Dissertationen zum Thema „Honor world“
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Matthews, Amy Michelle. „From memory to honor stories of South Carolina's World War monuments /“. Connect to this title online, 2008. http://etd.lib.clemson.edu/documents/1219852344/.
Der volle Inhalt der QuelleSantos, Martha Sofia. „"Sertoes temerosos (menacing backlands)": Honor, gender, and violence in a changing world. Ceara, Brazil, 1845-1889“. Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/280647.
Der volle Inhalt der QuelleGallo, Sevin Marie. „Honor Crimes and the Embodiment of Turkish Nationalism, 1926-2016“. University of Akron / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=akron1460417033.
Der volle Inhalt der QuelleLaFave, Helen Grace. „A Place of Honor and Fruitfulness : World War one and the War Activities of Women from the Elite Women's Colleges“. W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539624382.
Der volle Inhalt der QuelleIbrahim, Hassan Amal. „Hederlig, respektabel och miserabel : En kvalitativ intervjustudie av svenska muslimers uppfattning och erfarenheter av hedersrelaterat förtryck och våld“. Thesis, Södertörns högskola, Lärarutbildningen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-45995.
Der volle Inhalt der QuellePuente, Brunke José de la. „Pieper, Renate y Peer Schmidt (eds.). Latin America and the Atlantic World. El mundo atlántico y América Latina (1500-1850). Essays in honor of Horst Pietschmann“. Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/121639.
Der volle Inhalt der QuelleHubbard, Taylor L. „The Failure of Chivalry, Courtesy, and Knighthood Post-WWI as Represented in David Jones’s In Parenthesis“. Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3904.
Der volle Inhalt der QuelleColvett, Margaret G. „The World by Memory and Conjecture“. Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/190.
Der volle Inhalt der QuelleBowman, Brian. „Right Now, the World is Ending: Collected Poems“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/127.
Der volle Inhalt der QuelleFlores, Pedro. „Transculturation and Hybridization in New World Baroque Art: A Study of a New World Identity as Defined by History and Art“. Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/54.
Der volle Inhalt der QuelleHorner, Casey C. „The Role of Population Growth In An Emerging Multipolar Economic World“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/honors/175.
Der volle Inhalt der QuelleAbiwon, Titilayo O. „College level mentoring for underrepresented populations: Enhancing the transition into the corporate world“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/368.
Der volle Inhalt der QuelleShelton, Stuart N. „How World War II Affected the Economic and Social Life of East Tennessee“. Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/honors/427.
Der volle Inhalt der QuelleBennett, Matthew. „The Roadmap: exploring T.S. Eliot’s The Waste Land with World War One literature“. Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/545.
Der volle Inhalt der QuelleSpencer, Greg J. „An exegetical study of the Lucan concept of perseverance in prayer man's persistence or God's honor? /“. Theological Research Exchange Network (TREN), 1993. http://www.tren.com.
Der volle Inhalt der QuelleDavis, Kayla. „On Experiencing Illness in the Western Biomedical World: A Push for more Comprehensive Healthcare in America“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/460.
Der volle Inhalt der QuellePfeiffer, Anna. „The Medicine of Middle Earth: An Examination of the Parallels Between World War Medicine and Tolkien's The Lord of the Rings“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/447.
Der volle Inhalt der QuelleCrabtree, David. „The Image of the Enemy: To Auschwitz with Righteousness“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/8.
Der volle Inhalt der QuelleRibeiro, Rogerio B. „The Relationship Between the Behaviors of the Top 50 Most Endorsed Athletes in the World and the Monetary Value of Their Endorsement Deals“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/347.
Der volle Inhalt der QuelleAdcock, Amber. „The Enemy in our Backyard: A Study of the German POW Experience in North Carolina and the Program's Effect on World War II“. Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/honors/114.
Der volle Inhalt der QuelleWhitehead, Mitchell E. „Malaria an investigation into the view of disease in the classical world /“. Tallahassee, Fla. : Florida State University, 2010. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/2181913.
Der volle Inhalt der QuelleAdvisor: Dr. Svetla Slaveva-Griffin, Florida State University, College of Arts and Sciences, Dept. of Classics. Includes bibliographical references.
Wentz, Kaleb Q. „The Reality of COMBAT!: An Analysis of Historical Memory in Broadcast Television“. Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/333.
Der volle Inhalt der QuelleMcPartland, Caitlin Elizabeth. „The role of Rosie : propaganda and female home-front intervention during World War Two /“. Full-text of dissertation on the Internet (703 KB), 2009. http://www.lib.jmu.edu/general/etd/2009/Honors/McPartland_Caitlin/mcpartce_honors_11-11-2009.pdf.
Der volle Inhalt der QuelleMitchell, Katie. „Growing up in Wonderland an analysis of Lacanian subject formation within the secondary worlds of children's fantasy ; an honors project /“. [Jefferson City, Tenn. : Carson-Newman College], 2009. http://library.cn.edu/HonorsPDFs_2009/Mitchell_Katie.pdf.
Der volle Inhalt der QuelleChorna, Olena. „The effect of music versus non-music activities on English word acquisition in a toddler group with ESL learners“. Tallahassee, Fla. : Florida State University, 2009. http://purl.fcla.edu/fsu/lib/digcoll/undergraduate/honors-theses/244580.
Der volle Inhalt der QuelleCarvalho, Paulo. „Recherches sur les rituels d'Héroïsation dans le monde grec (de l'époque archaïque au IIIe s. ap. J. -C.)“. Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20056.
Der volle Inhalt der QuelleIf the heroes of Greek mythology are particularly well known historical figures themselves, are much less. Yet the phenomenon known as heroization concerned many characters. This study proposes to examine these characters for whom the historical existence is proven, and who had been assigned the status of heroes and thus accessing to the divine sphere benefited honors but also cults. This study also aims to understand all of these rites in connection with the hero and heroization. It also presents the evolution knew by this phenomenon during the period from the Archaic period to the third century AD. But also highlights the differences and similarities between the different regions and cities that composed the entire Greek world. This study also tries to learn more about the identity of these characters, who, for many of them remain unknown of the "great history." Yet these characters deserve special attention because their study singularly clarifies and provides a much better understanding of the religious life of the ancient Greeks
香, 有為楠, und Kaori Wicks. „Pilgrimage in war : the influence of the Second World War and the theme of vocation in Evelyn Waugh's later novels“. Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13079709/?lang=0, 2018. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13079709/?lang=0.
Der volle Inhalt der QuelleThis dissertation is on Evelyn Waugh's (1903-66) later novels, written from 1942, through the Second World War, to 1965, especially on his last ones, the Sword of Honour trilogy. With discussions focusing on the relationship of Waugh's works with British society of the same period, this thesis clarifies the theme of vocation, which is observed in most of his novels.
博士(英文学)
Doctor of Philosophy in English Literature
同志社大学
Doshisha University
Senate, University of Arizona Faculty. „Faculty Senate Minutes November 7, 2016“. University of Arizona Faculty Senate (Tucson, AZ), 2016. http://hdl.handle.net/10150/621522.
Der volle Inhalt der QuelleHardy, Sophie. „Edition critique de la Prise d'Alexandrie de Guillaume de Machaut“. Phd thesis, Université d'Orléans, 2011. http://tel.archives-ouvertes.fr/tel-00688948.
Der volle Inhalt der QuelleEric, MANIRAGUHA, NTAGWIRUMUGARA Etienne und Nenad GLODIC. „UTILIZATION OF WIND POWER IN RWANDA: Design and Production Option“. Thesis, KTH, Skolan för industriell teknik och management (ITM), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-240659.
Der volle Inhalt der QuelleI WISH TO PUBLISH MY THESIS
Atkins, Gregory James. „Honor, glory, and individualism placing the American literature of the First World War in a cultural context /“. 2005. http://digital.library.okstate.edu/etd/umi-okstate-1497.pdf.
Der volle Inhalt der QuelleHervíř, Pavel. „Železný kříž a Československo“. Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-390577.
Der volle Inhalt der Quelle„The Honour of the Crown: Making Sense of Crown Liability Doctrine in Crown/Aboriginal Law in Canada“. Thesis, 2014. http://hdl.handle.net/10388/ETD-2014-01-1379.
Der volle Inhalt der Quelle„Of butterflies and birds, of dialects and genres : Essays in honour of Philip Shaw“. Stockholm, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-90997.
Der volle Inhalt der QuelleAcevedo, Rivera Jeannette. „"Would You Write Something in my Album?" Social Customs and their Literary Depiction in Nineteenth-Century France and Spain“. Diss., 2014. http://hdl.handle.net/10161/9082.
Der volle Inhalt der QuelleAbstract
The album phenomenon developed in France and Spain and lasted throughout the entire nineteenth century. Albums were books with blank pages in which the owner collected contributions in the form of poetry, drawings, and music scores. These works were created for album owners by friends, acquaintances, and sometimes even suitors, and were meant to pay tribute to them. It is possible to imagine the album as a space of intense social and economic rivalry, in which owners of the books competed with one another to obtain the most luxurious books, and to fill them with the greatest number of entries from renowned artists. Similarly, contributors implicitly competed with one another to create the highest quality entries and contribute to albums that advanced their status as artists. However, established writers did not need further publicity, and many complained about the hassle of the constant request for contributions. To highlight the scope of the album phenomenon, and the frustration it caused writers and artists, José Zorrilla denounced album entry requests, stating that he had been solicited for album contributions a total of 188,000 times in his life. Honoré de Balzac condemned the album fashion even more fervently, declaring: "To hell with all albums."
I study the album as a practice that provides important information regarding gender, economic, and artistic exchanges in the milieus in which it flourished. My approach is based on the study of different types of texts. First, I analyze three essays on social customs that present the album from a perspective that mixes journalism and satire: Victor-Joseph Etienne de Jouy's 1811 essays "Des Album" and "Recherches sur l'Album et sur le chiffonier sentimental," and Mariano José de Larra's 1835 essay "El album." I use these essays to formulate a contextual theory on the album. I also examine nineteenth-century albums that I consulted in archives in France and Spain. Studying both the material construction of the albums and the contributions included in them, I try to understand the social and economic determinants of this social custom. Through the album entries, I explore the artistic networks established through, and exploited by, the album phenomenon, which were essential for successfully collecting contributions. Finally, I analyze fictional texts in which the album serves as a pivotal plot element used to shape the development of the stories and the roles of the protagonists. In my analysis of literary texts that portray the album, I focus on the establishment of gender and economic exchanges in this practice. I explore the imposition of traditional gender roles in the album phenomenon, according to which women were exclusively album owners and men were contributors. In my analysis of fictional texts, I also examine the economic aspect of this practice, reflecting upon the social class of the fictional characters involved in it. The literary texts that I study are: Honoré de Balzac's La Muse du département (1837), Manuel Bretón de los Herreros' El poeta y la beneficiada. Comedia en dos actos (1838) and El cuarto de hora. Comedia en cinco actos (1848), Juan de Ariza's "Historia de un album" (1847), Henri de Meilhac's L'autographe. Comédie en un acte (1858), Antonio Flores' "Cuadro cincuenta y uno. Placeres de sobremesa" (1863), José María de Pereda's Pedro Sánchez (1883), Juan López Valdemoro's "El álbum" (1886), and Leopoldo Alas `Clarín''s "Album-abanico" (1898).
The nineteenth century saw the rise of consumer culture and the proliferation of objects, such as cardholders, parasols, fans, pocket watches, and other trinkets. The album is at once part of this plethora of nineteenth-century objects and yet it is also distinct, in that it was a special piece of material culture that promoted a particular type of personal communication and required the creation of textual production. The album was established as a unique cultural manifestation, the study of which allows for a reconstruction of different types of social dynamics in its milieu.
Due to the complexity and richness of this object-centered practice, and the ways in which it developed, the album offers multiple analytical possibilities, as a social, historical, and literary phenomenon. One of the most significant contributions of this project lies in its transnational perspective and in its comparative analysis of different types of texts: essays on social customs, literary texts, and personal collections that survive in archival albums. The study of the exchanges that were fostered, and capitalized upon, through the album fashion is essential for understanding notions of private and public and collection as a practice. My analysis of the album yields invaluable insights into gender and class dynamics, ideas of art, and visual and material culture in nineteenth-century France and Spain.
Dissertation
Rousseau, Pieter Abraham. „The social meaning of love in the Gospel of John“. Thesis, 2003. http://hdl.handle.net/10500/1426.
Der volle Inhalt der QuelleBiblical and Ancient studies
D. Th. (New Testament)
Cornew, Clive. „The battle of changing times : picaresque parodies from Bruegel to Grosz“. Thesis, 1999. http://hdl.handle.net/10500/17931.
Der volle Inhalt der QuelleArt History, Visual Arts & Musicology
Thesis (D.Litt. et Phil.)
Eric, MANIRAGUHA. „UTILIZATION OF WIND POWER IN RWANDA : Design and Production Option“. Thesis, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-149574.
Der volle Inhalt der QuelleRwanda has considerable opportunities development energy from hydro sources, methane gas, solar and peat deposits. Most of these energy sources have not been fully exploited, such as solar, wind and geothermal. As such wood is still being the major source of energy for 94 per cent of the population and imported petroleum products consume more than 40 per cent of foreign exchange. Energy is a key component of the Rwandan economy. It is thus recognized that the current inadequate and expensive energy supply constitutes a limiting factor to sustainable development. Rwanda’s Vision 2020 emphasizes the need for economic growth, private investment and economic transformation supported by a reliable and affordable energy supply as a key factor for the development process. To achieve this transformation, the country will need to increase energy production and diversify into alternative energy sources. Rwandan nations don’t have small-scale solar, wind, and geothermal devices in operation providing energy to urban and rural areas. These types of energy production are especially useful in remote locations because of the excessive cost of transporting electricity from large-scale power plants. The application of renewable energy technology has the potential to alleviate many of the problems that face the people of Rwanda every day, especially if done so in a sustainable manner that prioritizes human rights.