Thematische Bibliographien / Improvised and temporary venues

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Auswahl der wissenschaftlichen Literatur zum Thema „Improvised and temporary venues“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 29. Juli 2025

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Zeitschriftenartikel zum Thema "Improvised and temporary venues"

Nimmo, Alison, Simon Wright, and David Coulson. "Delivering London 2012: temporary venues." Proceedings of the Institution of Civil Engineers - Civil Engineering 164, no. 6 (2011): 59–64. http://dx.doi.org/10.1680/cien.2011.164.6.59.

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King, Thomas W. "An Improvised Eye-Pointing Communication System for Temporary Use." Language, Speech, and Hearing Services in Schools 21, no. 2 (1990): 116–17. http://dx.doi.org/10.1044/0161-1461.2102.116.

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The construction and use of an improvised eye-pointing communication device is described. It is suggested for temporary, ad hoc use to establish and enhance initial communication with an appropriate client in situations where no other augmentative communication system or assistive technology is yet available. The device is made of materials that are commonly available in most settings, and allows use of single-item or encoded selection techniques.

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Leal, Jorge N. "Mapping Ephemeral Music Forums in Latina/o Los Angeles." California History 97, no. 2 (2020): 124–27. http://dx.doi.org/10.1525/ch.2020.97.2.124.

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This essay examines how maps created by Latina/o youth created “ephemeral forums,” improvised ad hoc spaces that served as music venues in 1990s South Los Angeles. The maps included on “Rock en Español” event flyers demonstrate how Latinx youth envisioned Los Angeles and proclaimed their sense of place in the metropolis at a moment of social and demographic transformation. These maps help us understand how they and other Californians of color create and claim belonging,both past and present.

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Andres, Lauren, John R. Bryson, and Paul Moawad. "Temporary Urbanisms as Policy Alternatives to Enhance Health and Well-Being in the Post-Pandemic City." Current Environmental Health Reports 8, no. 2 (2021): 167–76. http://dx.doi.org/10.1007/s40572-021-00314-8.

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Abstract Purpose of Review While there has been extensive discussion on the various forms of temporary uses in urban settings, little is known on the ways in which temporary and health urbanisms connect. Now, a turning point has been reached regarding the interactions between health and the built environment and the contributions made by urban planning and other built environment disciplines. In the context of the post-pandemic city, there is a need to develop a health-led temporary urbanism agenda than can be implemented in various settings both in the Global South and North. Recent Findings

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kirsch, francine. "Eat Me at the Fair: America's Love Affair with Food Installations." Gastronomica 11, no. 3 (2011): 77–83. http://dx.doi.org/10.1525/gfc.2011.11.3.77.

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Today's temporary installations are the domain of artists and intellectuals. But, a century ago, temporary food installations represented America's emergence as the world's breadbasket while exhibiting the patriotic pride of a young, agriculturally expanding nation. At local harvest festivals, temporary installations would take the form of majestic grain palaces. At world's fairs—particularly in 1876 Philadelphia, 1893 Chicago, and 1904 St. Louis—individual states contributed novelty food displays that underscored a prime product, be it Minnesota butter, California oranges, or wheat from Ohio.

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KIRCHNER, MARGARET, REBECCA M. GOULTER, BENJAMIN J. CHAPMAN, JAMES CLAYTON, and LEE-ANN JAYKUS. "Cross-Contamination on Atypical Surfaces and Venues in Food Service Environments." Journal of Food Protection 84, no. 7 (2021): 1239–51. http://dx.doi.org/10.4315/jfp-20-314.

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ABSTRACT Cross-contamination of raw food to other surfaces, hands, and foods is a serious issue in food service. With individuals eating more meals away from home, contracting a foodborne illness from a food service establishment is an increasing concern. However, most studies have concentrated on hands or food contact surfaces and neglected atypical and unusual surfaces (surfaces that are not typically identified as a source of cross-contamination) and venues. This review was conducted to identify atypically cross-contaminated surfaces and atypical venues where cross-contamination could occur

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Kappenberg, Claudia, and Fiontán Moran. "Reflecting on grounded: A lens on COVID through Screendance." Moving Image Review & Art Journal (MIRAJ) 9, no. 2 (2020): 188–94. http://dx.doi.org/10.1386/miraj_00040_1.

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Like much of the United Kingdom, arts communities in the South East were largely paralysed during the lockdown in spring 2020 through the temporary closure of venues in Brighton, the Towner Eastbourne, the De La Warr Pavilion Bexhill, Hastings Contemporary and Hastings Museum, and numerous smaller arts, music and theatre venues along the coast. Many gallery staff were on furlough and online content tended to be provided by larger institutions elsewhere, apart from grassroots activities such as Hasting’s Isolation Station broadcast on Facebook. The closure of arts institutions all along the Eas

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Schuster-Bruce, James, Petros Beeley, Cameron Petschi, Paul Radomskij, and Rahul Kanegaonkar. "Evaluating Listening Behaviours of Nightclub Goers: An International Web-Based Study with Resident Advisor." Noise and Health 27, no. 124 (2025): 58–64. https://doi.org/10.4103/nah.nah_94_24.

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Background: Nightclubs expose nearly 40% of young adults in high- and middle-income countries to damaging levels of noise with attendant risk of noise-damage hearing symptoms and sequelae of mood disorders, social isolation and dementia. This study evaluated clubbers hearing symptoms, visiting behaviours and safe listening habits. Material and Methods: A web-based, population-specific data collection tool was shown to visitors of the dance music website Resident Advisor over a 7-hour period. It identified how often and for how long clubbers attend loud music venues (as this will influence thei

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Gao, Peng, Yuchen He, and Xinyue Zhang. "Evaluating Spatial Allocation of Resilient Medical Facilities in Megacities: A Case Study of Shanghai, China." Systems 13, no. 2 (2025): 132. https://doi.org/10.3390/systems13020132.

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In response to public health emergencies, the importance of resilient medical facilities—such as large exhibition centers and sports venues that can be rapidly converted into temporary emergency hospitals—has become increasingly evident. This study focuses on these potential medical resources within megacities, using Shanghai as a case study. Employing advanced analytical tools including the kernel density two-step floating catchment area method, Lorenz curves, and Gini coefficient, we systematically evaluated the spatial allocation of 36 resilient medical facilities in Shanghai. The findings

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Lekgau, Refiloe Julia, and Tembi M. Tichaawa. "The Changing Nature of the Mice Sector In South Africa Due to Covid-19." Tourism Review International 26, no. 1 (2022): 87–101. http://dx.doi.org/10.3727/154427221x16245632411890.

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The purpose of the study is to explore the changing nature of MICE tourism in South Africa due to COVID-19. Based on a series of interviews conducted with representatives of the MICE industry in various sectors, including incentive, conference, and meeting, venues, and associations, the study found that while the shift to virtual events was adopted by many, there are substantial costs involved and significant learning required for their successful execution. Further, the study found venues to be among the most affected owing to the restrictions placed on visitor numbers and the need to adapt t

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Dissertationen zum Thema "Improvised and temporary venues"

Louro, Diogo Filipe dos Reis Silva. "A utilização de sistemas vídeo em recintos temporários e improvisados." Master's thesis, 2021. http://hdl.handle.net/10400.26/36877.

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A sociedade civil está exposta a riscos securitários de diversos níveis. Todavia, não se exime de realizar o seu dia-a-dia com normalidade, incluindo a participação em grandes eventos realizados em recintos improvisados e temporários, de iniciativa privada. Sendo estes eventos um agregador de milhares de pessoas num espaço relativamente pequeno, é necessário compreender e analisar de que forma é garantida a segurança do público nestes eventos e recintos, tanto ao nível legislativo como junto dos diversos intervenientes. Ao mesmo tempo, importa proceder a uma observação junto des

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Lai, Ying-Tzu, and 賴瑩芷. "The Research of Spatial Creativity and Experience Strategy at Temporary Venues from the Perspective of Culture and Creativity : Denmark Pavilion at 2010 Shanghai World Expo." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/07994477624543801973.

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碩士 中原大學 室內設計研究所 101 Temporary venues, or ad-hoc venues, are common delivery media in modern society as the messages of organizers are delivered via two aspects: main venue and theme presentation. An ad-hoc venue provides visitors information including the purpose of the exhibition, its background, features and cultural implications, feeding visitors knowledge. In recent years, visitor demand has been beyond browsing over displays. Rather, allowing experience and interaction can give visitors a stronger impression and a fuller understanding of exhibition. Temporary venues, with stor

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Bücher zum Thema "Improvised and temporary venues"

Greenland, Thomas H. Providing a Place and Time. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0006.

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This chapter examines the role of jazz presenters in connecting artists and audiences in the here and now of improvised performances. It first provides an overview of the business of live jazz performances that take place in concert halls and clubs and in less formal performance spaces, along with the challenges faced by presenters running their venues as for-profit businesses. It then analyzes the attitudes and activities of venue operators and concert producers in the context of their professional endeavors and particularly in their interactions with musicians and fans. It also considers the

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Vélez-Serna, María A. Ephemeral Cinema Spaces. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561612.

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With changing technologies and social habits, the communal cinema experience would seem to be a legacy from another era. However, the 2010s saw a surge in interest for screening films in other temporary public settings. This desire to turn ruins, pubs, galleries, parks, village halls, and even boats into ephemeral cinema spaces is a search for ways of being and working together, using cinema as a framework for social encounter. This book documents contemporary practices of pop-up and sitespecific cinema exhibition in the UK (with a focus on Scotland), tracing their links with historical forms

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Katz, Irit, and Diana Martin, eds. Camps Revisited. Bloomsbury Publishing, 2018. https://doi.org/10.5040/9798881810061.

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Facing the current growing global archipelago of encampments, this book project intends to develop a geographical reflection on ‘the camp’, as a modern institution and as a spatial bio-political technology. This book focuses on past and present camp geographies and on the dispositifs that make them an ever-present spatial formation in the management of unwanted populations characterizing many authoritarian regimes as well as many contemporary democracies. It also offers and investigates possible ways to resist the present-day proliferating manifestations of camps and ‘camp thinking’, by callin

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Buchteile zum Thema "Improvised and temporary venues"

Martins, Pedro, Alexandre Hojda, and Marcela de Moraes Batista Simão. "City Command and Control Centers as Think Tanks for Organization of Big Events." In Smart Urban Safety and Security. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2196-2_11.

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AbstractThe city command and control center (C4) can be considered as the heart of a smart city. In this sense, the big picture is that the C4 integrates local urban services and teams to make the city run smoothly and efficiently for residents, businesses, and visitors, guaranteeing people’s safety and security, by providing prompt responses to risks and occurrences (unexpected or expected). To achieve this, three major roles need to be well covered by C4: to identify risks and problems; to integrate planning and operations; and to communicate with citizens and city teams. Big events in venue

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Caro, Diego. "Hidden music scenes: governmentality and contestation in postcolonial Hong Kong." In Embodying Peripheries. Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.11.

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Floor 26 of Ho King Commercial Centre in Yau Ma Tei, the elevator stops. At the end of the corridor, the sound of a heavy metal band, detuned screams buffered by the cracked plywood door of a tiny music studio. Outdated factory buildings in Kwun Tong, industrial architecture gradually surrounded by new commercial and residential complexes; their precarious wait for urban renewal has offered an opportunity for young musicians to establish music studios, classrooms, or improvised bedrooms where music and teenage discoveries mingle with the noise of machinery. A rusty anonymous intercom partially

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Chowdhury, Fariah. "Permanently Temporary." In Discourse Analysis as a Tool for Understanding Gender Identity, Representation, and Equality. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0225-8.ch009.

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Canada's immigration policy radically shifted under Stephen Harper's federal Conservative Party government, which ruled from 2006 to 2015. The Temporary Foreign Worker Program (TFWP) is one key example of how migrants are increasingly entering Canada through a racially structured hierarchy of citizenship that privileges whiteness, while increasing the precarity of racialized migrants as they live, work, and contribute to the Canadian economy. This chapter offers a detailed policy analysis of Canada's TFWP, focusing on how the program marginalizes migrant workers as “un-Canadian” by placing the

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Chowdhury, Fariah. "Permanently Temporary." In Immigration and the Current Social, Political, and Economic Climate. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6918-3.ch008.

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MacDonald, Raymond A. R., and Graeme B. Wilson. "Improvisation and new frontiers in creative practice." In The Art of Becoming. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190840914.003.0001.

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This chapter draws together recent advances across musical fields to frame improvising as an innovative and vibrant way of doing creative practice at a professional level and in everyday life. It presents examples of cross-disciplinary improvised work and festivals at the cutting edge of the performing arts. Improvised music is discussed in relation to broader social and cultural change and transformations within the media and music industry. The possibilities of new digital technologies for expanding improvising are reviewed and help set the context for the proceeding chapters. It shows how g

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Ottonelli, Valeria, and Tiziana Torresi. "Allegiance and Political Rights." In The Right Not to Stay. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192866776.003.0007.

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Abstract This chapter discusses the political rights of temporary migrants who aim to return and their relation with the political institutions of the receiving states. This relation, though transient and temporary, generates genuine obligations of reciprocity on both sides and a duty of receiving states to recognize and accommodate temporary migrants’ plans and goals. However, the liberal principle of accommodation requires a special treatment for those who engage in temporary migration projects, by mandating the creation of venues for political participation and voice that are congenial to t

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Brown, Douglas. "The 21st Century Venue." In Key Issues in the Arts and Entertainment Industry. Goodfellow Publishers, 2011. http://dx.doi.org/10.23912/978-1-906884-20-8-1446.

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A fundamental ingredient of presenting quality arts and entertainment experiences to contemporary audiences is the imaginative design, management and use of the places in which they happen: the venues. This chapter will continue to explore the changing relationship between audiences, producers and presenters of live arts and entertainment by looking at the design and use of physical spaces. Whether we are talking about a large arena,a formal theatre space, a temporary performing space or a mobile cinema, many of the issues facing producers and managers are similar. This chapter will explore a

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"Research on architecture and structure integrated design of temporary venues aimed at low carbon construction." In Sustainable Buildings and Structures. CRC Press, 2015. http://dx.doi.org/10.1201/b19239-38.

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Kember, Joe, and John Plunkett. "Pictures, Pennies, and Peripatetic Pleasures." In Popular Visual Shows 1800–1914. Oxford University PressOxford, 2025. https://doi.org/10.1093/9780191944987.003.0002.

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Abstract Established and formal performance venues such as theatres and assembly rooms, together with civic and educational institutions, provided a venue for many visual entertainments. This chapter is not their story though. Rather, it is devoted to the agglomeration of alternative spaces which offered opportunities for picturegoing: travelling caravans, fairs, market squares, retail bazaars, temporary amphitheatres, empty shops, race meetings, penny arcades, seaside piers, and regattas. The pictorial pleasures in these spaces was nineteenth-century show business at its most free-wheeling, d

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Cutting, James E. "Popular Movies and Technology." In Movies on Our Minds. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197567777.003.0002.

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People’s aesthetic appreciation for any art is bound to the craft of its artists, and that craft is deeply affected by the technology available. Movies have evolved through a long series of venues and technological advances—theaters to shrinking personal devices; roll film with sprockets added; increased frame rates; the standardizations with added sound; experiments with color, aspect ratios, and contrast; and the move to a digital format. This chapter traces these and the consequent psychological improvements in viewer engagement that they fostered—for example, the creation of motion also cr

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Konferenzberichte zum Thema "Improvised and temporary venues"

Younger, Kenny. "Case History: Overcoming Geological Challenges with a Unique Excavation Support System in an Urban Environment." In Deep Foundations Institute 49th Annual Conference. Deep Foundations Institute, 2024. https://doi.org/10.37308/dfi49.2024240211.

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For the University of Pittsburgh's new Athletic Sports Performance Center project, a unique, technical design assist/build approach was employed to overcome both the dense urban environment and challenging subsurface conditions. The new sports arena will house multiple venues for the university in the years to come. With no braced floors obstructing sight lines and heavy roof loads through 65-ft tall external walls, Amelie designed an online hybrid temporary/permanent tied back soldier beam wall system over 45,000-sf of exposed face as a vertical slabs, supported on 14" wide strip footings to

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Cox, Simon B., Erik H. Middelkoop, and Rob Torsing. "Shaded Dome: a hybrid air-supported – tensile membrane structure." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2773.

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The Shaded Domepatented is a semi-permanent facility, comprised of an air-supported dome covered by a tensile membrane shade. The two layers are separated by a grid of spacers, through which forces are transferred. In the space between the two layers a constant natural air flow is present, which enables a pleasant internal microclimate. This passive design element provides protection from extreme climatological conditions like solar radiation, wind, high air temperature, humidity and precipitation. The concept provides a design challenge concerning the force b

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Siddiqui, Muhammad Ali, Maad Hasan Qayed Subaihi, Abdullah Alhaj Al Hosini, et al. "Ultra Sour Wells Testing and Blending with Other Wells Within Facility Limits with Excellent Collaboration of Upstream and Downstream Team Contributed Towards Sustainability Targets." In ADIPEC. SPE, 2024. http://dx.doi.org/10.2118/221935-ms.

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Abstract In general exploration & appraisal of new reservoirs involves flaring operations. Well testing operation of sour wells by flaring or flowing through existing pipeline networks with limitations is always considered highly challenging in the brownfield. Ultra-sour appraisal well testing operation considered to be complex in nature and may be resulted serious concern due to toxic gasses and their immediate effects. The wells are in congested developed fields and special consideration regarding social risk analysis and mitigation to be considered for operations. Apart from social risk

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Braniste, Gheorghe. "Contemporary environmental challenges impacting the olympic legacy." In The International Scientific Congress "Sports. Olimpysm. Health". SOH 2023. 8th Edition. The State University of Physical Education and Sport, 2025. https://doi.org/10.52449/soh23.07.

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Contemporary environmental challenges significantly impact the Olympic legacy, necessitating adaptations and sustainable policies. Climate change, manifested through rising global temperatures, reduced natural snowfall, and increased frequency of extreme weather events, affects both the organization of competitions and the viability of traditional host locations. The development of infrastructure required for the Games contributes to habitat degradation, deforestation, and biodiversity loss. Air and water pollution, exacerbated by Olympic activities, along with massive waste generation, pose a

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