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Thematische Bibliographien / Home in literature / Dissertationen

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Dissertationen zum Thema „Home in literature“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 29. Juli 2024

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1

Mirze, Z. Esra. „Disorientation : "home" in postcolonial literature/“. abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209125.

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Thesis (Ph. D.)--University of Nevada, Reno, 2005.
"August 2005." Includes bibliographical references (leaves 229-239). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.

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2

McIntosh, Malachi. „"Home" : emigration, identity and modern Caribbean literature“. Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35526/.

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Caribbean writing is an emigrant tradition. The first waves of native-born authors from the region all spent significant portions of their lives abroad and, almost without exception, built their fame upon the desires of metropolitan audiences for knowledge of their colonies. Accordingly, the famous names of Lamming, Naipaul, Selvon, Césaire and Glissant are all stamped with a slightly less famous departure date. While many critics have noted these facts, there has been little sustained analysis of how the unique social positions and preoccupations of emigrants have affected the works of these five writers or their peers. This thesis is an attempt to address this issue. Its argument is that Caribbean emigrant authors spoke from unique social and conceptual loci. Through detailed, comparative readings of these five authors’ first major works, alongside considerations of their self-assessments, critical opinion on their oeuvres, Pierre Bourdieu’s theory of the literary field and Antonio Gramsci’s theory of the organic intellectual, the argument advanced is that although these authors actively positioned themselves, and were positioned by their readers, in such a way that their emigrant status has had its importance elided, that status is present and potent in their post-emigration works. While the concerns of these writers all altered over the course of their careers, their early experiences of emigration shaped some of their most widely read texts and resulted in a harmony between them that transcends the authors’ differing islands of origin and their later thematic and political preoccupations.

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3

Griffin, Philip George. „The middle-class home in Edwardian literature“. Thesis, Loughborough University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359658.

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4

Song, KeyLyn. „Home“. Thesis, Southern Illinois University at Edwardsville, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1551106.

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5

Boyle, Elizabeth. „'Home - or a hole in the ground'? : spaces of possibility in African American literature“. Thesis, University of Sheffield, 2008. http://etheses.whiterose.ac.uk/14920/.

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This thesis argues for a unique relationship between African American literature and liminal space, predicated on the historical facts of North American slavery. While recent critics of African American literature have argued for the importance of historical and civic space in shaping racialised discourse, theÃ‚Â· role of liminal space has not been well examined. This thesis examines texts by three African American writers - Harriet Jacobs, Ralph Ellison and John Edgar Wideman - and one Canadian Caribbean author, Nalo Hopkinson, to argue that their literary representations of liminality perform two functions: firstly, symbolising the experience of slavery and its attendant experiences of incarceration; and secondly, problematising mainstream categories of race and identity. By investigating the narrative construction of these liminal spaces, this thesis will extend the categories of 'African American' and the 'novel' in two important directions: towards the future and into the 'black Atlantic'. The following five chapters will address how the symbolic use of narrative liminality enables black writers to resist or appropriate the cultural and ideological structures imposed by white Europeans in the New World and also those structures later developed within a rapidly urbanising society. Firstly, Harriet Jacobs's slave narrative addresses the restrictive architecture of slavery and domesticity and, through Linda Brent's attic hideaway, Jacobs expresses a Ã‚Â·concern with endurance and female authority. The Ralph Ellison chapter examines the shifting nature of liminality and subjectivity in the post-slavery migration environment; Invisible Man's cellar engages with racialised tropes of deterrito'rialisation and desire. John Edgar Wideman addresses ideas of race and artistic responsibility in his treatment of a contemporary suburban bombsite, assessing the difficulty of achieving spaces of possibility in the face of racialised urban decay. Jhe concluding chapter uses Nalo Hopkinson's speculative fiction to challenge the essentialist construction of an African American liminal aesthetic by enacting its subversive qualities across the geographical boundaries of the black Atlantic. Hopkinson's projection of a racialised underground onto the new spaces of technology also disturbs traditional models of genre and discourse.

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6

Anderson, Christina. „Exploring the effect of literature circles on reading comprehension and motivation /“. Full text available online, 2005. http://www.lib.rowan.edu/home/research/articles/rowan_theses.

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7

Mondok, Larisse. „About Home“. Cleveland State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1556055157714489.

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8

Zdanowicz, Kimberly V. Burns E. Jane. „Are we there yet? migration and home in literature /“. Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,222.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.
Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of the Arts in the Curriculum of Comparative Literature." Discipline: Comparative Literature; Department/School: Comparative Literature.

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9

Giuliana, Chiara. „Negotiating home spaces : spatial practices in Italian postcolonial literature“. Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/9764.

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10

Wilson, Danielle. „"Maybe home is an uneasy place": Dionne Brand's uneasy home-spaces“. Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28364.

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When contemporary Caribbean-Canadian writer Dionne Brand encounters home, she is confronted by social norms - domestic and national - that may exclude her based on race, gender, sexuality and birthplace, or that may include her on the conditional denial of any one of these identifications. Reading her memoir and three novels, this study examines Brand's conceptualization of home and her attempts to uncover its failings, dismantle its borders, and ultimately refigure the concept of home as what I term Brand's uneasy homespaces - sites where provisional reterritorializations sign and enable agency, open the possibility of connection through negotiation, and retain uneasiness as a reminder of necessary provisionality. Through prolonged attention to the difference between the theoretically empowering and the materially destructive, Brand resists utopian fantasies of cosmopolitan global citizenship and the metaphorization of homelessness, while also countering, in her later work, easy dismissals of the nation-state by presenting a community that gains agency through identification with the city and nation even as it actively critiques the state.

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11

Fisher, Lydia Indira. „Domesticating the nation : American narratives of home culture /“. Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/9325.

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12

Tokuda, Soichiro. „Where is "home" for Japanese-Americans?“ Thesis, State University of New York at Binghamton, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3590779.

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This study explores the issue of Japanese internment camp in the United States and Canada during World War Two. It argues that Japanese immigrants, who were totally innocent, became historical victims and experienced camp. During World War Two, the Japanese army attacked Pearl Harbor, a territory of the United States. This incident made mainstream American and Canadian society suspicious of Japanese immigrants, who had the same ethnicity and blood as the army, the "enemies." This study is an attempt to find the voice and feelings of those who had to experience trauma in camp. As subaltern figures, all they had to do was endure and accept their fate. As immigrants, who seemed not to have English fluency, they had to accept the requirements of America or Canada in order to be allowed to live. At the same time, this study seeks to analyze how Japanese-Americans and -Canadians forged their identity after overcoming the trauma of camp and the agony of assimilation. In so doing, this dissertation considers the work of four novelists who have written about these difficult issues. Chapter 1 explains how other Asians – Koreans and Chinese – were affected by the Japanese army and how mainstream society looked at Japanese immigrants. Chapters 2 and 3 explore Joy Kogawa's Obasan and Itsuka. Naomi, the protagonist, struggles to find a sense of "home-ness." Chapter 4 examines Monica Sone's Nisei Daughter. Kazuko, the protagonist, has to experience negative aspects of the United States. Chapter 5 explores Jeanne Wakatsuki Houston's Farewell to Manzanar. Jeanne, the protagonist, has to go through painful experiences and racism up to the last section of the novel. Chapter 6 analyzes John Okada's No-No Boy. Ichiro, the protagonist, suffers self-alienation. He cannot fix his identity between his duality until he can find his "home." Chapter 7 examines the authors' intentions and asks in which direction Japanese-Americans and -Canadians can move forward in the future.

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13

Young, William H. „The long way home: Studies in twentieth century romanticism“. Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/279778.

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These studies trace the development of a mid-twentieth century romanticism, a Neo-Romanticism distinct from both an earlier High Romanticism and a later Postmodernism. The focus is on six twentieth century writers, all but one American: D. H. Lawrence (English), Paul Bowles, Robert Lowell, John Ashbery, William Stafford, and Tim O'Brien. Neoromantics seek to relandscape the derealized self by venturing outward; venturing outward they both empty and refurbish the self. By pursuing a new self or taking an extreme course--that is, the long way home--they come to an unexpected conclusion: they discover the illusion of liberty, of democracy, of self-agency, and thus the great truth of old orders, deeper than tradition.

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14

Mishra, Krishna Mohan. „Away from Home“. The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1591375230869503.

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15

Tang, Fang. „Imagining home : literary fantasy in contemporary Chinese diasporic women's literature“. Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/52130/.

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This thesis explores the use of literary fantasy in the construction of identity and ‘home’ in contemporary diasporic Chinese women’s literature. I argues that the use of fantasy acts as a way of undermining the power of patriarchal values and unsettling fixed notions of home. In each of these four texts by Chinese diasporic women author, the authors or their protagonists describe different explorations of the search for home: a space where they can articulate their voices and desires. The notion of home for these diasporic Chinese women is much more complex than a simple feeling of nostalgia in response to a state of displacement and unhomeliness. The idea of home relates to complicated struggles to gain a sense of belonging, as experienced by marginalized subjects constructing their diasporic identities — which can best be understood as unstable, shifting, and shaped by historical conditions and power relations. Fantasy is seen as a literary mode in the corpus of this study, as described in Rosemary Jackson’s Fantasy: the Literature of Subversion (1981). Literary fantasy offers a way to rework ancient myths, fairytales, ghost stories and legends; it also subverts conventional narrative representation, and challenges the restricting powers of patriarchy and other dominant ideologies. Through a critical reading of four texts written by diasporic Chinese women, namely, Maxine Hong Kingston’s The Woman Warrior (1976); Adeline Yen Mah’s Falling Leaves Return to Their Roots: The True Story of an Unwanted Chinese Daughter (1997); Ying Chen’s Ingratitude (1995) and Larissa Lai’s When Fox is a Thousand (1995), this thesis aims to offer critical insights into how these works re-imagine a ‘home’ through literary fantasy which leads beyond the nationalist and Orientalist stereotypes; and how essentialist conceptions of diasporic culture are challenged by global geopolitics and cultural interactions.

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16

Saunders-Spearman, Meagan. „Home“. VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/519.

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17

Fredericksen, Brooke. „At home in words: Exile, writing and twentieth century literature“. Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185798.

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The twentieth century is a time when the discourse of exile is prevalent in culture and literature as well as in political life. This study explores the nature of exile, its relation to Western culture, politics, and writing through the use of critical theory and specific literary works. The extended introductory chapter examines how stories of exile function as formative concepts in the Hebrew Bible. Foremost is the story of the flight from Egypt and the wandering in the wilderness as told in the Book of Exodus, but examples of separation as a type of exile are also examined, specifically in the laws in Exodus and Leviticus. The idea of exile as a paradox in Western culture and literature is developed in this chapter. While exile was already known as a punishment, the Hebrew Bible portrays exile as a positive idea that enables the formation of religious and cultural identity. An examination of exile as a sociopolitical concept also comprises this chapter. The relation of Karl Marx's definition of alienation (entfremdung) to exile is explored, and exile in its negative aspect, as punishment and estrangement from family and self, is discussed. As a counterweight to this negative aspect, the theories of Michel Foucault on power and knowledge are studied, and exile is proposed as a resistance to power. Finally, the relation of exile to discourses on writing and literature in the twentieth century is examined, specifically in the work of Jacques Derrida and Roland Barthes. The remaining three chapters of the work are devoted to three culturally diverse twentieth century authors. Chapter Two examines the work of Egyptian-born Jewish poet Edmond Jabes, whose poetry and meditations are interwoven with thoughts on Judaism, exile, and writing. Chapter Three takes up the work of Cristina Peri Rossi, an Uruguayan fiction writer and poet, who fled to Spain in 1973. Peri Rossi's work not only creates interesting fictional homes wherein characters and readers alike can dwell, but is also concerned with the issue of feminism and womens' particular relation to exile. Finally, the work of Modernist author Gertrude Stein is explored, raising and examining questions of exile in her work.

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18

GUTH, RYAN K. „HOME TRUTHS“. University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1020970327.

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19

Mejia, Melinda. „Reading home from exile| Narratives of belonging in Western literature“. Thesis, State University of New York at Buffalo, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3629800.

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Reading Home from Exile: Narratives of Belonging in Western Literature analyzes the way in which narratives of belonging arise from Western literary works that have been largely read as works of exile. This dissertation insists on the importance of the concept of home even in the light of much of the theoretical criticism produced in the last fifty years which turns to concepts that emphasize movement, rootlessness, homelessness, and difference. Through readings of Western literature spanning from canonical ancient Greek texts to Mexican novels of the revolution and to Chicano/a literature, this study shows that literature continues to dwell on the question of home and that much of the literature of exile is an attempt to narrate home. Beginning with a close reading of Oedipus the King and Oedipus at Colonus, the first chapter discusses Oedipus's various moments of exile and the different spheres of belonging (biological/familial, social, political) that emerge through a close reading of these moments of exile. Chapter 2 examines these same categories of belonging in Mauricio Magdaleno's El resplandor, an indigenista novel set in post-revolutionary Mexico about the trials and tribulations of the Otomi town of San Andres. Chapter 3 continues to consider literature that takes Revolutionary and post-revolutionary Mexico as setting and analyzes the narratives of belonging that arise in Juan Rulfo's Pedro Páramo and Elena Garro's Recollections of Things to Come. Finally, Chapter 4 analyzes the emergence of these categories of home in Chicano/a literature and thought, focusing on Gloria Anzaldua's Borderlands/La Frontera and its relation to Homi Bhabha's concept of hybridity and to postcolonial theory in general.

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20

Andrade, Daniel Abreu Almeida. „Home artificial nutrition : costs and consequences : a systematic literature review“. Master's thesis, FEUC, 2015. http://hdl.handle.net/10316/29840.

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Malnutrition affects health clinical status and health outcomes, occurring both in hospital and community setting. Despite recognized as a health care concern, it still is not adequately diagnosed and treated. Home Artificial Nutrition had its turning point with changes in hospital healthcare reimbursement system and development of home care technologies. Objectives: This thesis aims a better understanding of the health economics related to this home nutritional therapy, assessing the current evidence, namely on costs and consequences. Material and Methods: A systematic review of literature was made using several databases and different keyword combinations related to the subject. Complementary search was made in general search engines and other websites related with Enteral and Parenteral Nutrition. The following steps were removal of article duplication, Title and Abstract evaluation and the final selected ones were subject to full reading. Starting with an initial pool of 583 articles, 116 we were mentioned in this work. Results: Home Artificial Nutrition programs are increasingly at use around the world. Outcomes rely heavily on the underlying disease and patient Quality of Life is difficult to assess due to the differences of home nutrition programs and lack of specific tools able to measure and follow-up changes over treatment. Costs vary significantly according to countries and nutritional therapy and most of the times calculated from a payer perspective. Few studies relate costs and consequences simultaneously and most are developed from a National Health Service or Insurance perspective with a limited evaluation of a wider societal benefit. The existence of a multidisciplinary nutrition support team is crucial for the successful implementation of this therapy. Conclusions: Home Artificial Nutrition is a valid clinical alternative for clinically stable patients, allowing relocation from hospital to home with cost reduction to health care services and increase of patient Quality of Life. Harmonization should be performed in several areas: clinical and follow-up practices, accessibility, legislation and reimbursement and more scientific research is necessary for a better understanding of costs and benefits of home nutritional support. Portugal should take steps in legislative path for developing and harmonize program implementation across the country.

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21

Cowgill, Geoff. „The grim word : 'home' in fiction by Graham Greene /“. View online, 2008. http://repository.eiu.edu/theses/docs/32211131461671.pdf.

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22

McKenna, Tiana. „Why Don't You Come Home Now: Stories“. Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1307386459.

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23

Kim, Junyon. „Re-imagining diaspora, reclaiming home in contemporary African-American fiction /“. view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3147823.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 223-239). Also available for download via the World Wide Web; free to University of Oregon users.

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24

Madary, Sheila. „Home Abroad“. ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1380.

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Comprised of four essays, this collection of creative nonfiction focuses on facets of daily life and culture in Germany. The author recounts her experiences as she and her family assimilate into a foreign culture and adapt to using its language. The first essay tells of the family’s unexpected but rewarding sojourn in Germany after losing everything to Hurricane Katrina. The subsequent essays display a broader range of experiences and cultural observations upon the family’s return to Germany four years later. These include a narrative of the family’s move to a small town in central Germany, an interview with a local asparagus farmer and an account of the author’s children’s efforts to learn German.

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Tay, Eddie. „Not at home colonial and postcolonial Anglophone literatures of Singapore and Malaysia /“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B37898139.

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26

Fessler, Pirmin. „Home country effects of offshoring. A critical survey on empirical literature“. SFB International Tax Coordination, WU Vienna University of Economics and Business, 2006. http://epub.wu.ac.at/1294/1/document.pdf.

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The International fragmentation of production processes is of rising importance. One part of this fragmentation involves the relocation of a production process from a home- to a new host country. This literature survey deals with the effects of such relocations on the home country. First of all, we try to conceptualize the terms and definitions most frequently used in this context which are "outsourcing", "offshore outsourcing" and "offshoring". Despite the fact that there is little textual documentation dealing directly with the phenomena of offshoring and offshore outsourcing we try to give an overview of possible empirical literature to which one can regard to. Including FDI literature we try to cover empirical literature which can provide helpful insight on the effects of a relocation to foreign countries on the home country in connection with wages, skill upgrading, prices, profits, taxes and unions. (author's abstract)
Series: Discussion Papers SFB International Tax Coordination

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27

Kaushik, Ratika. „Homing diaspora/diasporizing home : locating South Asian diasporic literature and film“. Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/73136/.

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This thesis contains a detailed study of contemporary South Asian diasporic literary and cinematic works in English. The majority of the works analyzed and discussed are those produced from the 1980s onwards. My research investigates how selected diasporic texts and films from South Asia problematize representations of homeland and host spaces. I reveal in the course of this study, how these works, actively negotiate alternative modalities of belonging that celebrate the plurality of cultural identities within and outside the homeland. This exploration of diasporic narratives of homeland and host land is explored by examining these narratives across two mediums: the cinematic and the literary. In so doing, the thesis initiates a dialogue between the two mediums and locates these selected diasporic works within a larger tapestry of contemporary cultural, literary and global contexts. The thesis shows that these literary and filmic representations celebrate as well as present an incisive critique of the different cultural spaces they inhabit. The thesis also reveals how, in representing the experiences of multiple-linguistic, geographical, historical dislocations, these texts invite readers to see the changing faces of diasporic cultures and identities. My thesis complements this analysis of representation with a broader analysis of the reception of these diasporic works. My analysis sets out to move away from the critical tendency to scrutinize texts in relation to a politicized rhetoric of reception which privileges a reading of texts through insider/outsider binarism, by drawing together and contrasting academic and popular responses in the reception of diasporic texts. In so doing, my thesis reads these texts as agents of cultural production, focusing on interpretative possibilities of the literary critical mode of reading and enabling nuanced modes of analysis attentive to issues of diasporic identity, the identity of nation-states and the emergent global dynamics of migrant narratives. The texts I analyze are Salman Rushdie‘s Midnight's Children (1981) and The Satanic Verses (1988), Micheal Ondaatje‘s Running in the Family (1982) and Anil's Ghost (2000), Rohinton Mistry‘s A Fine Balance (1995), Mohsin Hamid‘s The Reluctant Fundamentalist (2007), and Hanif Kureishi‘s The Buddha of Suburbia (1990) and as well as two filmic texts, Mira Nair‘s The Namesake (2007) and Gurinder Chadha‘s Bend It Like Beckham (2001).

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Bigger, Sharon, und Lisa Haddad. „Advance Care Planning in Home Health: A Review of the Literature“. Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8513.

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The purpose of this article is to synthesize the evidence on advance care planning (ACP), determine what is applicable to the home health (HH) setting, and find where gaps in knowledge may exist. An integrative review methodology was chosen. Although there is ample literature on the topic of ACP, most research has been conducted in the acute care, outpatient, and general community settings. There is limited literature regarding ACP with patients living with chronic cardiovascular and pulmonary illnesses, who comprise the majority of the HH population. Some literature has been published regarding the interprofessional team's role in ACP in the HH setting. A gap in knowledge exists regarding ACP in HH, and recommendations for future research are provided.

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29

Harris, Jane. „Home rules : a PhD in creative and critical writing“. Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389331.

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30

Hammond, Julia Leanne. „Homelessness and the postmodern home: narratives of cultural change /“. view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192191901&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 224-233). Also available for download via the World Wide Web; free to University of Oregon users.

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31

McCray, Brigitte N. „Road Going Home“. VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/50.

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Road Going Home follows the life of four women of the same family: grandmother, granddaughter, her mother, and her aunt. Mother Karen leaves home at sixteen because she's pregnant, afraid of disappointing parents Ruth and Nelson. Her sister Lacy is just a child when she leaves. Karen has always wanted to leave home because her small town feels suffocating. At the opening of the novel, Karen has moved into a commune in central Virginia. Her father kidnaps granddaughter Dylan in hopes of bringing his family back together. However, the result is the family growing more apart from one another. Thematically, the novel seeks to answer what happens to families when they run away from one another. How do we come back together again? And how do we rebuild those close ties that we once lost?

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32

Powers, Paula Sian. „Home economics : identity and substitutability in the eighteenth-century epistolary novel /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9901444.

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33

Amato, Jean M. „The representation of ancestral home and homeland in Chinese American fiction (1960s-1990s) /“. view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181080.

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Thesis (Ph. D.)--University of Oregon, 2005.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 307-317). Also available for download via the World Wide Web; free to University of Oregon users.

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34

Annunciação, Viviane Carvalho da. „Exile, home and city: the poetic architecture of Belfast“. Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-30102012-123412/.

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The present thesis is concerned with how the poetry written in Northern Ireland throughout the twentieth century reifies the city of Belfast through language, metaphor and imagery, compiling a concrete constellation of aesthetic experiments. It also examines how its poets have represented not only Belfasts concrete and architectural landmarks, but also its historical and spatial displacements. Due to the Anglo-Irish Treaty in 1922, through which Ulster remained a constitutive part of the British Isles, while the South started to build the foundations of what was going to become the Republic of Ireland, Northern Irish poets have built a poetic landscape that has been instead incessantly fragmented through the motifs of alienation and displacement of subjectivity. Through the analysis of the Belfast poems by the poets Louis MacNeice, John Hewitt, Padraic Fiacc, Michael Longley, Derek Mahon, Ciaran Carson, Paul Muldoon, Medbh McGuckian, Seamus Heaney, Sinéad Morrissey, Leontia Flynn, Allen Gillis and Miriam Gamble, the thesis shows the poetic architecture of Belfast points to wider sociological spaces. It is never alone, or even single, but always plural and globally referential. Through a space of confluence which brings together dissimilar discourses, the selected poems present a desire to possess Belfast artistically, a city where art, history and memories intermingle and interact in a dynamic manner. Images, styles and ideas are carried from generation to generation and create a constellation of fearful and hopeful dreams. It engages past and present in a fruitful reflection on identitarian and artistic belonging.
A presente tese tem como objetivo compreender como a poesia escrita na Irlanda do Norte representa a cidade de Belfast durante o século vinte. A hipótese defendida pela tese é a de que o trabalho poético com a métrica, figuras de linguagem e imagens cria uma constelação de experimentos estéticos. O trabalho também compreende como os poetas recriaram não somente os pontos de referência arquitetônicos de Belfast, mas também os seus próprios deslocamentos históricos e geográficos. Devido à assinatura do tratado anglo-irlandês em 1922 através do qual o Ulster se manteve parte das Ilhas Britânicas e o sul começava a 7 construir as fundações do que seria chamada futuramente de República da Irlanda, os poetas pertencentes à Irlanda do Norte criaram uma paisagem poética que é incessantemente fragmentada por meio da alienação e do deslocamento subjetivo. A análise dos poemas de Belfast escritos por Louis MacNeice, John Hewitt, Padraic Fiacc, Michael Longley, Derek Mahon, Ciaran Carson, Paul Muldoon, Medbh McGuckian, Seamus Heaney, Sinéad Morrissey, Leontia Flynn, Allen Gillis e Miriam Gamble, demonstra que a arquitetura poética de Belfast aponta para espaços sociológicos mais abrangentes. A cidade não é retratada singularmente, mas em sua conexão com outras localidades globais. Por meio de um espaço de confluência, que agrupa discursos diversos, os poemas selecionados apresentam um desejo simbólico de possuir Belfast, uma cidade em que arte, história e memórias interagem de forma dinâmica. Imagens e estilos são passados de geração para geração, criando uma constelação de sonhos aterrorizantes e esperançosos, que engajam passado e presente em uma reflexão sobre pertencimento identitário e artístico.

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Scott, Jennifer A. „You can go home agian : re-constructing nostalgia in the American imagination /“. View abstract, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3250715.

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36

Bilocerkowycz, Sonya. „On Our Way Home from the Revolution“. The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492268267440225.

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37

Vanek, Mary. „Getting It On Home: Ways of Telling the Story“. Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279037/.

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In this collection of poems and essays, the author demonstrates two different methods for examining the same theme: the notion of "home"—how to get there, how to remain there and bear articulate witness to the forces which drive that author to write. The introduction sets forth an explanation for the use of the specific form chosen for expression, with an analysis of the intent behind that form. In these essays and poems, the author accounts for her years on the Texas Panhandle, in Montana, and a year spent teaching in Prague, Czechoslovakia. These locations furnish the moments and incidents of conflict and resolution that make up the dramatic incidents of the included material.

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Farrer, Katie E. „The Little House as home“. Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1400953081&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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39

Marchi, Lisa. „Creolizing Diaspora: Home and Identity, Language and Hospitality in Arab Diasporic Literature“. Doctoral thesis, University of Trento, 2011. http://eprints-phd.biblio.unitn.it/567/1/tesi_di_dottorato_corretta_Marchi.pdf.

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This research investigates the extent to which diaspora can be considered a useful term of reference for the exploration and critical interrogation of the literary works written by authors of Arab origin in Europe, Canada and the United States. The aim of this study is to develop an alternative theoretical model to analyze and critically interrogate works that have been written beyond the boundaries of a national literature and that blur the opposition "migrant" vs. "national" or "ethnic" vs. "mainstream." This study makes use of an integrated methodology and draws its theoretical tools from deconstruction, post-colonial studies, feminist theory, and Edouard Glissant's poetics of creolization. It is an interdisciplinary and multilingual work that puts in dialogue literature with philosophy and sociology and explores texts written in English, French, German, and Italian.

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Iannone, Ami M. „You Can't Go Home Again“. Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275585545.

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41

Tay, Eddie, und 鄭竹文. „Not at home: colonial and postcolonial Anglophone literatures of Singapore and Malaysia“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B37898139.

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42

Machala, Marta. „At home in the world : Czesław Miłosz and the ontology of space“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:a551d588-fcb4-4c5c-81c3-3e81e8f7e593.

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Space constitutes one of the main leitmotifs of Czeslaw Milosz's work, both theoretical and poetic. Central in this respect is the notion of imagination as a faculty organizing space, the faculty which, from the times of the Scientific Revolution, has been subject to erosion, especially as far as the religious imagination is concerned. The abolition of the anthropocentric, hierarchical vision of space, threw human beings into a state of alienation, conceptual nowhere. Religion was replaced by the dogmatism of scientific reductionism, the reality of Ulro. Milosz shows the way out of Ulro, the way out of nowhere to the somewhere. This thesis aims to illustrate the conceptual map of the way out of Ulro as portrayed in four selected volumes of poetry and the novel Dolina Issy, anchored in different points of Milosz's biography. The Land of Ulro, the collection of essays which encapsulate Milosz's ideas on space, constitutes a canopy work for the interpretation of the practical realization of those ideas in Milosz's poetic work. Trzy zimy (1936), Swiat, poema naiwne (1943), Miasto bez imienia (1969), and Druga przestrzen (2002) provide the material for the analysis of different aspects of Milosz's conception of space. Subject to analysis is the relationship between object and human subject as regards the formative, childhood experience of the space of the house (manor) and surrounding landscape, the act of building space on the basis of memory and retrospection in the context of distance and exile, and the workings of religious imagination in the context of the realm of second space. Through his conception of space, Milosz defends human existence in its completeness. He shows the way out of Ulro. This thesis aims to retrace Milosz's map out of the land of alienation on the basis of the poet's selected works.

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Clarke, Amanda. „Irony and Irishness: deconstructing the home on the contemporary Irish stage“. Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121385.

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"Irony and Irishness: Deconstructing the Home on the Contemporary Irish Stage" investigates the reconstruction of the Irish home as an emblem of homeland and national identity in the twentieth-century. Considering the work of playwrights from both the Republic and Northern Ireland, I examine how the home, as image of national character and unity, is revised and deconstructed in the 1980s and 1990s to reflect an emergent global identity. I argue that "strangers in the house"—often marginal figures like tramps, women, even ghosts—are used to disrupt and remap the idyllic peasant cottage of Nationalist propaganda. A focus on relationships to the domestic allowed me to unearth and trace an important set of themes in Irish theatre: the geopathology of the home (and domestic set), the post-colonial nature of the tramp, and the reversal of the woman-as-nation topos. This study provides a model for reading irony in Irish theatrical staging, as well as a theoretical framework for examining the geo-politics of national identity. Chapter One, "Interrupting the Idyll," situates the project by returning to the origins of the home as homeland trope. This section considers the development of the peasant cottage on stage as an anti-colonial symbol and J. M. Synge's and Sean O'Casey's refusal of the burgeoning national identity. Synge's and O'Casey's presentation of the home as claustrophobic and their celebration of placeless tramps establish a set of ironic conventions for contemporary work. Chapter Two, "Remapping Memory," investigates Brian Friel's return to the peasant cottage as a dominant set in the 1980s. During the Troubles, a period of violent sectarian conflict and shifting national borders, Friel gives the peasant cottage a Brechtian treatment—reducing it to the remains of an "image of communion"—its peasant props are "broken" (383) and "forgotten" (383). Friel's travelling theatre company (Field Day), crossed peace walls and permeated isolated communities to draw together Catholic Nationalist and Protestant Unionist audiences. The assembly of these two groups in repurposed political buildings, such as the Derry Guildhall, proved that communication was possible across sectarian boundaries. Chapter Three, "The Haunted Home," turns to Ireland's relationship to cultural memory and tourism in the 1990s. The ghosts of Ireland's national history turn up as interlopers in Conor McPherson's uninhabitable Western cottages and kitschy pubs. McPherson's ghost story monologues resolve this conflict by enacting wake traditions that release the past through performance. Chapter Four, "Claustrophobic Kitchens," centers on Martin McDonagh's deliberately inauthentic peasant cottage sets and the fragmentation of Irish identity, as stereotypes of Irishness are trafficked to Irish Diaspora and international audiences. Finally, "Exporting Kitsch," a concluding examination of recent solo performances by Colm Tóibín and Fiona Shaw, Marie Jones, and Marina Carr, considers how Irishness is embodied, especially how the Irish female body is limited to prescribed roles and spaces on stage.
Cette thèse étudie la construction de la maison irlandaise sur la scène comme un emblème de la patrie et de l'identité nationale dans le xxe siècle. Considérant les travaux des dramaturges de la République et d'Irlande du Nord, j'examine comment la maison, comme l'image du caractère national et de l'unité, est révisée et déconstruite dans les années 1980 et 1990 pour refléter une identité globale émergente. L'étude examine comment les « inconnus » dans la maison (Yeats et Gregory, Cathleen Ni Houlihan, 7) servent à désorganiser et reconfigurer la maison de paysanne idyllique.Le premier chapitre situe le projet en retournant aux origines de la maison paysanne comme une image nationale. Cette section considère le développement de la maison paysanne comme un symbole anticolonial et le refus de l'idyllique identité nationale par J .M. Synge et Sean O'Casey. Synge et O'Casey établissent les conventions ironiques du théâtre irlandais contemporain en présentant une maison claustrophobe et en célébrant les vagabonds. Chapitre deux, porte sur le retour de Friel à la maison paysanne dans les années 1980. Pendant les Troubles en Irlande du Nord, une période de conflits sectaires violents, Friel emploie la mise en scène d'une maison paysanne déconstruite — le reste de l'image de la communion, ses accessoires paysans cassés et oubliés (383). Ce traitement brechtien de la maison déconstruit ironiquement un stéréotype qui continue à séparer les communautés unionistes Protestants et nationalistes Catholiques dans le Nord. Dans le troisième chapitre, je tourne mon attention vers la relation de l'Irlande à la mémoire culturelle et le tourisme durant les années 1990. Les fantômes de l'histoire nationale de l'Irlande se présentent comme des intrus dans les chalets et les pubs kitsch de McPherson. Le chapitre quatre fait le point sur la maison paysanne délibérément inauthentique de Martin McDonagh. La maison et ses habitants sont considérés comme stéréotypes de l'Irlandicité par des auditoires internationaux. Par conséquent de son identité nationale instable, Maureen souffre d'une dépression nerveuse.

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Krason, Monica M. „You Can Go Home Again: The Misunderstood Memories of Captain Charles Ryder“. Cleveland State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=csu1560934108115459.

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Stricklin, Rita Katherine. „"A Site of Invasion: Representations of Home in 20th Century South African Literature"“. University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523015006047659.

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46

Weaver, James A. „"What a Place to Live" home and wilderness in domestic American travel literature, 1835-1883 /“. Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1149885641.

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47

Deitering, Cynthia. „Waste sites rethinking nature, body, and home in American fiction since 1980 /“. Diss., Online access via UMI:, 2008.

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48

McGowran, Katharine Margaret. „House and home in late Victorian women's poetry“. Thesis, University of Hull, 1999. http://hydra.hull.ac.uk/resources/hull:3954.

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Any consideration of the theme of ‘house and home’ leads into discussion on three different levels of discourse. First of all, houses have biographical and historical significance; they are, after all, real places in which real lives are lived. Secondly, home is an ideologically loaded noun, a bastion of value which is inextricably entwined with the notion of the pure woman. Thirdly, in literature, houses are metaphorical places. This thesis is primarily a study of those metaphorical places. It explores representations of ‘house’ and ‘home’ in late Victorian women's poetry. However, it also takes account of the biographical, historical and ideological significance of the house, looking at factors which may have helped to shape each poet's representations of ‘house and home’. The house occupies an ambiguous position in the poetry of the later Victorian period. It is variously imagined as a haunted house, a ruin, an empty house of echoes, and a prison of isolation and despair. At times, the house is a recognisable domestic place (the private house), at others, it is turned into a place of art or poetry, a new aesthetic ‘home’ for the female imagination. In some poems the house is a focus for nostalgia and homesickness. Yet it is also often a place which must be left behind. What unites the poets I have studied is the fact that the houses they inhabit in their work are never entirely their own and they are rarely entirely at home in them. Home is less roomy as a concept. It tends to carry religious or ideological connotations and is usually represented as a place of duty and responsibility. It also comes to mean the final resting place: the grave. Thus house and home, which are not identical terms, are freighted with different meanings. It is the mismatch of these two terms, the tension between them, which I explore in this thesis.

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Russell, Shannon. „Home and empire : domesticity and imperialism in some mid-nineteenth century fiction“. Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363680.

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50

Adelman, Lizzie. „Strange at home, stranger abroad women, borderlands and the uncanny /“. Connect to this thesis, 2002. http://hdl.handle.net/10066/619.

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