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Auswahl der wissenschaftlichen Literatur zum Thema „Imaginaires poétiques du langage“
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Zeitschriftenartikel zum Thema "Imaginaires poétiques du langage"
K Dick, Jennifer. „Dépaysement : Le cas de from UNINCORPORATED TERRITORY [Lukao] par Craig Santos Perez“. ALTRALANG Journal 4, Nr. 02 (30.12.2022): 28–47. http://dx.doi.org/10.52919/altralang.v4i02.201.
Der volle Inhalt der QuelleCardinal, Jacques. „L’oreille enchantée. Le corps imaginaire de la parole chez Claude Gauvreau“. Études 21, Nr. 3 (29.08.2006): 520–43. http://dx.doi.org/10.7202/201262ar.
Der volle Inhalt der QuelleFurtado Rahde, Maria Beatriz. „Visualités poétiques, symboliques et imaginaires chez Albert Lamorisse“. Sociétés 113, Nr. 3 (2011): 97. http://dx.doi.org/10.3917/soc.113.0097.
Der volle Inhalt der QuelleBatt, Noëlle. „Jeux de langage philosophiques. Jeux de langage poétiques. Wittgenstein et Ponge“. Revue de métaphysique et de morale N°104, Nr. 4 (2019): 323. http://dx.doi.org/10.3917/rmm.194.0323.
Der volle Inhalt der QuelleTouret, Michèle. „Manipulations poétiques“. Études françaises 41, Nr. 3 (11.01.2006): 109–25. http://dx.doi.org/10.7202/012058ar.
Der volle Inhalt der QuelleFrench, French. „Le roman postcolonial francophone et la refondation des imaginaires : les voix / voies féminines“. Voix Plurielles 17, Nr. 2 (12.12.2020): 109–25. http://dx.doi.org/10.26522/vp.v17i2.2604.
Der volle Inhalt der QuelleCharest, Nelson. „Traduction et art poétique, de Valéry à Bonnefoy“. Tangence, Nr. 113 (05.06.2017): 87–100. http://dx.doi.org/10.7202/1040009ar.
Der volle Inhalt der QuelleJasionowicz, Stanisław. „Crier la crise, nier la crise : solitude et solidarité dans l’expérience poétique de Michel Houellebecq et de Colette Nys-Mazure“. Acta Universitatis Lodziensis. Folia Litteraria Romanica 17, Nr. 1 (12.08.2022): 181–94. http://dx.doi.org/10.18778/1505-9065.17.1.15.
Der volle Inhalt der QuelleParisse, Christophe, Sophie de Pontonx und Aliyah Morgenstern. „L’imparfait dans le langage de l’enfant“. Language, Interaction and Acquisition 9, Nr. 2 (31.12.2018): 183–225. http://dx.doi.org/10.1075/lia.18004.par.
Der volle Inhalt der QuelleFrighetto, Aurélie. „L’appropriation romantique des clichés de langue : Lamartine, Hugo et la langue des dictionnaires poétiques“. Revue de littérature comparée 388, Nr. 4 (29.01.2024): 440–50. http://dx.doi.org/10.3917/rlc.388.0058.
Der volle Inhalt der QuelleDissertationen zum Thema "Imaginaires poétiques du langage"
Arsich, Milena. „L'examen du langage : les questionnements métalinguistiques dans la poésie française, russe et nord-américaine (1970-2000)“. Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC010.
Der volle Inhalt der QuelleThis dissertation examines the questionings of language in French, Russian, and North American poetry of the late 20th century (1970-2000). Engaging in a critical dialogue with the notion of “poetic language”, the thesis considers the relationship between poetry and its medium in terms of questionings or problematized conceptions of language, which circulate in the history of this genre as topoi and emerge in dialogues with other arts (such as painting) and fields of knowledge (philosophy, linguistics, semiotics). The international conference “Language — Consciousness — Society”, hosted in Leningrad in 1989, shapes the corpus as it brought together participants who were especially attentive to their medium: the US Language poets (Michael Davidson, Lyn Hejinian, Ron Silliman, Barrett Watten), the Russian unofficial writers Dmitri Prigov and Arkady Dragomoshchenko, and the French poet Emmanuel Hocquard. The thesis explores the reception of Wittgensteinian and post-Saussurean language theories by these authors and their collaborators. It identifies the legacies and deviations that characterize their questioning of the medium in relation to those affirmed by their (trans-)national literary predecessors. The comparative analysis is extended by a typological study correlating the metalinguistic writings of these poets with the formal and generic features of their works. Finally, the thesis reveals the conditions that favor poetic and metapoetic writing on the theme of language, scrutinizing the editorial foundations and literary sociability that enable authors to undertake reflective explorations of their medium
Larsonneur, Claire. „Imaginaire, mouvement, langage : une poétique de l'espace“. Paris 10, 1997. http://www.theses.fr/1997PA100050.
Der volle Inhalt der QuelleThe starting point being the issue raised by phenomenologists (mostly merleau-ponty) and some biologists - how does the body make sense ? - we tried to point out a few elementary patterns of spatial cognition so as to establish their relevance to the realm of language. Four "spatial structures" were found. The most general among them deals with the notion of place, that is the combination of a site and an activity, as the first step towards confering meaning unto a non-descript space. The three others correspond to couples of notions that describe the relation of man to space : horizon/position when he is standing still, border/journey when on the move, and network/ellipse if we focus on how he differenciates global sensory information. The linguistic and literary study of the corpus (le rivage des syrtes by julien gracq. Le livre des fuites by j. M. G. Le clezio, gravity's rainbow by thomas pynchon, the songlines by bruce chatwin) proceeds on the basis of those "spatial structures". Its fundamental principle states that if the patterns of spatial cognition expounded on are valid, they should be found at all levels constitutive of the text. The literary study reveals an analogy of processes between literary structures and patterns of spatial cognition, which gives us a grid for further readings of literary texts. It also shows that the production of meaning within language is not constrained by these cognitive patterns that are not to be found in every text. Since the imaginary is here defined as a meaning being worked through by desire, the focus was placed on the "deterritorialisation" of the dominant langage by this "rebel and subterranean language" (deleuze)
Pierre, Bretelle Marie-Gladys. „Poétique de l'espace chez Jacques Roumain : imaginaire et écriture“. Paris 3, 1998. http://www.theses.fr/1998PA030198.
Der volle Inhalt der QuelleJacques roumain's imageries are examined through the analysis of his polymorphous writings and social circles. His travels in america and in europe, his numerous occupations, his fictions about haiti have made him famous. The new generations find in jacques roumain's works images of the time (1907-1944) and even of a further past. Jacques roumain's poems contain various themes. His political and social ideas are in his essays and in his articles. His novels gouverneurs de la rosee and la montagne ensorcelee show the haitian country side, while the town and people of roumain's generation are in la proie et l'ombre and les fantoches. Relying on historical and cultural references, the author's fictional descriptions reflect many symbols, myths and images. Additionally, the combination of haitian creole and french is evidence of a unique coexistence of poetry and realism
Yefsah, Mohammed. „Histoires d’espaces : œuvres romanesques et poétiques de Tahar Djaout“. Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20126.
Der volle Inhalt der QuelleAssassinated in 1993, Tahar Djaout is intimately linked to the Algerian tragedy of the end of last century and is one of the most celebrated writers in his country for his martyrdom. A writer, poet, short story writer and journalist, Tahar Djaout’s many biographical accounts led to mitigating and politicizing his literary work. In order to show the richness of his artistic creation, this study intends to explore the imaginary and the topographies of his works, fiction and poetry as well as the report they weave between the urban area and the rural area, the complex and nodal point of Algerian identity and the identity of the author himself. Instead of a rigid pairing that would determine the rurality-urbanity relation, Spaces Stories intends to examine the value systems that organize its meaning in the literary work not only by emphasizing the spacial configurations and their variations, but also by analyzing the respective temporalities of diegesis and enunciation. The various configurations of temporalities and spaces with their variations in Djaout’s literary production illuminate the popular imagination as well as the oral culture ; in this way, revealing his aesthetic vision’s constituent viewpoint. On another side, his work is spanned by the relation that the modern novel maintains – whatever the era and literary field – with rural imaginary in an ever-changing world since the industrial revolution. The urban mythology of modernity in the novel is then questioned to reveal ‘the specter’ of the rural imagination that haunts it where we least expect it
Gérard, Lojacono Florence. „Le roman de l'île : contribution à la poétique de l'île romanesque dans la fiction du XXe siècle de langue anglaise, espagnole, française et italienne“. Mulhouse, 2006. http://www.theses.fr/2006MULH0834.
Der volle Inhalt der QuelleMermat, Djamel. „Les imaginaires du changement dans les discours communistes : le cas du PCF : 1976-2004“. Lille 2, 2005. http://www.theses.fr/2005LIL20032.
Der volle Inhalt der QuelleAll along French Communist Party history, its leaders had to resolve a great ideology tension. They was trapped between a way of faithfulness to communist heritage and communism history and the other way is a need of evolution in order to follow the society and the world. Our Study consists in showing how a politic party tries to find a way out between these two ways. Our Study begins about 1976, the year of the 22nd communist convention which shows an ideology breaking off : we find here the will to move away from taking East society and Party as their models. We find here the first signs of leaving Marxism mind. 1976, is still an important year because of the ideologies changes and because it's the beginning of the end for the great Left Union. French Communist Party is obliged to get politically isolated, once again , and has to face the dilemma we propose to study. . . In electoral point of view, the fight in left becomes quite new (The separation between Communist Party and Socialist Party was significantly decreasing. From that time, we study the different speeches of leaders and members because we have to keep on mind that communist culture has always been oral speeches. That's why we study the components of these speeches, images and communists' ideas and the different changes of direction of this rhetoric during the last thirty years. We're interested in the symbols which keep the communist machine with questions that have been abandoned. We put the stress on concepts of loyalty, confidence, in other words, the social psychology mechanism and conformism inside a politic party. Here we find a contribution to the study of the collective affectivity and the imaginary changes
Reguig, Delphine. „Le corps des idées : pensées et poétiques du langage dans l'augustinisme du second Port-Royal“. Saint-Etienne, 2003. http://www.theses.fr/2003STET2078.
Der volle Inhalt der QuelleThanks to urgent argumentation caused by controversy, the "second" Port-Royal, led by Arnauld, made use of the Cartesian dualism of body and mind in order to renew Augustinian semiotics. Port-Royal was at the origin of reflections about meaning, which go beyond linguistic and grammatical matters in order to include the moral disposition of the speaker in his verbal experience. For speech to produce meaning, language must be used as a faculty suppressing the distance between body and soul, between expression and thought, between the world and inner life, between man and God. The necessity of effective and meaningful speech may account for Port-Royal’s influence on literary circles. The novel La Princesse de Clèves and Racine's tragedies, in particular, reflect Augustinian concerns about the value of speech, its relation with human inner life, and the relation it establishes between man and the world
Yao, Adjoua N'Guessan Alice. „La création poétique chez Henri Michaux : formes, langages et thèmes“. Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA140/document.
Der volle Inhalt der QuelleThe writing of Michaux moves invariably in forms so diverse as contradictory. In prose or versified, the poetic writing at this author is total and keeps(preserves) in this suppleness a with difficulty perceptible stylistic unity(unit) at first sight so much he(it) is made contortionist of the shape ., Michaux realizes with perspicacity a hybrid poetic writing of a generic point of view. The report(relationship) of Michaux in the language(tongue) is also complex. The linguistic subversions are at his home multiple and taken away from the ungrammaticality even essential of the poetic genre. The words and the typographic signs build a language under the impulse of the various emotional routes(courses) of the poet, where from écarts and improper associations. The repetition, as elementary pit of the rhythm seems to it to coincide with a desire of exorcism or the development of the word stresses to say it in a timeless movement on returning to one and on returning to the world. Michaux registers the rhythm in the visual perception. And the graphics associated with the breath leads to consider certain poems communicating paintings. The poems of Michaux are frescoes in the unusual taste where strange creatures and comic intrigues mobilize to give free rein to his overflowing imagination which draws from the "space of inside" which echos the existential concerns
Moinzadeh, Irandokht Dina. „La voix incarnée : poétiques de la présence chez Charles Bukowski“. Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100033.
Der volle Inhalt der QuelleIf Charles Bukowski never formulated a theory presiding over his work, nor made explicit metrical research, and never claimed any literary school, this rejection of any form of literary elitism is, in fact, a paradoxical poetics, which seeks to break down the barriers between writing and orality, between the work and the body that produced it, between the work and the life of its author. A poetics of presence is carried by a utopia where the boundary between world and language disappears, to put the poet's body at the center of the literary process. The poetic writing refuses its share of absence, that of the body and the voice, that of the moment of writing, to become almost a performance. The result is a deceptive transparency, the clarity of which is so dazzling that, rather than exposing it, it conceals its depth between the lines of the text
Gonzalez, Marc. „Nominations ethnonymiques en Louisiane francophone. Production d'identités et subjectivités poétiques“. Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30094.
Der volle Inhalt der QuelleThe study relates to an essential act of re-designation, to give a new proper name to people in a minority situation. This French-speaking community of Louisiana is indicated by an ethnonymic paradigm of a score of spelling variants which can be reduced to four concurrent series: Cajun, Cadien, Acadian, Cadjin, then with the problematical ethnonymic pair Cajun/Cadien. It is this denominational fluctuation which we will examine because each ethnonymic meaning is associated with specific representations which build ethno-linguistic identities of the group which are different and even competing. This process of redenomination which is supposed to revalorize the community’s image is certainly legitimate in a context of a withering language and culture but this nominative Babel, this “disease of the proper name” called “ethnonymic dystropia” has a double cost, meta-psychological and sociological, subjective and identity. We are witnessing a “symbolical forcing” because a “re-naming of one’s self” must be subjective and not imposed, it should rather have an effect as a reference designator, an indication of a community recognition and of an identity recognition, and also an indication of a subjective meaning which belongs to what Jacques Lacan calls “lalangue” which is the subject of the subconscious and desire that is speaking. It is by an operation of subjectification that the cajun/cadjin subject will be able to identify itself as a cadien subject and this process seems to be energized today in Louisiana by the rebirth of a poetic writing which promotes the ethnonym Cadien by the means of a system of inter-subjective enunciation full of affect, which opens the reader to a possible ethnonymic identification
Bücher zum Thema "Imaginaires poétiques du langage"
Parent, Anne Martine, und Nicolas Xanthos. Poétiques et imaginaires de l'événement. Montréal: Université du Québec à Montréal, Centre de recherche Figura sur le texte et l'imaginaire, 2011.
Den vollen Inhalt der Quelle findenQueneau, Raymond. En passant suivi de quelques langages animaux imaginaires et notamment du langage chien dans Sylvie et Bruno. Paris: L"Herne, 1995.
Den vollen Inhalt der Quelle findenQueneau, Raymond. En passant: Suivi de, De quelques langages animaux imaginaires et notamment du langage chien dans Sylvie et Bruno. Paris: L'Herne, 1995.
Den vollen Inhalt der Quelle findenLe corps des idées: Pensées et poétiques du langage dans l'augustinisme de Port-Royal : Arnauld, Nicole, Pascal, Mme. de La Fayette, Racine. Paris: Champion, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Imaginaires poétiques du langage"
Capone, Carine. „Chapitre 3. Imaginaires de la faille“. In Aux frontières du langage, l’évènement, 127–64. Presses universitaires du Septentrion, 2022. http://dx.doi.org/10.4000/books.septentrion.138499.
Der volle Inhalt der QuelleCanut, Cécile, Félix Danos, Manon Him-Aquili und Caroline Panis. „Chapitre 1. Imaginaires linguistiques et discours épilinguistiques“. In Le langage, une pratique sociale, 71–77. Presses universitaires de Franche-Comté, 2018. http://dx.doi.org/10.4000/books.pufc.37015.
Der volle Inhalt der QuelleVartolomei, Ioana. „Écrire la dépossession : l’engagement dans le langage poétique chez Gaston Miron“. In Langages poétiques et poésie francophone en Amérique du Nord, 51–60. Les Presses de l’Université de Laval, 2013. http://dx.doi.org/10.1515/9782763712215-007.
Der volle Inhalt der QuelleVERGER, Mathias. „La synesthésie comme langue maternelle. Polyglottisme d’enfance et écriture en plus d’une langue chez Daniel Tammet“. In L'enfant plurilingue en littérature, 227–38. Editions des archives contemporaines, 2024. http://dx.doi.org/10.17184/eac.7822.
Der volle Inhalt der QuelleGodwe, Birwe. „Les interférences langagières dans la production dramatique camerounaise : pratiques et enjeux“. In Multilinguisme, multiculturalisme et représentations identitaires, 151–65. Observatoire européen du plurilinguisme, 2021. http://dx.doi.org/10.3917/oep.goron.2021.01.0151.
Der volle Inhalt der QuelleMbondobari, Sylvère. „Pröll, Julia/Lüsebrink, Hans-Jürgen/Madry, Henning (Hg.): Médecins–écrivains français et francophones. Imaginaires–poétiques–perspectives interculturelles et transdisciplinaires, Würzburg 2018“. In Frauen am Ball / Filles en crampons, 504–8. transcript Verlag, 2022. http://dx.doi.org/10.1515/9783839460153-036.
Der volle Inhalt der QuelleMellet, Margot. „Communication scientifique et science ouverte“. In Communication scientifique et science ouverte, 103–20. De Boeck Supérieur, 2023. http://dx.doi.org/10.3917/dbu.annai.2023.01.0103.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Imaginaires poétiques du langage"
Cremades Cano, Isaac David. „Eau et mémoire chez Marie-Célie Agnant“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3066.
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