Auswahl der wissenschaftlichen Literatur zum Thema „Humanities -> performing arts -> animation“
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Zeitschriftenartikel zum Thema "Humanities -> performing arts -> animation"
Hautopp, Heidi. „Combining graphic facilitation and animation-based sketching in higher education“. Drawing: Research, Theory, Practice 8, Nr. 2 (01.10.2023): 179–99. http://dx.doi.org/10.1386/drtp_00114_1.
Der volle Inhalt der QuelleMrozewicz, Anna Estera. „Cinema as a safe vessel: Jonas Poher Rasmussen’s Flee“. Journal of Scandinavian Cinema 13, Nr. 3 (01.09.2023): 301–23. http://dx.doi.org/10.1386/jsca_00099_1.
Der volle Inhalt der QuelleLagarde, Patricia. „Sculpting with the Sun“. Latin American and Latinx Visual Culture 5, Nr. 3 (01.07.2023): 32–49. http://dx.doi.org/10.1525/lavc.2023.5.3.32.
Der volle Inhalt der QuelleGriffin, George. „Concrete Animation“. Animation 2, Nr. 3 (November 2007): 259–74. http://dx.doi.org/10.1177/1746847707083421.
Der volle Inhalt der QuelleFleisch, Thorsten. „Borderline Animation“. Animation 4, Nr. 2 (Juli 2009): 191–202. http://dx.doi.org/10.1177/1746847709104648.
Der volle Inhalt der QuelleHosea, Birgitta. „Drawing Animation“. Animation 5, Nr. 3 (November 2010): 353–67. http://dx.doi.org/10.1177/1746847710386429.
Der volle Inhalt der QuelleWolfe, Graham. „Biopolitical Animation“. Performance Research 27, Nr. 1 (02.01.2022): 122–30. http://dx.doi.org/10.1080/13528165.2022.2092304.
Der volle Inhalt der QuelleZhuang, Muyang. „Animation of Experiment: The Science Education Film and Useful Animation in China“. Animation 18, Nr. 2 (Juli 2023): 152–66. http://dx.doi.org/10.1177/17468477231182914.
Der volle Inhalt der QuelleGaudreault, André, und Philippe Gauthier. „Special issue: Could Kinematography be Animation and Animation Kinematography?“ Animation 6, Nr. 2 (Juli 2011): 85–91. http://dx.doi.org/10.1177/1746847711408232.
Der volle Inhalt der QuelleHerhuth, Eric. „The Politics of Animation and the Animation of Politics“. Animation 11, Nr. 1 (18.02.2016): 4–22. http://dx.doi.org/10.1177/1746847715624581.
Der volle Inhalt der QuelleDissertationen zum Thema "Humanities -> performing arts -> animation"
Massuet, Jean-Baptiste. „Quand le dessin animé rencontre le cinéma en prises de vues réelles : modalités historiques, théoriques et esthétiques d'une scission-assimilation entre deux régimes de représentation“. Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00935335.
Der volle Inhalt der QuelleChin, Min-Zhi. „Naga: Combining 2D and 3D Animation“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/119.
Der volle Inhalt der QuelleBaroin, Gilles. „Applications de la théorie des graphes à des objets musicaux : modélisations, visualisations en hyperespace“. Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00943407.
Der volle Inhalt der QuelleSingleton, Joe. „Ascension: A Fine and Performing Art Scholar Thesis“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/17.
Der volle Inhalt der QuelleCorrero, Augustine III. „Performing Tennessee Williams“. VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2713.
Der volle Inhalt der QuelleSouthall, Sally. „Pedagogy and Performing Shakespeare's Text: A Comparative Study“. VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1832.
Der volle Inhalt der QuelleWetterbrandt, Oskar. „Förmedling av känslor genom animation på simplistisk modell : En studie med avsikt att utöka användningsområden för traditionell lära inom animation“. Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-13603.
Der volle Inhalt der QuelleRogers, Brendan. „Technique arms the imagination developing an acting theory best suited for motion capture performance and the creation of a virtual character“. Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5029.
Der volle Inhalt der QuelleID: 030422726; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.F.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 88-92).
M.F.A.
Masters
Theatre
Arts and Humanities
Acting
Jin, Rui. „Memoir of a marionette /“. Online version of thesis, 2008. http://hdl.handle.net/1850/8039.
Der volle Inhalt der QuelleGadd, Jordan. „Performing Violence: The (Un)reality of War - Chris Burden, Edward Kienholz, Wafaa Bilal“. Scholarship @ Claremont, 2009. http://scholarship.claremont.edu/pomona_theses/29.
Der volle Inhalt der QuelleBücher zum Thema "Humanities -> performing arts -> animation"
Muir, Shannon. Gardner's Guide to Pitching and Selling Animation. Chicago: Garth Gardner Company, 2008.
Den vollen Inhalt der Quelle finden1968-, Hykade Andreas, Hrsg. The animation pimp. Boston, MA: AWN Press, 2007.
Den vollen Inhalt der Quelle findenZhŭraev, Ashurali. Tanimading-a?!: Mashḣur qiziqchi Ḣ. Tozhiboev ḣaqida ḣangomalar qissasi. Toshkent: Sharq, 2005.
Den vollen Inhalt der Quelle findenRostot︠s︡kai︠a︡, M. Aspekty kulʹtury: Klassika i sovremennostʹ: kurs lekt︠s︡iĭ, prochitannykh na fakulʹtete dopolnitelʹnogo obrazovanii︠a︡. Moskva: Vserossiĭskiĭ gos. in-t kinematografii im. S.A. Gerasimova, 2001.
Den vollen Inhalt der Quelle findenRose, Riley Shannon, und Hunter Lynette, Hrsg. Mapping landscapes for performance as research: Scholarly acts and creative cartographies. New York: Palgrave Macmillan, 2009.
Den vollen Inhalt der Quelle findenRösing, Lilian Munk. Pixar with Lacan: The hysteric's guide to animation. New York: Bloomsbury Academic, 2015.
Den vollen Inhalt der Quelle findenV, Bartoshevich A., Hrsg. Spektakli dvadt︠s︡atogo veka. Moskva: GITIS, 2004.
Den vollen Inhalt der Quelle findenMAXON CINEMA 4D S24: A Tutorial Approach, 8th Edition. CADCIM Technologies, 2021.
Den vollen Inhalt der Quelle findenMAXON CINEMA 4D R20 Studio: A Tutorial Approach, 7th Edition. CADCIM Technologies, 2019.
Den vollen Inhalt der Quelle findenBasics Animation 03: Drawing for Animation. Bloomsbury Publishing Plc, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Humanities -> performing arts -> animation"
Crawford, Paul, Brian Brown, Charley Baker, Victoria Tischler und Brian Abrams. „Performing Arts and the Aesthetics of Health“. In Health Humanities, 82–105. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137282613_5.
Der volle Inhalt der QuelleYuwana, Setya, Titik Indarti, Arief Sudrajat und Buntas Pradoto. „Masks in Thathakan Performing Arts in Tuban: Ethnosemiotics Study“. In Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022), 1695–706. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-008-4_183.
Der volle Inhalt der QuelleKaryawanto, Harpang Y., Warih Handayaningrum, I. Nengah Mariasa und Dhani Kristiandari. „Visitors’ Perceptions of Performing Arts in Tourism Village: An Indonesian Experience“. In Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022), 1635–41. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-008-4_176.
Der volle Inhalt der QuelleNerosti, Jamaris, Delfi Elfiza und Hendra Afriwan. „Explore The Performing Arts In The Orange Agro-Tourism Area Of Nagari Setara Nanggalo“. In Advances in Social Science, Education and Humanities Research, 104–11. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-124-1_16.
Der volle Inhalt der QuelleJuwariyah, Anik, Trisakti Trisakti und Retnayu P. Sekti. „Cultural Value in the Performing Arts Langen Tayub as a Strengthening of Preservation of Traditional Arts and Cultural in Nganjuk District“. In Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022), 1623–34. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-008-4_175.
Der volle Inhalt der QuelleSoikun, Teddy Marius, und Verly Veto Vermol. „Adaptation of Kansei Engineering Concept in Designing Appealing Computer Animation on Sabah Oral Tradition“. In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014), 351–56. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-530-3_35.
Der volle Inhalt der QuelleKelemen, Mihaela, Martin Phillips, Deborah James und Sue Moffat. „Performing the legacy of animative and iterative approaches to co-producing knowledge“. In Valuing Interdisciplinary Collaborative Research. Policy Press, 2017. http://dx.doi.org/10.1332/policypress/9781447331605.003.0006.
Der volle Inhalt der Quelle„Performing Research in the Creative Arts, Design and Digital Humanities: A Dialogue“. In Performing Digital, 253–64. Routledge, 2016. http://dx.doi.org/10.4324/9781315599960-24.
Der volle Inhalt der QuelleAllen, Aaron S. „Diverse Ecomusicologies“. In Performing Environmentalisms, 89–116. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252044038.003.0005.
Der volle Inhalt der QuelleHooker, Claire, und James Dalton. „The performing arts in medicine and medical education“. In Routledge handbook of the medical humanities, 205–19. Routledge, 2019. http://dx.doi.org/10.4324/9781351241779-20.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Humanities -> performing arts -> animation"
Ong, Tee Chuan. „INCORPORATING CONSTRUCTIVISTS LEARNING ENVIRONMENT WITH ROLE PLAYING ELEMENTS INTO 3D ANIMATION CLASSROOMS“. In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4105.
Der volle Inhalt der QuellePurwaningsih, Dominika Anggraeni. „Sustainable Animation Production: Movement Effectiveness and Durability of Stop-Motion Puppet Using Alternative Materials for Animation Production“. In The IAFOR International Conference on Arts & Humanities – Hawaii 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2432-4604.2023.34.
Der volle Inhalt der QuelleKusmayati, A. M. Hermien, und Raharja. „The Attractive and Adaptable Indonesia Traditional Performing Art“. In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008763402810287.
Der volle Inhalt der QuellePocius, K., T. Davis und V. Cusson. „eTu{d,b}e: DEVELOPING AND PERFORMING SPATIALIZATION MODELS FOR IMPROVISING MUSICAL AGENTS“. In International Conference on Arts and Humanities. The Institute of Knowledge Managment, 2024. http://dx.doi.org/10.17501/23572744.2023.10102.
Der volle Inhalt der QuelleTrisakti, Eva Rahmawati und Anik Juwariyah. „Performing Arts Appreciation Literacy In Millennium Era“. In Proceedings of the 1st International Conference on Education Social Sciences and Humanities (ICESSHum 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icesshum-19.2019.48.
Der volle Inhalt der Quelle„Study on the Audiovisual Language Style of Chinese Animation Works“. In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.006.
Der volle Inhalt der Quelle„Research on Performing Techniques and Philosophical Connotation of Mahler’s Symphony“. In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.052.
Der volle Inhalt der Quelle„The exploring of animation movie subtitles translation strategies with skopos theory perspective“. In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.70.
Der volle Inhalt der Quelle„The Application of Chinese Traditional Literati Painting in Animation Design“. In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.26.
Der volle Inhalt der QuelleKim, Eugenia S. „Constructing a Dance Pathography: Integrating the performing arts, multimedia and digital medical humanities“. In Electronic Visualisation and the Arts. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/eva2018.20.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Humanities -> performing arts -> animation"
Lynch, Clifford, und Diane Goldenberg-Hart. Beyond the Pandemic: The Future of the Research Enterprise in Academic Year 2021-22 and Beyond. Coalition for Networked Information, August 2021. http://dx.doi.org/10.56561/mwrp9673.
Der volle Inhalt der QuelleReport on Grouped Peer Review of Scholarly Journals in Humanities II: Visual and Performing Arts. Academy of Science of South Africa (ASSAf), 2018. http://dx.doi.org/10.17159/assaf.2018/0028.
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