Dissertationen zum Thema „Humanities -> art -> american art survey“
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Cardwell, Robert Ewell. „A Survey of 21st Century Gay-Themed American Art Songs for Baritone“. Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703289/.
Der volle Inhalt der QuelleKoch, William. „Opening a World From Categorial Intuition to Art“. [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002574.
Der volle Inhalt der QuelleEhmann, Christina. „American Splendor“. VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4102.
Der volle Inhalt der QuelleWells, Robert Allen. „David Diamond as Song Composer: A Survey of Selected Vocal Works of David Diamond With a Theoretical and Stylistic Analysis of Six Early Songs, The Midnight Meditation, and Hebrew Melodies“. University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163480150.
Der volle Inhalt der QuelleGerhold, Emily. „American Beauties: The Cult of the Bosom in Early Republican Art and Society“. VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/353.
Der volle Inhalt der QuelleDalton, Karen Jeanne. „Kitsch and Southwest hybridity in the art of Ted De Grazia“. [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001924.
Der volle Inhalt der QuelleTalbott, Christy Jo. „The French art song style in selected songs by Charles Ives“. [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000455.
Der volle Inhalt der QuelleSanders, J'aimé L. „The art of existentialism: F. Scott Fitzgerald, Ernest Hemingway, Norman Mailer and the American existential tradition“. Scholar Commons, 2007. http://scholarcommons.usf.edu/etd/2350.
Der volle Inhalt der QuellePedraza, Jennifer E. A. „Assessment of “Community Stepping Stones,” a Community-Based Youth Art Education Program“. Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3613.
Der volle Inhalt der QuelleGetty, Karen Berisford. „Searching for the Transatlantic Freedom: The Art of Valerie Maynard“. VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/847.
Der volle Inhalt der QuelleJodog, I. Made. „Procession: The Celebration of Birth and Continuity“. Scholar Commons, 2004. https://scholarcommons.usf.edu/etd/1095.
Der volle Inhalt der QuelleAhmanson, Kathryn. „Images of the Part Sharing Stories for the Future: The Social, Political, and Aesthetic Influence of Chicana Revisionist Muralism in Los Angeles“. Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2272.
Der volle Inhalt der QuelleBush, Lawrence Ray. „More than Words: Rhetorical Devices in American Political Cartoons“. Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/3924.
Der volle Inhalt der QuelleClement, Jennifer. „Reforming Dance Pedagogy: A Feminist Perspective on the Art of Performance and Dance Education“. [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002197.
Der volle Inhalt der QuelleMccall, Jennifer Danielle. „Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelley Niro's "This Land is Mime Land"“. Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4149.
Der volle Inhalt der QuelleBryan, Amanda. „New Museum Theory in Practice: A Case Study of the American Visionary Art Museum and the Representation of Disability“. VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1627.
Der volle Inhalt der QuellePiper, Corey S. „David Gilmour Blythe's Street Urchins and American Nativism“. VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1112.
Der volle Inhalt der QuelleDorn, Joseph. „On The Road with the VanLife Community: The Art of Storytelling in the Age of Instagram“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1087.
Der volle Inhalt der QuelleLarsen, Devon P. „Rethinking the Monumental: The Museum as Feminist Space in the Sexual Politics Exhibition, 1996“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001540.
Der volle Inhalt der QuelleSerrano, Maria Cristina. „Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art“. Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3591.
Der volle Inhalt der QuellePoe, Preston. „American folk“. [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000590.
Der volle Inhalt der QuelleCaudill, Matthew A. „Learning to dance while becoming a dancer identity construction as a performing art /“. [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001024.
Der volle Inhalt der QuelleStillo, Michael Edward. „Tango Panopticon: Developing a Platform for Supporting Live Synchronous Art Events Based in Relational Aesthetics“. Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1781.
Der volle Inhalt der QuelleOrendorf, Jennifer Megan. „Architectural chastity belts : the window motif as instrument of discipline in fifteenth-century Italian conduct manuals and art“. [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002906.
Der volle Inhalt der QuelleKoch, William H. „From Husserl and the Neo-Kantians to Art: Heidegger's Realist Historicist Answer to the Problem of the Origin of Meaning“. Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1684.
Der volle Inhalt der QuelleLenhardt, Amy. „Research and Interpretive Plan for the First Permanent Exhibition of Ancient American Art at the Virginia Museum of Fine Arts“. VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2097.
Der volle Inhalt der QuelleThom, Alison Marie. „Form and Numbers: Mathematical Patterns and Ordering Elements in Design“. [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002969.
Der volle Inhalt der QuelleLambert-Monteleon, Michelle. „Heavenly Venus Mary Magdalene in Renaissance Noli Me Tangere images /“. [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000365.
Der volle Inhalt der QuelleNguyen, Thao Thanh. „Elevating Communication“. Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1722.
Der volle Inhalt der QuelleMcCurnin, Mary. „From the Old to the New World: The Transformation of Kongo Minkisi in African American Art“. VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/78.
Der volle Inhalt der QuelleBanacki, Amanda C. „Spiritual seascapes : finding God in the waters of John Frederick Kensett“. Honors in the Major Thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1237.
Der volle Inhalt der QuelleBachelors
Arts and Humanities
Art History
Birchler, Susan. „Ecological Art: Ruth Wallen and Cultural Activism“. [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001969.
Der volle Inhalt der QuelleWatts, Chelsea Anne. „Painting Parisian Identity: Place and Subjectivity in Fin-de-siecle art“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3403.
Der volle Inhalt der QuelleWeiss, Katherine. „“Samuel Beckett and History,” “Samuel Beckett and the Art of Failure,” and “Modern American Drama and the Greeks”“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5596.
Der volle Inhalt der QuelleMihok, Lorena Diane. „Cognitive dissonance in early Colonial pictorial manuscripts from Central Mexico“. [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001352.
Der volle Inhalt der QuelleWyatt, Malinda. „William Rimmer's Concept of the Heroic Male Nude“. VCU Scholars Compass, 1986. http://hdl.handle.net/10156/1443.
Der volle Inhalt der QuelleWoodward, Deena. „Paleo-Indian to Spanish Occupation around Choctawhatchee Bay, Northwest Florida, as Documented in a Private Artifact Collection“. Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4259.
Der volle Inhalt der QuelleBaumann, Judith Marie. „Fabricated Histories (or My American Daydreams)“. VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/144.
Der volle Inhalt der Quellesellinger, becky s. „Play Doh's Cave and The Pursuit of the American Cream“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3886.
Der volle Inhalt der QuellePetriello, John A. Jr. „Thicknesses and Density-Current Velocities of a Low-Aspect Ratio Ignimbrite at the Pululagua Volcanic Complex, Ecuador, Derived from Ground Penetrating Radar“. Scholar Commons, 2007. http://scholarcommons.usf.edu/etd/3819.
Der volle Inhalt der QuelleClarke, Jennifer. „The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture“. [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Der volle Inhalt der QuelleBrown, Hyatt Kellim. „The articulate remedies of Dolores Lolita Rodriguez“. [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001406.
Der volle Inhalt der QuelleRice, Bryan Thomas. „Delinquencies“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3309.
Der volle Inhalt der QuelleSmith, Douglas. „"My Journey"“. Scholar Commons, 2004. https://scholarcommons.usf.edu/etd/1253.
Der volle Inhalt der QuelleAvalon, Alexxis. „Arts in new directions : the development and application of a construct that uses the arts to promote transformation and self-actualization in health care and education/therapy“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001421.
Der volle Inhalt der QuelleO'Brien, Matthew Andrew. „Nearer, My Farm, to Thee: A Spatial Analysis of African American Settlement Patterns in Hillsborough County, Florida“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3267.
Der volle Inhalt der QuelleMarianacci, Caitlyn D. „Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women“. Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.
Der volle Inhalt der QuelleWhiting, Jeanna Marie. „Tolstoy and the woman question“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001667.
Der volle Inhalt der QuelleBzura, Katherine. „I'm Not Who I Was Then, Now: Performing Identity in Girl Cams and Blogs“. [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001995.
Der volle Inhalt der QuelleClanton, Amy M. „Religion as Aesthetic Creation: Ritual and Belief in William Butler Yeats and Aleister Crowley“. Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3718.
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