Auswahl der wissenschaftlichen Literatur zum Thema „Hong Kong – Festivals“
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Zeitschriftenartikel zum Thema "Hong Kong – Festivals"
Xie, Heshen. „Western-Centrism and the Global Queer Film Festival Circuit“. Journal of Festive Studies 4, Nr. 1 (23.02.2023): 83–100. http://dx.doi.org/10.33823/jfs.2022.4.1.105.
Der volle Inhalt der QuelleWENZHEN, Minghua Liu, Xinyao Li und Qiyue Ren. „Rural Festivals and Rural Cultural Spaces Creation: A Case Study of the “Yim Tin Tsai Arts Festival”“. International Journal of Arts and Humanities Studies 3, Nr. 4 (26.10.2023): 10–17. http://dx.doi.org/10.32996/ijahs.2023.3.4.2.
Der volle Inhalt der QuelleWu, Helena. „The making of the citizen-spectator in postmillennial Hong Kong: Authorial and spectatorial engagement with independent documentary films“. Asian Cinema 33, Nr. 2 (01.10.2022): 191–207. http://dx.doi.org/10.1386/ac_00055_1.
Der volle Inhalt der QuelleChan, Selina Ching. „Creepy No More“. Review of Religion and Chinese Society 6, Nr. 2 (12.12.2019): 273–96. http://dx.doi.org/10.1163/22143955-00602007.
Der volle Inhalt der QuelleNg, How Wee. „Boo Junfeng on funding, festivals and Chinese privilege“. Asian Cinema 31, Nr. 1 (01.04.2020): 131–37. http://dx.doi.org/10.1386/ac_00018_7.
Der volle Inhalt der QuelleHwang, Soo-Young, und Sung-Hyuk Kim. „Differences in Perception of Evaluation Attributes between Local Residents and International Tourists in Clan Festival: A Case on a International Clan Gathering“. Tourism Sciences Society of Korea 39, Nr. 4 (31.05.2015): 59–76. http://dx.doi.org/10.17086/jts.2015.39.4.59.76.
Der volle Inhalt der QuelleSun, Yi. „Shaping Hong Kong cinema’s new icon: Milkyway Image at international film festivals“. Transnational Cinemas 6, Nr. 1 (02.01.2015): 67–83. http://dx.doi.org/10.1080/20403526.2014.1002671.
Der volle Inhalt der QuelleBoyle, Stephen, Carmen Reaiche Amaro, Chengzhong Wu und Md Wahid Murad. „Factors Correlated with Visitors’ Interest in the Best International Show: Evidence from Hong Kong Arts Festivals“. Journal of Developing Areas 49, Nr. 5 (2015): 101–13. http://dx.doi.org/10.1353/jda.2015.0064.
Der volle Inhalt der QuelleGuo, Man, und Carsten Herrmann-Pillath. „Lineage, Food and Ritual in a Chinese Metropolis“. Anthropos 114, Nr. 1 (2019): 195–208. http://dx.doi.org/10.5771/0257-9774-2019-1-195.
Der volle Inhalt der QuelleArmatage, Kay, und Xiqing Qin. „Clara Law Cheuk-yiu's Transcultural Cinema“. Feminist Media Histories 5, Nr. 1 (01.01.2019): 63–94. http://dx.doi.org/10.1525/fmh.2019.5.1.63.
Der volle Inhalt der QuelleDissertationen zum Thema "Hong Kong – Festivals"
Lam, Wai-ping. „Festival impacts on the tourist economy in Hong Kong“. Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31572741.
Der volle Inhalt der QuelleLam, Wai-ping, und 林慧萍. „Festival impacts on the tourist economy in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31572741.
Der volle Inhalt der QuelleCheng, Lai Mei. „Festivals and ethnicity : a study of the Chaozhou community in Kowloon City, Hong Kong /“. View abstract or full-text, 2004. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202004%20CHENG.
Der volle Inhalt der QuelleIncludes bibliographical references (leaves 166-171). Also available in electronic version. Access restricted to campus users.
Yip, Lam Christine, und 葉琳. „The performances of J.S. Bach's music in the Hong Kong Arts Festival: a case study of Bach reception in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31214836.
Der volle Inhalt der QuelleWong, Kwok-hing Dominic, und 王國興. „Sustaining the intangible cultural heritage: the traditions of Yue Lan Festival in the redevelopment of Ngau TauKok Estate“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31473878.
Der volle Inhalt der QuelleChan, King, und 陳璚. „The ecology of the scavenger Nassarius festivus (gastropoda: nassariidae) in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31241463.
Der volle Inhalt der QuelleChan, King. „The ecology of the scavenger Nassarius festivus (gastropoda: nassariidae) in Hong Kong /“. Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23316949.
Der volle Inhalt der Quelle何詠思 und Wing-see Ho. „Amusing the gods and the people: the bamboo shed theatre of the Taiping Qingjiao festival in Sheung Shui Wai“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B42181884.
Der volle Inhalt der Quelle„The cultural construction of festivals in a cosmopolis: a comparison of Christmas and the Lunar New Year in Hong Kong“. 1999. http://library.cuhk.edu.hk/record=b5889953.
Der volle Inhalt der QuelleThesis (M.Phil.)--Chinese University of Hong Kong, 1999.
Includes bibliographical references (leaves 122-128).
Abstracts in English and Chinese.
Acknowledgements --- p.iii
Abstract --- p.iv
Chapter Chapter 1 --- Introduction --- p.1
Chapter 1. --- Research Problem --- p.1
Chapter 2. --- Anthropological Background of Festivals --- p.4
On Rituals
On Cultural Identity
Chapter 3. --- Theoretical Framework --- p.8
On Hong Kong
On Festivals
Chapter 4. --- Methodology --- p.14
Participant Observation and Ethnographic Interviews Written Materials and News Collecting
Chapter 5. --- Organization of the Thesis --- p.17
Chapter Chapter 2 --- Historical Background --- p.19
Chapter 1. --- From Ethnic Conflict to Cultural Borrowing -- Christmas in Hong Kong --- p.19
Chapter 2. --- Changes of Tradition --Hong Kong's Lunar New Year --- p.30
Chapter 3. --- Creation of Local Identity in Hong Kong --- p.39
Chapter Chapter 3 --- Making Up Christmas in Hong Kong --- p.42
Chapter 1. --- Christmas in The Air --- p.43
Chapter 2. --- Constructing Via Consuming --- p.47
Christmas Commodities
Christmas Activities
Chapter 3. --- Different Interpretation of Christmas --- p.56
Consumption for Christmas
Social Relations in Christmas
Chapter 4. --- Cultural Analysis --- p.73
Westerness
Dialectics in Constructing Christmas
Christmas - An Everlasting Process of Construction
Chapter Chapter 4 --- Inheritance of Lunar New Year in Hong Kong --- p.79
Chapter 1. --- Lunar New Year in Life --- p.79
Chapter 2. --- Constructing Via Customs and Myths --- p.82
Rituals before New Year's Day
Rituals on and after New Year's Day
Chapter 3. --- Unified Meanings of Lunar New Year --- p.85
A Family Festival
An Experience of Community
A Carnival of Customs
Chapter 4. --- Reconstructing Lunar New Year --- p.95
Lost Traditions
Creation of Traditions
Boundless Traditions
Chapter 5. --- Lunar New Year - A Cultural Memory --- p.103
Chapter Chapter 5 --- A Comparison of the Festivals --- p.107
Chapter 1. --- Unspecification of Festivities --- p.107
Chapter 2. --- Meaning for Festivals --- p.109
Chapter 3. --- Cultural Imagination --- p.111
Christmas - A Foreign Festival
Lunar New Year - A Traditional Festival
Chapter 4. --- Festivals as Social Process --- p.117
Chapter 5. --- Festivals as Pools for Constructing Identity --- p.118
References --- p.122
Books and Journals
Newspaper and Magazines
„A festival place: a floating extension of urban activities“. 1997. http://library.cuhk.edu.hk/record=b5889091.
Der volle Inhalt der Quelle"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1996-97, design report."
Includes bibliographical references.
Chapter 1 --- DEFINING PROBLEM
Chapter 1.1 --- INTRODUCTION
Chapter 1.2 --- BACKGROUND
Chapter 1.3 --- TEMPORARY NEED FOR SPACE
Chapter 1.4 --- SITE LOCATION
Chapter 1.5 --- SITE SPECIFIC FESTIVALS
Chapter 1.6 --- NON SITE SPECIFIC FESTIVALS
Chapter 1.7 --- PROGRAMME
Chapter 2 --- DESIGN SOLUTION
Chapter 2.1 --- SITE EVOLUTION
Chapter 2.2 --- BUILDING ORGANIZATION
Chapter 2.3 --- FLEXIBLE SETTING
Chapter 2.4 --- ICON FOR FESTIVALS
Chapter 2.5 --- ZONING (MAIN STRUCTURE)
Chapter 2.6 --- ZONING(STAGE)
Chapter 3 --- STRUCTURE AND SERVICES
Chapter 3.1 --- ROOF (MAIN STRUCTURE)
Chapter 3.2 --- CONSTRUCTION
Chapter 3.3 --- "(A,B,C) JOINTING DETAILS A,B,C"
Chapter 3.4 --- HULL STRUCTURE
Chapter 3.5 --- BALANCING SYSTEM
Chapter 3.6 --- RETRACTABLE SEATING
Chapter 3.7 --- POWER AND ENERGY
Chapter 3.8 --- PLUMBING AND DRAINAGE
Chapter 3.9 --- LIFE SAFETY
Chapter 4 --- DESIGN PROCESS
Chapter 4.1 --- FIRST CONCEPT
Chapter 4.2 --- CHANGING IMAGE
Chapter 4.3 --- TWO BLOCKS WITH ATRIUM
Chapter 4.4 --- FROM ONE TO TWO
Chapter 4.5 --- FLEXIBLE ORGANIZATIONS
Chapter 4.6 --- STRUCTURAL STUDIES
Chapter 4.7 --- STRUCTURAL PURIFICATIONS
Chapter 4.8 --- FINAL SOLUTION
Chapter 5 --- LIGHTING STUDY
Chapter 5.1 --- PLANNING FOR LIGHTING
Chapter 5.2 --- LIGHTING COLUMN
Chapter 5.3 --- NATURAL VS ARTIFICIAL LIGHTING
Chapter 5.4 --- LUX LEVEL
Chapter 5.5 --- FLOODLIGHTING SPECIFICATION
Chapter 5.6 --- UPLIGHTING SPECIFICATION
Chapter 5.7 --- MODULAR LIGHTING SPECIFICATION
Bücher zum Thema "Hong Kong – Festivals"
Ward, Barbara E. Chinese festivals in Hong Kong. [Hong Kong?]: The Guide Book Co., 1995.
Den vollen Inhalt der Quelle findenWard, Barbara E. Chinese festivals in Hong Kong. [S.l.]: Guidebook Co. Limited, 1993.
Den vollen Inhalt der Quelle findenWard, Barbara E. Chinese festivals in Hong Kong. [Hong Kong?]: The Guide Book Co., 1995.
Den vollen Inhalt der Quelle findenHong Kong International Film Festival (21st 1997). Fifty years of electric shadows: Hong Kong cinema retrospective. [Hong Kong: Urban Council], 1997.
Den vollen Inhalt der Quelle findenDays, ISCM World Music. ISCM World Music Days 2002 Hong Kong: 11-19/10/2002. Hong Kong: ISCM World Music Days, 2002.
Den vollen Inhalt der Quelle findenChina) Microwave International New Media Arts Festival (2006 Hong Kong. Microwave International New Media Arts Festival: 4-15 nov, 2006, hong kong. Hong Kong: Microwave, 2006.
Den vollen Inhalt der Quelle findenStella, Arthur, Wu Thomas und University Education in Toronto, Hrsg. Bridge across the Pacific: Festival Hong Kong 92. Hong Kong: Institute of International Programs, 1993.
Den vollen Inhalt der Quelle findenThe economic growth of Hong Kong. Westport, Conn: Greenwood Press, 1986.
Den vollen Inhalt der Quelle findenFestival Hong Kong (1992 Toronto, Ont.). Bridge across the Pacific: Festival Hong Kong 92 = Yüeh yang lien hsi Kang Chia ch'ing. Herausgegeben von Wu Thomas und Arthur Stella. [Hong Kong]: Institute for International Programs, 1993.
Den vollen Inhalt der Quelle finden1941-, Lee A. Robert, Hrsg. Old worlds, new worlds: Incorporating the edited papers from the Hong Kong Arts Festival International Symposium, March 1996. Reading: Harwood Academic Publishers, 1999.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Hong Kong – Festivals"
Berry, Chris. „Shanghai and Hong Kong: A Tale of Two Festivals“. In Chinese Film Festivals, 15–33. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-55016-3_2.
Der volle Inhalt der QuelleMa, Ran. „Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival“. In Chinese Film Festivals, 237–57. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-55016-3_12.
Der volle Inhalt der QuelleMarchetti, Gina. „Clara Law’s Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short“. In Chinese Film Festivals, 259–77. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-55016-3_13.
Der volle Inhalt der QuelleYeo, Su-Anne. „Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival“. In Chinese Film Festivals, 301–20. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-55016-3_15.
Der volle Inhalt der QuelleYau, Esther C. M. „What Can Small Festivals Do? Toward Film Festivals as Testimony to Expanded Civic Engagement in Post-Handover Hong Kong“. In Chinese Film Festivals, 141–67. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-55016-3_8.
Der volle Inhalt der QuelleBridges, Brian, und Glos Ho. „Contemporary Images and Identities in the Hong Kong Dragon Boat Festival“. In Identity Discourses and Communities in International Events, Festivals and Spectacles, 75–95. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137394934_4.
Der volle Inhalt der QuelleSun, Yi. „Shaping Hong Kong Cinema’s New Icon: Milkyway Image at International Film Festivals“. In Milkyway Image, 69–89. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6578-0_5.
Der volle Inhalt der QuelleWong, Cindy Hing-yuk. „Creative Cinematic Geographies Through the Hong Kong International Film Festival“. In A Companion to Hong Kong Cinema, 185–206. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781118883594.ch9.
Der volle Inhalt der Quelle„6 .The Hong Kong International Film Festival as Cultural Event“. In Film Festivals, 190–222. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9780813551104-008.
Der volle Inhalt der QuelleLee, Joseph Tse-Hei. „Screening Politics in Hong Kong“. In Chinese Cinema, 41–57. Hong Kong University Press, 2022. http://dx.doi.org/10.5790/hongkong/9789888528530.003.0003.
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