Thematische Bibliographien / Imaginism

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Auswahl der wissenschaftlichen Literatur zum Thema „Imaginism“

Autor: Grafiati

Veröffentlicht am 29. Juni 2021

Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Imaginism"

Huttunen, Tomi. „Montage in Russian Imaginism: Poetry, theatre and theory“. Sign Systems Studies 41, Nr. 2/3 (07.11.2013): 219–29. http://dx.doi.org/10.12697/sss.2013.41.2-3.05.

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The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof ’s main contribution to the montage poetics was his first fictional novel The Cynics (1928). The article also discusses the Imaginists’ writings on the essence of theatre as an autonomous art form – Shershenevich’s actitivy in the OGT (Experimental Heroic Theatre) and Mariengof ’s participation in the work of the MKT (Moscow Kamerny Theatre).

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Johnson, Luke Timothy. „Imagining The World Scripture Imagines“. Modern Theology 14, Nr. 2 (April 1998): 165–80. http://dx.doi.org/10.1111/1468-0025.00061.

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Kostova-Panayotova, Magdalena. „RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE“. Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of features of the poetics from different avant-garde currents, both in the works of individual authors and in the works of a single writer appeared as a typical phenomenon in the life of the Bulgarian avant-garde. Such poets as N. Furnadzhiev, A. Raztsvetnikov, N. Marangozov and others, and fiction writers as Ch. Mutafov, A. Karaliychev, A. Strashimirov, J. Yovkov, repeatedly experienced the influence of contradictory modernist and avant-garde currents, however, in their works they managed to add the “European form” to the “Bulgarian content”. The study also involves Bulgarian avant-garde journals such as Crescendo, Libra/Vezni, etc. This paper argues that by going against the rules, the avant-garde writers created a productive artistic method, a kind of alternative classic.

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Gorelov, Oleg S. „THE SPECIFICS OF METAPHYSICAL DEFAMILIARISATION IN SIGIZMUND KRZHIZHANOVSKY’S PROSE“. Vestnik of Kostroma State University, Nr. 2 (2020): 191–97. http://dx.doi.org/10.34216/1998-0817-2020-26-2-191-197.

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The article analyses the creative work of Sigizmund Krzhizhanovsky with the help of a surrealist code. Associations with magic realism, with imaginism and partly with the literary nonsense naturally arise when considering the elements of the fantastic, the miraculous, the imaginary, the oneiric in Sigizmund Krzhizhanovsky’s aesthetic and artistic system. The surrealistic is present in the work of Sigizmund Krzhizhanovsky implicitly. At the external levels of the structure, the most obvious signs of surrealist writing (nonlinear architectonics of the subject and the world, the representation of the desire of the unconscious, automatism, chains of «stupéfi ant images») either have a circumstantial nature or are not detected at all. However, as shown in the article, those signifi cant elements that appear and are almost obsessively repeated in Sigizmund Krzhizhanovsky’s writing (minimal metaphysic defamiliarisation, framing, contemplation of the invisible, metonymic parallax) can be called minimal surreal gestures. The article analyses the main features and specifi cs of the implementation of the metaphysic defamiliarisation, one of such gestures. This defamiliarisation is realised through complex work with space and time. The metaphysical is not beyond, but appears in this world, imperceptibly changing the perception of real objects, the atmosphere itself, drawing the subject into a strange mise-en-scène of nothingness, which does not violate the general specifi city and immanence of the landscape.

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Lindeman Allen, Amy. „Babies and Building Blocks: A Re-constructive Reading of God’s Household in 1 Peter in light of the Absent Child“. Biblical Interpretation 28, Nr. 3 (04.06.2020): 347–70. http://dx.doi.org/10.1163/15685152-00283p04.

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Abstract This essay re-reads 1 Peter’s Haustafel from a childist perspective, concerned with children both absent and present. It re-imagines 1 Peter’s Haustafel as a model for the Christian family based on growth and interdependence, rather than power and submission. In this model, God is paterfamilias, mimicking patriarchy in order to bring about a reversal in which elders imitate infants. This is argued in three parts: (1) attending to children and the ideologies that govern their relationships; (2) uniting the metaphors of infants and building blocks; and (3) re-imagining an alternate model of household relationships.

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Feldman, Shelley. „Ein neuer Blick auf die Vergangenheit, Visionen der Zukunft“. PERIPHERIE – Politik • Ökonomie • Kultur 39, Nr. 1-2019 (30.04.2019): 26–45. http://dx.doi.org/10.3224/peripherie.v39i1.03.

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24 Jahre nach der Entkolonisierung wurde im damaligen Ostpakistan ein zweiter Kampf für Unabhängigkeit ausgefochten, diese Mal gegen Pakistan. Es dauerte weitere 25 Jahre, bis es einem Zusammenschluss von in der Öffentlichkeit stehenden Bürgern gelang, ein Nationalmuseum zum Gedenken des Freiheitskampfes (Muktijuddo Jadughar) zu bauen. Dieser Artikel begreift das Museum als Ort der Zurückerlangung und Aushandlung einer bestimmten Lesart der Geschichte. Hierbei steht die Anerkennung der Bedeutung der Unabhängigkeit für die (Re-)Konstruktion nationaler Zugehörigkeit im Mittelpunkt. Anhand von Debatten um Staat und Nation, Museum und Erinnerung wird gezeigt, wie Öffentlichkeiten „die Geschichte vor der Nation retten“ und die Exklusionspraktiken hegemonialer nationalistischer Lesarten in Frage stellen. Die durch Militärherrschaften und fragile Demokratie hervorgerufenen Krisen verweisen dabei auf fortwährende Spannungen zwischen religiösen und säkularen Staatsformen und Forderungen, die vermeintlichen Kollaborateure zur Rechenschaft zu ziehen. Um die Herausforderungen für die aktuelle Geschichtsschreibung anhand des Wiederstands gegen die Exklusion von Ereignissen nachzuzeichnen, wird in dem Museum und seinem Archiv gesammeltes Datenmaterial verwendet.

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Nosenok, B. E. „DECADENCE-LITERATURE: THE IMAGERY SPECIFICITY“. UKRAINIAN CULTURAL STUDIES, Nr. 1 (2017): 34–39. http://dx.doi.org/10.17721/ucs.2017.1.08.

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This article is devoted to the imagery problem of the decadence-literature (as a general phenomenon that periodically repeats itself) and of the literature of the decadency (as an oeuvre of crisis developments in art of the late 19th and early 20th century). The decadence-literatureis a manifestation of the irreducibility. It is proposed to analyze the imagery based on the context of the modernist interpretation of the image / icon. Before the image was considered together with its mimetic foundation – as an imitation of the external world. But here the image is freed from its mimetism, and it turns into a kind of "immediate ontology" (it is the Gaston Bachelard’s term). The classical structure of the image (plot, storyline, composition) ceases to play a leading role, and gives way to a writing. The decadence-literature image lets visual elements into literature. Therefore,there is a displacement from the ontology of the image to the image as an ontology in the research of imagery. It is also important to use the methodology proposed by Georges Didi-Huberman and Paul Virilio: the combination of the hermeneutic approach in the philosophy of image with elements of psychoanalysis, and the method of dromology, which is the connection of special aspects of the physics, mathematics and philosophy. The methodology of the School of Sociology of Imagination is also appropriate. The image of the decadence-literature is marked by symbolism, imaginism (it isalso known the same direction in literature – with the same name). There is also the "genres-werewolves" when a work is called, for example, poetry in prose. A personality of the writer-author plays a great role here: the decadence-literature is saturated with a psychology and a biography that is turned insideout. It is the expression of the world of unforgiven, restless personalities, which is explained by the principle of creation from an absence, emptiness, depressive and melancholic states (nostalgia, fatigue, sweet melancholy). It's interesting that decadent moods contribute to creation here. Distinctive features of the authors of decadence-literature: soreness, tenderness, hypersensitivity, a difficult life path and an unstable world. The imagery that is generated by creativity of these individuals is marked by a special attitude to time and space, it is also directed to the past in an attempt to find a lost paradise - that existed before the crash.

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Mitani, Yusuke, Takuya Kubo, Yuya Chiba, Yoshiko Maruyama, Kenji Moriya und Masahiro Nakagawa. „Brain Activity During Listening to And Imagining Music: Does Imagining Music Provide a Similar Effect as Listening to Music?“ Journal of the Institute of Industrial Applications Engineers 7, Nr. 4 (25.10.2019): 127–31. http://dx.doi.org/10.12792/jiiae.7.127.

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Quinlan, Andrea. „Imagining a Feminist Actor-Network Theory“. International Journal of Actor-Network Theory and Technological Innovation 4, Nr. 2 (April 2012): 1–9. http://dx.doi.org/10.4018/jantti.2012040101.

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Feminism and Actor-Network Theory (ANT) have often been considered opposing theoretical and intellectual traditions. This paper imagines a meeting between these seemingly divergent fields and considers the theoretical and methodological challenges that ANT and feminism raise for one another. This paper examines an empirical project that calls for an engagement with both ANT and feminism. Through the lens of this empirical project, three methodological questions that an alliance between ANT and feminism would raise for any research project are considered: 1) Where does the analysis start? 2) What can be seen once the research has begun? 3) What about politics? The potential places where ANT and feminism can meet and mutually shape research on scientific practice and technological innovation are explored. In doing so, this paper moves toward an imagining of a feminist ANT.

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Rüpke, Jörg. „Triumphator and Ancestor Rituals Between Symbolic Anthropology and Magic“. Numen 53, Nr. 3 (2006): 251–89. http://dx.doi.org/10.1163/156852706778544997.

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AbstractThis article argues that the Roman triumph with the figure of the triumphator and the burial of Roman nobles with the pompa imaginum should be interpreted within the framework of the prestige and practices related to honori fic statues. Using the red colour of the triumphator's skin as the main argument, the figure of the triumphator is interpreted as a temporary statue, and the triumph as an attempt on part of the senate to regulate the prestige of honori fic statues by tying it to a public ritual. Likewise, the bearers of imagines are interpreted as representing the ensemble of all legitimate — i.e. as based on public positions — statues used to construct a family. Both rituals, as known from late republican sources, developed from the fourth century BC onwards.

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Dissertationen zum Thema "Imaginism"

JACQUARD, CHARLES PHILIPPE. „ONEILYRICAL IMAGINISM: A CARTOGRAPHY CROSSING LANDSCAPES“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=34838@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Segundo correntes de pensamentos que anunciam a condição distópica promovida pelo que se convencionou nomear capitalismo global integrado, entra em crise a noção de Humano. Guiados via satélite a transitar por mapas digitais, aventa-se que este trajeto histórico nos conduziu até a rua sem saída deste suposto realismo capitalista. É este o cenário labiríntico de uma sociedade do cansaço, em que os poderes governamentais articulados pelo capital se infiltram pela frágil divisão entre cultura e natureza. O sono, segundo o pesquisador Jonathan Crary, simboliza a última fronteira entre as versões mais atualizadas de uma tecnocracia objetiva que se apodera dos corpos para anestesiar o sensível e, portanto, normatizar os modos de vida a partir também da reorganização da percepção. Na esteira, portanto, de respostas acerca do que fabrica mundos – e suas consequentes formas de habitá-lo – e acerca da emergência de ventilar outros possíveis desdobramentos, esta dissertação debruça sobre a experiência onírica ressignificada como gesto estético-político. Pode o sonho agir como uma mediação – ou como manifestação – de disputa de imaginários capaz de despertar para uma forma de vida sympoiética? É pelo reencantamento do mundo, a partir de um lirismo onírico – e onírico aqui no sentido amplo e do senso comum – que este trabalho será conduzido, visando uma exploração topográfica na tentativa de constituir outra paisagem de mundo.
Oneilyrical Imaginism: A cartography crossing landscapes. According to groups of thought that announce the dystopic condition promoted by what has been called integrated global capitalism, the notion of Humanism plunges into a crisis. Guided by satellite to navigate on digital maps, it is revealed that this historical route led us to a dead-end in a supposed capitalist realism. This is the labyrinthic scenario of a society of weariness, in which governmental powers articulated by capital infiltrate the fragile division between culture and nature. Sleep, according to researcher Jonathan Crary, symbolizes the last frontier between the most up-to- date versions of an objective technocracy that seizes bodies to anesthetize the sensory and therefore normalize lifestyles from the reorganization of perception. In the wake, therefore, of answers about what creates worlds - and their consequent ways of inhabiting it - and about the emergence of letting out other possible outcomes, this dissertation focuses on the dream experience resignified as an aesthetic-political gesture. Can the dream act as a mediation - or as a manifestation - in a dispute of imaginaries be capable of promoting a sympoietic way of life? It is t rough the re-enchantment of the world, from a dream perspective – here in a broad and common sense – that this work will be conducted, aiming at a topographic exploration in the attempt to constitute another landscape of the world.

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Thorin, Isak. „Max Walter Svanberg : En semiotisk studie av några av hans verk“. Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446414.

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This essay aims to examine the contents of the picture and the connection between viewer and picture in some of the works of Swedish artist Max Walter Svanberg. The methods applied are the semiotic methods of Charles Sanders Pierce and Roland Barthes to analyse the pictures both in themselves, but also in the context of the written material the artist has left behind about his art. Emerging from these writings is that the overall goal of the artist was to awaken the imagination of the viewer. The results show that Svanbergs’ art distances itself from the Icon and approaches a state as Index of the world. The artist shies away from giving one meaning to any part of his art, and always forces the viewer to interpret. The imagination is sprung by the process of interpretation and association.

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Khosla, Rashmi. „Emma : an imaginist /“. View abstract, 1999. http://library.ctstateu.edu/ccsu%5Ftheses/1568.html.

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Thesis (M.A.)--Central Connecticut State University, 1999.
Thesis advisor: Loftus T. Jestin. " ... in partial fulfillment of the requirements for the degree of Master of Arts [in English]. Includes bibliographical references (leaves 62-68).

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Almeida, Marina Barbosa de. „Imagining pain“. reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/94772.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2011
Made available in DSpace on 2012-10-25T15:51:07Z (GMT). No. of bitstreams: 1 297994.pdf: 2120603 bytes, checksum: f399d37e8a1be779e659cfa014006b86 (MD5)
A presente tese reflete sobre maneiras de sermos afetados por representações de violência e sofrimento humano. A discussão parte da incapacidade do discurso midiático em sensibilizar sua audiência quando imagens violentas não são capazes de causar choque e empatia. Em contraste a estas representações, este estudo examina representações literárias e a experiência de leitura de narrativas que são temática e esteticamente violentas. O argumento segue a metodologia proposta por Marco Abel (2007) na qual a representação de eventos violentos é abordada em termos de sua força estética; em termos do potencial da literatura em suspender o significado e a verdade evitando, assim, a transformação da experiência da violência em uma representação da violência. As análises de Beloved (1987) de Toni Morrison, Push (1996) de Sapphire e The Dew Breaker (2004) de Edwidge Danticat ilustram como escritoras negras norte-americanas utilizam o recurso narrativo deferral of truth ("postergar a verdade"). Tal recurso carrega o potencial de subverter o conhecimento do leitor, trazer de volta sensação e oferecer a possibilidade de criarmos novos significados. Desta forma, estas narrativas de violência e dor tornam-se espaços de indeterminação e dúvida, mas também de imaginação, criatividade e reflexão.

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O'Leary, Zina, of Western Sydney Hawkesbury University, of Arts Education and Social Sciences Faculty und School of Humanities. „Re-imagining apostasy“. THESIS_FARSS_HUM_Oleary_Z.xml, 1997. http://handle.uws.edu.au:8081/1959.7/364.

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This dissertation investigates the apostate: those who have given up the beliefs of their birth religion; and apostasy: the process of foregoing said religion. Beyond empirically derived determinants of religious defection often provided by conventional investigations in the sociology of religion, this thesis treats apostasy as a potential signifier of societal change. It attempts to see apostasy as a window for examining the location, of not only apostasy, but of socialisation, religion, and religiosity as constructs of modernity. It provides an investigation beyond a traditional analysis of apostasy as an aberration or problematic rupture in religious socialisation. Rather, apostasy is explored as a potential signifier of resistance to modernistic constructions of socialisation, religion and religiosity. It asks whether, commensurate with an emerging postmodern condition, there has been a transformation in Foucauldian 'technologies of the self' (1988:18) that allows more agency in the negotiation of the self, religion and religiosity. Chapter One introduces and contextualises the argument. It lays the theoretical framework for the thesis and situates the work in the literature. Chapter Two presents the methodology, reviews preliminary statistical findings, and offers the apostasy typology. Chapters Three and Four examine religious socialisation and epistemological orientation of religious disaffiliation. Chapter Five discusses post apostatic re-formations of the self and Chapter Six concludes the thesis with a discussion of the potential need for post apostatic religiosity.
Doctor of Philosophy (PhD)

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O'Leary, Zina. „Re-imagining apostasy /“. View thesis View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030404.111958/index.html.

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Thesis (Ph.D.)--University of Western Sydney, Hawkesbury, 1997.
"A thesis submitted for the degree of Doctor of Philosophy in the School of Humanities at the University of Western Sydney - Hawkesbury."--T.p. Bibliography: p.310-320.

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McDiarmid, Tracy. „Imagining the war /“. Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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Olsson, CJ. „Imaging imagining actions“. Doctoral thesis, Umeå : Section for Physiology, Department of Integrative Medical Biology, Umeå University, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1910.

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Harvey, Kathryn Nancy. „David Ross McCord (1844-1930) : imagining a self, imagining a nation“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100618.

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This thesis is about the life of David McCord and the contribution he made to Canadian public memory as founder of the McCord Museum of National History. In his McGilI-sponsored museum, founded in 1921, McCord sought to promote a myth of Canadian origins with narration provided by the objects of his personal collection. Integral to this history was the story of the McCord family, their arrival on this continent and their rise to social prominence. In McCord's version of Canadian history, family and personal myth were conflated with that of nation. Viewed through the prism of his collecting and museum work, McCord's life does not easily fit the Carlylean frame adopted by most biographers. In Canadian biographical writing by historians, the 'truth' about a person's life is revealed by following the modernist recipe of painstakingly recreating a detailed chronology of the individual's life. The approach followed here is an important departure from traditional political biography. Entry into McCord's life does not occur at his biological birth date, but at the moment of his own self-fashioned 'birthing', with the opening of the museum realized near the end of his life. In this biographical strategy, McCord's museum acts as a theatre of memory, where fragments of his life story are reassembled to create a narrative of national origins and of personal redemption. In his selection of objects and their display, and in the creation of an archive and the museum itself, McCord left a very elaborate and lasting record of his response to a set of changes associated with industrialization, a process which, in his lifetime, radically transformed the Montreal of his parents' generation. This thesis traces the connection between the creation of a public museum, founded to promote a collective vision of the Canadian past, and the private world of one collector whose collecting practice was defined as much by his own desire to remember and be remembered as it was by the kinds of objects he collected. What makes David McCord's life and collection so compelling is the opportunity it provides from understanding national history from the intimate perspective of one individual.

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Vukov, Tamara. „Imagining Canada, imagining the desirable immigrant : immigration spectacle as settler postcolonialism“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ54268.pdf.

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Bücher zum Thema "Imaginism"

Root, Robert. Imagining Istanbul. [S.l.]: R. Root, 2008.

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Imagining India. Bloomington, IN: Indiana University Press, 2000.

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Thornton, Lawrence. Imagining Argentina. New York: Doubleday, 1987.

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Imagining Argentina. London: Bloomsbury, 1987.

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Imagining Hitler. Bloomington: Indiana University Press, 1985.

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Imagining India. Cambridge, Mass: Blackwell, 1992.

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Cummings, Helen A. Spirit imagining. Hanover, Mass: Christopher Pub. House, 2000.

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Imagining evil. London: Darton, Longman + Todd, 1996.

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Richard, Ellis. Imagining Atlantis. New York: Vintage Books, 1999.

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H, Rosenfeld Alvin. Imagining Hitler. Bloomington: Indiana University Press, 1985.

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Buchteile zum Thema "Imaginism"

Neill, Edward. „Imagining Emma Imagining: Emma“. In The Politics of Jane Austen, 95–111. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230287662_6.

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Zarrilli, Phillip, und Evan Thompson. „Imagining“. In (toward) a phenomenology of acting, 215–62. Milton Park, Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429322525-7.

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Bürgi, Peter, und Johan Roos. „Imagining“. In Thinking from Within, 41–60. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230597419_3.

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Ferris, Kate. „Introduction: Imagining ‘America’, Imagining ‘Spain’“. In Imagining 'America' in late Nineteenth Century Spain, 1–57. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-35280-4_1.

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Knapp, Peggy A. „Imagining Community“. In Chaucerian Aesthetics, 155–75. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230613843_7.

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Wiley, Michael. „Imagining America“. In Romantic Migrations, 55–102. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611207_3.

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Fitzpatrick, Sean. „Imagining ethics“. In The Ethical Imagination, 70–94. Abingdon, Oxon; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351233071-4.

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Scatolini Apóstolo, Silvio Sergio. „Imagining Ezekiel“. In Perspectives on Hebrew Scriptures V, herausgegeben von Ehud Ben Zvi, 231–64. Piscataway, NJ, USA: Gorgias Press, 2009. http://dx.doi.org/10.31826/9781463219178-016.

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Horsley, Lee. „Imagining History“. In Political Fiction and the Historical Imagination, 11–44. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11055-1_2.

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Kovacic, Zora, Roger Strand und Thomas Völker. „Imagining circularity“. In The Circular Economy in Europe, 76–103. New York : Routledge, 2020. | Series: Routledge explorations in sustainability and governance: Routledge, 2019. http://dx.doi.org/10.4324/9780429061028-6.

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Konferenzberichte zum Thema "Imaginism"

Grimshaw, Mark, und Tom Garner. „Imagining sound“. In the 9th Audio Mostly. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2636879.2636881.

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Smith, Christopher J., Geronimo L. Villanueva und Gabrielle Suissa. „Imagining Exoplanets“. In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388767.3407354.

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Zakon, Robert H'obbes'. „Imagining the future“. In the 6th Euro American Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2261605.2261681.

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Knowles, Bran. „Re-imagining persuasion“. In CHI '13 Extended Abstracts on Human Factors in Computing Systems. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2468356.2479498.

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Fox, Sarah, Amanda Menking, Stephanie Steinhardt, Anna Lauren Hoffmann und Shaowen Bardzell. „Imagining Intersectional Futures“. In CSCW '17: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3022198.3022665.

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Tuuri, Kai, und Henna-Riikka Peltola. „Imagining between ourselves“. In the 9th Audio Mostly. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2636879.2636887.

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Giles, Emilie, und Janet van der Linden. „Imagining Future Technologies“. In C&C '15: Creativity and Cognition. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2757226.2757247.

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Furukawa, Ryo, Yusuke Mitani, Yuya Chiba, Yoshiko Maruyama, Kenji Moriya und Masahiro Nakagawa. „Influence from Imagining-Accuracy on Relaxation Effects during Imagining Music“. In The 7th International Conference on Intelligent Systems and Image Processing 2019. The Institute of Industrial Application Engineers, 2019. http://dx.doi.org/10.12792/icisip2019.025.

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Couey, Anna. „Imagining the information age“. In the second ACM international conference. New York, New York, USA: ACM Press, 1994. http://dx.doi.org/10.1145/192593.197454.

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Xu, Dan, Guangcai Sun und Mengdao Xing. „Multi-View Electromagnetic Imagining“. In 2018 IEEE International Conference on Computational Electromagnetics (ICCEM). IEEE, 2018. http://dx.doi.org/10.1109/compem.2018.8496670.

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Berichte der Organisationen zum Thema "Imaginism"

Papanicolaou, George. A Proposal for Research on Complex Media, Imagining and Uncertainty Quantification. Fort Belvoir, VA: Defense Technical Information Center, November 2013. http://dx.doi.org/10.21236/ada594546.

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Klein, Richard, Katy Harris, Inès Bakhtaoui, Andrea Lindblom und Marcus Carson. Building climate diplomacy back better: imagining the UNFCCC meetings of tomorrow. Stockholm Environment Institute, September 2021. http://dx.doi.org/10.51414/sei2021.019.

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Could the future of our planet be decided on Zoom? The feasibility of “online climate negotiations” was the issue the OnCliNe project initially set out to assess. However, experiences over the last 18 months illustrated that many of the diverse activities organised under the umbrella of the United Nations Framework Convention on Climate Change (UNFCCC) could be held online, albeit with challenges. The real question was whether they could be held in ways that increase the effectiveness, inclusiveness and transparency of the UNFCCC process. This report reflects the sentiment of many stakeholders that there is an opportunity to harness the interruption and introspection that the pandemic imposed into a “positive disruption” of the process. If actions taken now can transcend the tendency to return to “business as usual” as soon as circumstances allow, and instead work towards a meaningful transformation of the climate talks, the UNFCCC process can be made more fit for purpose for tackling one of humanity’s greatest challenges. This will require creativity, courage, and active and decisive leadership.

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Graham, Mark, und Laura Mann. Imagining a Silicon Savannah? Technological and Conceptual Connectivity in Kenya’s BPO and Software Development Sectors. The Electronic Journal of Information Systems in Developing Countries, 2013. http://dx.doi.org/10.35648/20.500.12413/11781/ii249.

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Dilworth, John. Goal-directed imagining : the effect of suggestions of warmth and coolness on blood flow to the hand. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.5862.

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