Auswahl der wissenschaftlichen Literatur zum Thema „History of Prints“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "History of Prints" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "History of Prints"
Morris, David. „The Clough Collection of Prints at the Whitworth Institute“. Bulletin of the John Rylands Library 92, Nr. 2 (September 2016): 167–85. http://dx.doi.org/10.7227/bjrl.92.2.10.
Der volle Inhalt der QuelleKrishnan, Nirmal. „Personal Identification through Lip Prints“. International Journal of Forensic Sciences 7, Nr. 4 (2022): 1–5. http://dx.doi.org/10.23880/ijfsc-16000279.
Der volle Inhalt der QuelleBox, Louise Voll. „Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room“. Eighteenth-Century Life 45, Nr. 3 (01.09.2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.
Der volle Inhalt der QuelleYang, Xiangmin. „The Classification, Artistic Status, and Extended Significance of Chinese Landscape Woodblock Prints-An Elaboration on the Value of the Collection “Landscape Woodblock Prints of the Ming and Qing Dynasties”“. Journal of Ancient Chinese Arts and Crafts 1, Nr. 1 (2023): 1–13. http://dx.doi.org/10.59528/ms.jacac2023.0802a1.
Der volle Inhalt der QuellePerry, T. S. „'PostScript' prints anything: a case history“. IEEE Spectrum 25, Nr. 5 (Mai 1988): 42–46. http://dx.doi.org/10.1109/6.4550.
Der volle Inhalt der QuelleLaing, Ellen Johnston. „Picturing Men and Women in the Chinese 1911 Revolution“. Nan Nü 15, Nr. 2 (2013): 265–316. http://dx.doi.org/10.1163/15685268-0152p0003.
Der volle Inhalt der QuelleTůmová, Adéla. „Japanese Modernization Prints Collection (Yokohama-e and Kaika-e) in the Náprstek Museum“. Annals of the Náprstek Museum 43, Nr. 2 (2022): 107–31. http://dx.doi.org/10.37520/anpm.2022.012.
Der volle Inhalt der QuelleDas, Arit, Jocelyn A. Riet, Michael J. Bortner und Claire McIlroy. „Rheology, crystallization, and process conditions: The effect on interlayer properties in three-dimensional printing“. Physics of Fluids 34, Nr. 12 (Dezember 2022): 123108. http://dx.doi.org/10.1063/5.0128660.
Der volle Inhalt der QuelleDippie, Brian W., und Ron Tyler. „Prints of the West“. Western Historical Quarterly 27, Nr. 1 (1996): 81. http://dx.doi.org/10.2307/969929.
Der volle Inhalt der QuelleCochran, Robert, und Mike Disfarmer. „Disfarmer: The Vintage Prints“. Arkansas Historical Quarterly 65, Nr. 4 (2006): 449. http://dx.doi.org/10.2307/40028096.
Der volle Inhalt der QuelleDissertationen zum Thema "History of Prints"
McCreery, Cindy. „Satiric prints of women in late eighteenth-century England“. Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336246.
Der volle Inhalt der QuelleMardilovich, Galina. „Printmaking in late Imperial Russia“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610714.
Der volle Inhalt der QuelleBarry, Laura Pass. „Optical Instruments Used with Prints in the Eighteenth Century“. W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626436.
Der volle Inhalt der QuelleDavidson, Paul Scott. „Capturing the whirlwind : Paris depicted through the medium of Revolutionary Prints“. Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8474.
Der volle Inhalt der QuelleFisher, Kylie Michelle. „Imprinting Antiquity: Reinventing the Past through Sixteenth-Century Prints“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1585853474864203.
Der volle Inhalt der QuelleRoss, Gail Macdonald. „New Zealand Prints 1900-1950: An Unseen Heritage“. Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.
Der volle Inhalt der QuelleWatkins, Catherine Bailey. „Rembrandt's 1654 Life of Christ Prints: Graphic Chiaroscuro, the Northern Print Tradition, and the Question of Series“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1302116377.
Der volle Inhalt der QuelleTerjesen, Lori Ann Martin. „Collecting the Brücke: Their Prints in Three American Museums, A Case Study“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.
Der volle Inhalt der QuelleVanhaelen, Engeline Christine. „Guilty pleasures : the uses of farcical prints for children in early modern Amsterdam“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ46439.pdf.
Der volle Inhalt der QuelleSchlothan, Betty L. „Intriguing Relationships| An Exploration of Early Modern German Prints of Relic Displays and Reliquaries“. Thesis, University of California, Riverside, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1543222.
Der volle Inhalt der QuelleA group of early modern German prints related to relic displays, reliquaries, and collecting, though explored by Heinrich Otte in the mid-1800s, has been ignored in recent art historical literature. Though references to the various prints appear in texts on social, cultural, and religious history, a more in-depth consideration of the works is warranted. This thesis, as a preliminary step, categorizes the prints into two sub-groups, narrative and index. It further utilizes the intriguing relationships embodied in the prints to trace societal and cultural changes, including the rise of event reporting, collecting and organization of knowledge, and changes in religious practices.
Bücher zum Thema "History of Prints"
Grishin, Sasha. Contemporary Australian printmaking: An interpretative history. Roseville East, NSW: Craftsman House, 1994.
Den vollen Inhalt der Quelle findenPrinting images in Antwerp: The introduction of printmaking in a city : fifteenth century to 1585. Rotterdam: Sound & Vision Interactive, 1998.
Den vollen Inhalt der Quelle findenRoger, Butler. The history of Australian prints. Canberra: National Gallery of Australia, 1997.
Den vollen Inhalt der Quelle findenRice, Laura. Maryland history in prints, 1743-1900. Baltimore: Maryland Historical Society, 2002.
Den vollen Inhalt der Quelle findenLoudon. Classic natural history prints: Ornamental flowers. London: Studio Editions Limited, 1991.
Den vollen Inhalt der Quelle findenKillion, Tom. Tamalpais walking: Poetry, history, and prints. Berkeley, Calif: Heyday Books, 2009.
Den vollen Inhalt der Quelle findenMoore, Colin. Propaganda prints. London: A&C Black, 2010.
Den vollen Inhalt der Quelle findenKidman, Fiona. Palm prints. Auckland, N.Z: Vintage, 1994.
Den vollen Inhalt der Quelle findenHarris, Constance. Portraiture in prints. Jefferson, N.C: McFarland, 1987.
Den vollen Inhalt der Quelle findenHults, Linda C. The print in the western world: An introductory history. Madison, Wis: University of Wisconsin Press, 1996.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "History of Prints"
Chen, Li. „The Golden Age of Prints: Song Dynasty“. In A History of Books in Ancient China, 159–225. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8940-9_5.
Der volle Inhalt der QuelleMenegon, Eugenio. „«Robbe d’Europa»: Global Connections and the Mailing of Letters, Money, and Merchandise in the Eighteenth-Century China Mission“. In Connessioni. Studies in Transcultural History, 15–32. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0242-8.03.
Der volle Inhalt der QuelleJohnson, Dorothy. „Food for Thought: Consuming and Digesting as Political Metaphor in French Satirical Prints“. In Gut Feeling and Digestive Health in Nineteenth-Century Literature, History and Culture, 85–108. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01857-3_5.
Der volle Inhalt der QuelleCesaratto, Anna, Marco Leona und Federica Pozzi. „CHAPTER 18. The Cultural Meanings of Color: Raman Spectroscopic Studies of Red, Pink, and Purple Dyes in Late Edo and Early Meiji Period Prints“. In Raman Spectroscopy in Archaeology and Art History, 271–88. Cambridge: Royal Society of Chemistry, 2018. http://dx.doi.org/10.1039/9781788013475-00271.
Der volle Inhalt der QuelleBachleitner, Norbert. „Chapter 2.1. Print history“. In A History of Modern Translation Knowledge, 103–12. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/btl.142.13bac.
Der volle Inhalt der QuellePreußner, Paul-Rolf. „OKULIX Raytracing Software“. In Intraocular Lens Calculations, 717–30. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-50666-6_49.
Der volle Inhalt der QuelleBorchard, Gregory A. „Pre-Revolution Print“. In A Narrative History of the American Press, 12–26. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315658667-2.
Der volle Inhalt der Quelle„History“. In Chinese Popular Prints, 23–122. BRILL, 1996. http://dx.doi.org/10.1163/9789004490901_007.
Der volle Inhalt der QuelleZwicker, Jonathan. „Individuality in an Age of Reproduction“. In Kabuki's Nineteenth Century, 179–229. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192890917.003.0006.
Der volle Inhalt der QuelleBromley, Michael, und Karen Hasin-Bromley. „Galleries without Walls: Art and the Mechanical Mass Culture of the Press“. In The Edinburgh History of the British and Irish Press, Volume 2, 616–21. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474424882.003.0042.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "History of Prints"
Vallabh, Chaitanya Krishna Prasad, Shawn Hinnebusch, Albert C. To und Xiayun Zhao. „Layer-Wise Melt Pool Temperature Evolution in Laser Powder Bed Fusion: An Experimental Study Using a Single Camera Based Two-Wavelength Imaging Pyrometry“. In ASME 2022 17th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/msec2022-85387.
Der volle Inhalt der QuelleStradomski, Jan. „ON THE RECEPTION OF THE CYRILO-METHODIAN WORK IN THE POLISH-LITHUANIAN COMMONWEALTH IN THE 16th-18th CENTURIES (Notes with review of newly discovered old printed sources)“. In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.07.
Der volle Inhalt der QuelleЩербинин, Е. Р., und А. В. Щербакова. „THE ROLE OF THE WILD WEST PERIOD IN THE HISTORY OF TEXTILES“. In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.31.
Der volle Inhalt der QuelleBENARBIA, A. „Experimental and numerical study of heat transfer on an industrial FFF printer: Application to PEEK“. In Material Forming. Materials Research Forum LLC, 2024. http://dx.doi.org/10.21741/9781644903131-36.
Der volle Inhalt der QuelleFlores V., David, Roberto Gomez, Dante Tolentino und E. Sánchez Nájera. „Lateral Seismic Fragility of a Cable-Stayed Bridge using Point Estimate Method“. In IABSE Symposium, Istanbul 2023: Long Span Bridges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2023. http://dx.doi.org/10.2749/istanbul.2023.0092.
Der volle Inhalt der QuelleSafonova, N. N. „The use of reduced vocabulary in media texts (for example, regional print edition - New City newspaper)“. In Scientific Trends: Philology, Culturology, Art history. LJournal, 2019. http://dx.doi.org/10.18411/spc-26-03-2019-04.
Der volle Inhalt der QuelleCleeman, Jeremy, Alex Bogut, Brijesh Mangrolia, Adeline Ripberger, Arad Maghouli, Kunal Kate und Rajiv Malhotra. „Multiplexed 3D Printing of Thermoplastics“. In ASME 2022 17th International Manufacturing Science and Engineering Conference. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/msec2022-80882.
Der volle Inhalt der QuelleArnold, D., M. Christie und V. Demyanov. „Geologically Realistic Priors for History Matching“. In 76th EAGE Conference and Exhibition 2014. Netherlands: EAGE Publications BV, 2014. http://dx.doi.org/10.3997/2214-4609.20141512.
Der volle Inhalt der QuelleFARIAS, Priscila Lena, Daniela Kutschat HANNS und Catherine DIXON. „Spatializing design history: Considerations on the use of maps for studies on print culture“. In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-04_009.
Der volle Inhalt der QuelleMahmud, M. Irfan, Pawennari Hijjang, Muhammad Basir Said und Yahya Yahya. „The Hand-Print Tradition of the Community from Maros Karst“. In 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.013.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "History of Prints"
Graham, Kathleen L. History of the Priest River Experiment Station. Ft. Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station, 2004. http://dx.doi.org/10.2737/rmrs-gtr-129.
Der volle Inhalt der QuelleSteeves, Brye. Classified library celebrates two-year anniversary print your own commemorative history posters. Office of Scientific and Technical Information (OSTI), Mai 2021. http://dx.doi.org/10.2172/1784690.
Der volle Inhalt der QuelleAizenman, Joshua, und Ilan Noy. Prizes for Basic Research -- Human Capital, Economic Might and the Shadow of History. Cambridge, MA: National Bureau of Economic Research, Mai 2006. http://dx.doi.org/10.3386/w12226.
Der volle Inhalt der QuelleHarrison, J. C., A. F. Embry und T. P. Poulton. Field observations on the structural and depositional history of Prince Patrick Island and adjacent areas, Canadian Arctic Islands. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1988. http://dx.doi.org/10.4095/122657.
Der volle Inhalt der QuelleMartin, Kathi, Nick Jushchyshyn und Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.
Der volle Inhalt der QuelleMoreno Mejía, Luis Alberto, und Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, Februar 2012. http://dx.doi.org/10.18235/0006209.
Der volle Inhalt der QuelleLozynskyi, Maryan. Книгообмін Львівського державного університету імені Івана Франка: аналіз архіву з кінця 1940-х років. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11745.
Der volle Inhalt der QuelleGundacker, Roman. The Descent of Kawab and Hetepheres II. Verlag der Österreichischen Akademie der Wissenschaften, Dezember 2018. http://dx.doi.org/10.1553/erc_stg_757951_r._gundacker_the_descent_of_kawab_and_hetepheres_ii.
Der volle Inhalt der QuelleTabinska, Iryna, und Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.
Der volle Inhalt der QuelleAmzallag, Robert. The return of inflation: a banker’s perspective. CIRANO, Mai 2022. http://dx.doi.org/10.54932/egsn1582.
Der volle Inhalt der Quelle