stockholm: Moderna Museet, 2000.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Installations (art) – Occident – 2000-"
„The Video Veronicas of Bill Viola“. In Breaking Resemblance, herausgegeben von Alena Alexandrova. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823274475.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Installations (art) – Occident – 2000-"
Bianchi, Dino, Paolo Noccioni und Catherine J. Silvestri. „The New PGT5B/2: A State-of-the-Art 6MW Two-Shaft Gas Turbine“. In ASME Turbo Expo 2000: Power for Land, Sea, and Air. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/2000-gt-0561.
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