Zeitschriftenartikel zum Thema „Humanities -> music -> techniques“
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Comber, Chris, David J. Hargreaves und Ann Colley. „Girls, Boys and Technology in Music Education“. British Journal of Music Education 10, Nr. 2 (Juli 1993): 123–34. http://dx.doi.org/10.1017/s0265051700001583.
Der volle Inhalt der QuelleEhmann, Andreas F., und J. Stephen Downie. „Music to knowledge: A visual programming environment for the development and evaluation of music information retrieval techniques“. Journal of the Acoustical Society of America 118, Nr. 3 (September 2005): 2031. http://dx.doi.org/10.1121/1.4785794.
Der volle Inhalt der QuelleSmith, Julius O. „Signal processing techniques in music synthesis based on a physical model.“ Journal of the Acoustical Society of America 90, Nr. 4 (Oktober 1991): 2336. http://dx.doi.org/10.1121/1.402205.
Der volle Inhalt der QuelleMills, John A. „The application of cochlear audio analysis techniques to electro‐acoustic music“. Journal of the Acoustical Society of America 115, Nr. 5 (Mai 2004): 2450. http://dx.doi.org/10.1121/1.4782231.
Der volle Inhalt der QuelleMills, John. „Application of cochlear analysis techniques to percussion in electro‐acoustic music“. Journal of the Acoustical Society of America 117, Nr. 4 (April 2005): 2477. http://dx.doi.org/10.1121/1.4787600.
Der volle Inhalt der QuellePiryazeva, Elena Nikolaevna. „Digital music art through the prism of interdisciplinarity“. Философия и культура, Nr. 12 (Dezember 2020): 25–39. http://dx.doi.org/10.7256/2454-0757.2020.12.34491.
Der volle Inhalt der QuelleWeymann, Eckhard. „Improvisation as “unthought known”: creative techniques in music therapy supervision“. Nordic Journal of Music Therapy 25, sup1 (30.05.2016): 114–15. http://dx.doi.org/10.1080/08098131.2016.1180133.
Der volle Inhalt der QuelleKvistad, Garry M. „Rhythmic techniques and psychoacoustic effects of the percussion music of Steve Reich“. Journal of the Acoustical Society of America 134, Nr. 5 (November 2013): 4187. http://dx.doi.org/10.1121/1.4831357.
Der volle Inhalt der QuelleAnderson Mills, John. „Application of cochlear analysis techniques to finding percussive events in electro‐acoustic music“. Journal of the Acoustical Society of America 121, Nr. 5 (Mai 2007): 3061. http://dx.doi.org/10.1121/1.4781825.
Der volle Inhalt der QuelleMills, Anderson. „Application of cochlear analysis techniques to finding percussive events in electro‐acoustic music“. Journal of the Acoustical Society of America 119, Nr. 5 (Mai 2006): 3440. http://dx.doi.org/10.1121/1.4786932.
Der volle Inhalt der QuelleMathews, Max. „Techniques for expressive performance of electronic music with real‐time, computer‐controlled synthesizers“. Journal of the Acoustical Society of America 87, S1 (Mai 1990): S40. http://dx.doi.org/10.1121/1.2028210.
Der volle Inhalt der QuelleDiSalvo, Carl Francis. „Philosophy and Visual Representation: Imaging the Impossible“. Leonardo 32, Nr. 2 (April 1999): 83–86. http://dx.doi.org/10.1162/002409499553019.
Der volle Inhalt der QuelleMisto, Riccardo. „Yoga of Sound music therapy system: techniques acting on autonomic nervous system“. Nordic Journal of Music Therapy 25, sup1 (30.05.2016): 104–5. http://dx.doi.org/10.1080/08098131.2016.1180115.
Der volle Inhalt der QuelleTarr, Eric. „Digital models of analog circuits for musical audio production: A review of techniques and library for automated circuit solving“. Journal of the Acoustical Society of America 152, Nr. 4 (Oktober 2022): A179. http://dx.doi.org/10.1121/10.0015958.
Der volle Inhalt der QuelleEgüz, Şule. „Social Studies Instruction With Educational Music: Write, Compose, and Apply“. SAGE Open 12, Nr. 3 (Juli 2022): 215824402211206. http://dx.doi.org/10.1177/21582440221120651.
Der volle Inhalt der QuelleGraf, Anna. „Possible transfer and evaluation of use of visual art techniques to music therapy“. Nordic Journal of Music Therapy 25, sup1 (30.05.2016): 132. http://dx.doi.org/10.1080/08098131.2016.1180166.
Der volle Inhalt der QuelleLinz, Jill A., und Christian Howat. „Atom Tones: investigating waveforms and spectra of atomic elements in an audible periodic chart using techniques found in music production“. Journal of the Acoustical Society of America 152, Nr. 4 (Oktober 2022): A220. http://dx.doi.org/10.1121/10.0016071.
Der volle Inhalt der QuelleCorey, Ryan M. „Multiple-source dynamic range compression in hearing devices: What can we learn from music mixing?“ Journal of the Acoustical Society of America 153, Nr. 3_supplement (01.03.2023): A51. http://dx.doi.org/10.1121/10.0018130.
Der volle Inhalt der QuelleZandberga, Diāna. „THE PIANIST’S PERCEPTION OF FIGURATIVE TEXTURE IN PIANO WORKS BY LATVIAN COMPOSERS“. Culture Crossroads 22 (13.09.2023): 58–70. http://dx.doi.org/10.55877/cc.vol22.438.
Der volle Inhalt der QuelleKoshiol, Jared H., und Greg DeBlasio. „Improving lyrical intelligibility in live music and concert settings: Evaluating the application of alternative sound reinforcement techniques“. Journal of the Acoustical Society of America 144, Nr. 3 (September 2018): 1762. http://dx.doi.org/10.1121/1.5067796.
Der volle Inhalt der QuelleGonzález-Zamar, Mariana-Daniela, und Emilio Abad-Segura. „Visual Arts in the University Educational Ecosystem: Analysis of Schools of Knowledge“. Education Sciences 11, Nr. 4 (14.04.2021): 184. http://dx.doi.org/10.3390/educsci11040184.
Der volle Inhalt der QuelleWoszczyk, Wieslaw, Aybar Aydin und Ying-Ying Zhang. „Virtual Acoustics, better than the real thing? Considering the creative side“. Journal of the Acoustical Society of America 152, Nr. 4 (Oktober 2022): A181. http://dx.doi.org/10.1121/10.0015962.
Der volle Inhalt der QuelleÇANAKÇI, ERKAN, und MAHİR MAK. „BAĞLAMADA TEL AYIRMA TEKNİĞİ“. Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 106 (20.06.2023): 1–25. http://dx.doi.org/10.34189/hbv.106.001.
Der volle Inhalt der QuelleEdwards, Brent Hayes. „The Literary Ellington“. Representations 77, Nr. 1 (2002): 1–29. http://dx.doi.org/10.1525/rep.2002.77.1.1.
Der volle Inhalt der QuelleKogut, Kate Berneking. „Framed: A Personal Narrative/Ethnographic Performance/One-Woman Show“. Journal of American Folklore 118, Nr. 467 (01.01.2005): 90–104. http://dx.doi.org/10.2307/4137811.
Der volle Inhalt der QuelleEidsheim, Nina S. „An analytical framework and model for de-racializing vocal perception“. Journal of the Acoustical Society of America 151, Nr. 4 (April 2022): A99. http://dx.doi.org/10.1121/10.0010782.
Der volle Inhalt der QuelleLinz, Jill A. „Designing an introductory musical acoustics course using physics education research techniques and the impact COVID-19 pandemic had on the course structure“. Journal of the Acoustical Society of America 151, Nr. 4 (April 2022): 2672–87. http://dx.doi.org/10.1121/10.0010163.
Der volle Inhalt der QuelleScott, Claire E. „Intimacy and Failed Solidarity in the Teen Girl Film Lollipop Monster (2011)“. Feminist German Studies 39, Nr. 2 (September 2023): 74–97. http://dx.doi.org/10.1353/fgs.2023.a917808.
Der volle Inhalt der QuelleSiedlecka, Ewa, und Thomas F. Denson. „Experimental Methods for Inducing Basic Emotions: A Qualitative Review“. Emotion Review 11, Nr. 1 (01.03.2018): 87–97. http://dx.doi.org/10.1177/1754073917749016.
Der volle Inhalt der QuelleGomes Lobato, Thiago Henrique, Roland Sottek und Michael Vorlaender. „Implementing neural networks in low-latency audio applications“. Journal of the Acoustical Society of America 153, Nr. 3_supplement (01.03.2023): A105. http://dx.doi.org/10.1121/10.0018318.
Der volle Inhalt der QuelleLukyanenko, O., und R. Vynnychuk. „TRADITIONAL AND INNOVATIVE PEDAGOGICAL TECHNOLOGIES FOR THE FORMATION OF VALUES OF MASTERS IN HUMANITIES IN THE PROCESS OF PROFESSIONAL TRAINING“. Ukrainian professional education, Nr. 12 (29.12.2022): 24–33. http://dx.doi.org/10.33989/2519-8254.2022.12.278993.
Der volle Inhalt der QuelleGreenleaf, Monika. „Laughter, Music, and Memory at the Moment of Danger: Tsvetaeva'sMother and Musicin Light of Modernist Memory Practices“. Slavic Review 68, Nr. 4 (2009): 825–47. http://dx.doi.org/10.1017/s0037677900024542.
Der volle Inhalt der QuelleNorris, Joe. „Improvisational Drama as Inquiry: The Role of the Simulated-Actual in Meaning Making“. Cultural Studies ↔ Critical Methodologies 20, Nr. 1 (14.12.2019): 63–74. http://dx.doi.org/10.1177/1532708619884961.
Der volle Inhalt der QuelleЧигарёва, Е. И. „Homonymous Terms in Musical and Philological Studies“. Журнал Общества теории музыки, Nr. 1(29) (05.03.2020): 36–43. http://dx.doi.org/10.26176/otmroo.2020.29.1.003.
Der volle Inhalt der QuelleBourgeois-Bougrine, Samira, Nathalie Bonnardel, Jean-Marie Burkhardt, Branden Thornhill-Miller, Farzaneh Pahlavan, Stéphanie Buisine, Jérôme Guegan, Nicolas Pichot und Todd Lubart. „Immersive Virtual Environments’ Impact on Individual and Collective Creativity“. European Psychologist 27, Nr. 3 (Juli 2022): 237–53. http://dx.doi.org/10.1027/1016-9040/a000481.
Der volle Inhalt der QuelleLiu, Yunyi, und Craig Jin. „Impact on quality and diversity from integrating a reconstruction loss into neural audio synthesis“. Journal of the Acoustical Society of America 154, Nr. 4_supplement (01.10.2023): A99. http://dx.doi.org/10.1121/10.0022922.
Der volle Inhalt der QuelleTick, Judith. „Ella Fitzgerald & “I Can't Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music“. Daedalus 148, Nr. 2 (April 2019): 83–91. http://dx.doi.org/10.1162/daed_a_01744.
Der volle Inhalt der QuelleAkeroyd, Michael A., Jennifer L. Firth, Graham Naylor, Jon P. Barker, John Culling, Trevor J. Cox, Will Bailey et al. „Results of the second “clarity” enhancement challenge for hearing devices“. Journal of the Acoustical Society of America 153, Nr. 3_supplement (01.03.2023): A48. http://dx.doi.org/10.1121/10.0018112.
Der volle Inhalt der QuelleZafeiroudi, Aglaia. „Intersections between Modern and Contemporary Dance and Yoga Practice: A Critical Analysis of Spiritual Paths through Body Movement and Choreography“. Academic Journal of Interdisciplinary Studies 10, Nr. 4 (08.07.2021): 1. http://dx.doi.org/10.36941/ajis-2021-0094.
Der volle Inhalt der QuelleHolder, Jessie. „Art Psychotherapy and Innovation: New Territories, Techniques and Technologies, Helen Jury and Ali Coles (Eds) (2022)“. Journal of Applied Arts & Health 14, Nr. 1 (01.03.2023): 131–34. http://dx.doi.org/10.1386/jaah_00132_5.
Der volle Inhalt der QuelleKnyazeva, T. S. „Exploring the relationship between musical engagement, intelligence and academic achievement among students with different professional skills“. Sibirskiy Psikhologicheskiy Zhurnal, Nr. 88 (2023): 21–37. http://dx.doi.org/10.17223/17267080/88/2.
Der volle Inhalt der QuelleYAŞAR, SERVET, und CEM KARATAŞ. „ÂŞIK DAİMİ’NİN HAYATI VE ESERLERİ ÜZERİNE BİR İNCELEME“. Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 104 (03.12.2022): 29–51. http://dx.doi.org/10.34189/hbv.104.003.
Der volle Inhalt der QuelleKÜTÜK, YASİN. „NEŞET ERTAŞ TÜRKÜLERİNDE DUYGULANIM BOYUTUNUN İNCELENMESİ: BİR DUYGULAR ENDEKSİ UYGULAMASI“. Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 104 (03.12.2022): 329–48. http://dx.doi.org/10.34189/hbv.104.019.
Der volle Inhalt der QuelleBassuet, Alban A., Terence Caulkins, Joseph Digerness und Glenn KnicKrehm. „Semi-anechoic music recording using multi-microphone technique to simulate orchestra directivity in room acoustic auralizations“. Journal of the Acoustical Society of America 133, Nr. 5 (Mai 2013): 3581. http://dx.doi.org/10.1121/1.4806588.
Der volle Inhalt der QuelleKolek, Martin. „World of sound – and access to one´s own self: a technique in receptive music therapy with depressed patients“. Nordic Journal of Music Therapy 25, sup1 (30.05.2016): 136–37. http://dx.doi.org/10.1080/08098131.2016.1180174.
Der volle Inhalt der QuelleХуан, Сяоюй. „CONCEPT THEATER IN M. PLISETSKAYA’S INDIVIDUAL-AUTHOR’S PICTURE OF THE WORLD“. Tomsk state pedagogical university bulletin, Nr. 4(222) (15.07.2022): 73–84. http://dx.doi.org/10.23951/1609-624x-2022-4-73-84.
Der volle Inhalt der QuelleKim, Heejin. „The Newness of A. Schoenberg’s Twelve-Tone Technique Interpreted through M. Csikszentmihalyi’s Systems Model“. Korean Society of Culture and Convergence 44, Nr. 12 (31.12.2022): 401–11. http://dx.doi.org/10.33645/cnc.2022.12.44.12.401.
Der volle Inhalt der QuelleBoffito, Sara. „Mind Works: Technique and Creativity in Psychoanalysis (review)“. American Imago 67, Nr. 1 (März 2010): 121–26. http://dx.doi.org/10.1353/aim.2010.a381357.
Der volle Inhalt der QuelleSawyier, Timothy. „A Fresh Look at Psychoanalytic Technique, Selected Papers on Psychoanalysis by Fred Busch“. American Imago 79, Nr. 4 (Dezember 2022): 783–92. http://dx.doi.org/10.1353/aim.2022.0043.
Der volle Inhalt der Quelle.., Abedallah Z., Rasha .. und S. Ateeq Almutairi. „Hybrid multi-criteria decision making model creation for bucket wheel excavator evaluation and selection“. American Journal of Business and Operations Research 6, Nr. 1 (2022): 72–84. http://dx.doi.org/10.54216/ajbor.060106.
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