Zeitschriftenartikel zum Thema „History of the British photography“
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Thompson, Krista. „The Evidence of Things Not Photographed: Slavery and Historical Memory in the British West Indies“. Representations 113, Nr. 1 (2011): 39–71. http://dx.doi.org/10.1525/rep.2011.113.1.39.
Der volle Inhalt der QuelleKoole, Simeon. „Photography as Event: Power, the Kodak Camera, and Territoriality in Early Twentieth-Century Tibet“. Comparative Studies in Society and History 59, Nr. 2 (April 2017): 310–45. http://dx.doi.org/10.1017/s0010417517000068.
Der volle Inhalt der QuelleTom, Martin, und Balaji Ranganathan. „Beyond the Frame: Exploring Dimensions of Colonial Photography in India“. Shanlax International Journal of Arts, Science and Humanities 11, Nr. 3 (01.01.2024): 91–97. http://dx.doi.org/10.34293/sijash.v11i3.6913.
Der volle Inhalt der QuelleSeggerman, Alex Dika. „Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture“. International Journal of Islamic Architecture 13, Nr. 1 (01.01.2024): 41–73. http://dx.doi.org/10.1386/ijia_00129_1.
Der volle Inhalt der QuelleSarsby, Jacqueline. „Exmoor Village Revisited: Mass-Observation's ‘Anthropology of Ourselves’, the ‘Feel Good Factor’ in Wartime Colour Photography and the Photograph as Art or Social Document“. Rural History 9, Nr. 1 (April 1998): 99–115. http://dx.doi.org/10.1017/s0956793300001461.
Der volle Inhalt der QuelleBrown, Terry M. „Transcending the colonial gaze: Empathy, agency and community in the South Pacific photography of John Watt Beattie1“. Journal of New Zealand & Pacific Studies 8, Nr. 2 (01.12.2020): 151–70. http://dx.doi.org/10.1386/nzps_00035_1.
Der volle Inhalt der Quellevan Leeuwen, Theo, und Adam Jaworski. „The discourses of war photography“. Journal of Language and Politics 1, Nr. 2 (10.07.2003): 255–75. http://dx.doi.org/10.1075/jlp.1.2.06lee.
Der volle Inhalt der QuelleBrooke, Stephen. „Revisiting Southam Street: Class, Generation, Gender, and Race in the Photography of Roger Mayne“. Journal of British Studies 53, Nr. 2 (April 2014): 453–96. http://dx.doi.org/10.1017/jbr.2014.10.
Der volle Inhalt der QuelleMandler, P. „Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955“. English Historical Review CXXIII, Nr. 503 (01.08.2008): 1084–85. http://dx.doi.org/10.1093/ehr/cen216.
Der volle Inhalt der QuelleAttewell, Nadine. „Looking in Stereo: School Photography, Interracial Intimacy, and the Pulse of the Archive“. Asian Diasporic Visual Cultures and the Americas 4, Nr. 1-2 (04.03.2018): 19–44. http://dx.doi.org/10.1163/23523085-00401002.
Der volle Inhalt der QuelleZawojski, Piotr. „Fotografia i film w praktyce artystycznej oraz propozycjach teoretycznych Davida Hockneya“. Artium Quaestiones 31, Nr. 1 (20.12.2020): 101–22. http://dx.doi.org/10.14746/aq.2020.31.4.
Der volle Inhalt der QuelleAndersson, Peter K. „Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser“. English Historical Review 136, Nr. 579 (17.02.2021): 454–56. http://dx.doi.org/10.1093/ehr/ceab011.
Der volle Inhalt der QuelleWright, P. „Shadow Sites: Photography, Archaeology & the British Landscape 1927-1955. By Kitty Hauser.“ Twentieth Century British History 19, Nr. 2 (13.12.2007): 239–42. http://dx.doi.org/10.1093/tcbh/hwn004.
Der volle Inhalt der QuelleKłudkiewicz, Kamila. „NON-COLLECTIONS? OLD COLLECTIONS OF REPRODUCTIONS AND DOCUMENTING PHOTOGRAPHS IN MUSEUMS: SELECTED EXAMPLES“. Muzealnictwo 62 (29.06.2021): 153–62. http://dx.doi.org/10.5604/01.3001.0015.0032.
Der volle Inhalt der QuelleGorrara, Claire. „Fashion and the femmes tondues: Lee Miller, Vogue and representing Liberation France“. French Cultural Studies 29, Nr. 4 (28.10.2018): 330–44. http://dx.doi.org/10.1177/0957155818791889.
Der volle Inhalt der QuelleHarris, David. „Review: Photography Takes Command: The Camera on British Architecture, 1890-1939“. Journal of the Society of Architectural Historians 55, Nr. 1 (01.03.1996): 81–83. http://dx.doi.org/10.2307/991058.
Der volle Inhalt der QuelleAlves de Oliveira, Andreia, und Steve Edwards. „We Need More Documentary, and We Need More than Documentary: Interview with Art Historian Steve Edwards“. Cabinet, Vol. 2, no. 2 (2017): 32–39. http://dx.doi.org/10.47659/m3.032.int.
Der volle Inhalt der QuelleLevine, Philippa. „Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power“. Journal of British Studies 52, Nr. 1 (Januar 2013): 5–25. http://dx.doi.org/10.1017/jbr.2012.6.
Der volle Inhalt der QuelleMelman, Billie. „Ur: Empire, Modernity, and the Visualization of Antiquity Between the Two World Wars“. Representations 145, Nr. 1 (2019): 129–51. http://dx.doi.org/10.1525/rep.2019.145.1.129.
Der volle Inhalt der QuelleGorrara, Claire. „What the Liberator Saw: British War Photography, Picture Post and the Normandy Campaign“. Journal of War & Culture Studies 9, Nr. 4 (07.04.2016): 303–18. http://dx.doi.org/10.1080/17526272.2016.1159003.
Der volle Inhalt der QuelleHight, Eleanor M. „Picturing Empire: Photography and the Visualization of the British Empire (review)“. Victorian Studies 42, Nr. 3 (2000): 569–71. http://dx.doi.org/10.1353/vic.2000.0064.
Der volle Inhalt der QuelleVandenbeusch, Marie. „Evidence of an Ancient Archive? The Papyrus British Museum EA 9961“. Journal of Egyptian Archaeology 104, Nr. 2 (Dezember 2018): 177–94. http://dx.doi.org/10.1177/0307513319856861.
Der volle Inhalt der QuelleBatchen, Geoffrey. „Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser“. Art Bulletin 103, Nr. 4 (02.10.2021): 147–49. http://dx.doi.org/10.1080/00043079.2021.1957386.
Der volle Inhalt der QuelleDeazley, Ronan. „Struggling with authority: The Photograph in British legal history“. History of Photography 27, Nr. 3 (September 2003): 236–46. http://dx.doi.org/10.1080/03087298.2003.10441249.
Der volle Inhalt der QuelleHickin, Edward J., und Henry M. Sichingabula. „The geomorphic impact of the catastrophic October 1984 flood on the planform of Squamish River, southwestern British Columbia“. Canadian Journal of Earth Sciences 25, Nr. 7 (01.07.1988): 1078–87. http://dx.doi.org/10.1139/e88-105.
Der volle Inhalt der QuelleSadoff, Dianne F. „Fiction in the Age of Photography: The Legacy of British Realism (review)“. Victorian Studies 44, Nr. 1 (2001): 129–31. http://dx.doi.org/10.1353/vic.2001.0158.
Der volle Inhalt der QuelleARENSON, ADAM. „Anglo-Saxonism in the Yukon: The Klondike Nugget and American-British Relations in the ““Two Wests,”” 1898––1901“. Pacific Historical Review 76, Nr. 3 (01.08.2007): 373–404. http://dx.doi.org/10.1525/phr.2007.76.3.373.
Der volle Inhalt der QuelleGier-Viskovatoff, Jaclyn J., und Abigail Porter. „Women of the British Coalfields on Strike in 1926 and 1984: Documenting Lives Using Oral History and Photography“. Frontiers: A Journal of Women Studies 19, Nr. 2 (1998): 199. http://dx.doi.org/10.2307/3347166.
Der volle Inhalt der QuelleDatta, Ann. „Beasts, birds and bees: visual resources for Africa in the Libraries of the British Museum (Natural History)“. African Research & Documentation 48 (1988): 1–22. http://dx.doi.org/10.1017/s0305862x00009067.
Der volle Inhalt der QuelleWei, Louisa, und Phil M. F. Shek. „An Encounter in Hong Kong Streets, 60 Years Apart“. Cubic Journal 5, Nr. 5 (17.12.2022): 110–23. http://dx.doi.org/10.31182/cubic.2022.5.54.
Der volle Inhalt der QuelleHanna, Erika. „Photographs and “Truth” during the Northern Ireland Troubles, 1969–72“. Journal of British Studies 54, Nr. 2 (April 2015): 457–80. http://dx.doi.org/10.1017/jbr.2015.6.
Der volle Inhalt der QuelleLi, Kin Sum (Sammy), Quanyu Wang, J. Keith Wilson, Fan Jeremy Zhang, Jody Ho Yee Cheung, Tsz Hin Chun, Sum Lam et al. „DECORATED MODELS, REPLICATION, AND ASSEMBLY LINES FOR BRONZE INDUSTRIAL PRODUCTION IN 500 b.c.e. CHINA“. Early China 44 (September 2021): 109–42. http://dx.doi.org/10.1017/eac.2021.9.
Der volle Inhalt der QuelleJanes, Phoebe. „BRITISH PHOTOGRAPHY IN THE NINETEENTH CENTURY: THE FINE ART TRADITION. Mike WeaverTHE PHOTOGRAPHIC IMPRESSIONISTS OF SPAIN: A HISTORY OF THE AESTHETICS AND TECHNIQUE OF PICTORIAL PHOTOGRAPHY (Studies in Art and Religious Interpretation, v. 12). S. Carl King“. Art Documentation: Journal of the Art Libraries Society of North America 9, Nr. 2 (Juli 1990): 119–21. http://dx.doi.org/10.1086/adx.9.2.27948229.
Der volle Inhalt der QuelleSummers, G. D. „Metalwork in Gaziantep Museum said to be a Hoard from the Region of Sakçagözü“. Anatolian Studies 41 (Dezember 1991): 173–95. http://dx.doi.org/10.2307/3642939.
Der volle Inhalt der QuelleAdriaens, Pieter R. „Disputing Darwin: On Piloerection and Mental Illness“. Perspectives in Biology and Medicine 66, Nr. 4 (September 2023): 503–19. http://dx.doi.org/10.1353/pbm.2023.a909723.
Der volle Inhalt der QuelleVicente, Filipa Lowndes. „A Photograph of Four Orientalists (Bombay, 1885): Knowledge Production, Religious Identities, and the Negotiation of Invisible Conflicts“. Journal of the Economic and Social History of the Orient 55, Nr. 2-3 (2012): 603–36. http://dx.doi.org/10.1163/15685209-12341247.
Der volle Inhalt der QuelleFabbricotti, Emanuela. „Thomas Ashby e la Libia“. Libyan Studies 32 (2001): 115–31. http://dx.doi.org/10.1017/s0263718900005811.
Der volle Inhalt der QuelleGoetzmann, William H. „Picturing Empire: Photography and the Visualization of the British Empire. James R. RyanDrawing Shadows to Stone: The Photography of the Jesup North Pacific Expedition, 1897-1902. Laurel Kendall , Barbara Mathe , Thomas Ross Miller“. Isis 90, Nr. 2 (Juni 1999): 370–71. http://dx.doi.org/10.1086/384363.
Der volle Inhalt der QuelleGrossmann, Rebekka. „Image Transfer and Visual Friction: Staging Palestine in the National Socialist Spectacle“. Leo Baeck Institute Year Book 64, Nr. 1 (2019): 19–45. http://dx.doi.org/10.1093/leobaeck/yby022.
Der volle Inhalt der QuelleBernier, Celeste-Marie. „“The Slave Ship Imprint”: Representing the Body, Memory, and History in Contemporary African American and Black British Painting, Photography, and Installation Art“. Callaloo 37, Nr. 4 (2014): 990–1022. http://dx.doi.org/10.1353/cal.2014.0181.
Der volle Inhalt der QuelleDevoy, Louise E. „Lunar Crater Models“. Nuncius 35, Nr. 2 (10.09.2020): 300–332. http://dx.doi.org/10.1163/18253911-03502006.
Der volle Inhalt der QuelleHope, T. „TP3-11 Sir geoffrey jefferson, a father of the SBNS, a remarkable life“. Journal of Neurology, Neurosurgery & Psychiatry 90, Nr. 3 (14.02.2019): e21.1-e21. http://dx.doi.org/10.1136/jnnp-2019-abn.65.
Der volle Inhalt der QuelleRyder, J. M. „Neoglacial history of the Stikine–Iskut area, northern Coast Mountains, British Columbia“. Canadian Journal of Earth Sciences 24, Nr. 7 (01.07.1987): 1294–301. http://dx.doi.org/10.1139/e87-125.
Der volle Inhalt der QuellePevec, Iza, und Robbie Cooper. „Staring at the Screen: Interview with Photographer Robbie Cooper“. Grimace, Vol. 2, no. 1 (2017): 14–19. http://dx.doi.org/10.47659/m2.014.int.
Der volle Inhalt der QuelleCoates, Oliver. „Between Image and Erasure“. Radical History Review 2018, Nr. 132 (01.10.2018): 200–207. http://dx.doi.org/10.1215/01636545-6942513.
Der volle Inhalt der QuelleOrlova, E. V. „Из истории Людвиг Музеум – от коллекции к музею“. Iskusstvo Evrazii [The Art of Eurasia], Nr. 1(20) (31.03.2021): 164–75. http://dx.doi.org/10.46748/arteuras.2021.01.012.
Der volle Inhalt der QuelleScheper Hughes, Jennifer. „God-Bearers on Pilgrimage to Tepeyac: A Scholar of Religion Encounters the Material Dimension of Marian Devotion in Mexico“. Religion and the Arts 18, Nr. 1-2 (2014): 156–83. http://dx.doi.org/10.1163/15685292-01801009.
Der volle Inhalt der QuelleSavage, Norman M., und Risa M. Corlett. „The internal features of the Rhynchonellid brachiopod Propriopugnus Brunton, 1984, from the lower Carboniferous of England“. Journal of Paleontology 70, Nr. 3 (Mai 1996): 530–31. http://dx.doi.org/10.1017/s0022336000038476.
Der volle Inhalt der QuelleHight, Eleanor M. „BOOK REVIEW: James R. Ryan.PICTURING EMPIRE: PHOTOGRAPHY AND THE VISUALIZATION OF THE BRITISH EMPIRE.Chicago: University of Chicago Press, 1997.“ Victorian Studies 42, Nr. 3 (April 1999): 569–71. http://dx.doi.org/10.2979/vic.1999.42.3.569.
Der volle Inhalt der QuelleEarley, Nathan, Ian Walker und John Woods. „Mallard (<i>Anas platyrhynchos</i>) drake observed consuming an adult Western Tiger Salamander (<i>Ambystoma mavortium</i>)“. Canadian Field-Naturalist 136, Nr. 2 (07.11.2022): 153–55. http://dx.doi.org/10.22621/cfn.v136i2.2911.
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