Dissertationen zum Thema „Imperialism in motion pictures“
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Li, Chun-hoi Benjamin, und 李俊海. „Madame butterfly and orientalism“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.
Bae, Juyeon. „The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.
Lam, Sui-kwong Sunny. „The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /“. Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.
Li, Chun-hoi Benjamin. „Madame butterfly and orientalism“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.
Lam, Sui-kwong Sunny, und 林萃光. „The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?“ Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.
Emerson, John. „The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /“. Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Cazdyn, Eric M. „Problem cinema : culture, capital and form in Japan /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Chan, Kim-mui Eileen. „Postmodernity and recent Hong Kong cinema /“. Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.
Carbonaro, Joseph. „Enabling church members to evaluate the moral content of feature films“. Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Tam, Siu-yan Xavier. „Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /“. Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.
Van, Liew Maria. „Democratic women : gender, national discourse and the cinema of post-Franco Spain /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Wang, Qi. „Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Restoule, Jean-Paul. „How "Indians" are read the representation of aboriginality in films by native and non-native directors /“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.
Craddolph, Hayden V. „Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media“. online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.
Yang, Jing. „The construction of the Chinese woman in 1990s American cinema“. Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Lau, Tsz-wan Christal. „Ethics in the production of Hong Kong movies“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.
Williams, Danielle E. Winn J. Emmett. „Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /“. Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Tiburzi, Brian M. „The fifth generation Chinese cinema's "great leap forward" /“. online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.
Galt, Rosalind. „Redrawing the map of Europe space, history and spectacle in new European cinema /“. [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Gulledge, Jim. „A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation /“. Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Szaloky, Melinda Terezia. „Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Zhu, Ying. „From art to commerce : Chinese cinema in the era of reforms /“. Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Ming, Kee-ying Thomas. „An analysis of the filmic : a philosophical grounding for film aesthetics /“. [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Berrien, John P. „The portrayal of the clergy in selected American films from the 1930's to the 1970's“. Theological Research Exchange Network (TREN) Access this title online, 1989. http://www.tren.com.
Luce, Micah. „The cinema and the church experiential [koinonia] in audience and congregation /“. Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.
Suen, Pak-kin. „Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23242036.
Potter, George Alexander. „Iphone to IMAX: the social implications of screen size“. Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/potter/PotterG1208.pdf.
Dawson, Harold. „The commodification of tragedy a critical examination of contemporary film /“. Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=786.
Lee, Tain-dow. „Reforming film study at the level of higher education in Taiwan, the Republic of China /“. The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143147137.
Falicov, Tamara Leah. „The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Kunkle, Daniel James. „No brute images the need for a Reformed and transcendental approach to the movies /“. Theological Research Exchange Network (TREN), 2000. http://www.tren.com.
Schweitzer, Dennis C. „Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /“. Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Lee, Christina H. P. „Beyond the pink : (post) youth iconography in cinema /“. Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.
Noble, Fiona. „Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema“. Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226.
Yeung, Yuk-ngan. „Gender representation in films“. Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?
Tam, Siu-yan Xavier, und 譚兆仁. „Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.
Athique, Adrian Mabbott. „Non-resident cinema transnational audiences for Indian films /“. Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Crilly, Shane. „"Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /“. Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Thesis (Ph.D.)--School of Humanities, 2004.
Haygood, Ashley. „The rise of controversial content in Film“. Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.
Ray, Radharani. „The rhetoric of postcolonialism Indian middle cinema and the middle class in the 1990s /“. Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035171.
Cui, Shuqin. „A cross-cultural analysis of gender and representation in Chinese new cinema“. online access from Digital Dissertation Consortium access full-text, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9624592.
Inocencio, Jessica Lynn. „The hybridization of African identities in African film“. Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/828.
Kellett, Ian Alexander. „Remote Outreach Cinema Campaign: (R.O.C.C.)“. Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/kellett/KellettI0806.pdf.
Burge, Eric William. „Sound Design for Non-fiction Film and Video: A Discussion of Methodology, Perception, and Ethics“. Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/burge/BurgeE1207.pdf.
Haywood, Keene McDonald. „Beyond Words: The Use of the Non-Verbal Genre in Natural History Filmmaking“. Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/haywood/HaywoodK0807.pdf.
Luk, Siu-leng. „The dialogics of representation : Shanghai in contemporary Hong Kong films /“. Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628752.
明奇英 und Kee-ying Thomas Ming. „An analysis of the filmic: a philosophical grounding for film aesthetics“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212578.
Diaz, Gandasegui Vicente. „(Un)real (un)realities : exploring the confusion of reality and unreality through cinema“. Thesis, University of South Wales, 2008. https://pure.southwales.ac.uk/en/studentthesis/unreal-unrealities(e5c3dcea-8f65-43a6-b067-24f0b4b4ecb0).html.
Ould, Meiloud Ahmed. „The image of Arabs in Hollywood films“. Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1445035141&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Clauser, James Donald. „A comparison of the reaction to a colorized film over its black and white counterpart“. Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.
Source: Masters Abstracts International, Volume: 45-06, page: 2706. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves 66-67).