Thematische Bibliographien / In motion pictures

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „In motion pictures“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 29. Juli 2024

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Zeitschriftenartikel zum Thema "In motion pictures"

1

Trotto, Paul A., und Robert J. Tracy. „The Effect of Implied Motion on the Recall of Interactive Pictures“. Imagination, Cognition and Personality 13, Nr. 3 (März 1994): 249–58. http://dx.doi.org/10.2190/xmb4-47dd-ceth-xuh9.

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The literature has customarily defined interaction between pictured objects in two ways. First, interaction has been defined as simply a conjoined union or physical touching of objects within a given picture scene. The second definition portrays interaction as predetermined action or implied motion between the pictured objects. Researchers typically assume these two modes of defining interaction as essentially equivalent. Generally stated, the purpose of this study was to uncover the effect that implied motion has on the processing of visual information. A factorial design was conducted with dependent variables being imageability, nameability, and recall of pictured objects. Independent variables were implied motion and viewing time. Results showed that implied motion pictures presented at a short viewing time were more nameable and better recalled than stationary pictures presented at a short viewing time. But when subjects were given more time to view visual information, implied motion and stationary pictures were equally nameable and recalled. The results indicate that when visual information is presented for a sufficiently short time, implied motion heightens the availability of a verbal code.
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Young, Linda. „Motion Pictures“. SMPTE Journal 105, Nr. 4 (April 1996): 177–78. http://dx.doi.org/10.5594/j15829.

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Masson, Alan J. „Motion Pictures“. SMPTE Journal 108, Nr. 2 (Februar 1999): 75–78. http://dx.doi.org/10.5594/j17112.

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Masson, Alan J. „Motion Pictures“. SMPTE Journal 107, Nr. 1 (Januar 1998): 11–13. http://dx.doi.org/10.5594/j17616.

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Bonnaud, Irène, Suzanne Doppelt, Christophe Triau und Sacha Zilberfarb. „Motion pictures“. Vacarme 15, Nr. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

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Burns, Edward J. „Motion Pictures“. SMPTE Journal 97, Nr. 4 (April 1988): 268–74. http://dx.doi.org/10.5594/j00667.

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Young, Linda. „Motion Pictures“. SMPTE Journal 106, Nr. 1 (Januar 1997): 9–11. http://dx.doi.org/10.5594/j09530.

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Ricotta, Frank J. „Motion Pictures“. SMPTE Journal 104, Nr. 4 (April 1995): 186–88. http://dx.doi.org/10.5594/j09609.

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Ricotta, Frank J. „Motion Pictures“. SMPTE Journal 103, Nr. 4 (April 1994): 211–15. http://dx.doi.org/10.5594/j09688.

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Antonoff, Michael. „Motion Pictures“. Scientific American 296, Nr. 5 (Mai 2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

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Dissertationen zum Thema "In motion pictures"

1

Schweitzer, Dennis C. „Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /“. Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.

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Rassos, Effie School of Media Film &amp Theatre UNSW. „Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian“. Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.

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This thesis takes as its focus the relation between particular constructions of filmic time and the resulting affective and emotional experiences these temporalities produce on a spectatorial level. This connection between time and affect is thought through more specifically here in relation to an idea of the everyday not only as a thematic concern with the minutia of routine daily existence but also as distinct, and yet shifting, conceptions of filmic and viewing time. While film studies has often approached the temporal construction of the quotidian through the rubric of ???real time,??? I explore different articulations of the everyday in a number of film practices through the writings of Henri Lefebvre. As a sociologist and philosopher preoccupied with the revolutionary quality of everyday time in both material reality and art practices including film, Lefebvre???s work enables this thesis to approach film as an especially potent and significant site for affective experiences of time and of the everyday. Beginning with John Cassavetes??? Faces (1968) and an analysis of an affective everyday temporality that film is able to produce as a temporal medium, this thesis goes on to consider the quotidian through photography and stillness in Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975), dying and witnessing via Silverlake Life: The View from Here (Tom Joslin and Peter Friedman, 1993), and finally melodrama and unrequited love in Wong Kar-wai???s In the Mood for Love (Huayang Nianhua, 2000). In the analysis of these films and videos, this thesis draws on film debates explicitly concerned with time as well as focusing on those places in philosophy and critical theory where a promising and productive articulation of film and its inscription of time and affect can be found and conceptualised. In this investigation, the everyday as both a temporal construction and a spectatorial affective experience is a means to reflect on the cinema as a continually shifting and dynamic affective site.
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Strauss, Angela L. „The economic impact of film tourism on small communities“. Th author, 2003. http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=.

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Thesis (M.A.)--University of Wisconsin-Stout., 2003.
"December, 2003". "A research paper submitted in partial fulfillment of the requirements for the Master of Science Degree with major in Global Hospitality; Approved: 3 semester credits (signature) professor Lynnette Brouwer; The Graduate School, University of Wisconsin-Stout." Description based on 2005 edition printed on Aug. 2, 2007 from http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail= Bibliography p. 36-40. Also available online (viewed 2 Aug. 2007) at address: http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=
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McKenzie, Jordi. „An economic analysis of motion pictures in the Australian cinema industry, 1997-2000“. Connect to full text, 2005. http://hdl.handle.net/2123/1794.

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Thesis (Ph. D.)--Discipline of Economics, University of Sydney, [2006?].
Title from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
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Melville, Andrew. „Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004“. Full thesis. Abstract, 2004.

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Exegesis (MA--Communication Studies) -- Auckland University of Technology, 2004.
Title page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
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Matzkin, Rosalie Greenfield. „The film encounter in the life-world of urban couples : a uses and gratification study /“. Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.

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Cazdyn, Eric M. „Problem cinema : culture, capital and form in Japan /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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Athique, Adrian Mabbott. „Non-resident cinema transnational audiences for Indian films /“. Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.

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Chan, Kim-mui Eileen. „Postmodernity and recent Hong Kong cinema /“. Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

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Bather, Neil. „"There is evil there that does not sleep-" : the construction of evil in American popular cinema from 1989 to 2002 /“. Connect to this title online, 2006. http://adt.waikato.ac.nz/public/adt-uow20070125.105814/.

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Bücher zum Thema "In motion pictures"

1

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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Lea, Bandy Mary, Biesenbach Klaus und Kunst-Werke Berlin, Hrsg. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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Iris, Newsom, und Library of Congress, Hrsg. Performing arts: Motion pictures. Washington: Library of Congress, 1998.

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Matthews, Ann. Paramount Pictures presents Explorers: Picture storybook based on the motion picture from Paramount Pictures. New York, N.Y: Wanderer Books, 1985.

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Eric, Luke, Hrsg. Paramount Pictures presents Explorers picture storybook: Based on the motion picture from Paramount Pictures. (London): Armada, 1985.

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Congress, Library of, Hrsg. Motion picture agreement. [Washington, D.C.?]: Library of Congress, 1985.

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Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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Buchteile zum Thema "In motion pictures"

1

kydd, Elspeth. „Motion Pictures“. In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

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Kamada, Seiichi. „Motion Pictures“. In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

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Kamada, Seiichi. „Motion pictures“. In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

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Walters, James. „Perpetual motion pictures“. In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

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Czitrom, Daniel. „Early Motion Pictures“. In Communication in History, 158–66. 8. Aufl. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-26.

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Czitrom, Daniel. „Early Motion Pictures“. In Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.

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Prinz, Jesse. „Affect and Motion Pictures“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 893–921. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_38.

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Walls, W. David. „Motion Pictures, Economics of“. In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1942-1.

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Walls, W. David. „Motion Pictures, Economics of“. In The New Palgrave Dictionary of Economics, 9164–70. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1942.

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Ornstein, Stanley I. „Motion Pictures“. In Industry Studies, 263–88. Routledge, 2019. http://dx.doi.org/10.4324/9781315290737-13.

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Konferenzberichte zum Thema "In motion pictures"

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Obretenov, Christos. „Cinematography For Stylized Motion Pictures“. In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595426.

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Lagendijk, R. L., und M. I. Sezan. „Motion compensated frame rate conversion of motion pictures“. In [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

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Karaki, Koichi, Hiroko Sasaki und Masaharu Mitsunaga. „Holographic motion pictures by hole burning“. In International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, herausgegeben von Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

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Alexander, P. „Development of integral holographic motion pictures“. In Display Holography: Fifth International Symposium, herausgegeben von Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

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Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin und Richard Szeliski. „Animating pictures with stochastic motion textures“. In ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

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Holynski, Aleksander, Brian Curless, Steven M. Seitz und Richard Szeliski. „Animating Pictures with Eulerian Motion Fields“. In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

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Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith und Andrew Cohen. „A multimedia system for authoring motion pictures“. In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

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Mayhew, Christopher A. „True Three-Dimensional Animation In Motion Pictures“. In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), herausgegeben von David F. McAllister und Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

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Abdulsamet, Hasiloglu, und Tosun Olcay. „Identification system from motion pictures: LBPH application“. In 2017 International Conference on Computer Science and Engineering (UBMK). IEEE, 2017. http://dx.doi.org/10.1109/ubmk.2017.8093546.

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Awatsuji, Yasuhiro, Aya Komatsu, Masatomo Yamagiwa und Toshihiro Kubota. „Motion pictures of propagating ultrashort laser pulses“. In 26th International Congress on High-Speed Photography and Photonics, herausgegeben von Dennis L. Paisley, Stuart Kleinfelder, Donald R. Snyder und Brian J. Thompson. SPIE, 2005. http://dx.doi.org/10.1117/12.567035.

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Berichte der Organisationen zum Thema "In motion pictures"

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Koschmann, Anthony, und Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27649.

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Smith, J. A Uniform Resource Name (URN) Namespace for the Motion Picture Experts Group (MPEG). RFC Editor, September 2003. http://dx.doi.org/10.17487/rfc3614.

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Hanson, Gordon, und Chong Xiang. Testing the Melitz Model of Trade: An Application to U.S. Motion Picture Exports. Cambridge, MA: National Bureau of Economic Research, Oktober 2008. http://dx.doi.org/10.3386/w14461.

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Gharai, L., C. Perkins, G. Goncher und A. Mankin. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) 292M Video. RFC Editor, März 2003. http://dx.doi.org/10.17487/rfc3497.

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Labosier, James. Motion Picture Exhibition and the Development of a Middle-class Clientele: Portland, Oregon, 1894-1915. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.6828.

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Edwards, T. A Uniform Resource Name (URN) Namespace for the Society of Motion Picture and Television Engineers (SMPTE). RFC Editor, Februar 2008. http://dx.doi.org/10.17487/rfc5119.

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Downs, J., und J. Arbeiter, Hrsg. RTP Payload Format for Society of Motion Picture and Television Engineers (SMPTE) ST 336 Encoded Data. RFC Editor, April 2012. http://dx.doi.org/10.17487/rfc6597.

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Edwards, T. RTP Payload for Society of Motion Picture and Television Engineers (SMPTE) ST 291-1 Ancillary Data. RFC Editor, Februar 2018. http://dx.doi.org/10.17487/rfc8331.

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Edwards, T. Media Type Registration for the Society of Motion Picture and Television Engineers (SMPTE) Material Exchange Format (MXF). RFC Editor, Mai 2006. http://dx.doi.org/10.17487/rfc4539.

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Kiv, A. E., T. I. Maximova und V. N. Soloviev. Microstructure of the relaxed (001) Si surface. [б. в.], Dezember 1999. http://dx.doi.org/10.31812/0564/1245.

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We have applied molecular dynamics method and semi-empirical potential [1] to obtain the realistic picture of Si surface layers relaxation.The starting configuration was taken as a parallelepiped containing 864 atoms. There were 12 layers with 72 atoms in each one. Periodic boundary conditions were used in two dimensions. At first all atoms were in normal lattice positions. The relaxation of Si surface, which corresponds to (001) plane was investigated. MD method was applied in its standard form i.e. the equations of motion were solved by using of the central difference scheme. The time-step was 10-14s.
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