Auswahl der wissenschaftlichen Literatur zum Thema „Installation art“
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Zeitschriftenartikel zum Thema "Installation art"
MANRESA, GEMMA ARGÜELLO, und ELISA CALDAROLA. „Installation Art“. Journal of Aesthetics and Art Criticism 78, Nr. 3 (Juni 2020): 331–32. http://dx.doi.org/10.1111/jaac.12747.
Der volle Inhalt der QuelleBestor, Charles. „Installation art“. ACM SIGGRAPH Computer Graphics 37, Nr. 1 (Februar 2003): 16–18. http://dx.doi.org/10.1145/763993.763994.
Der volle Inhalt der QuelleVickery, Jonathan. „INSTALLATION ART“. Art History 29, Nr. 5 (November 2006): 957–63. http://dx.doi.org/10.1111/j.1467-8365.2006.00528_7.x.
Der volle Inhalt der QuelleRios, Patricia, und Aquiles Negrete. „The object of art in science: science communication via art installation“. Journal of Science Communication 12, Nr. 03 (11.12.2013): A04. http://dx.doi.org/10.22323/2.12030204.
Der volle Inhalt der QuelleChemberzhi, Daria. „The importance of installation art for the development of contemporary art in the world and Ukraine“. Bulletin of Lviv National Academy of Arts, Nr. 39 (2019): 278–87. http://dx.doi.org/10.37131/2524-0943-2019-39-19.
Der volle Inhalt der QuelleCALDAROLA, ELISA. „On Experiencing Installation Art“. Journal of Aesthetics and Art Criticism 78, Nr. 3 (Juni 2020): 339–44. http://dx.doi.org/10.1111/jaac.12734.
Der volle Inhalt der QuelleMandlis, Lane R. „Art Installation as Method“. Qualitative Inquiry 15, Nr. 8 (07.07.2009): 1352–72. http://dx.doi.org/10.1177/1077800409339568.
Der volle Inhalt der QuelleZečević, Marija. „Installation: Between the Artistic and Architectural Project“. AM Journal of Art and Media Studies, Nr. 12 (15.04.2017): 55. http://dx.doi.org/10.25038/am.v0i12.167.
Der volle Inhalt der QuellePaul, Christiane. „Renderings of Digital Art“. Leonardo 35, Nr. 5 (Oktober 2002): 471–84. http://dx.doi.org/10.1162/002409402320774303.
Der volle Inhalt der QuelleCuan, Catie, Erin Berl und Amy LaViers. „Time to compile: A performance installation as human-robot interaction study examining self-evaluation and perceived control“. Paladyn, Journal of Behavioral Robotics 10, Nr. 1 (28.08.2019): 267–85. http://dx.doi.org/10.1515/pjbr-2019-0024.
Der volle Inhalt der QuelleDissertationen zum Thema "Installation art"
Bernardini, Elena. „Interrogating installation art from India“. Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664613.
Der volle Inhalt der QuelleLarocque, Marie-Claire. „Installation architectonique : trilogie "topophonique"“. Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1996. http://theses.uqac.ca.
Der volle Inhalt der QuelleStansbie, Lisa. „Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practice“. Thesis, Leeds Beckett University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.533350.
Der volle Inhalt der QuelleLongo, Sheila A. (Sheila Ann). „Construction and installation of public comfort art : "Art as sanctuary"“. Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/32952.
Der volle Inhalt der QuelleIncludes bibliographical references (leaf 29).
This paper illustrates the construction and installation of a public piece of art, hidden within which is an enclosed and private meditation space. In making the piece, the artist was influenced by the works of others as well as by her own previous works and personal experiences. The theory of deep touch pressure can be extrapolated to associate encapsulation within small, enclosed spaces with relaxation and the relief of anxiety. Through the fluid process of aesthetic development, the work evolved towards completion and fulfillment of the piece's goals. The result was a basket-like structure containing a close and comfortable space for decompression. Geared towards the MIT community, the piece also explored the effects of isolation and connectivity. Viewer interaction, made possible by a period of public display, remains a critical component of this artwork. There are various directions in which to move forward with the investigation, one of which is to explore the dynamics of multiple pieces in a single location.
by Sheila A. Longo.
S.B.
Shepley, W. A. „Installation art practice and the 'fluctuating frame'“. Thesis, Manchester Metropolitan University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325422.
Der volle Inhalt der QuelleBishop, Claire. „The subject of installation art : a typology“. Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395950.
Der volle Inhalt der QuelleOuzounian, Gascia. „Sound art and spatial practices situating sound installation art since 1958 /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
LIU, Nga Ying. „Red-white-blue and Hong Kong Installation Art“. Digital Commons @ Lingnan University, 2011. https://commons.ln.edu.hk/vs_etd/2.
Der volle Inhalt der QuelleDEGRAAF, NATHAN MARK. „MILIEU, MEANING AND ARCHITECTURE: CONTEMPORARY INSTALLATION ART GALLERY DESIGN“. University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148191782.
Der volle Inhalt der QuelleGiguère, Danielle. „EMMA. Installation sonore“. Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24277/24277.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Installation art"
Oliveira, Nicolas De. Installation art. [Washington, D.C.]: Smithsonian Institution Press, 1994.
Den vollen Inhalt der Quelle findenNicola, Oxley, Petry Michael und Archer Michael, Hrsg. Installation art. London: Thames and Hudson, 1994.
Den vollen Inhalt der Quelle findenShaoqiang, Wang. Installation art. Berkeley, CA: Gingko Press, 2010.
Den vollen Inhalt der Quelle findenNicola, Oxley, Petry Michael und Archer Michael, Hrsg. Installation art. London: Thames and Hudson, 1996.
Den vollen Inhalt der Quelle findenMinard, Robin. Sound installation art. Graz, Austria: Institut für elektronische Musik, Hochschule für darstellende Kunst, 1996.
Den vollen Inhalt der Quelle findenAngelika, Nollert, Galerie im Taxispalais (Innsbruck, Austria), Museum Ludwig, Museum für Gegenwartskunst Siegen, Wiener Secession und Galerie für Zeitgenössische Kunst Leipzig., Hrsg. Performative installation. Cologne: Snoeck, 2003.
Den vollen Inhalt der Quelle findenGeorge, Fifield, Ketner Joseph D, Donath Judith und Milwaukee Art Museum, Hrsg. Act/react: Interactive installation art. Milwaukee, WI: Milwaukee Art Museum, 2008.
Den vollen Inhalt der Quelle findenÄsthetik der Installation. Frankfurt am Main: Suhrkamp, 2003.
Den vollen Inhalt der Quelle findenAdam, Geczy, und Genocchio Benjamin, Hrsg. What is installation?: An anthology of writings on Australian installation art. Sydney, NSW, Australia: Power Publications, 2001.
Den vollen Inhalt der Quelle findenGallery, Tate, Hrsg. Performance art and video installation. Millbank, London: Tate Gallery, 1985.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Installation art"
Sokolove, Deborah. „Installation Art“. In Encyclopedia of Sciences and Religions, 1060. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_200368.
Der volle Inhalt der QuelleCaldarola, Elisa. „Improvisation and Installation Art“. In The Routledge Handbook of Philosophy and Improvisation in the Arts, 617–30. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-48.
Der volle Inhalt der QuelleEarnshaw, Rae. „Installation ArtWorks“. In Art, Design and Technology: Collaboration and Implementation, 31–36. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58121-7_4.
Der volle Inhalt der QuelleSheldon, Julie. „Picturing the Installation Shot“. In A Companion to Modern Art, 125–43. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch7.
Der volle Inhalt der QuelleZhu, Guanyu, und Shui Jin. „Analysis on the Installation Art“. In Wireless Technology, Intelligent Network Technologies, Smart Services and Applications, 275–84. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5168-7_34.
Der volle Inhalt der QuelleNathanson, Alex. „Sculpture and Installation“. In A History of Solar Power Art and Design, 156–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003030683-8.
Der volle Inhalt der QuelleFinn, Christine. „Home: An Installation for Living In“. In Art and Archaeology, 115–27. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8990-0_9.
Der volle Inhalt der QuelleSolina, Franc, Gregor Majcen, Narvika Bovcon und Borut Batagelj. „Preservation of a Computer-Based Art Installation“. In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 643–50. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13695-0_65.
Der volle Inhalt der QuelleHu, Jun, Duy Le, Mathias Funk, Feng Wang und Matthias Rauterberg. „Attractiveness of an Interactive Public Art Installation“. In Distributed, Ambient, and Pervasive Interactions, 430–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39351-8_47.
Der volle Inhalt der QuelleCullen, Tom. „The Installation of Time-Based Media Artworks“. In Conservation of Time-Based Media Art, 239–48. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003034865-19.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Installation art"
Hsu, Chao-Chi, und Pey Chwen Lin. „Interactive installation art“. In ACM SIGGRAPH ASIA 2010 Posters. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1900354.1900380.
Der volle Inhalt der QuelleZheng, Ying, und Peng Zhang. „Interactive Video Installation Art Under New Media Art“. In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.018.
Der volle Inhalt der QuelleFerreira, Vinicius, Junia Anacleto und Andre Bueno. „Translating Art Installation into ICT“. In SIGDOC '14: The 32nd ACM International Conference on the Design of Communication. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2666216.2666226.
Der volle Inhalt der QuelleWakeland, R. G. „Eco-art installation: experiential nature“. In DESIGN AND NATURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/dn120111.
Der volle Inhalt der QuelleSimó, Águeda. „The stereoscopic art installation eccentric spaces“. In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3230744.3230802.
Der volle Inhalt der QuelleEstadieu, Gérald, Filipa Martins de Abreu und Alvaro Barbosa. „3D Printing Objects as Installation Art“. In ARTECH2017: Eighth International Conference on Digital Arts. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3106548.3106588.
Der volle Inhalt der QuelleJohnston, David Jhave, Jinsil Seo und Diane Gromala. „Proprioceptive sense in an art installation“. In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280720.1280774.
Der volle Inhalt der QuellePrasetyo, Mukhamad Aji, und Dikdik Sayahdikumullah. „Art Installation of Farmer’s Plant Guardian“. In ICON ARCCADE 2021: The 2nd International Conference on Art, Craft, Culture and Design (ICON-ARCCADE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211228.023.
Der volle Inhalt der Quelle„The Role of Installation Art in Dance“. In 2020 Conference on Educational Science and Educational Skills. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000693.
Der volle Inhalt der QuelleFilatriau, Jean-Julien, und François Zajéga. „HUM, an interactive and collaborative art installation“. In the international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1873951.1874236.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Installation art"
Gauntt, Nathan E., Kevin Duvall Davis, Jason John Repik, James M. Brandt, Ann C. Gentile und Simon David Hammond. Design Installation and Operation of the Vortex ART Platform. Office of Scientific and Technical Information (OSTI), September 2019. http://dx.doi.org/10.2172/1562796.
Der volle Inhalt der QuelleCallaghan, Caitlin, Danielle Peterson, Timothy Cooke, Brandon Booker und Kathryn Trubac. Installation resilience in cold regions using energy storage systems. Engineer Research and Development Center (U.S.), Oktober 2021. http://dx.doi.org/10.21079/11681/42200.
Der volle Inhalt der QuelleCallaghan, Caitlin, Danielle Peterson, Timothy Cooke, Brandon Booker und Kathryn Trubac. Installation resilience in cold regions using energy storage systems. Engineer Research and Development Center (U.S.), Oktober 2021. http://dx.doi.org/10.21079/11681/42200.
Der volle Inhalt der QuelleMiller, James, John Vavrin und Samuel Stidwell IV. Study of maintenance of High Performance Sustainable Buildings (HPSB). Engineer Research and Development Center (U.S.), März 2021. http://dx.doi.org/10.21079/11681/40080.
Der volle Inhalt der QuelleMarrano, Lance, Anne Koster, Susan Wolters, Louis Bartels, Imes Chu, Brian Clark, Tapan Patel, Eileen Westervelt, Irene Andsager und Sean Wallace. Army Installations of the Future Industry Day 2019 : summary report. Engineer Research and Development Center (U.S.), Oktober 2020. http://dx.doi.org/10.21079/11681/38582.
Der volle Inhalt der QuelleDumlao, Hernani. Army Transformation: Are Installations Ready? Fort Belvoir, VA: Defense Technical Information Center, Januar 2002. http://dx.doi.org/10.21236/ada404554.
Der volle Inhalt der QuelleMiller, James, Anthony Latino, Chandana Konidala und Raymond Patenaude. Army R-22 refrigerant phase-out strategy. Engineer Research and Development Center (U.S.), März 2021. http://dx.doi.org/10.21079/11681/40039.
Der volle Inhalt der QuelleBalbach, Harold E., William D. Goran und Anthony R. Latino. The Military Landscape: Why US Military Installations Are Located Where They Are. Fort Belvoir, VA: Defense Technical Information Center, März 2011. http://dx.doi.org/10.21236/ada559000.
Der volle Inhalt der QuellePebay, Philippe P., und Robert L. Clay. Installation and Testing Instructions for the Sandia Automatic Report Generator (ARG). Office of Scientific and Technical Information (OSTI), April 2018. http://dx.doi.org/10.2172/1435689.
Der volle Inhalt der QuelleSchmidt, Aaron, Adam Smith, Megan Tooker und Sunny Adams. Old Post reevaluation, Fort Huachuca, AZ. Engineer Research and Development Center (U.S.), Oktober 2022. http://dx.doi.org/10.21079/11681/45701.
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