Auswahl der wissenschaftlichen Literatur zum Thema „Horsemen and horsewomen, fiction“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Horsemen and horsewomen, fiction" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Horsemen and horsewomen, fiction"
Weaver, Roslyn. „“The Four Horsemen of the Greenhouse Apocalypse”: Apocalypse in the Science Fiction Novels of George Turner“. FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, Nr. 05 (12.12.2007): 1–12. http://dx.doi.org/10.2218/forum.05.591.
Der volle Inhalt der QuelleLipinskaya, Anastasia A. „A PHANTOM COACH: FROM FOLKLORE TO FICTION“. Вестник Пермского университета. Российская и зарубежная филология 13, Nr. 2 (2021): 97–103. http://dx.doi.org/10.17072/2073-6681-2021-2-97-103.
Der volle Inhalt der QuelleDubakov, Leonid V. „Buddhist aspects of the image of Baron Ungern von Sternberg in the story Horsemen of the Sands by Leonid Yuzefovich“. Vestnik Tomskogo gosudarstvennogo universiteta, Nr. 483 (2022): 16–23. http://dx.doi.org/10.17223/15617793/483/2.
Der volle Inhalt der QuelleKharchenko, Oleg. „LITERARY JOURNALISM. PUBLIC SPEECHES. BIBLICAL MOTIFS“. Scientific Journal of Polonia University 49, Nr. 6 (18.01.2022): 35–46. http://dx.doi.org/10.23856/4905.
Der volle Inhalt der QuelleSekulić, Mirjana M. „THE FIRST WORLD WAR IN THE WORK OF VICENTE BLASCO IBÁÑEZ“. Филолог – часопис за језик књижевност и културу 14, Nr. 28 (31.12.2023): 393–414. http://dx.doi.org/10.21618/fil2328393s.
Der volle Inhalt der QuelleDissertationen zum Thema "Horsemen and horsewomen, fiction"
Widner, Carolyn June. „Conflict among hikers and horseback riders in the Mount Rogers High Country of Virginia /“. This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07102009-040231/.
Der volle Inhalt der QuelleEllison, Season. „Towards the horsewoman performing femininity in the American horse training and riding arenas /“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1250552783.
Der volle Inhalt der QuelleMatabosch, Giménez Genís. „Orígenes del circo en España: actividad de las compañías ecuestres (1768-1915)“. Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/673466.
Der volle Inhalt der QuelleThe military dynamism of the British Empire generated a deep-tooted equestrian culture and bred strong horses accustomed to the rhythms of warfare. The periods of peace led military men and mercenaries to develop a new type of spectacular riding that would provide them with a new source of income. In 1768 in Madrid, the Englishman Thomas Price gave the first documented performances in Spain of a new genre, that of “show riding,” that would attract more than seventy of equestrian troupes specialising in these exercises for a century and a half. The total absence of a historical study on this topic leads to ask ourselves today: what was the activity of those equestrian companies in Spain, and what role did they play in the construction of the circus in its present form? The evolution of open-field exhibitions of those riders in the second half of the 18th century brought about the invention of the ring, the circle that makes it possible to impose on the horse a regular trotting rhythm controlled by the ringmaster’s whip from the centre. In their continuous development, the equestrian companies, which gave the ring its reason for being, premiered processes first of pairing and then of capture, with various spectacles based in general on the skill of men: the characters of the comedia dell’arte and the Isabelline jester mutated into clowns, the acrobats into tightrope walkers, the athletic gymnasts into acrobats and divers, animal exhibitors into tamers, and so on. The hypothesis that it was the equestrian companies who gave form to the modern circus arises out of their demand to have their own space: that of the ring, which would progressively incorporate the figures mentioned above. Linked to the equestrian function, the word “circus” would not define it until later on – in Spain it was not used until 1830 – and initially it was not even applied to the show itself but simply to the new performance space: the building whose roof covered the ring. In a very clear metonym, from the mid 19th century onwards, “circus” began to refer to that genre that was very slowly beginning to move away from its equestrian basis. This thesis therefore contributes a theoretical and methodological proposal that makes it possible to explore a theme ignored so far, filling a void in the Spanish historiography of popular entertainment. The present investigation comes to life with the aim of identifying, localising, grouping, systematising, ordering and interpreting the mass of useful sources for drawing up a history of the activity of the equestrian companies, the origin of the circus arts in Spain. In order to systematise and order, based on various useful parameters, the information located through our consultations, we are proceeding to create a single archive which, in the form of data sheets, compiles the data of the equestrian company’s stay in the town or city: name of the troupe, director, dates and place of performance, cast of performers, programme, number of horses, admission prices, and so on, using information drawn from multiple supports: press, administrative documentation, books, publicity material and photographs. The gathering of this data, firstly, followed by a meticulous study of each one of the equestrian companies that performed in Spain, will enable us to discover the patterns that governed their permanent itinerancy: the internal laws that ruled the artists’ families, the base of the company; the means of transport used; the routes and their main stops; their performance season, with the peculiarities of its calendar; their repertoire of exercises; their methods of training, publicity and administration; their skills and frequent difficulties; and, naturally, the composition of their audiences.
Widner, Carolyn J. „Conflict among hikers and horseback riders in the Mount Rogers High Country of Virginia“. Thesis, Virginia Tech, 1994. http://hdl.handle.net/10919/43606.
Der volle Inhalt der QuelleMaster of Science
Snow, Kirsten Moya. „The knowledge, perception and utilization of equine chiropractic by horse riders in KwaZulu-Natal“. Thesis, 2013. http://hdl.handle.net/10321/942.
Der volle Inhalt der QuelleBackground: Horses are unlike most animals as they take part in equine sports and thus are athletic animals. Comparable to a human athlete, horses are prone to sports related injuries and disease. Equine chiropractic has shown to be one of the most utilized forms of complementary and alternative veterinary medicine (CAVM) worldwide, providing a drug free approach to equine health care and maintenance. However, equine chiropractic lacks research and therefore a wide gap in the literature exists. Studies on CAVM therapies have shown that these therapies are largely driven by the public and the public’s perceptions towards these therapies. However, little is known of the public’s perceptions towards equine chiropractic in KwaZulu-Natal (KZN). Horse riders represent the primary contact with the horse and are in the best position to note the outcome of post equine chiropractic treatment. For this reason they have influence on the utilization of equine chiropractic. It is, therefore, important to attempt to close the gap through ascertaining the horse riders’ knowledge, perception and utilization of equine chiropractic, particularly in KZN, where no such data exists. Aim: The aim of this study is to determine the knowledge, perception and utilization of equine chiropractic amongst horse riders in the KZN region. Method: The research design is a descriptive, quantitative, self administered survey based study. The study population included all horse riders in KZN (N= 500). There is no available list that details the number of horse riders in KZN, therefore, it was estimated that there are 500 horse riders in KZN (This was based on the number of horses stabled in KZN). The study sample included all horse riders at stable yards in KZN that had given written permission for the research to take part at their yard (N= 330). This was estimated by the number of horses stabling at the yards where owners had given written permission. Results: The response rate was 25% (n=83). The respondents were predominantly white (98%) and female (81%), and between the ages of 41- 50 years. Most respondents had previously been treated successfully by a chiropractor and had tertiary education. The majority of respondents were part of a horse society and participated predominantly in show- jumping. Most respondents had ridden horses for 0-10years, and currently rode only one horse. Their main horse (the horse they rode the most), for which most respondents were both the owner and rider, stayed predominantly in a stable and was between the ages of 5- 10 years. Most respondents had not sought alternative veterinary care for this horse, but had sought alternative veterinary care for their other horse(s) that they rode. Out of all the alternative veterinary therapies respondents reported to utilize, equine chiropractic showed to have the highest utilization. Equine chiropractic reported to have an overall high success rate with both the respondents’ main horse (92%) and their other horse(s) (87.5%). Respondents’ overall subjective knowledge of equine chiropractic was ‘that they knew something about it’. Respondents’ objective knowledge score was 75%. Most respondents had gained their knowledge of equine chiropractic through a friend and stated that the information they had gained was favourable towards equine chiropractic. It was interesting to note that 90% of respondents had some knowledge of equine chiropractic. Most respondents knew of one or more equine chiropractor(s), and were referred to them predominantly by a riding instructor. Just under half (49.4%) of the respondents had utilized an equine chiropractor, yet most respondents showed to have accurate knowledge of what equine conditions chiropractors treat. The majority of respondents supported the future utilization of equine chiropractic, but would like more information on equine chiropractic techniques. The research data revealed a trend showing that the utilization of alternative equine therapies or equine chiropractic corresponded with an increased knowledge of equine chiropractic. The data revealed graphically that the more equine chiropractors a respondent knew of, the more they utilized equine chiropractic. Conclusion: Respondents showed predominantly to have a positive perception towards equine chiropractic. Their knowledge of equine chiropractic was overall accurate and they showed to utilize and support the future utilization of equine chiropractic.
Bücher zum Thema "Horsemen and horsewomen, fiction"
Stranger, Joyce. Stranger than fiction: The biography of Elspeth Bryce-Smith. London: Corgi, 1985.
Den vollen Inhalt der Quelle findenMeyer, Sonia. Dosha: Flight of the Russian Gypsies : a novel. Littleton, Mass: Wilderness House Press, 2010.
Den vollen Inhalt der Quelle findenFlores, Janis. Touched by fire: A novel. Sebastopol, Calif: Book by Book Press, 2000.
Den vollen Inhalt der Quelle findenJaffe, Jody. In colt blood. New York: Ivy Books, 1999.
Den vollen Inhalt der Quelle findenMcSparren, Carolyn. The cart before the corpse: A Merry Abbott carriage-driving mystery. Waterville, Me: Thorndike Press, 2010.
Den vollen Inhalt der Quelle findenMoore, Laura. Chance meeting. New York: Pocket Books, 2001.
Den vollen Inhalt der Quelle findenPaine, Lauran. The mustangers: A western story. Unity, Me: Five Star, 1999.
Den vollen Inhalt der Quelle findenNathan, Reed, Hrsg. Mouldylocks and the three Clares. London: A. & C. Black, 2007.
Den vollen Inhalt der Quelle findenSurkis, Alisa. The big book of lesbian horse stories. New York: Kensington Books, 2002.
Den vollen Inhalt der Quelle findenEvans, Tabor. Longarm and the Horsewomen of the Apocalypse. New York: Jove Books, 2011.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Horsemen and horsewomen, fiction"
„Hollywood Horsemen and Horsewomen:“. In Hollywood at the Races, 143–71. The University Press of Kentucky, 2019. http://dx.doi.org/10.2307/j.ctvpmw47w.12.
Der volle Inhalt der QuelleShuback, Alan. „Hollywood Horsemen and Horsewomen“. In Hollywood at the Races, 143–71. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178295.003.0009.
Der volle Inhalt der QuelleGeraci, Robert M. „The Iron Horsemen and the End of Times“. In Futures of Artificial Intelligence, 44–79. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9788194831679.003.0003.
Der volle Inhalt der QuelleDinello, Dan. „Children of Men in an Era of Apocalyptic Anxiety“. In Children of Men, 23–38. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781999334024.003.0002.
Der volle Inhalt der Quelle