Zeitschriftenartikel zum Thema „Humanities -> performing arts -> dance“
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WHATLEY, SARAH. „Archives of the Dance (21): Siobhan Davies Dance Online“. Dance Research 26, Nr. 2 (Oktober 2008): 244–57. http://dx.doi.org/10.3366/e0264287508000212.
Der volle Inhalt der QuelleLópez Arnaiz, Irene. „Living Archive. Nyota Inyoka’s Archive: Traces of the Ephemeral and Ancient Dances Reenactment“. Anales de Historia del Arte 32 (14.07.2022): 327–50. http://dx.doi.org/10.5209/anha.83074.
Der volle Inhalt der QuelleMcCann, Gillian. „Performing Gender, Class and Nation: Rukmini Devi Arundale and the Impact of Kalakshetra“. South Asia Research 39, Nr. 3_suppl (23.09.2019): 61S—79S. http://dx.doi.org/10.1177/0262728019872612.
Der volle Inhalt der QuelleBench, Harmony, und Kate Elswit. „Visceral Data for Dance Histories“. TDR: The Drama Review 66, Nr. 1 (März 2022): 37–61. http://dx.doi.org/10.1017/s1054204321000708.
Der volle Inhalt der QuelleBench, Harmony, und Kate Elswit. „Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham's Data“. Dance Research 38, Nr. 2 (November 2020): 289–95. http://dx.doi.org/10.3366/drs.2020.0314.
Der volle Inhalt der QuelleBench, Harmony. „Mapping Touring: Remediating Concert Dance Archives“. Dance Research Journal 51, Nr. 3 (Dezember 2019): 4–27. http://dx.doi.org/10.1017/s0149767719000342.
Der volle Inhalt der QuelleSamarasinghe, Kamani. „A Review of the International Music Conference Themed “Symbiosis of Arts and Cultures: Nurturing Expression, Connection, and Well-being”“. Journal of Research in Music 2, Nr. 1 (31.01.2024): 54–62. http://dx.doi.org/10.4038/jrm.v2i1.26.
Der volle Inhalt der QuelleBulag, Uradyn E. „Mongolian Music, Dance, and Oral Narrative: Performing Diverse Identities.:Mongolian Music, Dance, and Oral Narrative: Performing Diverse Identities.“ American Anthropologist 105, Nr. 2 (Juni 2003): 452–53. http://dx.doi.org/10.1525/aa.2003.105.2.452.
Der volle Inhalt der QuelleKennedy, Teri. „Why Arts Matter to People and Families Living With Dementia: Interprofessional Health Humanities Collaboration“. Innovation in Aging 4, Supplement_1 (01.12.2020): 566–67. http://dx.doi.org/10.1093/geroni/igaa057.1872.
Der volle Inhalt der QuellePeng, Xun. „Historical Development and Cross-Cultural Influence of Dance Creation: Evolution of Body Language“. Herança 7, Nr. 1 (29.12.2023): 88–99. http://dx.doi.org/10.52152/heranca.v7i1.764.
Der volle Inhalt der QuelleMorris, Gay. „Dance Studies/Cultural Studies“. Dance Research Journal 41, Nr. 1 (2009): 82–100. http://dx.doi.org/10.1017/s0149767700000541.
Der volle Inhalt der QuelleArnold, Peter J. „Objectivity, Expression, and Communication in Dance as a Performing Art“. Journal of Aesthetic Education 29, Nr. 1 (1995): 61. http://dx.doi.org/10.2307/3333517.
Der volle Inhalt der QuelleBory, Alison, und Ariel Nereson. „A Set of Questions for a Field in Motion: Susan Leigh Foster’s “Choreographies of Protest” and Dance Studies in Theatre Journal“. Theatre Journal 75, Nr. 4 (Dezember 2023): 413–23. http://dx.doi.org/10.1353/tj.2023.a922212.
Der volle Inhalt der QuelleMansfield, Louise, Tess Kay, Catherine Meads, Lily Grigsby-Duffy, Jack Lane, Alistair John, Norma Daykin et al. „Sport and dance interventions for healthy young people (15–24 years) to promote subjective well-being: a systematic review“. BMJ Open 8, Nr. 7 (Juli 2018): e020959. http://dx.doi.org/10.1136/bmjopen-2017-020959.
Der volle Inhalt der QuelleKaul, Adam R. „Performing Ecstasies: Music, Dance, and Ritual in the Mediterranean“. Folk Life 46, Nr. 1 (Januar 2007): 165–66. http://dx.doi.org/10.1179/flk.2007.46.1.165.
Der volle Inhalt der QuelleLim, Youngmi. „Korean Fan Dance for Fun: Performing Alterity in Contemporary Japan“. Ethnos 80, Nr. 2 (04.11.2013): 192–222. http://dx.doi.org/10.1080/00141844.2013.831942.
Der volle Inhalt der QuelleAMES, MARGARET. „Dancing Place/Disability“. Theatre Research International 40, Nr. 2 (02.06.2015): 170–85. http://dx.doi.org/10.1017/s0307883315000048.
Der volle Inhalt der QuelleBond, Chrystelle Trump. „Southern Dance Traditions—Communities in Motion (Center for Appalachian Studies and Services, Tennessee Humanities Council, and Congress on Research in Dance; East Tennessee State University, 1–3 March 1990)“. Dance Research Journal 22, Nr. 2 (1990): 45–47. http://dx.doi.org/10.1017/s0149767700002631.
Der volle Inhalt der QuelleKasai, Aya, Philippe Chéhère, Rie Harada, Nonoko Kameyama und Julie Salgues. „La danse du détour: A collaborative arts performance with people touched by Minamata disease“. Journal of Applied Arts & Health 14, Nr. 2 (01.07.2023): 207–25. http://dx.doi.org/10.1386/jaah_00139_1.
Der volle Inhalt der QuelleCovington-Ward, Yolanda. „Roberts, Allen F.: A Dance of Assassins . Performing Early Colonial Hegemony in the Congo“. Anthropos 109, Nr. 2 (2014): 737–38. http://dx.doi.org/10.5771/0257-9774-2014-2-737.
Der volle Inhalt der QuelleHan, Yuchen, und Lin Zhang. „Historical Evolution and Cultural Identity of National Dance: Taking Andai Dance as the Research Object“. Herança 7, Nr. 1 (22.12.2023): 165–76. http://dx.doi.org/10.52152/heranca.v7i1.829.
Der volle Inhalt der QuelleChakrabarti, Pritha. „Performing the region: Sadhona Bose and the modern Bengali film dance“. South Asian History and Culture 8, Nr. 2 (24.03.2017): 155–70. http://dx.doi.org/10.1080/19472498.2017.1304089.
Der volle Inhalt der QuelleDormani, Carmela Muzio. „So You Think You Can Salsa: Performing Latinness on Reality Dance Television“. Journal of Popular Culture 53, Nr. 3 (Juni 2020): 720–38. http://dx.doi.org/10.1111/jpcu.12929.
Der volle Inhalt der QuelleReed, Susan A. „Performing Respectability: The Berav, Middle-Class Nationalism, and the Classicization of Kandyan Dance in Sri Lanka“. Cultural Anthropology 17, Nr. 2 (Mai 2002): 246–77. http://dx.doi.org/10.1525/can.2002.17.2.246.
Der volle Inhalt der QuelleZafeiroudi, Aglaia. „Analyzing and Discussing the Evolution of Arabesque Movement According to Dance Elements and Aesthetics“. Academic Journal of Interdisciplinary Studies 12, Nr. 6 (05.11.2023): 41. http://dx.doi.org/10.36941/ajis-2023-0152.
Der volle Inhalt der QuelleReus, Teresa Gómez. „Performing the (post‐modern) dance of gender: Nancy Spero and images of women“. Journal of Gender Studies 2, Nr. 1 (Mai 1993): 45–55. http://dx.doi.org/10.1080/09589236.1993.9960528.
Der volle Inhalt der QuelleSCHÜẞLER, LOTTE. „Theatre Exhibitions, Models and the Quest for Anschauung“. Theatre Research International 47, Nr. 1 (18.02.2022): 79–98. http://dx.doi.org/10.1017/s0307883321000614.
Der volle Inhalt der QuelleAdley, Melanie. „Book Review: Performing Femininity: Dance and Literature in German Modernism. By Alexandra Kolb. Berlin: Peter Lang, 2009. Pp. viii + 316. £40.00“. Journal of European Studies 40, Nr. 3 (27.08.2010): 294–95. http://dx.doi.org/10.1177/00472441100400030808.
Der volle Inhalt der QuelleCohen, Adrienne J. „Performing excess: urban ceremony and the semiotics of precarity in Guinea-Conakry“. Africa 89, Nr. 4 (November 2019): 718–38. http://dx.doi.org/10.1017/s0001972019000871.
Der volle Inhalt der QuelleLi, Qing. „Research on the Integration and Innovation of Culture and Tourism in Dance Performances in Xi'an, China During the Historical Evolution Process“. Herança 7, Nr. 1 (30.11.2023): 21–32. http://dx.doi.org/10.52152/heranca.v7i1.828.
Der volle Inhalt der QuelleErsoy, Zehra. „‘Building Dancing’: Dance within the Context of Architectural Design Pedagogy“. International Journal of Art & Design Education 30, Nr. 1 (Februar 2011): 123–32. http://dx.doi.org/10.1111/j.1476-8070.2011.01679.x.
Der volle Inhalt der QuelleRasmussen, Susan J. „The ‘head dance’, contested self, and art as a balancing act in Tuareg spirit possession“. Africa 64, Nr. 1 (Januar 1994): 74–98. http://dx.doi.org/10.2307/1161095.
Der volle Inhalt der QuelleAlves Guimarães, Maria Claudia. „The Brazilian Contemporary Dance Scene of the Periferia“. Pamiętnik Teatralny 73, Nr. 1 (18.03.2024): 57–81. http://dx.doi.org/10.36744/pt.1623.
Der volle Inhalt der QuelleHewamanne, Sandya. „Performing 'Dis-respectability': New Tastes, Cultural Practices, and Identity Performances by Sri Lanka's Free Trade Zone Garment-Factory Workers“. Cultural Dynamics 15, Nr. 1 (01.03.2003): 71–101. http://dx.doi.org/10.1177/a033109.
Der volle Inhalt der QuelleDu, Jingge. „Challenging stigmatization through cultural dance: Exploring the role of fengyang flower drums in shaping collective identity, revitalizing tradition, and overcoming social prejudice“. Herança 6, Nr. 2 (31.10.2023): 217–31. http://dx.doi.org/10.52152/heranca.v6i2.778.
Der volle Inhalt der QuelleYeung, Jerry, Alfredo Bautista, Carrey Tik-Sze Siu, Po-Chi Tam und Kit-Mei Wong. „Arts and Creativity in Hong Kong Kindergartens: A Document Analysis of Quality Review Reports“. Creativity. Theories – Research - Applications 9, Nr. 1 (01.06.2022): 87–107. http://dx.doi.org/10.2478/ctra-2022-0005.
Der volle Inhalt der QuellePaiva, Adam. „Preventing, predicting, and simulating the noise impact of one indoor music venue on another through a large glass wall“. Journal of the Acoustical Society of America 152, Nr. 4 (Oktober 2022): A32. http://dx.doi.org/10.1121/10.0015441.
Der volle Inhalt der QuelleDragone, Simone. „Finding Kokoro through the Eyes: Butoh in Roberta Carreri’s Work and Pedagogy“. Pamiętnik Teatralny 72, Nr. 3 (01.09.2023): 17–40. http://dx.doi.org/10.36744/pt.1638.
Der volle Inhalt der QuelleOrel, Dmitriy. „SYSTEMATIC TRAINING OF PROFESSIONAL CIRCUS ARTISTSБ (ACROBATS-VOLTIGERS AND AIR GYMNASTS ON THE CORDE-DE-PÉRIL) IN THE INSTITUTION OF HIGHER EDUCATION OF ART SPHERE“. ART-platFORM 1, Nr. 1 (14.05.2020): 126. http://dx.doi.org/10.51209/platform.1.1.2020.126-140.
Der volle Inhalt der QuelleHammergren, Lena. „Choreography and Narrative: Ballet's Staging of Story and Desire. Susan L. FosterGendering Bodies/Performing Art: Dance and Literature in Early Twentieth-Century British Culture. Amy Koritz“. Signs: Journal of Women in Culture and Society 23, Nr. 4 (Juli 1998): 1075–77. http://dx.doi.org/10.1086/495305.
Der volle Inhalt der QuelleTayeb, Leila. „To Follow Bousaadiya“. Middle East Journal of Culture and Communication 16, Nr. 3 (25.10.2023): 313–36. http://dx.doi.org/10.1163/18739865-01603006.
Der volle Inhalt der QuelleHooker, Lynn. „Performing the old world, embracing the new: Festivalization, the carnivalesque, and the creation and maintenance of community in north american hungarian folk music and dance camps“. Hungarian Studies 22, Nr. 1-2 (September 2008): 89–101. http://dx.doi.org/10.1556/hstud.22.2008.1-2.7.
Der volle Inhalt der QuelleSzymajda, Joanna, und Anton Ovchinnikov. „Dancing the New Realities: The Beauty and a Beast of the War“. Pamiętnik Teatralny 73, Nr. 1 (18.03.2024): 15–39. http://dx.doi.org/10.36744/pt.2369.
Der volle Inhalt der QuelleNolan, Mary L., und Rebecca Godwin. „Is belly dancing in pregnancy safe and beneficial? The views of two expert panels“. Journal of Applied Arts & Health 00, Nr. 00 (17.03.2022): 1–11. http://dx.doi.org/10.1386/jaah_00097_1.
Der volle Inhalt der QuelleDaugherty, Elaine DiFalco, und Heather Trommer-Beardslee. „Movement breaks for classroom and online learning: An outreach project connecting university and elementary school students“. Journal of Applied Arts & Health 13, Nr. 1 (01.03.2022): 97–105. http://dx.doi.org/10.1386/jaah_00090_1.
Der volle Inhalt der QuelleMitra, Royona. „living a body myth, performing a body reality: reclaiming the corporeality and sexuality of the Indian female dancer“. Feminist Review 84, Nr. 1 (Oktober 2006): 67–83. http://dx.doi.org/10.1057/palgrave.fr.9400301.
Der volle Inhalt der QuelleManning, Susan. „Dancing Modernism/Performing Politics. Mark FrankoThe Male Dancer: Bodies, Spectacle, Sexualities. Ramsay BurtCorporealities: Dancing Knowledge, Culture and Power. Susan Foster“. Signs: Journal of Women in Culture and Society 23, Nr. 1 (Oktober 1997): 225–29. http://dx.doi.org/10.1086/495242.
Der volle Inhalt der QuelleFalkeid, Unn. „Zygmunt G. Barański and Martin McLaughlin, eds. Dante the Lyric and Ethical Poet: Dante lirico e etico. Legenda. London: Modern Humanities Research Association, 2010. xiv + 246 pp. index. $89.50. ISBN: 978–1–906540–04–3.“ Renaissance Quarterly 64, Nr. 1 (2011): 157–58. http://dx.doi.org/10.1086/660372.
Der volle Inhalt der QuelleHannoosh, Michèle. „"Quanto dirne si dee non si può dire" : Delacroix lecteur de Dante“. Dante e l'Arte 10 (18.12.2023): 41–62. http://dx.doi.org/10.5565/rev/dea.200.
Der volle Inhalt der QuelleCappuccio, Chiara. „musica di Dante“. Dante e l'Arte 10 (18.12.2023): 199–204. http://dx.doi.org/10.5565/rev/dea.212.
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