Auswahl der wissenschaftlichen Literatur zum Thema „Image du mort“
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Zeitschriftenartikel zum Thema "Image du mort"
Poda, Evariste. „Image du mort, effigie de l'ancêtre“. Systèmes de pensée en Afrique noire, Nr. 11 (01.12.1991): 91–102. http://dx.doi.org/10.4000/span.1236.
Der volle Inhalt der QuelleBourion, Sylveline, und Georges Forget. „Identité, création et mort contemporaines“. Circuit 15, Nr. 2 (09.02.2010): 37–54. http://dx.doi.org/10.7202/902355ar.
Der volle Inhalt der QuelleRuellan, Jean. „Image des professionnels de la mort au cinéma“. Etudes sur la mort 139, Nr. 1 (2011): 119. http://dx.doi.org/10.3917/eslm.139.0119.
Der volle Inhalt der QuelleZhu, Lichao. „image de la mort: approche contrastive chinois, français et anglais“. Langues & Parole 6 (22.12.2021): 233–48. http://dx.doi.org/10.5565/rev/languesparole.83.
Der volle Inhalt der QuelleMavrikakis, Catherine. „L’iconophage mélancolique ou la digestion des images au début du troisième millénaire. Un cas : Timothy McVeigh“. Protée 29, Nr. 3 (12.04.2005): 17–25. http://dx.doi.org/10.7202/030634ar.
Der volle Inhalt der QuelleWunenburger, Jean-Jacques. „L’idole au regard de la philosophie des images“. Protée 29, Nr. 3 (12.04.2005): 7–16. http://dx.doi.org/10.7202/030633ar.
Der volle Inhalt der QuelleYu, Xiaohan, Yang Zhao, Yongsheng Gao, Shengwu Xiong und Xiaohui Yuan. „Patchy Image Structure Classification Using Multi-Orientation Region Transform“. Proceedings of the AAAI Conference on Artificial Intelligence 34, Nr. 07 (03.04.2020): 12741–48. http://dx.doi.org/10.1609/aaai.v34i07.6968.
Der volle Inhalt der QuelleŻurawska, Anna. „L’image de la mort ou l’histoire d’une sensibilité. Charlotte de David Foenkinos“. Quêtes littéraires, Nr. 5 (30.12.2015): 213–21. http://dx.doi.org/10.31743/ql.254.
Der volle Inhalt der QuelleRozik, Eli. „Intertextualité et déconstruction“. Protée 27, Nr. 1 (12.04.2005): 111–16. http://dx.doi.org/10.7202/030551ar.
Der volle Inhalt der QuelleMassonnaud, Dominique. „La Mise à mort ou les Mémoires d’un fou“. Études littéraires 45, Nr. 1 (15.07.2014): 45–61. http://dx.doi.org/10.7202/1025939ar.
Der volle Inhalt der QuelleDissertationen zum Thema "Image du mort"
Essid, Kaouthar. „Imageries de la mort et art contemporain“. Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010739.
Der volle Inhalt der QuelleDeath is a fact that persues us inspite of our efforts to dissimulate it. The question seems accordingly to be : can this obsession be turned into an object of art which tends to reconsider the status of the human body in our epoch ? There is an essential opposition between the human body that is doomed to vanish and the contemporary vision of a beautiful and unaltered body. Threoughout this "memento mori", I tried to explore death as a plastic expression which raises the question of its legitimacy as a pictorial language. My confrontation with death allowed me to achieve several works that meditate upon existence, temporality, and the nature of the relationship between the human being and his body, and death in its various connotations
Roshem, Sarah Eva. „Prothesis : le corps, la mort et la céroplasticienne“. Paris 1, 2003. http://www.theses.fr/2003PA010609.
Der volle Inhalt der QuelleKhalilnezhad, Ghavidel Neda. „La mort et son image : de la France à l'Iran. Une étude comparative de la conception de la mort dans les proverbes et sentences latins, français et persans“. Thesis, Limoges, 2019. http://www.theses.fr/2019LIMO0127.
Der volle Inhalt der QuelleDeath remains an essential mystery of human life and will stay so forever since it is an unreality that human cannot experience at all. Its idea, in other words, is something outside the notion of existence, if we believe in Sartre. Where as, a philosopher like Heidegger, has even gone beyond by putting in advance his famous thesis of being-for-death. However, death spreads its kingdom everywhere, from earth to heaven, and remains the reality of yesterday and today. These comprise the subject of this thesis. We have indeed tried to see the picture that death would find in the sentences or proverbs, according to whether it is expressed in Persian or French; hence the importance is equally attached to the cultural differences of the East and the West. Death changes the face; we will see it: following that it will be treated under the pen of a religious or an atheist. This is for the purpose of questioning the concept or vision of the world, of death in this case, which differ from one place to another and who will now, perhaps, be interested in the future research. This thesis is an analysis, if not a story, of death through a comparative study of proverbs and sentences in Latin, Persian and French languages
Kim, Mi-Jin. „Pour une image de l’homme, de la vie et de la mort, à partir d’une expérience spirituelle orientale“. Paris 1, 1996. http://www.theses.fr/1995PA010627.
Der volle Inhalt der QuelleMetempsychosis, taoist and buddhist philosophy, calligraphy and landscape painting of far-est are the sources of my spiritual experience. On the other hand, beuys, arte povera, italian trans-avantgarde, and land art, which i have discovered in occident, have inspired my-representation modes the development consists of five chapters corresponding to the different steps of human life and of the work itself. In this thesis of plastic arts, each chapter includes two great parts in order to show better the coherence between theory and pratics in my work. The first chapter "dreame of conception" shows how dream announces the work to come. By this conception, dream and imagination, idea, spirit are the initial step of creation analogous to the desire of a child. The second chapter "for a soul and for the matter of a journey" makes clear the symbolic of the circular form recurrent in my work, and the cohabitation between oriental and occidental matter, made possible by the movement of the from ande combined utilization of different techniques of oriental as well as occidental origin. In the third chapter "transmission of space in tim", i show the relation existing in my paintings between space and time symbols. In the fourth chapter "crossed cultures in painting", i develop the reflexion on my belonging to both different cultures, oriental et occidental. In the fifth chapter, "humour(s), i approach the problem of the role of the artist today. I have indicated the future of my paintings in this last chapter. Humour guides me and brings me pleasure. I wish to mix every human emotion, every material, with humour, and thus create new myths and new dreams
Coulombe, Maxime. „Faire du corps une image“. Doctoral thesis, Université Laval, 2006. http://hdl.handle.net/20.500.11794/18280.
Der volle Inhalt der QuelleRinaldi, Riccardo. „Maurice Blanchot et la question de l'image“. Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL029.
Der volle Inhalt der QuelleMost philosophical approaches to Maurice Blanchot's work have hitherto reserved a marginal place for the question of image. Since L'Espace littéraire (1955), however, image assumes a theoretical status that enables us to apprehend it as the matrix of his writing that, initially divided between fiction and criticism, finally achieves its most natural thriving in fragmentation.Far from embracing a sterile nihilism, Blanchot derives from Heidegger’s reflection on art the idea of an appearance as disappearance, of a form invalidating the distinction between matter and form; a presence which is not given: the presence of an absence. He draws from it a radically anti-humanist vision, much more coherent than the conception of the event defining the history of the epochs of the Being: coming before the thing, image condemns the consciousness of the metaphysical subject as the exclusive stage of all representation. The face of death becomes the paradigm of the blind gaze that things lay upon us. Hence, literature proves to be preliminary to a different vision, one that touches on what precedes man’s existence as a whole, his finitude being scattered in an endless approach of the end.Leaving aside the political texts of Blanchot, I have considered the œuvre as a priority in the author’s fate, which is overcome and determined by writing. Less structured than Heidegger's, Blanchot’s work proves finally more suited to be read through the perspective suggested in the Letter on Humanism: we cannot conceive an ethics, as a thought of humanism, if we have not previously redefine what the humanitas of man is
Pietri, Nicole. „La photographie comme sépulture“. Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080049.
Der volle Inhalt der QuelleSince the beginning of mankind, man has been taking care of his dead ones, while the relationship between death and photography began in the middle of the 19th century with the invention of photography. Death supposes a dead body that one takes care of by giving it a burial. As we conceive it, burial is an intentional deposition which shows, by this act, the attention that one draws to the dead one that keeps its humanity in Death. Preservation of humanity is precisely what should be protected through burial. By proposing to question the relationship between Death and the image of the dead one, starting from photography and in the light of burial, the purpose of this research work would not be so much to know or to affirm that photography is or is not a burial, but how photography can question the very notion of burial. In return, we ask ourselves, starting from burial, how burial would be likely to induce a questioning towards the photography. Photography as a burial, supposes to bring photography closer to burial, and to consider how photography could respond to what one could expect from a burial. On a different scale, we question whether it would be possible to see what would be related to the burial in analogue photography from the work of Christian Boltanski which appears as the guiding thread of this thesis. Among all the artist-photographers who feed and guide this reflection, Boltanski, without being a photographer, has an artistic path that led him to turn to photography and create burials, funerary monuments. He offers a particular insight to approach both photography and burial. By crossing disciplines, points of view, what is seen and what is not seen, what is said and what is whispered, this thesis should be read as a weaving between implicit and explicit
Maillard, Benoît. „Clinique de la maladie létale : de l'effraction corporelle à la réponse du sujet“. Phd thesis, Université Rennes 2, 2010. http://tel.archives-ouvertes.fr/tel-00599280.
Der volle Inhalt der QuelleCappelaere, Charles-Henri. „Estimation du risque de mort subite par arrêt cardiaque à l'aide de méthodes d'apprentissage artificiel“. Phd thesis, Université Pierre et Marie Curie - Paris VI, 2014. http://pastel.archives-ouvertes.fr/pastel-00939082.
Der volle Inhalt der QuelleKim, Seonja. „"L'image fantôme" chez Hervé Guibert“. Paris 12, 2004. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990003948580204611&vid=upec.
Der volle Inhalt der QuelleWe studied the concept of the "ghost image" in literary and photographic works of Hervé Guibert, a French journalist, writer and photographer (1955-1991). Our objective was to show that the ghost image, which is, according to the writer, a mental et literary representation, appears also in his photographies. We descrihed the ghost image as a backup of memory, making visible a photography however flot realized. The ghost image is situated in consequence hctween two systems of parallel representations, the literay and the photographic. It is what led us to the exploration of Guibert's photographie works where we observed the auhor's narcissistic split personality linking it to the image of the ghost. For the best comprehension of these works, where Guibert seems to succeed in representing the invisible, we interpreted them here under the category of the metaphysical sublime. In pursuit of a hereafter, Guibert seems to be transformed into a ghost image
Bücher zum Thema "Image du mort"
Debray, Régis. Vie et mort de l'image: Une histoire du regard en Occident. [Paris]: Gallimard, 1992.
Den vollen Inhalt der Quelle findenHubmann, Verena. L' image de la mort: Über die mort civile und ihre Abschaffung im französischen Recht und ihre Nachbildungen in den Kantonen Waadt und Wallis. Zürich: Schulthess, 1990.
Den vollen Inhalt der Quelle findenBertman, Sandra L. Facing death: Images, insights, and interventions : a handbook for educators, healthcare professionals, and counselors. New York: Hemisphere, 1991.
Den vollen Inhalt der Quelle findenSmith, George Edmond. More than sex: Reinventing the black male image. New York: Kensington Books, 2000.
Den vollen Inhalt der Quelle findenMcDowell, Josh. His image, my image: Seeing yourself as God sees you - no more, no less. San Bernardino, Calif: Here's Life, 1989.
Den vollen Inhalt der Quelle findenMcDowell, Josh. His image, my image: Seeing yourself as God sees you - no more, no less. San Bernardino, Calif: Here's Life, 1989.
Den vollen Inhalt der Quelle finden1947-, Nelson Robert S., Collins Kristen M und J. Paul Getty Museum, Hrsg. Holy image, hallowed ground: Icons from Sinai. Los Angeles: J. Paul Getty Museum, 2006.
Den vollen Inhalt der Quelle findenCappai, Chiara De Filippis. Imago mortis: L'uomo romano e la morte. Napoli: Loffredo, 1997.
Den vollen Inhalt der Quelle findenDruet, François-Xavier. Langage, images et visages de la mort chez Jean Chrysostome. Namur: Société des études classiques, 1990.
Den vollen Inhalt der Quelle findenGreat Britain. Audit Commission for Local Authorities and the National Health Service in England and Wales. Improving your image: How to manage radiology services more effectively. London: H.M.S.O., 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Image du mort"
Hobbs, Jim. „Nature Morte“. In Sound and Image, 219–25. New York : Routledge, 2020. | Series: Sound design: Focal Press, 2020. http://dx.doi.org/10.4324/9780429295102-15.
Der volle Inhalt der QuelleCitton, Yves. „Image-représentation versus image-transaction“. In Angles morts du numérique ubiquitaire, 225–26. Nanterre: Presses universitaires de Paris Nanterre, 2023. http://dx.doi.org/10.4000/11toq.
Der volle Inhalt der QuelleBlanc, N., P. Giffard, P. Seitz, P. Buchschacher, V. Nguyen und M. Hoheisel. „Semiconductor Image Sensing“. In More than Moore, 239–78. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-75593-9_8.
Der volle Inhalt der QuelleSchnugg, Claudia. „Friction gains in art & science collaboration: more than noise“. In Image, 176–90. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839465165-021.
Der volle Inhalt der QuelleSharan, Kishori, und Peter Späth. „Custom Runtime Images“. In More Java 17, 893–909. Berkeley, CA: Apress, 2021. http://dx.doi.org/10.1007/978-1-4842-7135-3_13.
Der volle Inhalt der QuelleChung, Youngsun, Daeyoung Gil und Ghang Lee. „Optimal Number of Cue Objects for Photo-Based Indoor Localization“. In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 977–87. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/10.36253/979-12-215-0289-3.98.
Der volle Inhalt der QuelleChung, Youngsun, Daeyoung Gil und Ghang Lee. „Optimal Number of Cue Objects for Photo-Based Indoor Localization“. In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 977–87. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0289-3.98.
Der volle Inhalt der QuelleWinarnita, Monika Swasti, Petra Mahy und Nicholas Herriman. „Fate, Desire, and Shame: Janda in Indonesian Pop Culture“. In Gender, Islam and Sexuality in Contemporary Indonesia, 125–43. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_7.
Der volle Inhalt der QuelleCupa, Dominique. „Le paradoxe du père mort“. In Image du père dans la culture contemporaine, 157. Presses Universitaires de France, 2008. http://dx.doi.org/10.3917/puf.cupa.2008.01.0157.
Der volle Inhalt der QuelleMurphy, Cullen. „Mort Walker, Historian“. In Comic Art in Museums, 152–54. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0014.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Image du mort"
Hou, Kejun, Zuoan Zhao, Gensheng Ni, Gamal Sultan, Bo Liu und Tianhua Zhang. „Correlation of Borehole Images in Conductive and Non-Conductive Muds to Understand Carbonate Heterogeneity: Case Study from Sichuan Basin, China“. In Middle East Oil, Gas and Geosciences Show. SPE, 2023. http://dx.doi.org/10.2118/213230-ms.
Der volle Inhalt der QuelleMao, Yuzhao, Chang Zhou, Xiaojie Wang und Ruifan Li. „Show and Tell More: Topic-Oriented Multi-Sentence Image Captioning“. In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/592.
Der volle Inhalt der QuelleMema, Laureta. „Les métaphores de l’eau dans Les Fleurs du Mal de Charles Baudelaire“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3798.
Der volle Inhalt der QuelleManuaba, Ida Bagus Gede Hermawan, Mohammad Kadhem Aljishi, Nicklas Ritzmann und Mohamed Gouda. „Advanced Corrections of LWD High-Resolution Resistivity Images in Hostile Downhole Environments“. In International Petroleum Technology Conference. IPTC, 2024. http://dx.doi.org/10.2523/iptc-23991-ms.
Der volle Inhalt der QuelleXie, Ruobing, Zhiyuan Liu, Huanbo Luan und Maosong Sun. „Image-embodied Knowledge Representation Learning“. In Twenty-Sixth International Joint Conference on Artificial Intelligence. California: International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/438.
Der volle Inhalt der QuelleYang, S., Y. Wang und C. Shrivastava. „Sedimentary Analysis Via Automatic Image Segmentation and Clustering with the LWD OBM Resistivity Image: A Case Study from Gulf of Mexico“. In SPE Annual Technical Conference and Exhibition. SPE, 2023. http://dx.doi.org/10.2118/214908-ms.
Der volle Inhalt der QuelleCho, Soojin, und Byunghyun Kim. „Image-driven Bridge Inspection Framework using Deep Learning and Image Registration“. In IABSE Conference, Seoul 2020: Risk Intelligence of Infrastructures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/seoul.2020.269.
Der volle Inhalt der QuelleHoffmann, Rolf. „A High Quality Image Stitching Process for Industrial Image Processing and Quality Assurance“. In OCM 2021 - 5th International Conference on Optical Characterization of Materials. KIT Scientific Publishin, 2021. http://dx.doi.org/10.58895/ksp/1000128686-18.
Der volle Inhalt der QuelleBodoh, Dan J. „Making the Most of the Internet for Failure Analysis“. In ISTFA 1998. ASM International, 1998. http://dx.doi.org/10.31399/asm.cp.istfa1998p0323.
Der volle Inhalt der QuelleZhang, Guimei, Binbin Chen und YangQuan Chen. „Research on Image Matching Combining on Fractional Differential With Scale Invariant Feature Transform“. In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-47015.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Image du mort"
Heger, Karl, Timm Schoening und Claas Faber. MariQT. GEOMAR, Dezember 2022. http://dx.doi.org/10.3289/sw_4_2022.
Der volle Inhalt der QuelleDecroux, Agnes, Kassem Kalo und Keith Swinden. PR-393-205100-R01 IRIS X-Ray CT Qualification for Flexible Pipe Inspection (Phase 1). Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), März 2021. http://dx.doi.org/10.55274/r0012068.
Der volle Inhalt der QuelleRigotti, Christophe, und Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.
Der volle Inhalt der QuelleRigotti, Christophe, und Mohand-Saïd Hacid. Representing and Reasoning on Conceptual Queries Over Image Databases. Aachen University of Technology, 1999. http://dx.doi.org/10.25368/2022.89.
Der volle Inhalt der QuelleOlivier, Jason, und Sally Shoop. Imagery classification for autonomous ground vehicle mobility in cold weather environments. Engineer Research and Development Center (U.S.), November 2021. http://dx.doi.org/10.21079/11681/42425.
Der volle Inhalt der QuelleNorquist, Donald C., und K. S. Balasubramaniam. More Diagnosis of Solar Flare Probability from Chromosphere Image Sequences. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada566093.
Der volle Inhalt der QuelleCarin, Lawrence. FLIR Image Classification Using Hidden Markov Trees, with Comparisons to More-Traditional Algorithms. Fort Belvoir, VA: Defense Technical Information Center, Januar 2002. http://dx.doi.org/10.21236/ada407122.
Der volle Inhalt der QuelleDonaghey, S., S. Berman und N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, Mai 2016. http://dx.doi.org/10.34074/emed.035.
Der volle Inhalt der QuelleBragdon, Sophia, Vuong Truong und Jay Clausen. Environmentally informed buried object recognition. Engineer Research and Development Center (U.S.), November 2022. http://dx.doi.org/10.21079/11681/45902.
Der volle Inhalt der QuelleAlhasan, Ahmad, Brian Moon, Doug Steele, Hyung Lee und Abu Sufian. Chip Seal Quality Assurance Using Percent Embedment. Illinois Center for Transportation, Dezember 2023. http://dx.doi.org/10.36501/0197-9191/23-029.
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