Dissertationen zum Thema „Hong Kong.Political culture“

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1

Lam, Wai-man, und 林蔚文. „Rediscovering politics in Hong Kong (1949-1979): the paradox of political indifference“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31241918.

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2

Lam, Wai-man. „Rediscovering politics in Hong Kong (1949-1979) the paradox of political indifference /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22805485.

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3

莫詠儀 und Wing-yee Heronie Mok. „De-institutionalizing culture: a study of there-institutionalization of the cultural apparatuses of Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31966937.

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4

Hui, Kin-kan. „A comparative study of the political culture of postcolonial Hong Kong and Macau“. Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3194114X.

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5

陳曉昕 und Hiu-yun Joyce Chan. „Making news: a cultural study of the text, production and political implication of Apple Daily and Ming Pao“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31225664.

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6

宮翠棉 und Chui-min Koon. „The politics of popular culture: a study of aHong Kong comic strip, McMug“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B43894884.

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7

Kwong, Hoi Ying. „Party-group relations in Hong Kong : comparing the DAB and the DP /“. View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202004%20KWONG.

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Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004.
Includes bibliographical references (leaves 132-137). Also available in electronic version. Access restricted to campus users.
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8

Tang, Wai-yan, und 鄧惠欣. „Hong Kong: an unidentified subject under colonialism“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31951181.

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9

Chan, Natalia Sui Hung. „City on the edge of time : Hong Kong culture and the 1997 issue /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2001. http://wwwlib.umi.com/cr/ucsd/fullcit?p3027045.

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10

Kong, Travis Shiu-ki. „The voices in between ... : the body politics of Hong Kong gay men“. Thesis, University of Essex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327067.

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11

Kung, Caleb. „A Fleeting Register: Documenting a Spatial Culture of Disappearance in Hong Kong“. University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337714956.

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12

Tsui, Heung-ling, und 徐香玲. „Media for cultural praxis: a case-study of Hong Kong In-Media“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42664421.

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13

Xie, Zhibin. „Religious liberty, religious diversity, and religion in politics in search of an appropriate role of religion in public political culture for a democratic China /“. Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B42577767.

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14

Yu, Ka Man. „Party adaptation to the competitive pluralistic environment : a case study of the Democratic Alliance for the Betterment of Hong Kong /“. View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202004%20YU.

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Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2004.
Includes bibliographical references (leaves 141-148). Also available in electronic version. Access restricted to campus users.
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15

Zuser, Tobias. „One country, two teams: the cultural politics of football in Hong Kong“. HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/564.

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Amidst China's escalating pursuance of placing football in the centre of its soft power propagation, Hong Kong has remained entirely excluded from the accompanying policy strategies of the Mainland. Following the 1997 handover and with it the return to Chinese sovereignty, the former British colony has retained its independent memberships in global governing bodies, such as FIFA or the IOC, making sports the last cultural and political arena in which Hong Kong and China compete as two - de facto equal - national entities. While the status quo of this framework is not necessarily controversial, the popularity of football in both locales has created a new public platform for identity politics. At the same time, Hong Kong's marginalization of sports development has raised questions over the value and expediency of sport within the local policy regime. Formerly known as the "Football Kingdom of the Far East", interest and investment in domestic football have declined since the late 1980s, evoking a sense of crisis and nostalgia. However, as a cultural practice football has shown resilience throughout the years, leading to a reform process and on-going debates over public subsidies. Drawing upon the fields of cultural studies, sociology of sport, history, and cultural policy studies, this dissertation argues for the conceptualization of football as a cultural resource that is not just a mirror of socio-political constellations, but also a productive force in shaping leisure, consumption, and everyday life in the city. The overarching, and seemingly simple research question of this dissertation is therefore: how is sport - and in particular football - a culture in Hong Kong? And, how can a cultural understanding of sport contribute to the challenges of sports policies? As such, this project takes on a holistic approach to frame an understanding of local football culture through and between four different themes: history, policy, fandom, and national identity. Starting from early colonial times, the dissertation first aims to trace the cultural resonance of football in local society by using the intellectual discourse around cricket's Indianness as a so called inter-Asian reference to reflect on the particular context that enabled the rise of another sport in Hong Kong. Instead of nurturing a regional identity, local football was turned into a trans-national project of Chinese modernity. From there the research delves into a policy analysis to investigate the institutionalization, governance, and reformation of local football until now, and how it evolved as a Bourdieusian cultural field. Eventually, the research draws on its long-term ethnographic fieldwork to investigate the agency of fans and how local football has attracted subcultural practices with entrepreneurial traits that function as cultural resources. This culminates in the discussion of localist and nationalist sentiments based on the (auto-)ethnographic experience at the two 2015 World Cup games between Hong Kong and China in an attempt to contextualize the politicization of the spectacle within the cultural framework of local football. By proposing a cultural argument along notions of cultural resource, and cultural field, this dissertation argues for a culturalization of sport in cultural studies and policy-oriented discourses, and hence a conceptual move towards a cultural policy of sports.
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16

Koon, Chui-min. „The politics of popular culture : a study of a Hong Kong comic strip, McMug /“. Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25085542.

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17

高馨 und Hing Monica Esther Kao. „Civic engagement and the policy process in Hong Kong: the case of the west Kowloon cultural district“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B41013207.

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18

Law, King-hea Joseph. „A comparative study of the anti-corruption measures of Hong Kong and Singapore since 1945“. [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12316064.

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19

Kao, Hing Monica Esther. „Civic engagement and the policy process in Hong Kong the case of the west Kowloon cultural district /“. Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41013207.

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20

YAU, Lai To Herman. „The progression of political censorship : Hong Kong cinema from colonial rule to Chinese-style socialist hegemony“. Digital Commons @ Lingnan University, 2015. https://commons.ln.edu.hk/cs_etd/24.

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Censorship is an important cultural regulatory instrument for the government of a society, or even a state. In certain socio-political settings, it can become a powerful administrative appartus (dispositif) and technique (techne) designed to render society governable. Censorship decisions often embody hegemonic views on social and political issues. No matter how virtuous the original intent maybe, the practice of censorship is inevitably geared to the social tensions surrounding issues of human rights and political dissent. The theory behind film censorship may once have been benign but banning or cutting a movie always involves an unnatural set of procedures and actions. This study examines this problem in the context of socio-political changes in Hong Kong. It is an enquiry into the evolution of political film censoship in its more conventional form to its full-fledged integration into other institutions and policies under today's 'on country, two systems' policy. It also analyses the discourse surrounding the changes in film censorship practices from the days of early cinema to Hong Kong in the 21st century. By contextualizing Hong Kong cinema from a historical and political perspective, the study of the Hong Kong experience aims to shed light on censorship's socio-political meanings for, and effects on, filmmakers and film production.
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21

Yeung, Lisa Wing-tsui. „Public discourses, social identities and political realities : the production of discursive space in decolonising Hong Kong“. Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390823.

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22

Leung, Ming Fai. „The making of Graham Street market : culture and politics in spatial production“. HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1472.

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23

Law, King-hea Joseph, und 羅景熙. „A comparative study of the anti-corruption measures of Hong Kong and Singapore since 1945“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31974442.

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24

Ng, Hoi-shan Crystal, und 吳海珊. „Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.

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25

Kam, Ting, und 甘婷. „An analysis of policy agenda setting: a studyof government policy on creative industries in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46780671.

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26

Aylward, Louise. „Imperialist subtexts? : cultural assumptions and linguistic imperialism in Hong Kong ELT textbooks /“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272686.

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27

Yeung, Law Koon-chui Agnes, und 楊羅觀翠. „Intergroup relationships and the political orientation of Chinese youth“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31235451.

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28

Wong, Yin Fan Cecilia. „Confucianism and democratisation“. Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670142.

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29

Ng, Hoi-shan Crystal. „Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.

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30

CHOI, Wing Yee Kimburley. „Remade in Hong Kong : how Hong Kong people use Hong Kong Disneyland“. Digital Commons @ Lingnan University, 2007. https://commons.ln.edu.hk/cs_etd/6.

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Recent studies of globalization provide contrasting views of the cultural and sociopolitical effects of such major corporations as Disney as they invest transnationally and circulate their offerings around the world. While some scholars emphasize the ubiquity of Disney’s products and its promotion of consumerism on a global scale, accompanied by cultural homogenization, faltering democracy, and diminishing state sovereignty, others highlight signs of contestation and resistance, questioning the various state-capitalist alliances presumed to hold in the encounter between a global company, a local state, and the people. The settlement process and the cultural import of Hong Kong Disneyland in Hong Kong complicate these studies because of the evolving post-colonial situation that Disney encounters in Hong Kong. While Disney specializes in “imagineering” dreams, Hong Kong itself is messily imagining what “Hong Kong” is and should be, and how it should deal with others, including transnational companies and Mainlanders. In this thesis, I appropriate Doreen Massey’s ideas of space-time in order to examine Hong Kong Disneyland not as a self-enclosed park but as itself a multiplicity of spaces where dynamic social relations intersect in the wider context of post-colonial Hong Kong. I illuminate the shifting relationship between Disney, Mainlanders, and the locals as this relationship develops in its discursive, institutional, and everyday-life aspects. Through interviews and ethnographic research, I study how my respondents have established and interpreted the meanings of Hong Kong Disneyland, and how they have made use of the park to support their own constructions of place, of politics, and of identity.
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31

Cheng, Kam-man Kammy, und 鄭錦文. „Postmodernism and Hong Kong culture“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31950164.

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32

Cheng, Kam-man Kammy. „Postmodernism and Hong Kong culture“. [Hong Kong : University of Hong Kong], 1991. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13018838.

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33

李媛怡 und Woon-yee Peggy Lee. „The cultural politics of the Hong Kong diaspora (in Canada)“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222985.

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34

Lee, Woon-yee Peggy. „The cultural politics of the Hong Kong diaspora (in Canada) /“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22050322.

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35

Sida, E. M. „Hong Kong towards 1997“. Thesis, University of East Anglia, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359733.

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36

Kwan, Kim-fai Adrian, und 關劍輝. „Cop culture: police socialization in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31978071.

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37

Ng, Bo-sze, und 吳寶詩. „Slimming culture in Hong Kong: a sociologicalstudy“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31478694.

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38

Godoy, Maria Cristina. „Spanish language and culture in Hong Kong“. Thesis, Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22198945.

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39

Kwan, Kim-fai Adrian. „Cop culture : police socialization in Hong Kong /“. Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18649798.

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40

CHAN, Wai Yin. „Beyond public health : the cultural politics of tobacco control in Hong Kong“. Digital Commons @ Lingnan University, 2009. https://commons.ln.edu.hk/cs_etd/4.

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This work provides cultural and political explanations on how and why cigarette smoking has increasingly become an object of intolerance and control in Hong Kong. Since the 1980s, the smoking population has been falling. Smoking behavior, sales and promotion of cigarette products have been under close surveillance by the government, medical experts and society at large. Cigarette smoking, as well as smokers, has increasingly been rejected and demonized in the public discourse. What are the conditions that make the growing intolerant discourses and practices against cigarette smoking possible and dominant? Why and how has the tobacco control campaign become prevalent as a governmentalist project, which is strong enough to tear down the alliance of tobacco industry giants? Why is tobacco singled out from other legal but harmful substances, such as alcohol, as an imperative object of intolerance and control? This work tackles these questions by adopting a Foucauldian discursive approach and the theory of articulation developed in cultural studies. By considering tobacco control as a historical and contextual practice, it traces the specific trajectory of tobacco control in Hong Kong, maps the cultural and political contexts that make it possible, and considers its consequence regarding the complex relationship among control, construction of risk, identity and freedom in society.
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41

Lam, Timothy Hoi-sing. „Equipping church leaders for the political/social/religious transition in Hong Kong 1997“. Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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42

Chiu, Kit-yi Priscilla, und 趙潔儀. „Labour organizations and political change in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31975045.

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43

Chan, Siu-mui, und 陳少梅. „Political economy of urban redevelopment in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31258797.

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44

Chan, Siu-mui. „Political economy of urban redevelopment in Hong Kong /“. Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14803963.

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45

Chiu, Kit-yi Priscilla. „Labour organizations and political change in Hong Kong“. [Hong Kong : University of Hong Kong], 1986. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12333499.

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46

Ng, Bo-sze. „Slimming culture in Hong Kong a sociological study /“. Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31478694.

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47

Tsang, Chun-yee George, und 曾俊儀. „The food culture in Hong Kong and Taiwan“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B29518994.

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48

Huen, Chi-wai, und 禤智偉. „A study of managerial culture in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31210302.

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49

Huen, Chi-wai. „A study of managerial culture in Hong Kong /“. Hong Kong : [University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1320483X.

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50

Mok, Hing-luen, und 莫慶聯. „A study of women's political participation in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31976669.

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