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Auswahl der wissenschaftlichen Literatur zum Thema „Imagining Japan“
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Zeitschriftenartikel zum Thema "Imagining Japan"
Toby, Ronald P. „Imagining and Imaging "Anthropos" In Early-Modern Japan“. Visual Anthropology Review 14, Nr. 1 (März 1998): 19–44. http://dx.doi.org/10.1525/var.1998.14.1.19.
Der volle Inhalt der QuelleMeeks, Lori. „Imagining Rāhula in Medieval Japan“. Japanese Journal of Religious Studies 43, Nr. 1 (27.06.2016): 131–51. http://dx.doi.org/10.18874/jjrs.43.1.2016.131-151.
Der volle Inhalt der Quelleslavick, elin o–Hara. „Re-imagining Hiroshima in Japan“. Critical Military Studies 1, Nr. 2 (03.06.2015): 175. http://dx.doi.org/10.1080/23337486.2015.1051825.
Der volle Inhalt der QuellePatessio, Mara. „Imagining Prostitution in Modern Japan, 1850-1913“. Cultural and Social History 17, Nr. 4 (07.08.2020): 577–79. http://dx.doi.org/10.1080/14780038.2020.1810953.
Der volle Inhalt der QuelleFujiwara, Kiichi. „Imagining the Past: Memory Wars in Japan“. Policy and Society 25, Nr. 4 (Januar 2006): 143–53. http://dx.doi.org/10.1016/s1449-4035(06)70096-0.
Der volle Inhalt der QuelleBierle, Isabel, Julia C. Becker, Gen Nakao und Steven J. Heine. „Shame and anger differentially predict disidentification between collectivistic and individualistic societies“. PLOS ONE 18, Nr. 9 (06.09.2023): e0289918. http://dx.doi.org/10.1371/journal.pone.0289918.
Der volle Inhalt der QuelleFlores, Linda M. „Re-imagining Japan after Fukushima by Tamaki Mihic“. Journal of Japanese Studies 48, Nr. 1 (2022): 199–202. http://dx.doi.org/10.1353/jjs.2022.0017.
Der volle Inhalt der QuelleTapia Silva, Nancy Alejandra. „Tamaki Mihic. 2020. <em>Re-imagining Japan after Fukushima</em>. Canberra: Australian National University Press. Ebook ISBN 9781760463540. https://doi.org/10.22459/RJF.2020“. Estudios de Asia y África 57, Nr. 3 (29.07.2022): 695–700. http://dx.doi.org/10.24201/eaa.v57i3.2851.
Der volle Inhalt der QuelleNefsky, Marilyn F., und Robert N. Bellah. „Imagining Japan: The Japanese Tradition and Its Modern Interpretation“. Sociology of Religion 66, Nr. 1 (2005): 85. http://dx.doi.org/10.2307/4153118.
Der volle Inhalt der QuelleLi, Jingyi. „The Master in the Clouds: Imagining Li Yu in Early Modern Japan“. Japanese Language and Literature 56, Nr. 1 (18.03.2022): 185–207. http://dx.doi.org/10.5195/jll.2022.213.
Der volle Inhalt der QuelleDissertationen zum Thema "Imagining Japan"
Sakamoto, Rumi. „Imagining Japan : national identity and the representation of the other in early Meiji discourse“. Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361174.
Der volle Inhalt der QuelleTamura, Azumi. „The Politics of Disaster and Their Role in Imagining an Outside. Understanding the Rise of the Post-Fukushima Anti-Nuclear Movements“. Thesis, University of Bradford, 2015. http://hdl.handle.net/10454/14384.
Der volle Inhalt der QuelleSeya, Anne-Aurélie. „Des Françaises au Japon : les mécanismes de l'exotisme et de l'altérité dans les écrits de voyage (XIXe-XXe siècle)“. Electronic Thesis or Diss., Lyon, 2021. http://www.theses.fr/2021LYSE3033.
Der volle Inhalt der QuelleThis study proposes an analysis of French women’s travels to Japan from the end of the Sakoku to the period just after the WWII. French women’s presence in History of travel and travel writing has been quite undervalued. Those subjects tend to be silenced in French historiography by the fact that main resources are dominated by male travelers. Even English-language and Japanese studies about Western Women’s travels in Japan, may have somehow muted them. Despite being identified for some, they aren’t studied, mostly because an apparent lack of resources. Who were those French women travelling to Japan and for some even settling there? Why and how did they travel? Did they leave their mark by writing about their experience or their settlement?By bringing together investigations in French and Japanese archives about the travelers and their possible writings (published, unpublished and personal handwritten papers) but also interviews with women travelers’ descendants it was possible to elaborate an overview of French women travelling situation in Japan (19th and 20th century) and build a resources database for their travel writings between 1859 and 1949. Because travelling as a women had specificities, how women travelers did write about their experiences has been impacted. Results of crossing the resources database and a corpus of 5 documents showed how women’s travel writings were not opposing to males ones but completing each other by bringing different representations of Japanese exoticism and alterity
Bahari, Javan Sanaz [Verfasser], André [Akademischer Betreuer] Fischer und Michael [Akademischer Betreuer] Hörner. „Epigenomic Imaging of Neuropsychiatric Diseases : The Role of Chromatin Plasticity in Schizophrenia and Anxiety Diseases / Sanaz Bahari Javan. Gutachter: André Fischer ; Michael Hörner. Betreuer: André Fischer“. Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://d-nb.info/1045776173/34.
Der volle Inhalt der QuelleBiron, Carole. „Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge“. Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30032.
Der volle Inhalt der QuelleUkiyo-e means the prints produced in Japan between the 17th and 19th centuries. They reflect the social and economic changes in Japanese society during the Edo period (1615-1868), era of peace and prosperity, and adopt a new iconography depicting scenes of everyday life and the pleasures of life. The techniques and materials used by artists are also changing. The first coloured prints appear in the early 18th century. From the 19th century, with Japan's economic opening, chemical pigments imported from the West enrich the available color palette. The Federico Torralba Collection (Museum of Zaragoza, Spain) includes ukiyo-e prints representative of the 18th and 19th centuries. Access to this corpus gives us the opportunity to study the materials used, through appropriate non-invasive and contactless methods, and to follow the evolution of technologies and/or materials (local or imported) used. A methodological development is imperative to analyse and characterise these materials (pigments, dyes, binders), including organic dyes which are difficult to identify. Reflectance spectroscopy techniques in the infrared (FORS) and Hyperspectral Imaging (HSI) are theoretically capable of distinguishing organic from inorganic materials. However, the analysed works are often complex systems and the data obtained are difficult to interpret with certainty for the most of the time. It is therefore essential to establish a multianalytical strategy to cross the data in order to get maximum information allowing the identification of materials. The study of the evolution of materials over time gives the opportunity to obtain important information in art history and history of technology, reflecting the cultural and societal evolution in 19th century Japan
Yaginuma, Tomoko. „Imagining Japan from Far-West: social representations of Japan and the Japanese among Portuguese students“. Doctoral thesis, 2021. http://hdl.handle.net/1822/75638.
Der volle Inhalt der QuelleIn the educational and academic field related to Japanese language and culture in Portugal, there is a need to understand how to approach “Other/Oriental” bearing in mind socio-cultural phenomena and human perception. The principal objective of this study is to analyze how Japan, the Japanese and Japanese culture are socially represented among Portuguese students, more specifically in Japanese as a Foreign Language (JFL) context. Two empirical studies were conducted after articulating the several concepts developed in different disciplines such as Cultural Studies, Japanese Studies, Media and Communication, and Social Psychology. For the first study, we have conducted a questionnaire survey (N=545) to JFL and non-JFL students and have examined Japan’s representation and social stereotypes about the Japanese. We were thus able to identify the centrality of popular culture in social representations of Japan. Through a factor analysis, five factors related to the Japanese characteristics were identified, “Politeness”, “Diligence”, “Shyness”, Conservativeness” and “Innovativeness”. Then, seven focus groups were organized and seven themes came up by examining the students’ discussion about a transnational cultural object, anime (Japanese animation). The results suggest that the students represent old and new aspects of Japan, which may correspond to Orientalized and Techno-Orientalized perceptions of Japan. It was also observed that there are stereotypes of the Japanese that are cross-culturally shared by Portuguese students, such as diligence, which may underline the persistence of some images that were probably constructed in the period of Japan’s rapid economic growth in the 60s and 70s. However, as the JFL group has indicated more variability in the traits ascription than the non-JFL group, familiarization with Japanese culture through human communication may contribute to reconstruct the representations of Japan. These findings lead us to acknowledge the importance of intercultural dialogues. Considering today’s easy and rapid transnational circulation of information, it is essential for the researchers and educators who engage in mediating knowledge production and intercultural teaching to be aware of the continuity and discontinuity of cultural and social norms and values.
No domínio pedagógico e académico relacionado com a língua e cultura japonesa em Portugal, é necessário compreender como abordar o “Outro/Oriental” tendo em conta os fenómenos socioculturais e a percepção humana. O objetivo principal do presente estudo é analisar como o Japão, os japoneses e a cultura japonesa são socialmente representados entre estudantes portugueses, em particular no contexto do Japonês como Língua Estrangeira (JLE). Tendo em conta a articulação de vários conceitos desenvolvidos em diferentes áreas de estudo, tais como os Estudos Culturais, Estudos Japoneses, Media e Comunicação e Psicologia Social, foram realizados dois estudos empíricos. No primeiro estudo, foi realizado um questionário (N = 545) dirigido a alunos JLE e não JLE e foram examinadas as representações do Japão e os estereótipos sociais dos japoneses. Neste estudo, foi identificada a centralidade da cultura popular nas representações sociais do Japão. Por intermédio de uma análise fatorial, foram identificados cinco fatores para as características dos japoneses, a saber, “Polidez”, “Diligência”, “Timidez”, “Conservadorismo” e “Inovação”. Numa segunda fase, foram organizados sete grupos focais e foram identificados sete temas após análise da discussão dos alunos sobre um objeto cultural transnacional, o anime (animação japonesa). Os resultados deste estudo sugerem que os alunos representam aspetos antigos e novos do Japão, o que corresponde a imagens Orientalizadas e Tecno-Orientalizadas do Japão. Também se verificou que existem estereótipos dos japoneses transculturalmente partilhados entre os estudantes portugueses, como por exemplo a diligência, o que pode sublinhar a persistência de algumas das imagens que provavelmente foram construídas no período do rápido crescimento económico do Japão nos anos 60 e 70. No entanto, como o grupo JLE mostrou mais variabilidade na atribuição de características do que o grupo não JLE, a familiarização com a cultura japonesa pela comunicação humana pode ser um fator relevante para a reconstrução das representações do Japão. Estes resultados sugerem a importância de reconhecer os diálogos interculturais. Tendo em conta a fácil e rápida circulação transnacional de informações hoje em dia, é essencial que os investigadores e educadores envolvidos na produção de conhecimento e no ensino intercultural, tenham em consideração a continuidade e descontinuidade das normas e valores culturais e sociais.
Lee, Wen Ching, und 李文卿. „Imagining Co-Prosperity：Imperial Japan and the Literary Sphere of Great East Asia,1937-1945“. Thesis, 2009. http://ndltd.ncl.edu.tw/handle/60813906052179232522.
Der volle Inhalt der Quelle國立政治大學
中國文學研究所
97
This dissertation examines the entanglement of memory, history and cultural experience within the Greater East Asia Co-Prosperity Sphere during the Second Sino-Japanese War or Greater East Asia War between 1937 and 1945. From a comprehensive perspective of boundary crossing, this dissertation intends to study the conceptualization and formation of a unified East Asian literary ideal and its literary and cultural institutions by examining the discourse of a Greater East Asia Co-Prosperity Sphere in the context of Japanese Imperialism. It further explores the reception and transformation of knowledge, power, and cultural struggles shaped by this literary construction within the cultural sphere. Through the observation of the process of wartime mobilization and the development of imperial ideology, this dissertation reveals that the Japanese Empire intended to implant the image of an imagined community in Japan, the Japanese colonies, and occupied areas. By enlisting this imagined community, the Japanese Imperial would forge a cooperative institution, the Greater East Asia Co-Prosperity Sphere, within which “Asia is One.” On the other hand, intellectuals in different parts of Japanese East Asia adopted different positions in response to the imposition of this imagined Co-Prosperity Sphere. By scrutinizing their responses, we will discern these writers’ shifting positions and diverse strategies of “collaboration” under different types of rule and across various regions. The dissertation traces the progress of Japanese Imperialism as the discursive center of the East Asia Literary Sphere. Five regions from the Chinese character-using portions of the empire were chosen as case studies: Japanese colonies such as Taiwan, Korea, as well as puppet regimes like those in Manchukuo, and occupied North and Central China. By surveying the literary performances in these East Asian regions that were under the influenced of the discourse of Great East Asia, we could get past the surface and scrutinize the reality of the ideology of the Japanese Literary Co-Prosperity Sphere. The Greater East Asian Literary Movement was a byproduct of the development of Japanese nationalism. All literary activities were manipulated by the Japanese state apparatus, including the establishment of writers’ alliance, the dispatching of the Pen Writers’ Brigade, the writing of Patriotic Literature, as well as the reportage from Conscript Writers. The discourse of Hakkō ichiu (All the world under one roof) became the core of Japanese national ideology. Japanese became the sole language taught in schools throughout the Japanese empire in an attempt to replace ties of blood and ethnicity with a linguistic affiliation. Through this linguistiunity, Imperial Japan fostered the unity of an “East Asian ethnicity.” Writing in diverse genres such as War Literature, Labor Literature, Increasing Production Literature and National Literature, Japanese writers in different parts of East Asia manifested the imperialist dream of a Greater East Asia. Moreover, through the establishment of organizations such as the Association of Literary Patriotism, writers in the Greater East Asia Literary Sphere gained a legitimate channel to communicate and exchange their ideas on literature. In other words, East Asian writers constructed and developed their own discourses of “Literary Co-Prosperity” within this context.
Carland, Patrick. „IMAGINING A HOME FOR US: REPRESENTATIONS OF QUEER FAMILIES IN CONTEMPORARY JAPANESE LITERATURE“. 2019. https://scholarworks.umass.edu/masters_theses_2/761.
Der volle Inhalt der QuelleTung, Hue-Jen, und 童華仁. „From A Source of Wisdom to a Consumed Other--Imaging China in Modern Japan''s Evolving Narratives on the "Records of the Three Kingdoms"“. Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78420221905840575632.
Der volle Inhalt der Quelle國立中山大學
中國與亞太區域研究所
99
In the history of Japanese society spread of the Three Kingdoms story, mainly the integration of China''s " Records of Three Kingdoms" and " Romance of the Three Kingdoms" the two different meanings of the text.Prior to the Meiji Restoration in Japan, the "Records of Three Kingdoms" is the record of the past history of China Ministry of history books, "Romance of the Three Kingdoms" is the "Three Kingdoms" and popular version, to explain the "Three Kingdoms" in content.Both in terms of Chinese society may be different meaning of the text, but Japanese society is concerned, the difference may be only a difference in narrative to convey the message and meaning are the same, is the story of the history of recorded foreign text.The purpose of this study is to explore Japanese society in a different era, the "Romance of the Three Kingdoms", after the translation or interpretation, they demonstrate the significance of changes in China''s image. Edo period of Japanese society has entered the peace, the general public began to have the ability to make contact with the consumer culture of the goods, "Three Kingdoms" in the space environment, such as the Japanese study Chinese history and culture of reference. When the Meiji Restoration, Japan was the impact of Western culture, a change in the past the Chinese learning attitude. "Three Kingdoms" has become the object of Japanese society, one study of Chinese. After World War I''s high economic growth in Japan, the Japanese appear to read popular, and the commercialization of culture phenomenon. Mr Eiichi Yoshikawa Lynch''s "Three Kingdoms" that reflects Japanese society, the rise of popular culture and Japanese society as a whole into the era of mass consumption. At this time the "Three Kingdoms" is regarded as China''s history textbooks from the thinking, culture change has become a popular consumer goods. Japanese popular culture after World War II, the content, although generally extend the pre-war American popular culture with this combination of traditional Japanese social and moral of the model, and then updated by the development of the media, while for a number of performance, that is, Japanese comics one of them. 1970s, Yokoyama "Three Kingdoms" a Japanese comic book which, on behalf of a Chinese theme of the works. Further developed with China''s image and culture related creation.
Bücher zum Thema "Imagining Japan"
Worringer, Renée. Ottomans Imagining Japan. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607.
Der volle Inhalt der QuelleBuruma, Ian. Re-imagining Japan: The quest for a future that works. San Francisco: VIZ Media LLC, 2011.
Den vollen Inhalt der Quelle findenPhyllis, Brooks, Hrsg. Visions of power: Imagining medieval Japanese Buddhism. Princeton, N.J: Princeton University Press, 2000.
Den vollen Inhalt der Quelle findenVisions of power: Imagining medieval Japanese Buddhism. Princeton, N.J: Princeton University Press, 1996.
Den vollen Inhalt der Quelle findenUnita, Sachidanand, Sakata Teiji, University of Delhi. Dept. of East Asian Studies. und Kokusai Kōryū Kikin, Hrsg. Imaging India, imaging Japan: A chronicle of reflections on mutual literature. Delhi: Published for Dept. of East Asian Studies, University of Delhi & Japan Foundation in association with Manak Publications, 2004.
Den vollen Inhalt der Quelle finden1946-, Imamura Anne E., Hrsg. Re-imaging Japanese women. Berkeley: University of California Press, 1996.
Den vollen Inhalt der Quelle findenJapan) International Workshop on X-ray and Neutron Phase Imaging with Gratings (1st 2012 Tokyo. International Workshop on X-Ray and Neutron Phase Imaging with Gratings: Tokyo, Japan, 5-7 March 2012 : XNPIG Tokyo, 2012. Herausgegeben von Momose Atsushi 1962- und Yashiro Wataru. Melville, N.Y: American Institute of Physics, 2012.
Den vollen Inhalt der Quelle findenT, Moroji, und Yamamoto K, Hrsg. The biology of schizophrenia: Proceedings of the 7th International Symposium of the Tokyo Institute of Psychiatry, Tokyo, Japan, October 19-20, 1992. Amsterdam: Elsevier, 1994.
Den vollen Inhalt der Quelle findenDavid, Hutchison. Medical Imaging and Augmented Reality: 4th International Workshop Tokyo, Japan, August 1-2, 2008 Proceedings. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2008.
Den vollen Inhalt der Quelle findenJapan) CCIW 2013 (2013 Chiba-Shi. Computational color imaging: 4th international workshop, CCIW 2013, Chiba, Japan, March 3-5, 2013 : proceedings. Berlin: Springer, 2013.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Imagining Japan"
Worringer, Renée. „Introduction“. In Ottomans Imagining Japan, 1–22. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_1.
Der volle Inhalt der QuelleWorringer, Renée. „Framing Power and the Need to Reverse“. In Ottomans Imagining Japan, 25–42. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_2.
Der volle Inhalt der QuelleWorringer, Renée. „The Ottoman Empire between Europe and Asia“. In Ottomans Imagining Japan, 43–78. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_3.
Der volle Inhalt der QuelleWorringer, Renée. „Asia in Danger: Ottoman-Japanese Diplomacy and Failures“. In Ottomans Imagining Japan, 79–107. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_4.
Der volle Inhalt der QuelleWorringer, Renée. „Ottoman Politics and the Japanese Model“. In Ottomans Imagining Japan, 111–51. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_5.
Der volle Inhalt der QuelleWorringer, Renée. „The Young Turk Regime and the Japanese Model after 1908: “Eastern” Essence, “Western” Science, Ottoman Notions of “Terakkî” and “Medeniyet” (Progress and Civilization)“. In Ottomans Imagining Japan, 153–82. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_6.
Der volle Inhalt der QuelleWorringer, Renée. „Politics, Cultural Identity, and the Japanese Example“. In Ottomans Imagining Japan, 183–217. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_7.
Der volle Inhalt der QuelleWorringer, Renée. „Ottoman Egypt Demands Independence: Egyptian Identity, East and West, Christian and Muslim“. In Ottomans Imagining Japan, 219–50. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_8.
Der volle Inhalt der QuelleWorringer, Renée. „Conclusion: Competing Narratives, Ottoman Successor States, and “Non-Western” Modernity“. In Ottomans Imagining Japan, 251–62. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_9.
Der volle Inhalt der QuelleCompton, Robert W. „Construction, Deconstruction, and Reconstruction of State Legitimacy in South Africa and Japan“. In Imagining Globalization, 185–207. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101586_11.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Imagining Japan"
Miyata, Masashi. „Optical metasurfaces for advanced imaging“. In Photomask Japan 2022, herausgegeben von Yosuke Kojima. SPIE, 2022. http://dx.doi.org/10.1117/12.2656133.
Der volle Inhalt der QuelleDavydova, Natalia, Eelco van Setten, Robert de Kruif, Brid Connolly, Norihito Fukugami, Yutaka Kodera, Hiroaki Morimoto et al. „Achievements and challenges of EUV mask imaging“. In Photomask Japan 2014, herausgegeben von Kokoro Kato. SPIE, 2014. http://dx.doi.org/10.1117/12.2072945.
Der volle Inhalt der QuelleUchida, Hitoshi, Masaya Ando, Kenji Ohta, Hirokazu Shimizu, Yoshio Hayashi, Yasuyo G. Ichihara und Ryoji Yamazaki. „Research and improving web accessibility in Japan“. In Electronic Imaging 2002, herausgegeben von Giordano B. Beretta und Raimondo Schettini. SPIE, 2001. http://dx.doi.org/10.1117/12.452687.
Der volle Inhalt der QuellePawlowski, Michal E., und Tomasz S. Tkaczyk. „Recent Progress in Hyperspectral Imaging Spectrometry“. In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30abj1.
Der volle Inhalt der QuelleCastillejos, Y., Geminiano Martínez-Ponce, Azael Mora-Nuñez und R. Castro-Sanchez. „Multispectral Stokes polarimetry for dermatoscopic imaging“. In SPIE/OSJ Biophotonics Japan, herausgegeben von Takashige Omatsu, Yoshio Hayasaki, Yusuke Ogura, Yasuyuki Ozeki und Seigo Ohno. SPIE, 2015. http://dx.doi.org/10.1117/12.2205123.
Der volle Inhalt der QuelleSaito, Takashi. „Nonimpact printing technology in Japan“. In Electronic Imaging '90, Santa Clara, 11-16 Feb'97, herausgegeben von Victor A. Files und David Kessler. SPIE, 1990. http://dx.doi.org/10.1117/12.19863.
Der volle Inhalt der QuelleMatsumoto, Toshio. „Space infrared mission in Japan“. In SPIE's 1994 International Symposium on Optics, Imaging, and Instrumentation, herausgegeben von Marija S. Scholl. SPIE, 1994. http://dx.doi.org/10.1117/12.185822.
Der volle Inhalt der QuelleMasaharu, Hiroshi, Mamoru Koarai und Hiroyuki Hasegawa. „Utilization of airborne laser scanning in Japan“. In Photonics West 2001 - Electronic Imaging, herausgegeben von Sabry F. El-Hakim und Armin Gruen. SPIE, 2000. http://dx.doi.org/10.1117/12.410899.
Der volle Inhalt der QuelleVinu, R. V., Ziyang Chen, Jixiong Pu, Yukitoshi Otani und Rakesh Kumar Singh. „Polarization holographic imaging using speckle pattern illumination“. In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30abj4.
Der volle Inhalt der QuelleKumar, Manoj, Xiangyu Quan, Yasuhiro Awatsuji und Osamu Matoba. „Single-shot simultaneous 3D multi-plane imaging“. In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30paj3.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Imagining Japan"
Riedel, M., M. M. Côté, P. J. Neelands, K. Obana, R. Wania, A. Price und S. Taylor. Report on Cruise 2010007PGC, C.C.G. Vessel John P. Tully, 30 June - 10 July 2010, SeaJade-I Seafloor Earthquake Array - Japan Canada Cascadia Experiment, Ocean bottom seismometer recovery, methane gas-plume acoustic imaging, and CTD-water sampling program. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2014. http://dx.doi.org/10.4095/295545.
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