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Zeitschriftenartikel zum Thema „Illustrations collectionID“

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Veröffentlicht am 25. Juli 2024

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1

Lotti, S., A. Altobelli, S. Bambi und M. Poggesi. „Illustrations of the anatomical wax model collection in the “La Specola” Zoology Museum, Florence“. Archives of Natural History 33, Nr. 2 (Oktober 2006): 232–40. http://dx.doi.org/10.3366/anh.2006.33.2.232.

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Anatomical illustration has evolved through the centuries, first having artistic and educational purposes and later more strictly medical objectives. Between the eleventh and fifteenth centuries, the analytical model (representation of individual parts, organs and systems) gave way to the composite model (description of the human body as a whole). Between the seventeenth and eighteenth centuries, there was a reversal of tendency: initially the anatomist requested the help of artists, but later the artist asked anatomists to check the accuracy of his work. In this way, anatomical illustration reached a high level of precision. This period also saw the creation of the “La Specola” Zoology Museum's collection of anatomical wax models. Initiated in the eighteenth century, it also included a series of contemporary colour illustrations executed by various artists. Most of the illustrations concern human anatomy, while a small number deal with comparative anatomy. These illustrations, each accompanied by one or more explanatory sheets, were produced to help explain the corresponding wax models. The anatomical wax model collection has been well preserved through the centuries, maintaining its ancient splendour, and it is the object of continuing research and restoration interventions.

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2

Abaydulova, Anna. „Luka Voronin’s Expedition Drawings in the Collection of Illustrations to Peter Simon Pallas’ Zoographia rosso-asiatica: Attribution and Descriptions“. Voprosy istorii estestvoznaniia i tekhniki 44, Nr. 3 (2023): 524. http://dx.doi.org/10.31857/s020596060027061-9.

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Twenty three drawings by Luka Voronin, artist to the J. I. Billings – G. A. Sarychev North-East Expedition (1785–1795), were discovered in the collection of illustrations for Academician P. S. Pallas’ Zoographia rosso-asiatica at the St. Petersburg Branch of the Archive the Russian Academy of Sciences. For Pallas, this expedition became an important source of information about the Russian fauna. The expedition’s materials were used by him in the preparation of Zoographia rosso-asiatica, which is why some of Voronin’s expedition drawings that had been selected by Pallas were preserved in the collection of illustrations. In this article, the process of attribution of Voronin’s zoological drawings is described and the descriptions of all drawings are published for the first time. The descriptions are given in the order of illustrations in Zoographia rosso-asiatica and contain modern names of the illustrated species, the Latin names given by Pallas, the date, size, transcript and translation of the marks, and descriptions of other distinctive features of the sheets. Introducing Voronin’s zoological drawings sheds new light on the pages from the expedition’s history and broadens the source base for the history of natural science illustration in Russia. Studying these drawings may become an important part of the visual reconstruction of natural-science collections of the Petersburg Kunstkamera of the late 18th – early 19th century.

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3

Bourdillon, Jane. „The photographic collection of the National Archives of Zimbabwe“. African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 26 000 photographs. There is also a number of other large deposits, as yet unprocessed, which will be referred to later. The section strives to reach the twin goals of preserving a photographic record of every aspect of life in this country and of providing a service to members of the public.

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4

Bourdillon, Jane. „The photographic collection of the National Archives of Zimbabwe“. African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 26 000 photographs. There is also a number of other large deposits, as yet unprocessed, which will be referred to later. The section strives to reach the twin goals of preserving a photographic record of every aspect of life in this country and of providing a service to members of the public.

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5

King, Louise. „Treasures from the Collections“. Bulletin of the Royal College of Surgeons of England 98, Nr. 4 (April 2016): 178. http://dx.doi.org/10.1308/rcsbull.2016.178.

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6

Isaac, Susan. „Treasures from the Collections“. Bulletin of the Royal College of Surgeons of England 101, Nr. 4 (Mai 2019): 160. http://dx.doi.org/10.1308/rcsbull.2019.160.

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7

Haq, Sara. „Good Girls Marry Doctors“. American Journal of Islam and Society 34, Nr. 2 (01.04.2017): 131–34. http://dx.doi.org/10.35632/ajis.v34i2.772.

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From the publisher that brought us Gloria Anzaldua’s classic work Borderlands/La Frontera: The New Mestiza (1987), now comes Good Girls Marry Doctors:South Asian American Daughters on Obedience and Rebellion. AuntLute Books gives us this 2016 anthology of short stories edited by Piyali Bhattacharyathat, I envision, will strike a similar chord of deep resonance withthose who are living in the liminal spaces of mixed consciousness, mixed cultures,mixed religions – the South Asian American diasporic community andbeyond. The striking cover of the book shows a graphic illustration of a browngirl decked in traditional South Asian gold jewelry and a red sarhi, her handslipping underneath the fabric below her waist, leaving the viewer to imaginethat she is feelin’ herself.The style of writing and the range of themes allow this book to speak toa multitude of audiences. The book can easily be included in syllabi rangingfrom South Asian American studies, American studies, and Islamic studies towomen/gender/sexuality studies, cultural studies, and affect theory. WhatBhattacharya set out to do over a span of eight years in bringing this collectionto fruition is to create for herself and the women she knew a network, a community,a support system (p. v) – “we had to find our tribe” (p. viii). What Ifind interesting and useful in this collection is that it can be used as an illustrationof how gender and sexuality frame affective knowledge productionand world-making in diasporic communities ...

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8

Gibb, W. R. G. „The Ciba Collection of Medical Illustrations“. Behavioural Neurology 1, Nr. 1 (1988): 59–60. http://dx.doi.org/10.1155/1988/259489.

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9

Cook, A. „Plants illustrating exotic collections“. Notes and Records of the Royal Society of London 55, Nr. 1 (22.01.2001): 129–44. http://dx.doi.org/10.1098/rsnr.2001.0130.

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The study of plants was nothing new when The Royal Society was founded, but some of our earliest Fellows changed it drastically. Perhaps they did not do this as suddenly or as completely as did Newton for dynamics, but in the long run they had at least as great an influence on views of the natural world and how to study it. Did God create all the great variety of plants no one (in Europe) had ever seen before, and if so why? Plants brought back by explorers, especially from North America, and plants looked at in the microscope, together with the taxonomic system constructed by Linnaeus, replaced the plants grown in monastic gardens and their successors in public botanic gardens, and the study of plants for purely medicinal uses.

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10

KA, Bugaevsky. „Anatomy of the Heart and the Human Cardiovascular System in the Reflection of Collection Tools“. Journal of Human Anatomy 7, Nr. 1 (20.02.2023): 1–7. http://dx.doi.org/10.23880/jhua-16000168.

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This article presents materials of the conducted research devoted to the reflection of information about the study of anatomy and physiology of the human heart and circulatory system in the reflection of various means of philately, phylocarty and numismatics in collecting media. The article presents, as illustrations, images of postage stamps, envelopes, commemorative medals and coins, gives their description and other additional information.

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11

&NA;. „The Netter Collection of Medical Illustrations—Volume 2“. Medicine & Science in Sports & Exercise 44, Nr. 5 (Mai 2012): 983. http://dx.doi.org/10.1249/01.mss.0000414286.33498.f0.

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12

Prosser, Siân. „From the collections: illustrating scientific lives“. Astronomy & Geophysics 59, Nr. 4 (01.08.2018): 4.11. http://dx.doi.org/10.1093/astrogeo/aty186.

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13

Herman, Nicholas. „Peter Kidd, The McCarthy Collection, Volume II: Spanish, English, Flemish & Central European Miniatures; Volume III: French Miniatures“. Fragmentology 4 (17.12.2021): 141–46. http://dx.doi.org/10.24446/t9td.

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Book Review for Fragmentology IV (2021); review of Peter Kidd, The McCarthy Collection, Volume II: Spanish, English, Flemish & Central European Miniatures, London: Ad Illissum 2019, 248 pp., 150+ colour illustrations, ISBN 9781912168132; Peter Kidd, The McCarthy Collection, Volume III: French Miniatures, London: Ad Illissum 2021, 336 pp., 350 colour illustrations, ISBN 9781912168187.

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14

Zemanek, Alicja, Andrea Ubrizsy Savoia und Bogdan Zemanek. „The beginnings of ecological thought in the Renaissance: an account based on the Libri picturati A. 18–30 collection of water-colours“. Archives of Natural History 34, Nr. 1 (April 2007): 87–108. http://dx.doi.org/10.3366/anh.2007.34.1.87.

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During the Renaissance ecological thinking emerged both in printed scientific works and in pictures showing plants against the background of their natural environment. A unique source for the history of plant ecology is the Libri picturati A. 18–30 collection of water-colours kept at the Jagiellonian Library in Cracow (Poland). This collection consists of 13 volumes of plant pictures, and contains about 1,800 images illustrating more than 1,000 taxa mainly from north-western Europe and the Mediterranean region, but also from Asia and America. Some of these pictures match with woodcuts in various works by famous Flemish botanists, mainly Charles de l'Écluse (Carolus Clusius) (1526–1609). Both the illustrations and their short annotations provide a synthetic review of the ecology of the Renaissance period. The paper deals with ecological issues which are found in the collection such as information on the climatic and edaphic requirements of some species, on plants occurring in various habitats and plant communities, plants representing principal growth forms, descriptions of particular adaptations to specific living conditions, for example the halophyte community of sea coasts or the parasitic flowering plants, and phenological observations. These trends can also be seen in printed publications of that time, and this collection mirrors them especially closely.

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15

Vakhromeeva, Oksana B. „The role of the discourse of museum collections in the distance course on the history of ancient civilizations“. Issues of Museology 13, Nr. 1 (2022): 65–77. http://dx.doi.org/10.21638/spbu27.2022.105.

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Distance education is a hotly debated subject in the scientific and pedagogical environment of the newest period; in the methodological literature, issues of practical and theoretical nature are actively discussed (from the effectiveness of remote servers to ethical issues that arise during classes). As a positive experience, the article presents the materials of practical classes of the course “History of civilizations”, which is read by the author at St Petersburg State University of Industrial Technologies and Design, in a distance format as well. The material is built according to the problem-chronological principle, that allows students to consolidate what they have learned in lectures, supplement their knowledge using various visualization and illustration methods, thus deepening their understanding of the topic as a whole. An indirect appeal to historical sources is possible when analyzing monographic studies on the cultures of ancient ethnic groups, the 18-volume encyclopedia “Disappeared Civilizations”, and the content of the official websites of world museums that store the heritage of ancient civilizations. M.Montaigne in “Experiments” used the term ‘civilization’ (1581). Descartes in “Discourse on Methods” contrasted the concepts of “wild” and “civilized”; Herder was one of the first to connect civilization with the development of culture, pointing to the civilization of the East as the most ancient. In the 19th century, the concepts of “civilization” and “culture” were synonymous. In the 20th century, anthropological understanding of culture as a result of acquired behavioral skills began to be replaced by the concept of civilization. The article is devoted to a thematic review of individual historical monuments of a number of ancient civilizations, stored in various museums around the world, which can serve as illustrations for the educational discipline “History of Civilizations” in a distance format. The choice fell on some ancient “disappeared civilizations” that arose in various historical and geographical conditions.

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16

Bernasconi-Reusser, Marina. „Sandra Hindman and Federica Toniolo, eds., The Burke Collection of Italian Manuscript Paintings“. Fragmentology 4 (17.12.2021): 147–50. http://dx.doi.org/10.24446/olwc.

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Book Review for Fragmentology IV (2021); review of The Burke Collection of Italian Manuscript Paintings, edited by Sandra Hindman and Federica Toniolo, introduction by Christopher de Hamel, London: Ad Illissum 2021, 472 pp., 300 colour illustrations, ISBN 9781912168200.

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17

Sheppard, Julia. „Care and cure in Africa: illustrations in the Wellcome Collections“. African Research & Documentation 68 (1995): 65–68. http://dx.doi.org/10.1017/s0305862x00021683.

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18

Sheppard, Julia. „Care and cure in Africa: illustrations in the Wellcome Collections“. African Research & Documentation 68 (1995): 65–68. http://dx.doi.org/10.1017/s0305862x00021683.

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19

Ward, Marilyn, und John Flanagan. „Portraying plants: illustrations collections at the Royal Botanic Gardens, Kew“. Art Libraries Journal 28, Nr. 2 (2003): 22–28. http://dx.doi.org/10.1017/s0307472200013080.

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The Library & Archives at Kew hold one of the world’s greatest collections of botanical illustration, assembled over the last 200 years. A resource well-known to the natural history community, it contains much to interest art historians. Using this historically rich heritage our forward thinking includes acquisition of more contemporary items and the formulation of a digital strategy for 21st-century access and exploitation.

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20

Meli, Domenico Bertoloni. „The Rise of Pathological Illustrations: Baillie, Bleuland, and Their Collections“. Bulletin of the History of Medicine 89, Nr. 2 (2015): 209–42. http://dx.doi.org/10.1353/bhm.2015.0034.

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21

Marfouq, Assia. „The Patrimonial Dimension in the Children’s Book: The Case of the Collection "Malika et Karim" of Yanbow al Kitab Edition“. Lublin Studies in Modern Languages and Literature 47, Nr. 4 (30.01.2024): 93–104. http://dx.doi.org/10.17951/lsmll.2023.47.4.93-104.

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In this study, we attempt to identify the sources of the heritage highlighted in the album collection for children Malika and Karim of the Moroccan Edition Yanbow al Kitab and how it examines the question of identity through heritage. We will see how the textual and paratextual elements (illustrations, colours, framing, etc.) contribute to conveying the Moroccan heritage culture and what linguistic and stylistic processes are implemented to facilitate understanding and memorization.

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22

Ockleford, Colin. „The Netter Collection of Medical Illustrations: Reproductive system, 2nd edn“. Journal of Anatomy 220, Nr. 1 (17.10.2011): 117. http://dx.doi.org/10.1111/j.1469-7580.2011.01445.x.

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23

Sagna, Bruno. „Shared Heritage: A Digital Collection“. Z Badań nad Książką i Księgozbiorami Historycznymi 17, Nr. 1 (27.07.2023): 127–36. http://dx.doi.org/10.33077/uw.25448730.zbkh.2023.760.

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The National Library of France launched the Shared Heritage collection in 2017, with a series of digital libraries dedicated to France’s relationships with different countries or regions, illustrating a new way of engaging with content. The collection has also proved to be a catalyst for networking and capacity building in the field of preservation and digitisation. Shared Heritage continues to be developed technologically and scientifically.

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24

Iakovleva, Svetlana A. „West-European Engraving in Siberian Collection: the Problems of Attribution (on the Basis of Yudin’s Collection)“. Journal of Siberian Federal University. Humanities & Social Sciences 15, Nr. 1 (Januar 2022): 23–37. http://dx.doi.org/10.17516/1997-1370-0885.

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The paper is devoted to the study of Siberian bibliophile G. V. Yudin’s West-European graphic arts collection, which is owned by the Krasnoyarsk Regional Local Lore Museum. There is an objective need to give additional information on the attribution of auteur, reproductive and book engravings in art and documentary research. The authors address the authorship attribution through art analysis using stylistic and biographical factors. The article also responds to the problem of relevant translation of proper nouns (artists, engravers, printers, publishers) and texts on graphics. The study presents the results of literary translation of engraving texts (legends, book illustrations, caricatures). The translation is based on the knowledge of characters’ language, intentions of the author and reflects the unity of visual artwork and the literary source

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25

Lewis, D. N., und S. K. Donovan. „Trace fossils - the poor relations of museum palaeontological collections?“ Geological Curator 8, Nr. 5 (Juni 2006): 255–59. http://dx.doi.org/10.55468/gc370.

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Collections of fossil invertebrates in museums are dominated by certain taxa, such as molluscs, whereas other minor groups are "Cinderella" taxa, of little general interest. Invertebrate trace fossils belong to this latter group, rarely utilised for museum displays and of scientific interest to only a small audience of experts. Organisation of such collections may be alphabetical, stratigraphical, geographical, ethological or a combination of these, but should not be "biological". As illustrations, two national collections are discussed, those of the Natural History Museum, London, and the Nationaal Natuurhistorisch Museum, Leiden.

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26

Herman, Nicholas. „Gaudenz Freuler (with contributions by Georgi Parpulov), The McCarthy Collection, Volume I: Italian and Byzantine Miniatures“. Fragmentology, Nr. 3 (Dezember 2020): 155–59. http://dx.doi.org/10.24446/dms0.

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Book Review for Fragmentology III (2020); review of Gaudenz Freuler (with contributions by Georgi Parpulov), The McCarthy Collection, Volume I: Italian and Byzantine Miniatures, London: Ad Ilissvm 2018, 304 pp. 250 colour illustrations, ISBN 9781912168071.

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27

Schadewitz, Hannu J., und Dallas R. Blevins. „A Review of the Data Collection Process“. Journal of Technical Writing and Communication 27, Nr. 4 (Oktober 1997): 417–24. http://dx.doi.org/10.2190/2gqv-964g-05uq-v2g6.

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This article reviews the data collection process. This process is of crucial importance because data offer empirical answers to theoretical research questions. Although the literature provides a wealth of instruction on the treatment of already collected data, far less has been written about the selection of the data. The present view focuses on this overlooked portion of research methodology. An actual illustration is used to demonstrate the factual decisions and procedures that may be used in any data collection process.

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28

Combe, David A. „Civil Law Collections on Microfiche“. International Journal of Legal Information 21, Nr. 1 (1993): 107–8. http://dx.doi.org/10.1017/s0731126500027475.

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The tomb of Napoleon inspires awe and reverence from its very nature: directly under the dome lies the red marble exterior sarcophagus of the Emperor. Along the circular gallery in the crypt are ten bas-reliefs in white marble illustrating the glories of Napoleon's reign. One of these honors the Code Napoléon. The supporting legal literature is shown in the form of books bearing these headings: Droit Romain, Institutes de Justinien, Pothier's Obligations, Domat, and the Customs of Paris, Orléans and Normandy. The only quotation to be found on the walls of the crypt is attributed to the Memoirs of Las Cases: “ Justice égale et intelligible pour tous.”

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Aspin, Richard K. „Illustrations from the Wellcome Institute Library. Seeking Lister in the Wellcome collections“. Medical History 41, Nr. 1 (Januar 1997): 86–93. http://dx.doi.org/10.1017/s0025727300062050.

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30

Bakewell, Sarah. „Illustrations from the Wellcome Institute Library: Medical gymnastics and the Cyriax collection“. Medical History 41, Nr. 4 (Oktober 1997): 487–95. http://dx.doi.org/10.1017/s0025727300063067.

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31

Waterhouse, G. R. „VIII. Notes on the Species of Triplax of Stephens' “Illustrations” and Collection.“ Transactions of the Royal Entomological Society of London 11, Nr. 2 (24.04.2009): 129–31. http://dx.doi.org/10.1111/j.1365-2311.1862.tb00594.x.

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32

Benedek, Thomas C. „The CIBA Collection of Medical Illustrations, vol 8: Musculoskeletal System, Part II“. JAMA: The Journal of the American Medical Association 265, Nr. 22 (12.06.1991): 3027. http://dx.doi.org/10.1001/jama.1991.03460220121046.

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33

Izquierdo, Jose Luis, und Francisco Pando. „The algae names and collection of the Spanish Phycologist Pedro González Guerrero“. Anales del Jardín Botánico de Madrid 74, Nr. 1 (03.05.2017): 047. http://dx.doi.org/10.3989/ajbm.2462.

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In this paper we collect the 103 algae names published by the Spanish phycologist Pedro González Guerrero during his life-long study of algae at the Royal Botanic Garden of Madrid. Names are presented with specific information to facilitate the typification of these names in the future, since P. González only used small illustrations as type elements when describing new infrageneric taxa. We also review here the status of this collection, which has been restored and databased in the process. The collection currently comprises over 2150 specimens, a fraction of what it was a much larger one.

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34

Fox, Lyndsey R., Stephen Stukins, Tom Hill und Haydon Bailey. „New species of Cenozoic benthic foraminifera from the former British Petroleum micropalaeontology collection“. Journal of Micropalaeontology 37, Nr. 1 (05.01.2018): 11–16. http://dx.doi.org/10.5194/jm-37-11-2018.

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Abstract. This paper describes four new Cenozoic, deep-water benthic foraminifera from the reference collections at the Natural History Museum in London. The focus is on selected calcareous taxa that are of stratigraphical and/or palaeoecological significance for academic and industrial-related activities. Alabamina heyae (urn:lsid:zoobank.org:act:1E8A66E9-1F4C-4B61-BA97-6E0ECCD0173E), Nonion cepa (urn:lsid:zoobank.org:act:9F36350A-1E49-4D69-B2CC-C83F343E2952), Uvigerina kingi (urn:lsid:zoobank.org:act:C36C89C2-2E65-4FF6-9368-C169B4591995) and Lenticulina stewarti (urn:lsid:zoobank.org:act:485AE871-CECA-44E8-ABD1-BAE2961FFD59) are described with new illustrations. Their biostratigraphic and palaeoecological significance is briefly discussed.

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35

Vasilyeva, Anna V. „ILLUSTRATIONS TO THE RUSSIAN TRANSLATION OF “THE ADVENTURES OF A LITTLE PREHISTORIC BOY” (1929) BY ERNEST D'HERVILLY IN THE SCOPE OF LITERARY WORKS ABOUT PEOPLE OF THE STONE AGE FROM THE STATE DARWIN MUSEUM COLLECTION“. Articult, Nr. 4 (2020): 104–12. http://dx.doi.org/10.28995/2227-6165-2020-4-104-112.

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The article dwells on the study of the image of a prehistoric man portrayed in children books illustrations and museum exhibitions’ design (paintings, sculptures) in 1920-1930s using the example of works from the State Darwin Museum funds. During this period, famous artists of children's books Vasily Vatagin and Mikhail Ezuchevsky worked at the State Darwin Museum. They were also well versed in anthropology and ethnography. Their drawings were the first Soviet illustrations for the book by Ernest d'Hervilly “The Adventures of a little prehistoric boy”, which became a popular science book for children in the USSR about prehistoric people. V.A. Vatagin, M.D. Ezuchevsky and A.N. Komarov created a number of paintings and sculptures about the life of prehistoric people for the exposition of the State Darwin Museum in the first half of the XX century. Illustrations and artworks introduced the element of entertainment and emotional appeal to the museum’s exhibitions, which otherwise were purely informative and rather cold-eyed.

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Bennett, Jim, und Giorgio Strano. „The So-Called ‘Chaucer Astrolabe’ from the Koelliker Collection, Milan“. Nuncius 29, Nr. 1 (2014): 179–229. http://dx.doi.org/10.1163/18253911-02901007.

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The so-called “Chaucer Astrolabe” from the Koelliker collection, Milan, is a remarkable 14th-century English instrument. In addition to recounting its recent story and expounding its detailed description, this article offers a multi-sided approach to the object. The instrument is examined in relation to some of the early manuscript copies and to other astrolabes that have most commonly been seen as linked to Geoffrey Chaucer’s Treatise on the Astrolabe. In particular, the article provides stylistic and astronomical analyses through comparisons with the illustrations in the early copies of the Treatise, a selection of very similar instruments, and the data of the Pseudo-Messahalla star table. This multi-sided approach has some implications for existing scholarship on the astrolabes in the Chaucer tradition.

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Gwynn, David. „Community connections, community collections“. Digital Library Perspectives 32, Nr. 2 (09.05.2016): 88–102. http://dx.doi.org/10.1108/dlp-08-2015-0013.

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Purpose This paper aims to explore library–community collaboration from both a theoretical and practical perspective, highlighting successful collaborative strategies and projects and illustrating important considerations for libraries that are considering community partnerships. Design/methodology/approach This paper consists of a literature review and several “capsule” case studies of projects completed at one academic library to illustrate principles that can result in successful collaborative projects. Findings Library–community collaboration presents significant benefits if the needs and priorities of all collaborating partners are taken into account. Successful projects will use the strengths of one partner to balance the weaknesses of another, will be based on shared goals, will offer credit to all partners and will result in stronger relationships for all involved. Originality/value Although library–community partnerships are not uncommon, many of these partnerships are housed in public libraries or involve only large, institutional players. This paper explores several non-traditional academic library initiatives involving youth service learning and outreach to smaller community groups that might otherwise be ignored by large university libraries.

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SUKHRAMANI, GEETIKA, und RITESH KUMAR CHOUDHARY. „Rediscovery of Smilax turbans (Smilacaceae) from Arunachal Pradesh, India, after 95 years of type collection“. Phytotaxa 609, Nr. 2 (22.08.2023): 124–30. http://dx.doi.org/10.11646/phytotaxa.609.2.4.

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Smilax turbans, an endemic species from Arunachal Pradesh, India, was last collected in 1928 by F. Kingdon-Ward, has not been collected since then. During our recent fieldwork, we found a population in Kurung Kumey district, about 500 km from the presumable type collection, after more than 95 years of its last known collection. To facilitate its identification, eventual conservation, we present a detailed description, illustrations, field, microscopic images, distribution, phenology,, comparison with closely related species.

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Metzner, Philipp, Christof Schütte und Eric Vanden-Eijnden. „Illustration of transition path theory on a collection of simple examples“. Journal of Chemical Physics 125, Nr. 8 (28.08.2006): 084110. http://dx.doi.org/10.1063/1.2335447.

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Zhang, Yimin. „Graphic illustration for mechanical reliability design (3)-testing and data collection“. Life Cycle Reliability and Safety Engineering 9, Nr. 3 (07.04.2020): 303–18. http://dx.doi.org/10.1007/s41872-020-00126-z.

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Archangel, Stephanie, und Maria Holtrop. „Black Women in the Rijksmuseum’s Sixteenth- and Seventeenth-Century Collection“. Rijksmuseum Bulletin 72, Nr. 1 (14.03.2024): 34–55. http://dx.doi.org/10.52476/trb.18948.

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The few studies of the depiction of Black people in Western art have focused primarily on the rendering of Black men. This article discusses the depictions of Black women in the Rijksmuseum’s collection, specifically in the sixteenth and seventeenth centuries, from the moment that Europeans and Africans met until about 1660, when representations became increasingly stereotyped. Black women in this period are depicted in a number of genres. The illustrations in travel journals and separate drawn records are concerned primarily with the differences in status between local inhabitants: the more clothes they wore, the higher their status. Yet the texts accompanying these depictions link nakedness to barbarity and lewdness. That nudity was retained as the way to represent allegorical Africa, in the form of a nearly naked Black female surrounded by wild animals, as was also prescribed in the iconographic manual by Cesare Ripa. When she was positioned in the company of the other continents, she was assigned a subordinate role as being less civilized and ripe for the taking. The Black woman also has a minor part as the allegory of Night or Darkness. In Biblical scenes the Black female is an individual character in some cases while in others she is a bystander, like white onlookers. There are no examples known of Black women who commissioned portraits themselves. There are, however, tronies that were intended to represent African facial features and a black skin, sometimes including an ‘exotic’ costume. Two etchings of Black females in everyday clothing might depict members of the Black communities that had settled in Antwerp, like they did in Amsterdam. Such illustrations made from life are too few in number, however, to express with subtlety the image of the Black woman countering the predominant image of her as an ‘exotic’, sexual apparition. It is possible that this analysis can be adapted on the basis of research into depictions in other – non-Northern-European – collections.

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Fox, Lyndsey R., Stephen Stukins, Tom Hill und Haydon W. Bailey. „New species of Mesozoic benthic foraminifera from the former British Petroleum micropalaeontology collection“. Journal of Micropalaeontology 37, Nr. 1 (16.05.2018): 395–401. http://dx.doi.org/10.5194/jm-37-395-2018.

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Abstract. This paper describes five new Mesozoic, deep-water benthic foraminifera from the former British Petroleum microfossil reference collections at the Natural History Museum, London. The focus is on selected calcareous and agglutinating taxa that are of stratigraphical and/or palaeoecological significance for academic and industrial related activities. Ophthalmidium dracomaris (urn:lsid:zoobank.org:act:CCE951DF-0446-416B-AC2D-C5322CD335D2), Trochammina fordonensis (urn:lsid:zoobank.org:act:4F00A270-F9B2-46D4-8587-C7ADCC191D13), Eobigenerina calloviensis (urn:lsid:zoobank.org:act:B8443AA5-CFE4-44C0-A5A2-65EA97BF7EFA), Arenoturrispirillina swiecickii (urn:lsid:zoobank.org:act:06A35E03-5AA4-4363-B471-4E1A0091F62E) and Ataxophragmium mariae (urn:lsid:zoobank.org:act:B8443AA5-CFE4-44C0-A5A2-65EA97BF7EFA) are described with new illustrations. Their biostratigraphic and palaeoecological significance are briefly discussed.

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SANJOBA, Chizu, Yusuf ^|^Ouml;ZBEL, Masahito ASADA, Yasutaka OSADA, Sambuu GANTUYA und Yoshitsugu MATSUMOTO. „Recent collections of Sergentomyia squamirostris (Diptera: Psychodidae) in Japan, with descriptions and illustrations“. Medical Entomology and Zoology 62, Nr. 1 (2011): 71–77. http://dx.doi.org/10.7601/mez.62.71.

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Jung, Sandro. „Robert Morison’s Collections of Extracts,The General Magazine, and the Reprinting of Illustrations“. Papers of the Bibliographical Society of America 111, Nr. 1 (März 2017): 31–60. http://dx.doi.org/10.1086/690620.

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Longfield-Jones, G. M. „Illustrations from the Wellcome collections: A Graeco-Roman speculum in The Wellcome Museum“. Medical History 30, Nr. 1 (Januar 1986): 81–89. http://dx.doi.org/10.1017/s0025727300045051.

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Arnold, Ken, und Danielle Olsen. „Illustrations from the Wellcome Collections. Medicine Man: The Forgotten Museum of Henry Wellcome“. Medical History 47, Nr. 3 (Juli 2003): 369–81. http://dx.doi.org/10.1017/s0025727300057069.

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Parkes, M. A., P. Coffey und P. Connaughton. „The printing wood block collection of the Geological Survey of Ireland“. Geological Curator 7, Nr. 4 (November 2000): 149–56. http://dx.doi.org/10.55468/gc445.

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The 19th century Memoirs of the Geological Survey of Ireland used standard printing technology of the period for illustrations, where a wood block was drawn upon and the wood carved away to provide a relief which transferred the ink to paper in the press as did the metal type for text characters. A collection of many hundreds of wood blocks has been 'rediscovered' within the Geological Survey of Ireland. The nature, condition and treatment of the wood block collection are described; the cataloguing has shown the majority of wood blocks for the 19th century memoir figures are still extant. Several wood blocks in different stages of development for unfinished memoirs illustrate the full process, and exemplify the artistry and skill required.

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Johnston, Marshall C. „DETERMINATIONS OF RHAMNACEAE OF THE TORNER COLLECTION OF SESSÉ AND MOCIÑO BIOLOGICAL ILLUSTRATIONS“. TAXON 37, Nr. 2 (Mai 1988): 471–72. http://dx.doi.org/10.2307/1222175.

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Dixon, Shirley. „Illustrations from the Wellcome Institute Library: The Royal Army Medical Corps ‘Muniment Collection’“. Medical History 38, Nr. 4 (Oktober 1994): 459–69. http://dx.doi.org/10.1017/s0025727300036942.

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Knott, Cheryl. „Expert Reception of The Limits to Growth: A Few Simple Tools for the Book Historian“. Knygotyra 78 (27.06.2022): 140–62. http://dx.doi.org/10.15388/knygotyra.2022.78.109.

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In the early 1970s, a research team at the Massachusetts Institute of Technology used new methods of computer modelling to simulate global dynamic processes. The outcome of their work was a series of projections of the depletion of natural resources worldwide, with potentially dire consequences for the environment and the economy. Their report on their modelling and its projections was issued as a book in 1972, entitled The Limits to Growth. It created an immediate debate among scholars, policy makers, and other educated readers, and publications citing The Limits to Growth over its lifespan are voluminous. It continues to be cited 50 years after it was issued. The long citation period and the varied responses over time pose challenges for the book historian seeking to characterise the reception of the book. This article explores the ways in which book historians can use readily available citation analysis and visualisation tools to deepen understanding of a book’s reception beyond the qualitative methods typically used in the secondary literature. The Web of Science’s citation indexing and the HathiTrust collection’s full-text searching capability are used to identify articles and books that have cited or referred to The Limits to Growth. Examples of the visualisations generated from the search results in each are included as illustrations of simple, accessible tools that the lone book historian can use when the scale of his or her work does not require the kind of computational analytics created to parse big textual data in digital humanities projects.

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