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Thematische Bibliographien / Hudební dějiny

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Zeitschriftenartikel
Dissertationen
Bücher

Auswahl der wissenschaftlichen Literatur zum Thema „Hudební dějiny“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 2. Februar 2022

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Zeitschriftenartikel zum Thema "Hudební dějiny"

1

Vysloužil, Jiří. „Příspěvek k dějinám brněnské hudební vědy“. Musicologica Brunensia 50, Nr. 1 (2015): 3–8. http://dx.doi.org/10.5817/mb2015-1-1.

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2

Bárta, Jan. „The Nahoru po schodišti dolů band and the Powers That Be: An Essay on the History of the Unsanctioned Music Scene in the 1980s“. Soudobé dějiny 18, Nr. 3 (01.09.2011): 383–413. http://dx.doi.org/10.51134/sod.2011.026.

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Dissertationen zum Thema "Hudební dějiny"

1

Hruška, Viktor. „Dějiny české hudební teorie do počátku 20. století“. Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-363581.

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The thesis consists of two parts: summary of the history of the czech music theory from the epoch of Charles IV. till the beginning of the 20th century and topics of the original research. The latter one contains three studies published during the doctoral programme. The first serve as a draft of an editorial note for the future reedition of the major theoretical work by Jakub Jan Ryba (Rudimentary and general basics to all the art of music). The second one deals with the rediscovery of one of the oldest harmony textbooks in czech. The third describes the beginnings of czech music acoustics in 19th century.

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2

Kopicová, Jana. „Hoboj - historie a vývoj nástroje“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253755.

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Thesis with the title: Oboe - history and evolution of the instrument deals with gradual development of double reeds wind instruments since prehistorical times until now. It should benefit wind instrument players and espetially oboe players. This thesis is devided to fourteen chapters. First chapter sums up the history of the oldest double reeds instruments. Second continues with the description of shawms, which were direct predecessors of oboe. Following chapter describes most important part of oboe, as reed is, and shows its origin and evolution. Fourth and fifth chapters of the thesis deal with history of creation and development of baroque oboe and its reed. Continuing with chapter nuber six, which contains information about english horn as one of oboes related instruments, and chapter seven mentioning oboe da caccia. In eighth chapter we can find description of 18th century oboe developement and onwards the most famous players of oboe in chapter nine. In thenth chapter of the thesis we can find detailed description of oboe d'amoure. Most important literature written for oboe "d'amoure" is found in chapter number eleven. Chapter twelve contains evolution of the instrument in 18th century and personates most significant players of their time. Number thirteen summarizes information about oboe in 19th century. The contemporary shape of oboe as well as its current world vendor offer we can find in the last fourteenth chapter of the thesis.

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Hruška, Viktor. „Dílo vybraných osobností počátků dějin hudební teorie v českém jazyce“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177835.

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This thesis deals with the problematic of the early history of music theory in czech lands from the foundation of the Charles University until the foundation of the Prague Conservatory (it includes theorists such as Václav Philomathes, Jan Blahoslav, Jan Josquin, Tomáš Baltazar Janovka or Jakub Jan Ryba). The second part is deals with the peculiar music theorist and philosopher Karel Slavoj Amerling.

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4

Borůvka, Petr. „Vývoj houslového smyčce“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177817.

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The Thesis titled " Development of violin Bow " is focused on the creation and development of violin bow in its beginning and at the same time describes his historical development. It also speaks about major European violin bow producers of the past. In this work is also described in detail the production of violin bow and materials that are used on it.

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5

Morozová, Tamara. „Vývoj dramatična v německé opeře“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-364442.

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The main idea of this thesis is to describe the development of german romantic opera focusing on the significant evolution of its drama, in the musical, textual and finally the interpretative aspects. A selection from their artworks (with regard to the main topic of thesis) was difficult and highly subjective. They have created a lot of outstanding feminine roles, so I chose five heroines that have served me as individual milestones along the way for almost a century. They have provided me with a suitable structure to map artistic maturation and the development of new, original and completely unique operatic form.

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6

Propilková, Denisa. „Karel Pivoňka a fagotová třída HAMU od jejího počátku do současnosti“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-178009.

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The title of my master's thesis is Karel Pivoňka and Academy of Performing Arts in Prague and bassoon class from the beginning to the present. In the first chapter is the development of czech bassoon school and everything that preceded the bassoon class of Academy of Performing Arts. In the first chapter is subchapter where I mention the personality of Karel Bidlo, which also had an effect on the development of czech bassoon school. In the second chapter I discuss Academy of Performing Arts, the school and individual departments. In the third chapter describes the personality of Karel Pivoňka and in the subchapter are listed all the graduates of the Conservatory and the Academy of Performing Arts, which studied at prof. Karel Pivoňka. In the following chapter are the most significant graduates from the beginning to the present. The last chapter is an overview of most concerts and broadcasts for radio, which played Karel Pivoňka. Annex is scanned photo of Karel Pivoňka.

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7

Viskotová, Edita. „Figarova svatba se zaměřením na roli hraběnky“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-253653.

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This diploma thesis deals with the theme of Mozart's opera The Marriage of Figaro, focusing on the role of the Countess and her contextualisation into the work of W. A. Mozart. The fundamental objective of this thesis is to analyze Mozart's work in the broader context of the composer's life story, the plot of the opera and interpretative concept of the role of Countess by three selected protagonists. A secondary aim of the thesis highlights the importance of Mozart's operas in music history. The introductory part covers the life of Mozart, followed by an overview and analysis of the formation of his operas. The main part is the analysis of The Marriage of Figaro and the Countess role in various concepts. Conclusion of the thesis confirms the hypothesis of Mozart importance for the neo-classical opera.

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Vrtiška, Vojtěch. „Současné cesty k umělecké hře na kytaru“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177765.

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Master´s thesis takes interest in basic technical and psychological prerequisites for reaching artificial guitar playing. The ways of solving technical questions are shown from historical and contemporary view. This thesis contains the comparison of Segovia?s and Tennant?s methods with my personal evaluation. In the case of playing position together with right and left-hand technique I add my own remarks and proposals.

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9

Lieberzeit, Michal. „Don Giovanni - historie díla,jeho vznik a interpretace opery ve 20.století“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177883.

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The master thesis "Don Giovanni - history, its origin and interpretation in the 20th century" is dealing with an entire development of the opera and it reflects staging approaches of the 20th century. The thesis offers a brief analysis of the opera and the literary work it is based on. Furthermore it summarizes information about the origin of the work and its creators. Finally in the supplement there are cast lists of the productions of National Theatre Prague, photographs and pictures of the production in various opera houses worldwide.

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Vovsová, Helena. „Orchestr Národního divadla“. Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-177891.

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This masters thesis focuses on the National Theatre in Prague from its reopening in 1883 to now, season 2011/2012. It deals with his orchesra and important musical personalities of its members and conductors, and highlights the important points in this period. In conclusion, the contribution of this paper expalins to the reader.

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Mehr Quellen

Bücher zum Thema "Hudební dějiny"

1

Štědroň, Miloš. Dějiny české hudební terminologie. 2. Aufl. Brno: Masarykova univerzita, 2010.

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2

Padrta, Karel. Hudební události v datech: Pomocné tabulky k dějinám hudby. Praha: Encyklopedický dům, 2002.

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3

Schnierer, Miloš. Proměny hudebního neoklasicismu: Deset studií k dějinám hudby 20. století. Praha: Academia, 2005.

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4

Hudebníci hraběte Morzina: Příspěvek k dějinám šlechtických kapel v Čechách v době baroka : s tematickými katalogy instrumentální tvorby Antonína Reichenauera, Christiana Gottlieba Postela a Františka Jiránka. Praha: Etnologický ústav Akademie věd České republiky, Kabinet hudební historie, 2010.

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