Dissertationen zum Thema „Immigration in literature“
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Nathan, Vetri Janak. „Marvelous bodies : ambivalence in contemporary Italian literature and cinema of immigration /“. May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Der volle Inhalt der QuelleElmgren, Charlotta. „The Chronotope of Immigration in Jeffrey Eugenides' Middlesex“. Thesis, Stockholms universitet, Engelska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-61587.
Der volle Inhalt der QuelleKeeling, Kari Lynn. „“To Make Myself for a Person”: The Bildungsroman in Modern Jewish-American Literature“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1440.
Der volle Inhalt der QuelleAndrade, Emily Y. „Illegal immigration : 6 stories from an American family“. Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365172.
Der volle Inhalt der QuelleIllegal immigration -- Marco and Margarita -- La muerte de mi padre -- Together again -- Vivi and Ricardo -- The healer.
Department of English
Downes, Kathleen M. „Contagious Deadly Sins: Yellow Fever in Nineteenth-Century New Orleans Literature“. ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2065.
Der volle Inhalt der QuelleHarrington, Katharine N. „Writing outside the box : exploring a nomadic alternative in contemporary French and Francophone literature /“. View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174617.
Der volle Inhalt der QuelleBabcock, Aaron C. „The Search for Belonging and Citizenship in U.S. Immigration Novels, 1887-1935“. Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1588546613448092.
Der volle Inhalt der QuelleAlfonso-Forero, Ann Marie. „Translating Postcolonial Pasts: Immigration and Identity in the Fiction of Bharati Mukherjee, Elizabeth Nunez, and Jhumpa Lahiri“. Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/577.
Der volle Inhalt der QuelleRivera, Perez Marianela. „North African immigration in contemporary Spain representations of the struggle for integration and power /“. Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://proquest.umi.com/pqdweb?index=0&did=1957331761&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1269891493&clientId=48051.
Der volle Inhalt der QuelleIncludes abstract. Title from first page of PDF file (viewed March 23, 2010). Available via ProQuest Digital Dissertations. Includes bibliographical references (p. ). Also issued in print.
Stellin, Monica. „Bridging the ocean, thematic aspects of Italian literature of migration to Canada“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0010/NQ41510.pdf.
Der volle Inhalt der QuelleMartín, Sandra Stickle. „MOROCCAN WOMEN AND IMMIGRATION IN SPANISH NARRATIVE AND FILM (1995-2008)“. UKnowledge, 2010. http://uknowledge.uky.edu/gradschool_diss/766.
Der volle Inhalt der QuelleRieley, Honor. „Writing emigration : Canada in Scottish romanticism, 1802-1840“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cbeac4b3-cb79-4c22-a308-03be120d2c26.
Der volle Inhalt der QuelleBrown, Linda Joyce. „The literature of immigration and racial formation : becoming white, becoming other, becoming American in the late progressive era /“. New York : Routledge, 2004. http://catalogue.bnf.fr/ark:/12148/cb39232180t.
Der volle Inhalt der QuelleBAHIA, Ryanne Freire Monteiro. „Homens de letras, homens de ciência: discurso raciológico na literatura brasileira em Canaã, de Graça Aranha“. reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/17213.
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The starting question guiding this study is: how the races (s) discourse (s) is expressed (m) in Brazilian literature through the work Canaan (1902) Aranha? The overall aim of the thesis is to realize the racial speech modes of expression in the above work and establish the network of symbolic and social relations that dialogue directly and indirectly with his stance in his first novel which deals with immigration. More specifically, we seek to: a) analyze the way Aranha presented and discussed by means of their characters topics race, progress and civilization, key terms for the Brazilian racial speech; b) Peering social place Aranha and racial theories that influenced the "theses" presented in Canaan; c) Explore the way by which the racial ideology guided the debate on the bill of Brazil and the Brazilian identity; d) To investigate the senses of European immigration process (for Aranha, German) for Brazil and the relationship between blacks and whites in the early twentieth century and the beginning of the sword republic. Methodologically, there was a documentary research that had as data collection instrument to analyze the qualitative speech, following the basic guidelines of Orladi (1988, 1992, 1993) and Foucault (2009). In conclusion, it was realized that the literary work Canaan presented a kaleidoscope of related ideas to the common discourse at the time, since the nietzscheniano superman Lentz, passing to racial references Reef School to discuss, ultimately, the national identity and how this would be affected by foreign immigration phenomenon.
A pergunta de partida que norteia esse estudo é: de que forma o(s) discurso(s) raciológico(s) se expressa(m) na literatura brasileira por meio da obra Canaã (1902) de Graça Aranha? O objetivo geral da tese é perceber os modos de expressão do discurso raciológico na obra supracitada e estabelecer a rede de relações simbólicas e sociais que dialogam direta e indiretamente com sua postura em seu primeiro romance que trata sobre a imigração. De modo mais específico, buscamos: a) Analisar o modo pelo qual Graça Aranha apresenta e discute por meios de suas personagens os temas raça, progresso e civilização, termos-chave para o discurso raciológico brasileiro; b)Perscrutar o lugar social de Graça Aranha, bem como as teorias raciais que influenciaram as "teses" apresentadas em Canaã; c) Explorar o caminho, pelo qual o ideário racial pautou o debate sobre o projeto de Brasil e a identidade do brasileiro; d) Investigar os sentidos do processo de imigração europeia (no caso de Graça Aranha, dos alemães) para o Brasil e a relação entre negros e brancos no início do século XX e início da república da espada. Metodologicamente, realizou-se uma pesquisa documental que teve como instrumento de coleta de dados a análise do discurso qualitativa, seguindo as orientações elementares de Orladi (1988, 1992, 1993) e Foucault (2009). À guisa de conclusão, percebeu-se que a obra literária Canaã apresentou um caleidoscópio de ideias referentes ao discurso comum à época, desde ao super-homem nietzscheniano de Lentz, perpassando às referências raciais da Escola do Recife para discutir, em última instância, a identidade nacional e como esta ficaria afetada pelo fenômeno da imigração estrangeira.
Temiz, Ayse Deniz. „Gens inconnus political and literary habitations of postcolonial border spaces /“. Diss., Online access via UMI:, 2008.
Den vollen Inhalt der Quelle findenMeador, Margaret Emily. „Free in the Land of Freedom? The Experience of Latin American Immigrants in the United States“. Thesis, Boston College, 2004. http://hdl.handle.net/2345/468.
Der volle Inhalt der QuelleThesis advisor: Elizabeth Rhodes
This paper, "Free in the Land of Freedom? The Experience of Latin American Immigrants in the United States," examines the situation of Latin American immigrants living in the United States. Looking at the issue from the fields of Sociology and Hispanic Studies, this thesis tries to understand the causes and effects of immigration on a personal level. In the sociological section, I use fourteen in-depth interviews to study the lives of undocumented immigrants in Austin, TX, who emigrated from a town in San Luis Potosi, Mexico. I examine their reasons for coming to the United States, their border-crossing experiences, their current daily lives, and their personal reflections. In the Hispanic Studies section of my thesis, I analyze the novels Esperanza's Box of Saints, How the Garcia Girls Lost Their Accents, and the movie El Norte. Although each piece portrays a distinct immigrant experience, presenting immigrants who come from different countries and life situations, a common theme runs throughout the works. This section emphasizes the notion that immigration to another country demands an examination of one's self in an attempt to better understand one's place in the world. Studying immigration from the perspectives of sociology and fictional literature suggests that immigrants create and maintain personal connections in order to reach a sense of comfort in their new surroundings
Thesis (BA) — Boston College, 2004
Submitted to: Boston College. College of Arts and Sciences
Discipline: Romance Languages and Literature
Discipline: College Honors Program
Suárez, Garcia Fabio. „¡Che gallego!: Relaciones transatlánticas entre Galicia y Argentina en el siglo XX“. Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7959.
Der volle Inhalt der QuelleSung, Yoo Kyung. „A Post-Colonial Critique of the (Mis)Representation of Korean-Americans in Children's Picture Books“. Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194907.
Der volle Inhalt der QuelleDaily-Bruckner, Mary Catherine. „I Was Never An American: Rejection and Disaffiliation in Twenty-First Century Immigration Narratives“. Thesis, Boston College, 2015. http://hdl.handle.net/2345/bc-ir:104159.
Der volle Inhalt der QuelleThesis advisor: Carlo Rotella
This dissertation explores traditional patterns of immigration narratives and reads them alongside not only their contemporary, divergent counterparts but also historical moments that contribute to the narrative transformations. By way of this examination, literary changes over time become readable, highlighting the speed at which the rhetoric and aims of many immigration narratives became patently anti-America in the twenty-first century, significantly departing from the traditions established in the twentieth century, which, at their core still held pro-America aims. The first chapter, "The Solution is the Problem: Immigrant Narratives of Internment and Detention," considers nonfiction narratives regarding immigration detention within the borders of the United States. I read Monica Sone's Nisei Daughter and Edwidge Danticat's Brother I'm Dying as narratives that explore detention as central immigrant experience, exposing a chronicle of national suffering after attacks on American soil. When paired with Sone's work, Danticat's Brother I'm Dying reveals a shift in traditional narratives, exposing links to criminality and a move away from affiliation. In my second chapter, "The Helpless Helper: Illegality, Borders and Family Reunification," I study Thomas McCarthy's The Visitor, Courtney Hunt's Frozen River, and Wayne Kramer's Crossing Over. In these films, the suffering of immigrant families designated as somehow "illegal" are often displaced onto a white, parental "helper" figure in order to scrutinize their processing and treatment. These three independent films probe the ways in which economic, judicial, and political interests negatively affect family reunification policies. Additionally, The Visitor, Frozen River, and Crossing Over rely on an alternative point of view - that of American citizens rather than immigrants - as a way to further fragment traditional immigrant narrative structures, which instead favored immigrant-as-narrator constructs. In chapter three, "Considering Conditions of Possibility: Canonical Modes with Modern Concerns," I transition back to the immigrant's point of view and turn to traditional "high" literature. The narratives studied in this chapter retell canonical American novels before placing an important twist on the story: the decision to leave America rather than assimilate and aspire to the American Dream. Saher Alam's The Groom to Have Been and Joseph O'Neill's Netherland both make use of the narrative mode of the novel of manners while H.M. Naqvi's Home Boy and Mohsin Hamid's The Reluctant Fundamentalist draw upon the ethnic bildungsroman tradition. By treating immigrant experiences as literary through adaptations of canonical novels rooted in American success and integration, these four authors make the choice of writing their protagonists out of America all the more resonant. The final chapter of this project, "The End Product of Our Deep Moral Exhaustion: Alternative Genres and Immigration Narratives," pulls upon Michael Chabon's The Yiddish Policemen's Union and Philip Roth's The Plot Against America to ground a discussion of the role of alternate history in contemporary immigration narratives. From there, the chapter pushes out to include Gary Shteyngart's Super Sad True Love Story as an example of speculative fiction. In each novel, a commentary on America's global social position is revealed by means of the degree to which the protagonists and their families do or do not become assimilated Americans, placing these novels in an intermediary position on the continuum of post-9/11 immigration narratives. Via my close readings, I aim to demonstrate the ways in which patterns of departure from traditional narratives became both enhanced and more rapidly altered at the start of the twenty-first century. The comparative work of this dissertation project allows access to a unique vision of twenty-first century America that is only available through the lens of immigration narratives, critiquing the modern nation's strengths, shortcomings, political climate, and social realities all while attending to conscious and significant modifications to traditional immigrant narratives
Thesis (PhD) — Boston College, 2015
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Madsen, Diana. „Relation between Crime and Immigration in the Nordic countries : A Narrative Literature Review on the period of 2015-2020“. Thesis, Malmö universitet, Institutionen för kriminologi (KR), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43957.
Der volle Inhalt der QuelleKvidera, Peter James. „Narrating Americanization : space and form in U.S. immigrant writing, 1890-1927 /“. Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9461.
Der volle Inhalt der QuelleKebsi, Jyhene. „"Unauthorized Global Narratives: The Representation of Gendered Paperless Migration from the Arab World in Transnational World Literature and Cinema"“. Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17586.
Der volle Inhalt der QuelleChang, Tan-Feng. „"Writing between Empires: Racialized Women's Narratives of Immigration and Transnationality, 1850-WWI"“. Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1389040666.
Der volle Inhalt der QuelleLima, Raul Milton Silveira. „O personagem judeu na literatura brasileira“. Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-12112007-132347/.
Der volle Inhalt der QuelleThis research was developed through a survey of works which were written between 1920 and 1940. It aims to identify elements and characters that belong to the Judaism or to the Jewish culture. At the same time, it covers the works written by Gilberto Freyre in the same period by analyzing the author\'s point of view on the Jewish participation in the Brazilian history. In order to better understand the research and Freyre\'s works, it was presented the picture of the presence of the jews in Brazil as well as the Brazilian literature (considering the \"Modernism\" and \"Regionalism\" as starting points).
Arora, Kulvinder. „Assimilation and its counter-narratives twentieth-century European and South Asian immigrant narratives to the United States /“. Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3200730.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 1, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 240-248).
Tallman, Brittany Ann. „The Question of Turkish Integration in the Context of German Identity Conceptions“. Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300456390.
Der volle Inhalt der QuelleSanabria, Camila B. „The Red Front Door, A Memoir“. DigitalCommons@USU, 2019. https://digitalcommons.usu.edu/etd/7529.
Der volle Inhalt der QuelleIcleanu, Constantin C. „A CASE FOR EMPATHY: IMMIGRATION IN SPANISH CONTEMPORARY MEDIA, MUSIC, FILM, AND NOVELS“. UKnowledge, 2017. http://uknowledge.uky.edu/hisp_etds/33.
Der volle Inhalt der QuelleCebula, Sharon. „Basic Life Skills: Essays and Profiles on Immigration in Akron, Ohio“. University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1393403565.
Der volle Inhalt der QuelleKirschbaum, Saul. „Samuel Rawer: profeta da alteridade“. Universidade de São Paulo, 2000. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-02052002-160552/.
Der volle Inhalt der QuelleThis research has had as its central purpose to contribute for the rescue of Samuel Rawets work, mainly through the analysis of his first book, Contos do Imigrante (Immigrant stories), published in 1956. It was sought to establish the locus of his literary production, under two concomitant and converging optics: that of the Jewish literature produced in Brazil, and that of the Brazilian literature of the genre privileged by Rawet, the short story. Searching to attain these goals, the research has been divided into five parts: Chapter one, Samuel Rawets Critical Fortune, surveys the reception of Rawets works by the specialized critique alongside his career; newspapers, literature magazines, and books on literature critique were searched. It has been observed that, in general terms, specialists have always given Rawets fictional works a favorable welcome, notwithstanding some few dissonant opinions. However, what astonishes us, for its scarcity, is the number of texts dealing with Rawets work, the growing indifference of the critics. Chapter two, An Autobiography, tries to draw a panorama of Rawets life, with absolute emphasis on the aspects related to his literary production. For this purpose, passages extracted from interviews given by Rawet in different points of his career have been compiled. These testimonies were contextualized by the present author by means of analyses of Jewish life conditions in Eastern Europe and of the particularities of the great exodus from Russia and Poland, mainly to the United States but also to Brazil and other American countries. Chapter three, Narrativity, Language, Exclusion, analyses the first five stories in the anthology Contos do Imigrante, that is, those in which Rawet focuses on Jewish protagonists, the relationships with their respective families and with the Jewish community, groups that are traditionally held as pillars of the Jewish life. Chapter four, Social Responsibility, tries to observe, through the reading of the five "non-Judaic" stories of the anthology Contos do Imigrante, the appearance of a social conscience in the young Samuel Rawet as he feels more and more like a Brazilian thinker. At last, chapter five, General Bibliography, presents a list of Samuel Rawets books and all that has been written about him, of whose existence the present author has had acquaintance, besides other works of general character that the author has made use of. Despite being aware that this relation is not complete, I believe that it may serve as a starting point for other researchers, and I hope to have advanced a step, if modest, towards the systematization of a bibliography by and on Samuel Rawet, whose importance is correlate to the importance of Samuel Rawet himself for Brazilian literature and for the Jewish-Brazilian cultural production.
Mouflard, Claire Angélique. „Prostitution chez Calixthe Beyala race, corps, regard /“. CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-05292007-202601/.
Der volle Inhalt der QuelleMorse, Daniel Lee. „Not quite white : Jewish literary identity, new immigration and otherness in America, 1890-1930“. Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/9564.
Der volle Inhalt der QuelleAdelman, Lizzie. „Strange at home, stranger abroad women, borderlands and the uncanny /“. Connect to this thesis, 2002. http://hdl.handle.net/10066/619.
Der volle Inhalt der QuelleTraister, Laura. „Immigration and Identity Translation: Characters in Bharati Mukherjee’s Jasmine and Jhumpa Lahiri’s The Namesake as Translators and Translated Beings“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/335.
Der volle Inhalt der QuelleLevillain, Stève. „Naissance et évolution d’une mentalité populaire urbaine au XXe siècle: paysage urbain et litterature populaire“. Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5802.
Der volle Inhalt der QuelleDavis-McElligatt, Joanna Christine. „'In the same boat now': peoples of the African diaspora and/as immigrants: the politics of race, migration, and nation in twentieth-century American literature“. Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/485.
Der volle Inhalt der QuelleMarch, Jessica. „Self-selection : constructions of identity in migrant-Irish autobiography (1914-2004)“. Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670055.
Der volle Inhalt der QuelleLincow, Jamie Agins. „La distopia en las novelas de Ana Maria Shua“. Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/75557.
Der volle Inhalt der QuellePh.D.
This dissertation focuses on the influence of political and social history in the novels of Ana María Shua, an Argentine author who critiques her own contemporary society based upon her nation’s history and her Jewish ancestry. It examines the relationships between individuals, such as parents and children, spouses, or friends to demonstrate that people are unable to change their own situation: the circularity of time and the repetition of the past will always haunt the inhabitants and marginalize them. This work analyzes Shua’s five novels: Soy paciente (1980), Los amores de Laurita (1984), El libro de los recuerdos (1994), La muerte como efecto secundario (1997), and El peso de la tentación (2007). These selected works explore the transformations of the protagonists through their interactions with their environment in order to prove that the individual will remain isolated within the hierarchies and institutions created by contemporary society. The introduction offers an overview of Shua’s biography and literary works as well as an exploration of the connections between the history of Argentina and the author’s novels. Chapter 1 focuses on the influence of history in the present and future of the protagonists in Los amores de Laurita, El libro de los recuerdos, and La muerte como efecto secundario. Chapter 2 makes use of Michel Foucault’s system of power to explore the way in which society victimizes the protagonists. The chapter studies: Los amores de Laurita, La muerte como efecto secundario, and El peso de la tentación. Chapter 3 analyzes the hierarchies established in the institutions and how they convert the body of the individual into a jail. The novels studied include: Soy paciente, La muerte como efecto secundario, and El peso de la tentación. Chapter 4 demonstrates how the history of Argentina is represented in the political and social institutions of El libro de los recuerdos, Soy paciente, and El peso de la tentación. It connects the contemporary desire of a utopian future with Jewish tradition and the hope of a messiah. The conclusions recapitulate the pessimistic, dystopian future that remains for each of the protagonists.
Temple University--Theses
Hounfodji, Raymond G. „Politiscopie du Roman Africain Francophone depuis 1990“. Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/145455.
Der volle Inhalt der QuelleRichardson, Sonia Delphine. „Réalités et fictions du travail de l'immigré Subsaharien dans la France postcoloniale“. Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/878.
Der volle Inhalt der QuelleRay, Sara Jaquette. „The ecological other : Indians, invalids, and immigrants in U.S. environmental thought and literature /“. Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1906522191&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Der volle Inhalt der QuelleMuller, Adam Patrick Dooley. „The importance of being elsewhere : modernist expatriation and the American literary tradition“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35022.
Der volle Inhalt der QuelleBahia, Ryanne Freire Monteiro. „Homens de letras, homens de ciÃncia: discurso raciolÃgico na literatura brasileira em CanaÃ, de GraÃa Aranha“. Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=16955.
Der volle Inhalt der QuelleA pergunta de partida que norteia esse estudo Ã: de que forma o(s) discurso(s) raciolÃgico(s) se expressa(m) na literatura brasileira por meio da obra Canaà (1902) de GraÃa Aranha? O objetivo geral da tese à perceber os modos de expressÃo do discurso raciolÃgico na obra supracitada e estabelecer a rede de relaÃÃes simbÃlicas e sociais que dialogam direta e indiretamente com sua postura em seu primeiro romance que trata sobre a imigraÃÃo. De modo mais especÃfico, buscamos: a) Analisar o modo pelo qual GraÃa Aranha apresenta e discute por meios de suas personagens os temas raÃa, progresso e civilizaÃÃo, termos-chave para o discurso raciolÃgico brasileiro; b)Perscrutar o lugar social de GraÃa Aranha, bem como as teorias raciais que influenciaram as "teses" apresentadas em CanaÃ; c) Explorar o caminho, pelo qual o ideÃrio racial pautou o debate sobre o projeto de Brasil e a identidade do brasileiro; d) Investigar os sentidos do processo de imigraÃÃo europeia (no caso de GraÃa Aranha, dos alemÃes) para o Brasil e a relaÃÃo entre negros e brancos no inÃcio do sÃculo XX e inÃcio da repÃblica da espada. Metodologicamente, realizou-se uma pesquisa documental que teve como instrumento de coleta de dados a anÃlise do discurso qualitativa, seguindo as orientaÃÃes elementares de Orladi (1988, 1992, 1993) e Foucault (2009). à guisa de conclusÃo, percebeu-se que a obra literÃria Canaà apresentou um caleidoscÃpio de ideias referentes ao discurso comum à Ãpoca, desde ao super-homem nietzscheniano de Lentz, perpassando Ãs referÃncias raciais da Escola do Recife para discutir, em Ãltima instÃncia, a identidade nacional e como esta ficaria afetada pelo fenÃmeno da imigraÃÃo estrangeira.
The starting question guiding this study is: how the races (s) discourse (s) is expressed (m) in Brazilian literature through the work Canaan (1902) Aranha? The overall aim of the thesis is to realize the racial speech modes of expression in the above work and establish the network of symbolic and social relations that dialogue directly and indirectly with his stance in his first novel which deals with immigration. More specifically, we seek to: a) analyze the way Aranha presented and discussed by means of their characters topics race, progress and civilization, key terms for the Brazilian racial speech; b) Peering social place Aranha and racial theories that influenced the "theses" presented in Canaan; c) Explore the way by which the racial ideology guided the debate on the bill of Brazil and the Brazilian identity; d) To investigate the senses of European immigration process (for Aranha, German) for Brazil and the relationship between blacks and whites in the early twentieth century and the beginning of the sword republic. Methodologically, there was a documentary research that had as data collection instrument to analyze the qualitative speech, following the basic guidelines of Orladi (1988, 1992, 1993) and Foucault (2009). In conclusion, it was realized that the literary work Canaan presented a kaleidoscope of related ideas to the common discourse at the time, since the nietzscheniano superman Lentz, passing to racial references Reef School to discuss, ultimately, the national identity and how this would be affected by foreign immigration phenomenon.
Lancaster, Lauren T. „Memory and Trauma in Edwidge Danticat’s Fiction“. Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303495922.
Der volle Inhalt der QuelleCHIODAROLI, SARA. „Voci migranti nella letteratura spagnola contemporanea“. Doctoral thesis, Università degli studi di Bergamo, 2012. http://hdl.handle.net/10446/26700.
Der volle Inhalt der QuelleMauthes, Barbara. „José Watanabe et Doris Moromisato : deux écrivains nikkei-péruviens“. Thesis, Cergy-Pontoise, 2018. http://www.theses.fr/2018CERG0894.
Der volle Inhalt der QuelleIn this work we aim to study the poetry of two Peruvian nikkei writers: José Watanabe and Doris Moromisato. We hope to see how it reflects a process of identity building. Before going into the texts, we will provide a historical and sociological overview of the Japanese and Nikkei presence in Latin America, especially in Peru, through an examination of cultural artefacts paying tribute to the Peruvian Nikkei community formed at the beginning of the 20th century with the arrival of Japanese peasant workers. As members of this community (both are children of immigrants), Watanabe and Moromisato had to define themselves as Peruvians of Japanese origin, and did so largely by writing. We intend to demonstrate how each utilizes their family heritage to their advantage, integrating it into their Peruvian identity. We will study each author separately in order to clarify the essential characteristics of their poetic universes and their position in relation to their origins. We will see that Watanabe’s cultural heritage partially conditioned his work as a poet, and that his vision of the Japanese haiku, as passed down by his father, reveals unique insight into his artistic work. Conversely, Moromisato's undereducated Okinawan parents were unable to bring her into contact with Japanese literary culture, and it wasn’t until she was an adult that she encountered it in its exported form. Moromisato, who was born into a home closed off from influences outside those originating in /who was born into a home that thrived on memories of rural Okinawa, sees his multiple identities differently than Watanabe, who grew up in an environment that was open to peruvian culture
John, Helder. „A imigração alemã no Rio Grande do Sul na literatura alemã contemporânea : a formação de uma identidade híbrida“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/115780.
Der volle Inhalt der QuelleThis thesis aims at analyzing how the German immigrant culture is made based on two books of current German Literature which approach Hunsrück emigration to Rio Grande do Sul. In order to make it possible, a brief revision of both German and Brazilian historical context was made related to the first half of the nineteenth century. Afterwards, the process of immigration was introduced from five places which represent this movement, from the moment of leaving the land to the arrival at the new place. Besides, based on a post-colonial perspective present in current literary theory, the research focused on highlighting the concepts of hybridization and Third Space related to culture contact and to the ensuing beginning of a hybrid culture. Then, after the presentation of the books Menschen im Aufbruch (1998) and Das Mädchen am Rio Paraíso (2010), selected as research corpus, the main elements which characterize the five places of the Romance of Migration and the elements which are connected to the German and Brazilian culture were identified. As a result, they indicate how the culture of the German immigrant is built at São Leopoldo Colony. Finally, based on the data found, an analysis of convergent and divergent elements in both novels was made. Therefore, from this analysis, it was observed that the five places which constitute the migration movement were found in both books. There are even similar aspects in the novels. The post-colonial theory helped highlight the contact between Brazilian and German cultures as presented in the literary books and, from these connections, how the hybrid culture of the German settler is built in the novels.
Ray, Sarah Jaquette 1976. „The ecological other: Indians, invalids, and immigrants in U.S. environmental thought and literature“. Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10352.
Der volle Inhalt der QuelleThis dissertation argues that a fundamental paradox underlies U.S. environmentalism: even as it functions as a critique of dominant social and economic practices, environmentalism simultaneously reinforces many social hierarchies, especially with regard to race, immigration, and disability, despite its claims to recognize the interdependence of human and ecological well-being. This project addresses the related questions: In what ways does environmentalism--as a code of behavioral imperatives and as a set of rhetorical strategies--ironically play a role in the exploitation of land and communities? Along what lines--class, race, ability, gender, nationality, age, and even "sense of place"--do these environmental codes and discourses delineate good and bad environmental behavior? I contend that environmentalism emerged in part to help legitimize U.S. imperial ambitions and support racialized and patriarchal conceptions of national identity. Concern about "the environment" made anxieties about communities of color more palatable than overt racism. Furthermore, "environmentalism's hidden attachments" to whiteness and Manifest Destiny historically aligned the movement with other repressive ideologies, such as eugenics and strict anti-immigration. These "hidden attachments" exist today, yet few have analyzed their contemporary implications, a gap this project fills. In three chapters, I detail nineteenth-century environmentalism's influence on contemporary environmental thought. Each of these three illustrative chapters investigates a distinct category of environmentalism's "ecological others": Native Americans, people with disabilities, and undocumented immigrants. I argue that environmentalism defines these groups as "ecological others" because they are viewed as threats to nature and to the American national body politic. The first illustrative chapter analyzes Native American land claims in Leslie Marmon Silko's 1991 novel, Almanac of the Dead . The second illustrative chapter examines the importance of the fit body in environmental literature and U.S. adventure culture. In the third illustrative chapter, I integrate literary analysis with geographical theories and methods to investigate national security, wilderness protection, and undocumented immigration in the borderland. In a concluding fourth chapter, I analyze works of members of the excluded groups discussed in the first three chapters to show how they transform mainstream environmentalism to bridge social justice and ecological concerns. This dissertation contains previously published material.
Committee in charge: Shari Huhndorf, Chairperson, English; Louise Westling, Member, English; David Vazquez, Member, English; Juanita Sundberg, Member, Not from U of 0 Susan Hardwick, Outside Member, Geography
Juurmaa, Nora. „De Matsui Tarô (1917-2017), écrivain brésilien d’origine japonaise, à Andreï Ivanov (1971- ), écrivain d’origine russe vivant en Estonie : conception de la "mort" dans la littérature de deux communautés issues des migrations, de 1970 à 2010 pour la communauté nippo-brésilienne et de 2008 à 2016 pour la communauté russophone d’Estonie“. Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE3027.
Der volle Inhalt der QuelleThe present study proposes an analysis of the function of “death” in the literary fiction of MATSUI Tarô (1917-2017), a leading author in Brazilian Japanese-language literature. A comparison is carried out with the oeuvre of Andrei IVANOV (1971- ), a key author in Estonian Russian-language literature. This thesis is built around Michel Picard’s argument, which proposes that in the literary field, “when we speak about death, we always speak about something else”: “Firstly because the core of the matter is to circumvent the insurmountable difficulty of temporalizing [materialising] the timeless [immaterial] moment of death, but mostly because of the actual preoccupations […] that certainly only concern life. These [preoccupations] themselves have clearly revealed that they [are] no more than symptoms, metaphors of some sort; that the crux of the matter, in this topos as well as each time that “death” is concerned, is unconscious.”After examining the historical and political contexts of the communities in question – the “Japanese” community of Brazil and the Russian-language community in Estonia – this thesis questions the ways that the Japanese-language literary world has been constructed in Brazil. Other questions are then raised: why does “death” appear so frequently in Matsui Tarô’s literary fiction? What are the functions operated by these deaths in his and Andrei Ivanov’s oeuvre? If the subject matter addressed by the two authors is not death per se, what are the real preoccupations at stake? Is it the past that dies, in a way that it seems to be the case in Anton Chekhov’s The Cherry Orchard? How does Matsui Tarô relate to this past? What about Andrei Ivanov? How do they choose, be it unconsciously, to see the past and to dialogue with it? This study shows that while “death” functions, in the literatures of Matsui and Ivanov, as a privileged vehicle conveying the criticisms that the two authors address to their respective communities, it is also used as a tool to communicate a vision for the future of these communities — that is, the proposition of a complete assimilation. The element of “death” points out the reasons why these authors refuse constructed concepts such as “us” (i.e. an isolated community)
Ponze, Adrian. „La crise argentine de 2001 et ses conséquences : un regard à travers la littérature et le cinéma argentin des années 2000“. Thesis, Paris Est, 2017. http://www.theses.fr/2017PESC0080/document.
Der volle Inhalt der QuelleThis work is the result of multidisciplinary research in which, using the theoretical and methodological framework of literary and film theory, and the sociology of culture, we have demonstrated that the boundaries between fiction and social science writing are porous. A corpus of fifteen fictional texts identified with the New Argentina Narrative (NAN) movement, and fifteen films made by the New Argentine Cinema (NAC) was analysed. New Argentina Narrative and NAC represent the production of a new generation of Argentine writers and filmmakers between 2000 and 2010. These works included the following topics: migrations from Argentina and immigration, poverty (the villas miseria inhabitants), and gender and sexual diversity in Argentina. The objectives of this study are to evaluate the transformations of Argentine society and how these were represented by a new generation of Argentine writers and filmmakers. Additionally, we have studied the influence of the socio-economic context on artistic expression. Thus, we have analysed not only the aesthetic dimension, but also the modes of production and distribution of Argentina literature and cinema, encompassing the processes of creation, editing and distribution. The observation of these processes through novels and films has allowed us to conclude that some literary and film fiction may have a documentary or testimonial value for research in social science disciplines such as history and sociology