Zeitschriftenartikel zum Thema „History and criticism: Bibliography“
Um die anderen Arten von Veröffentlichungen zu diesem Thema anzuzeigen, folgen Sie diesem Link: History and criticism: Bibliography.
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "History and criticism: Bibliography" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
1
Baker, William. „XVIII Bibliography, Textual Criticism, and Reference Works“. Year's Work in English Studies 98, Nr. 1 (2019): 1309–410. http://dx.doi.org/10.1093/ywes/maz001.
Der volle Inhalt der QuelleAnnotation:
AbstractThis chapter has five sections: 1: Periodicals; 2. Editions; 3. Bibliography and Associated Books and Articles; 4. Histories and Companions; 5. Shakespeare, History of Libraries, Collections, and Miscellaneous including Reference Materials. These sections are not inviolable. With some exceptions this review of the year’s work published in 2017 in the areas of bibliography, textual criticism, and reference materials is alphabetically arranged. Within the alphabetical arrangement by author there are some exceptions where publications are grouped under the respective authors rather than under editors of, for instance, the correspondence. There is also included in this chapter work that has been missed in some of the other chapters in this volume. Readers should be aware that coverage is largely limited to those items that have been received by the contributor, who would like to thank James E. May, James Fergusson, Patrick Scott, and Jan Webster for their assistance.
2
Baker, William. „Teaching Bibliography, Textual Criticism, and Book History. Anne R. Hawkins“. Papers of the Bibliographical Society of America 101, Nr. 2 (Juni 2007): 233–34. http://dx.doi.org/10.1086/pbsa.101.2.24293943.
Der volle Inhalt der Quelle
3
Vasic, Aleksandar. „Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research“. Muzikologija, Nr. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.
Der volle Inhalt der QuelleAnnotation:
The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems of this branch of Serbian musicology. The first research is associated with the early years of the XXth century, that is, to the work of bibliography. The pioneer of Serbian ethnomusicology, Vladimir R. Djordjevic composed An Essay of the Serbian Musical Bibliography until 1914, noting selected XIXth century examples of Serbian literature on music. Bibliographic research was continued by various institutions and experts during the second half of the XXth century: in Zagreb (today Republic of Croatia); the Yugoslav Institute for Lexicography, Novi Sad (Matica srpska); and Belgrade (Institute for Literature and Art, Slobodan Turlakov, Ljubica Djordjevic, Stanisa Vojinovic etc). In spite of the efforts of these institutions and individuals, a complete analytic bibliography of music in Serbian print of the last two centuries has unfortunately still not been made. The most important contributions to historical research, interpretation and validation of Serbian musical criticism and essay writings were given by Stana Djuric-Klajn, Dr Roksanda Pejovic and Dr Slobodan Turlakov. Professor Stana Djuric-Klajn was the first Serbian musicologist to work in this field of Serbian music history. She wrote a significant number of studies and articles dedicated to Serbian musical writers and published their selected readings. Prof. Klajn is the author and editor of the first and only anthology of Serbian musical essay writings. Her student Roksanda Pejovic published two books (along with numerous other factually abundant contributions), where she synthetically presented the history of Serbian criticism and essay writings from 1825 to 1941. Slobodan Turlakov, an expert in Serbian criticism between the World Wars, meritorious researcher and original interpreter, especially examined the reception of music of great European composers (W. A. Mozart, L. v. Beethoven, F. Chopin, G. Verdi, G. Puccini etc) by Serbian musical critics. Serbian musical criticism and essay writings were also the focus of attention of many other writers. The work quotes comments and additions of other musicologists, but also historians of theatre, literature and art philosophers, aestheticians, sociologists, all members of different generations, who worked or still work on the history of the Serbian musical criticism and essay writings. The closing section of the text suggests directions for future research. Firstly, it is necessary to begin integral bibliographical research of texts about music published in our press during the cited period. That is a project of capital significance for national science and culture; realization needs adequate funding, the involvement of many academic experts, and time. Work on bibliography will also enable the collection and publication of sources: books and articles by Serbian music writers who worked before 1945. A separate problem is education of scholars. To study musical literature, a musicologist needs to be knowledgeable about the history of Serbian literature, aesthetic theory, and theatre, national social, political and cultural history, and methodology of literary study. That is why facilities for postgraduate and doctorial studies in musicology are necessary at the Faculties of Philology and Philosophy.
4
Rockett, William, Thomas More und Albert J. Geritz. „Thomas More: An Annotated Bibliography of Criticism, 1935-1997.“ Sixteenth Century Journal 30, Nr. 3 (1999): 845. http://dx.doi.org/10.2307/2544849.
Der volle Inhalt der Quelle
5
FINCH, HENRY. „ESSAYS IN BIBLIOGRAPHY AND CRITICISM. The‘golden age’of Latin America“. Economic History Review 41, Nr. 1 (Februar 1988): 117–21. http://dx.doi.org/10.1111/j.1468-0289.1988.tb00459.x.
Der volle Inhalt der Quelle
6
MCALLISTER, J. „ESSAYS IN BIBLIOGRAPHY AND CRITICISM. Colonial America, 1607-1776“. Economic History Review 42, Nr. 2 (Mai 1989): 245–59. http://dx.doi.org/10.1111/j.1468-0289.1989.tb00496.x.
Der volle Inhalt der Quelle
7
Tottoli, Roberto. „Textual Criticism and Bibliography: The Case of Qurʾānic Studies“. AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, Nr. 1 (19.10.2020): 208–22. http://dx.doi.org/10.1163/17246172-40010035.
Der volle Inhalt der QuelleAnnotation:
Abstract Philological studies on Arabic and Islamic literature have traditionally been limited in many respects. The approaches to the texts and their editing have mostly reflected a primary interest in diffusing texts without sharing the editing methodology or discussing the specific problematic aspects of Arabic. In the realm of Qurʾānic studies most of the research has been devoted to the formation of the text and early manuscript evidence with some significant results but without addressing many other aspects and critical problems which still await the attention of scholarly research. Later manuscript attestations and the history of the printed Qurʾān have also been in general neglected fields of critical research.
8
McParland, Edward. „A bibliography of Irish architectural history“. Irish Historical Studies 26, Nr. 102 (November 1988): 161–212. http://dx.doi.org/10.1017/s0021121400009640.
Der volle Inhalt der QuelleAnnotation:
What follows is a list — covering items published between 1900 and 1986 — of serious accounts of the history of important architectural projects undertaken in Ireland between the late seventeenth and early twentieth centuries. It is intended to be comprehensive in respect of monographs, collective works and articles in non-Irish periodicals, but in respect of Irish periodicals it is a supplement to Richard J. Hayes, Sources for the history of Irish civilisation: articles in Irish periodicals (9 vols, Boston, 1970). None of the above definitions is rigidly adhered to: much is included which falls outside their limits, but an attempt has been made to include everything that falls within them. The following have not been comprehensively included: (1) Monographs on non-resident architects whose careers, notwithstanding Irish commissions, were mainly abroad, e.g. Robert Adam, G.E. Street, Edwin Lutyens. This is partly because such architects are so numerous (there is evidence of over a hundred British architects having professional contacts with Ireland between 1750 and 1850) and partly because they are already well served bibliographically, e.g. by Howard Colvin, A biographical dictionary of British architects, 1600–1840 (London, 1978); (2) studies of the foreign careers of Irish architects, e.g. James Hoban, Eileen Gray; (3) studies of vernacular architecture (but see entry under this heading in the index); (4) contemporary reviews or criticism of buildings; (5) reviews of books; (6) printed primary sources, such as J.T. Gilbert, Calendar of ancient records of Dublin… (19 vols, Dublin, 1889–1944).
9
Hegel, Robert E., Ralph Cohen und Jeffrey M. Peck. „New Literary History International Bibliography of Literary Theory and Criticism (1984-1985)“. Chinese Literature: Essays, Articles, Reviews (CLEAR) 10, Nr. 1/2 (Juli 1988): 198. http://dx.doi.org/10.2307/495157.
Der volle Inhalt der Quelle
10
Maksimova, Sargylana V. „Current State of Local Lore Bibliography of the Republic of Sakha (Yakutia)“. Bibliotekovedenie [Russian Journal of Library Science] 68, Nr. 6 (02.02.2020): 583–92. http://dx.doi.org/10.25281/0869-608x-2019-68-6-583-592.
Der volle Inhalt der QuelleAnnotation:
The article reveals the current state of local lore bibliography in the Republic of Sakha (Yakutia), the main types of bibliographic indexes: scientific-auxiliary, recommendation. The author gives the examples of specific bibliographic manuals, which allow to determine the existing system of local lore bibliography, its methodological, organizational and technological development.The article notes the leading centres involved in the creation of local lore bibliographic manuals, considers the principles of creating bibliographic resources through the organization of local lore scientific-auxiliary bibliography.The author presents the analysis of “Bibliography of Yakutia” by N.N. Gribanovsky as one of the samples of bibliographing for all the time of development of local lore bibliography in Russia and gives information about the reconstruction work of this publication. In 2016, the National Library (NL) of the Republic of Sakha (Yakutia) started preparing for the publication of multi-volume universal scientific-auxiliary bibliographic work “Bibliography of Yakutia (1932—2022)” on all the main branches of knowledge: Yakut language, Literature, Literary Criticism, Folklore, Economy and Demography, State and Law, Political Science, History, Archaeology and Ethnology, Culture and Arts, Health Care, Medicine, Education, Physical Culture and Sports, National Economy and Industry, Agriculture, Minerals and Geology, Cryology. It is expected that the publication will consist of 15 volumes and in general will close the existing gap in bibliographing of documents on all the major branches of knowledge for the years 1932—2022.The author presents detailed characteristics of the main bibliographic indexes published by the NL of the Republic of Sakha (Yakutia), the Scientific library of the North-Eastern Federal University named after M.K. Ammosov, the Central scientific library of the Yakut Scientific Centre of the Siberian branch of the Russian Academy of Sciences, the Scientific library of the Yakutsk Agricultural Academy.The article reveals the new opportunities in bibliographic activity of municipal libraries of the Republic, analyses the base for compilation of bibliographic resources of the regions (uluses) of the Republic. The author pays special attention to the activities on creation of recommendation bibliography on “Yakut Studies”. The conclusions present the results of the development of the system of local lore bibliography in the Republic of Sakha (Yakutia).The author highlights that the characteristic feature of the modern system of bibliographic indexes of the region is the integrity of the major types and kinds of bibliographic indexes; the organizational, technological and scientific components are identified in general; and the bibliographic provision of science and practical activity of the Republic is increasing. The presented system develops quite dynamically in the natural way of changes in the life of society.
11
Whittington, Christine. „FEMINIST ART CRITICISM; AN ANNOTATED BIBLIOGRAPHY (Reference Publications in Art History). Cassandra Langer“. Art Documentation: Journal of the Art Libraries Society of North America 13, Nr. 4 (Dezember 1994): 34. http://dx.doi.org/10.1086/adx.13.4.27948688.
Der volle Inhalt der Quelle
12
Zaitsev, Viktor S. „Soviet Chekhovian Studies: On the Need of a Complete Bibliography Index and it’s Main Principles“. World of the Russian Word, Nr. 2 (2023): 53–59. http://dx.doi.org/10.21638/spbu30.2023.206.
Der volle Inhalt der QuelleAnnotation:
The author argues that a scholarly research is impossible without proper indexes. Many indexes of literature and anthologies are represented in Chekhovian studies. But, not all periods in the history of Russian Chekhovian studies are described in such indexes. The most completely described are the period of Chekhov’s life and the pre-revolutionary period, as well as the segment from 1960 to the present day. Period 1918–1959s is not described enough. This period is very important in the history of the Soviet Chekhovian Studies. The four decades is a period of creation of a new Marxist methodology, theoretical searches, and discussions in the press. The lack of a bibliography of this period oft en leads researchers to misconceptions about the weak scholars’ and mass readers’ interest in Chekhov’s heritage, about the lack of studying of many problems that literary critics turned to only in the 1960s. The most complete bibliography will help to avoid distortions of the historical-literary process. The index will allow raising the general level of historicism of contemporary research, to explicate some topical aspects of the works of the Soviet period, to lead scholars to new themes and also to develop such points of view on the advantages and disadvantages of the Soviet Chekhovian studies, that will be free of ideological cliches. To achieve these goals the bibliography must be founded on several principles: objectivity, accuracy and maximum possible completeness of the index. The compiling a bibliography of Soviet Chekhovian articles and books done at a high scholarly level will become a reliable theoretical foundation for conceptualizing everything that has been reached by Russian criticism on Anton Chekhov, and the crucial point of this criticism’s further way.
13
Connor, Jennifer J. „Medical Text and Historical Context: Research Issues and Methods in History and Technical Communication“. Journal of Technical Writing and Communication 23, Nr. 3 (Juli 1993): 211–32. http://dx.doi.org/10.2190/0p4q-07x0-r2ev-wrd2.
Der volle Inhalt der QuelleAnnotation:
Identifying problems in recent technical communication studies of historical medical text, this article suggests ways for researchers to overcome them. Its approach uses five steps for conducting sound historical research: establishing originality for historical textual analysis; adopting an authoritative text for analysis; understanding the genre or form of a historical text; understanding the intellectual or social context for a historical text; and understanding the publishing and readership context of a historical text. These steps are discussed within the context of related fields of inquiry, namely history of medicine, history of the book, literary criticism and historical linguistics, and analytical bibliography. The article concludes by exploring new directions for research in technical communication and history of medicine.
14
Armitage (author, first book), Christopher M., John R. Roberts (author, second book) und E. J. Devereux (review author). „Sir Walter Raleigh, an Annotated Bibliography;George Herbert, An Annotated Bibliography of Modern Criticism, 1905-1984 (revised edition)“. Renaissance and Reformation 26, Nr. 4 (03.02.2009): 334–36. http://dx.doi.org/10.33137/rr.v26i4.11861.
Der volle Inhalt der Quelle
15
Benson, Eugene, und L. W. Conolly. „English-Canadian Theatre“. Canadian Theatre Review 57 (Dezember 1988): 90–91. http://dx.doi.org/10.3138/ctr.57.020.
Der volle Inhalt der QuelleAnnotation:
English-Canadian Theatre, part of a new Oxford University Press series which surveys various aspects of Canadian literary culture, offers a scholarly overview of its topic. Written by two professors at the University of Guelph who have an ongoing concern for Canadian theatre, the book claims to be the first comprehensive work to draw together a history of our nation’s anglophone theatre and an assessment of its drama. Though there’s little doubt that dramatic criticism and theatre history are interdependent, Benson and Conolly sometimes go on seeming tangents in their literary discussions, especially given the confines of a slim volume (114 pages of text, followed by a selected bibliography and index).
16
BETTS, C. J. „Review. an Analytic Bibliography of Criticism to 1981. Tremewan, Peter, Prevost“. French Studies 41, Nr. 1 (01.01.1987): 88. http://dx.doi.org/10.1093/fs/41.1.88-a.
Der volle Inhalt der Quelle
17
ALDCROFT, DEREK H. „ESSAYS IN BIBLIOGRAPHY AND CRITICISM. Eastern Europe in an age of turbulence, 1919-1950“. Economic History Review 41, Nr. 4 (November 1988): 592–602. http://dx.doi.org/10.1111/j.1468-0289.1988.tb00482.x.
Der volle Inhalt der Quelle
18
Shaytanov, I. O. „History of Russian translations of fiction in 1800–1825“. Voprosy literatury, Nr. 6 (08.12.2023): 174–79. http://dx.doi.org/10.31425/0042-8795-2023-6-174-179.
Der volle Inhalt der QuelleAnnotation:
The research is presented in the form close to a fundamentally annotated bibliography demonstrating how European literary experience was advanced in the first quarter of the 19th c. in Russia at the time when contemporary Russian literature was being shaped. Six parts are devoted successively to French, German, English, Italian, Spanish, and classical literatures. The major aspects of research are outlined in an extensive foreword (E. Dmitrieva, M. Koreneva). Highlights include: Comparative analysis of the international contacts of Russian literature; a new interest in the novel, the genre that manifested a new literary taste; publishing and the audience in Russia compared to other European cultures; the birth of literary criticism on the margins of rhetoric; the evolution of a literary taste where gallomania was being substituted by anglo- and germanophilia; the change in the forms of contacts from imitation to stylization in accordance with the formula suggested by Konstantin Batyushkov ‘The stranger’s treasure is mine.’
19
Bandura, H. O. „SHEVCHENKIANA ON THE PAGE OF SUCHASNIST JOURNAL“. Shevchenko Studies, Nr. 1(23) (2020): 5–29. http://dx.doi.org/10.17721/2410-4094.2020.1(23).5-29.
Der volle Inhalt der QuelleAnnotation:
The article provides an overview of the Suchasnist Journal publications, dedicated to the life and work of T. Shevchenko. It is stated that articleson T. Shevchenko and his heritage were published in many Journal sections. Various in their subject, they were united in their rejection of the official Soviet Shevchenko studies, which, in their turn, generally regarded the emigration researchers works as «bourgeois-nationalist falsifications». The «History of Literature, Criticism, Art, Culture» section contained articlesby B. Kravtsiv devoted tothe "mainland" Shevchenko studiesanalysis, as well as articles by D. Koziy, L. Plyushch, O. Ilnytsky, M. Pavlyshyn, B. Rubchak, etc., devoted to the Shevchenko'spoetry. The art criticism aspect of T. Shevchenko's works is developed by I. Fizer, D. Darevych (painting and graphics), V. Revutsky (theater criticism), S. Maksymyuk (Shevchenkiana discography). The problem of direct and indirect, personal and creative relations of T. Shevchenko with his predecessors, contemporaries and successors is considered in articles by P. Odarchenko (G. Skovoroda, I. Kotlyarevsky, P. Grabovsky, Lesya Ukrainka) and Yu. Lutsky (P. Kulish). The Journal readily published articles by T. Shevchenko studies foreign researchers, including Z. Markevich (T. Shevchenko in the Polish-Ukrainian relationscontext), E. Yendzhevich (reviews of poet's works in Polish translation). The problem of T. Shevchenko's works translationswasraised in articlesby O. Kravchenyuk, B. Kravtsiv, K. Nakai. The editorial staff systematically analyzed new Shevchenko studies editions in such Journal sections as «Criticism and Bibliography», «Reviews, Criticism», «Reviews, Annotations»(reviews by B. Kravtsiv, T. Karyshova, D. Chuba, etc.).
20
Vasic, Aleksandar. „The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals“. Muzikologija, Nr. 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.
Der volle Inhalt der QuelleAnnotation:
From November 1939 to March 1941, the monthly magazine ?Slavenska muzika?, a journal of the Association of Friends of Slavic Music, was published in Belgrade. The magazine did not differ from other Serbian magazines of the interwar period in its sections. ?Slavic music? also published essays on music, music criticism, reviews of books and music editions, notes, news, obituaries, and in one case, polemics. However, differentia specifica of this review is the exclusive focus on the music of the Slavic nations. The study provides a review and analysis of the texts in this journal. It was noticed that in ?Slavic music? were crossed the Slavophile idea, which has a long tradition among Serbs, and Marxism, at that time strongly represented by one part of Belgrade musicians. The study also contains an integral bibliography of ?Slavic music?, which has not been published so far.
21
Vasileva, Nina Mikhailovna, und Olga Anatolyevna Tuminskaya. „Publishing activity of S. P. Diaghilev in the early (Russian) period of his life“. Pan-Art 4, Nr. 2 (23.05.2024): 115–19. http://dx.doi.org/10.30853/pa20240017.
Der volle Inhalt der QuelleAnnotation:
The purpose of the study is to supplement the known scientific data on the publication activities of S. P. Diaghilev by putting into scientific circulation information about the printed publications of 1897-1901, which are kept in the Research Library of the Russian Museum. One cannot deny the possible influence of these projects on the main result of Diaghilev’s early (Russian) period of publication activity – the publication of the “Yearbook of the Imperial Theaters”: season 1899-1900 and three Supplements to it in 1900. This text reveals the position of the leader of the theatrical and exhibition process in Russia in the late 19th and early 20th centuries, S. P. Diaghilev, regarding the role of Russian art, his understanding of the importance of the major transformations taking place in art during his time. The authors of the article provide descriptions of creative initiatives in the great impresario’s publishing projects aimed at evaluating art criticism and bibliography. The reader is given links to S. P. Diaghilev’s well-known and little-studied or first-time presented publications, considered in terms of their book design, and works about him. Scientific novelty: a new perspective on the task set makes it possible to assess S. P. Diaghilev’s contribution to Russian art, art criticism, publishing, and book design. As a result of the analysis of the presented facts, little-studied aspects of S. P. Diaghilev’s publishing activities were revealed, and the artistic background that favorably influenced the achievement of the goal of book publishing was shown, which represents a new direction in Russian art criticism: an interdisciplinary study combining the categories of bibliography, bibliology, publishing, graphics, the history of illustrated book design, theater studies, and other related types of culture.
22
Rodinova, Nataliya. „BORIS GRINCHENKO'S ENLIGHTENMENT ACTIVITY“. Educational Discourse: collection of scientific papers, Nr. 9(11-12) (27.12.2018): 79–90. http://dx.doi.org/10.33930/ed.2018.5007.9(11-12)-7.
Der volle Inhalt der QuelleAnnotation:
B. Grinchenko, as a good expert in Ukrainian history, defended the right of Ukraine and its people to their own lives, the right to receive education and read books in their native language. His scientific interests included such humanitarian disciplines as: pedagogy, linguistics, journalism, ethnography, history, literary criticism, bibliography, museology. If you compile a list of figures of history and culture, whose lives and activities he investigated, to whom he devoted an article, review or obituary, then a galaxy of advanced people of that time will appear. In scientific and publicistic studies B. Grinchenko primarily concerned the issues of oral folk art, as well as pedagogy, literature, history, social and political life. It was noted that the cheap book's publication of popular science, folklore, biographical, applied and entertainment content, embodied the idea of B. Grinchenko for the creation of the Ukrainian library, the introduction of readers to the Ukrainian book and the development of their education.
23
SUPPLE, BARRY. „ESSAYS IN BIBLIOGRAPHY AND CRITICISM Scale and scope: Alfred Chandler and the dynamics of industrial capitalism“. Economic History Review 44, Nr. 3 (August 1991): 500–514. http://dx.doi.org/10.1111/j.1468-0289.1991.tb01276.x.
Der volle Inhalt der Quelle
24
Kolokytha, Chara. „The Bibliography of Francophone Art Critics, a New History of Art Criticism in the Light of Digital Humanities“. Visual Resources 33, Nr. 3-4 (13.07.2017): 419–22. http://dx.doi.org/10.1080/01973762.2017.1342946.
Der volle Inhalt der Quelle
25
Kurennaya, Natalia. „Tereza Stanislavovna Holub. Textual criticism and textualists“. Slavic Almanac, Nr. 1-2 (2024): 501–6. http://dx.doi.org/10.31168/2073-5731.2024.1-2.27.
Der volle Inhalt der QuelleAnnotation:
The scientific collection about the life and work of T. S. Golub, a famous Belarusian literary critic and textual critic, winner of the M. Goretsky Literary Prize, traces the main stages of her scientific path, analyzes the contribution of the researcher to the development of national textual studies. The publication contains biographical and bio–bibliographic information about T. S. Golub, as well as describes her method of textual preparation of publications of multi-volume academic collections of works by classics of Belarusian literature – Yakub Kolas, Yanka Kupala, Mаksim Goretsky, Ivan. Shamyakin et al., carried out by a team of scientists from the Institute of Belarusian Literature of the National Academy of Sciences of Belarus. The publication ends with an analytical article by T. S. Golub “On the centenary of the textual history of Belarusian literature».
26
LETHBRIDGE, R. „Review. A Bibliography of Salon Criticism in Second Empire Paris. Parsons, Christopher and Ward, Martha“. French Studies 42, Nr. 1 (01.01.1988): 103. http://dx.doi.org/10.1093/fs/42.1.103.
Der volle Inhalt der Quelle
27
Никонова, Н. Е. „РЕЦЕНЗИЯ НА НАУЧНУЮ МОНОГРАФИЮ О.Б. КАФАНОВОЙ «ПЕРЕВОДЫ Н.М. КАРАМЗИНА КАК КУЛЬТУРНЫЙ УНИВЕРСУМ». СПБ.: АЛЕТЕЙЯ, 2020. 356 с., ил.“ Tekst. Kniga. Knigoizdanie, Nr. 27 (2021): 164–70. http://dx.doi.org/10.17223/23062061/27/10.
Der volle Inhalt der QuelleAnnotation:
The review notes Olga Kafanova’s great contribution to the study of the history of Russian literature, and especially works by Nikolai Karamzin, and productivity of her research as evidenced by the presented monograph. The book excels in its fundamental nature, novelty and reliability of the source base (more than 500 items of the bibliography of translations by Karamzin (1783–1800) and originals discovered while studying foreign works and periodicals). The review indicates the novelty and prospects of a number of Kafanova’s observations. In 2016, the public celebrated the 250th anniversary of Karamzin’s birth. The jubilee events were held in several countries and brought together dozens of scholars. One of the particular results of these events is an observation on the need for a comprehensive understanding of the work of Karamzin as a translator at a new level. The reviewed monograph promptly fills the noted gap and, using unique material, solves the problem of popularizing and preserving the Russian literary classics. The bibliography presented in the form of an appendix contains names of more than 50 authors of English, German, and French literature, whose texts Karamzin referred to. Based on the compiled corpus, Kafanova chooses an analytical approach that consistently reflects the evolution of Karamzin’s own system of views, on the one hand, and is based on the classic examples of Russian literary criticism and translation studies, on the other. Kafanova’s genre-generic approach easily synthesizes the several dimensions of the literary, editorial and institutional activities of Karamzin as a translator; there is no criticism of the clear definitions that classify Karamzin’s work on mastering the texts of foreign authors to one type or another. Another idea in the book is connected with a fundamental approach in the science of literature, according to which the history of literary processes is considered as a series of successive trends and directions of humanitarian thought. The reviewed book tells about the nuances of the era of pre-Romanticism, about the intricacies of interpreting Stern’s “sentimental stories of a sensitive heroine”, about the “portrait” project associated with “sensitive authors” (Wieland, Gesner, Klopstock, and others), and about the peculiarities of the Enlightenment and European Antiquity in the pantheon of literature by Karamzin and his contemporaries.
28
Dobko, Tetiana, und Tetiana Нryshyna. „Unpublished bibliographic index "Ukrainian Soviet Literary Studies and Criticism"“. Rukopisna ta knižkova spadŝina Ukraïni, Nr. 28 (15.06.2022): 295–313. http://dx.doi.org/10.15407/rksu.28.295.
Der volle Inhalt der Quelle
29
PARRIS, D. L. „Review. French-Canadian Authors: A Bibliography of their Works and of English-Language Criticism. Kandiuk, Mary“. French Studies 47, Nr. 1 (01.01.1993): 113. http://dx.doi.org/10.1093/fs/47.1.113-a.
Der volle Inhalt der Quelle
30
Brown, Mary Elizabeth. „Italian Immigrant Catholic Clergy and an Exception to the Rule: The Reverend Antonio Demo, Our Lady of Pompei, Greenwich Village, 1899–1933“. Church History 62, Nr. 1 (März 1993): 41–59. http://dx.doi.org/10.2307/3168415.
Der volle Inhalt der QuelleAnnotation:
Italians have long been the exception to generalizations about ethnic American Catholicism. As early as the 1880s, American bishops considered them a “problem.” In 1946, Henry J. Browne summarized the “problem”: Italians did not regularly attend mass, did not receive the sacraments, did not contribute to the support of the church, did not educate their children in their faith, did not respect the clergy, and did not appreciate that they should be doing better in all these areas. Although Browne's work has become the subject of revisionist criticism among students of Italian American Catholicism, specialists in other aspects of American Catholicism have incorporated into their work generalizations generated by the Italian-American experts.James Sanders's study of Chicago parochial schools referred to Italians as least likely to support such schools. David J. O'Brien's history of the diocese of Syracuse emphasizes the difficulties Italians faced and the troubles they created for the clergy and hierarchy. Dolan's survey of American Catholic history has a large bibliography on which to base its conclusion that “thereligion of the [southern Italian] people was not the same as the official religion of the church.
31
Jang, Yoo-seung. „Introduction to the new manuscripts and documents of the Seokbuk Shin Gwang-soo Family“. Daedong Hanmun Association 78 (30.03.2024): 257–87. http://dx.doi.org/10.21794/ddhm.2024.78.257.
Der volle Inhalt der QuelleAnnotation:
This thesis classifies 110 materials owned by Shin Kwang-soo's descendants into five categories: the king's handwriting and test paper, the scrapbook of writings and pictures, poetry and letters, manuscripts, and document, and examines their bibliographic characteristics and compilation background. Notable materials include the documentation of the king's writing and criticism. There are also many poems that are not included in the collection of writings. In Shin Kwang-ha's poem, Chae Jegong's criticism is recorded. In addition, Shin Kwang-soo's manuscripts are believed to have been used for the compilation of writings. The materials introduced in this thesis show the literary capabilities of this family for four generations since Shin Kwang-soo, and can be used to testify to the people and history of the local community.
32
MOI, T. „Review. Women, Language and Literature. An Annotated Bibliography. Gelfand, Elissa D., and Hules, Virginia Thorndike, French Feminist Criticism“. French Studies 41, Nr. 1 (01.01.1987): 114. http://dx.doi.org/10.1093/fs/41.1.114.
Der volle Inhalt der Quelle
33
Odorova, Tatyana L. „BIOBIBLIOGRAPHY ON THE WEBSITES OF LIBRARIES OF BURYATIA“. Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, Nr. 39 (2020): 286–93. http://dx.doi.org/10.17223/22220836/39/27.
Der volle Inhalt der QuelleAnnotation:
The study of the current state of biobibliography of Buryatia, presented in the library web envi-ronment, was the purpose of this article. The author used methods of comparative analysis, monitoring of the web environment, bibliographic. The research results should include a representation of the forms of bio-bibliographic information that exists in the library web environment. The comparative characteristics of Internet resources contributes to the discovery of specifics in the creation of infor-mation products by libraries of various types and types. Links to websites identified in the process of studying the electronic environment can be used as a guide to the bio-bibliographic resources of the libraries of the republic. The article reflects bio-bibliographic information on library websites, which is publicly available. Traditional bio-bibliographic indexes are reviewed – digital copies and electronic versions of printed publications, original bibliographic products, complex electronic resources, databases that combine elements of bio-bibliographic, reference, full-text materials. Data on information products of scientific and public libraries was revealed: the National Library of the Republic of Buryatia, universities, the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Sciences (BSC SB RAS), the Republican Library for Children and Youth, centralized library systems of the city of Ulan-Ude and the republic. Bibliographic information in the form of indexes, dictionaries (“Who's Who”), databases (“Teachers' Works”, etc.) has a special place on the websites of scientific libraries of universities: Buryat State University, East Siberian State University of Technology and Management, Buryat State Agricultural Academy, East-Siberian State Institute of Culture. The website of the Central Scientific Library of the BSC SB RAS reflects the “Works of the BSC SB RAS employees” in the same heading, information on memorial libraries of prominent scientists in the field of physical and mathematical sciences, literary criticism, art history, ethnography, oriental studies. The website of the National Library of the Republic of Buryatia provides the most valuable edi-tions of local history topics: electronic versions of printed publications, reference and bibliographic databases, and electronic collections dedicated to prominent figures of the republic. Republican library for children and youth, Central City Library named after I.K. Kalashnikov, the centralized library sys-tems of Ulan-Ude and the republic are created and distributed in the Internet space, mainly bio-bibliographic information of recommendatory nature, in order to popularize the personality of the writer, public figure, war hero, historical character. Conclusions are made about the diversity of forms of bio-bibliographic information in the library web environment and, at the same time, the need to achieve common organizational and methodologi-cal approaches of libraries to create bio-bibliography in the republic and its presentation in the Internet space. The general picture of the state of biobibliography considered in the article, the mentioned names of famous figures of the republic give a curtailed knowledge about of the development of science, culture and other areas of public life in the past and in modern times.
34
Soares, Clara Moura, und Maria João Neto. „The Medieval Town of Óbidos (Portugal): Restoration, Reutilisation and Tourism Challenges from 1934 to the Present Day“. Heritage 4, Nr. 4 (30.09.2021): 2876–902. http://dx.doi.org/10.3390/heritage4040161.
Der volle Inhalt der QuelleAnnotation:
Heritage conservation and cultural tourism are central features of academic debates, as this relationship has not been always peaceful. This paper seeks to evaluate the correlation between the extensive conservation and restoration of the wall and castle of the medieval town of Óbidos (1930–1950) and the tourism-oriented projects developed since this period. Due to the criticism of several previous studies, one of the primary aims of this research was to assess whether this Portuguese town constitutes a good example of medieval reconstitution, or if it is a fanciful twentieth-century intervention. Another main goal was to establish our position regarding the challenges inherent to the management of this historic centre, especially those concerning current tourism challenges and the preservation of and regard for historical buildings and monuments. By means of a long-term study based on the common history of art methodology (cross-analysis of bibliography, archival research, in situ observation of the heritage and attendance of festivals and events), we were able to make the following contributions to advance the debate: although the earlier interventions in Óbidos abided by strict criteria which merited international praise, the management model of the town as a tourist destination over the last two decades calls for a revaluation, placing greater importance on history, historic and artistic heritage and the identity of the location.
35
Domínguez-Fonseca, Lesby José. „Dark complexion in the nineteenth century baseball of remediano and cienfueguero“. Revista Metropolitana de Ciencias Aplicadas 7, Suplemento 1 (01.02.2024): 276–84. http://dx.doi.org/10.62452/vx2vj534.
Der volle Inhalt der QuelleAnnotation:
“Dark complexion in the nineteenth-century baseball of Remedio and Cienfuegos" is not a specific scientific article focused on raciality from history. Its content offers, from the analysis, description and interpretation of primary sources, the participation of blacks and mestizos in the baseball life of the declared Cuban historical regions during the 19th century. The aforementioned allows declaring that the content of the present research production is unpublished. In general terms, the methodology used is based on the resources offered by the Dialectical Materialist conception of History, without discarding certain essential elements that need to be handled from a synchronic perspective, without the expository discourse responding to a type of comparative analysis strictly speaking, but to a specific historical reconstruction. Among the methods used are theoretical, historical-logical and analysis-synthesis methods. As for empirical methods, bibliographic-documentary methods were used. Likewise, the procedures of external criticism and internal criticism were used to work with the different newspaper and documentary sources. This work allowed establishing the relationships between the facts and phenomena inherent to the sociocultural influence of baseball as a sports practice in Remedios and Cienfuegos in the blacks and mestizos during the stated period.
36
Fomina, Anna. „Reorganization of the National Network of Mass Libraries: From the History of the State Library Policy of the 20th Century“. Proceedings of Altai State Academy of Culture and Arts, Nr. 3 (2022): 60–69. http://dx.doi.org/10.32340/2414-9101-2022-3-60-69.
Der volle Inhalt der QuelleAnnotation:
The centralization of libraries in the works of domestic experts has received an ambiguous assessment. The experience of the zemstvo system, the development of network construction by mass libraries were negatively interpreted for ideological reasons. A negative assessment of the work on the creation of a unified library network in the pre-war period prevented its development. It took decades for the party-state leadership to revise the criticism of the idea of centralization. During the second half of the 20th century, the centralization of library management structures was supplemented by technologies of interlibrary interaction. The introduction by mass libraries of standards for the bibliographic description of documents, the systematization of funds based on domestic tables of library and bibliographic classification allowed to join the work of interlibrary subscription, depository storage of funds.
37
TOOKE, A. „Review. A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic, 1831-1851. McWilliam, Neil“. French Studies 51, Nr. 1 (01.01.1997): 88. http://dx.doi.org/10.1093/fs/51.1.88.
Der volle Inhalt der Quelle
38
Massai, Sonia. „Stage over Study: Charles Marowitz, Edward Bond, and Recent Materialist Approaches to Shakespeare“. New Theatre Quarterly 15, Nr. 3 (August 1999): 247–55. http://dx.doi.org/10.1017/s0266464x0001304x.
Der volle Inhalt der QuelleAnnotation:
The flurry of Shakespearean adaptations in the 1960s and 1970s represents a significant yet largely neglected chapter of recent cultural history. This article assesses two of the more enduring adaptations – Edward Bond's Lear (Royal Court Theatre, 1971) and Charles Marowitz's Measure for Measure (Open Space Theatre, 1975) – in order to show how these controversial texts anticipated later mainstream critical approaches which still affect our reception of Shakespeare in the late 1990s. Several parallels between Marowitz and Bond's adaptations and recent materialist readings of their Shakespearean sources suggest that the adaptors anticipated the critics, and that both sought meaning from their Shakespearean originals by focusing on certain aspects of the text and by disregarding others. By demonstrating that whilst Marowitz and Bond's adaptations should best be regarded as a form of stage-centred criticism, Sonia Massai suggests that literary critical approaches inevitably reflect an arbitrary and historically determined appropriation of the Shakespearean original. Sonia Massai is a Lecturer in English Studies at St. Mary's, Strawberry Hill, a College of the University of Surrey. She has published articles on Shakespearean adaptations in Studies in English Literature, Analytical and Enumerative Bibliography, and in a special issue of Textus: English Studies in Italy. She is currently collaborating with Jacques Berthoud on the New Penguin edition of Shakespeare's Titus Andronicus.
39
Chenault, Libby. „Teaching Bibliography, Textual Criticism and Book History. Edited by Ann R. Hawkins. London: Pickering & Chatto, 2006. Pp. 199. $99.00 (cloth). ISBN 1‐85196‐834‐2.“ Library Quarterly 78, Nr. 3 (Juli 2008): 333–35. http://dx.doi.org/10.1086/588408.
Der volle Inhalt der Quelle
40
Alston, R. „Teaching Bibliography, Textual Criticism, and Book History. Ed. by ANN R. HAWKINS. London: Pickering & Chatto. 2006. [xi] + 199 pp. 60. isbn 1 85196 834 2.“ Library 8, Nr. 3 (01.09.2007): 351–53. http://dx.doi.org/10.1093/library/8.3.351.
Der volle Inhalt der Quelle
41
Dąbrowska, Judyta. „Czy to już koniec krytyki? Wstęp do metakrytyki Mieczysława Porębskiego“. Przegląd Kulturoznawczy, Nr. 1 (51) (März 2022): 160–75. http://dx.doi.org/10.4467/20843860pk.22.011.15756.
Der volle Inhalt der QuelleAnnotation:
The article discusses the key text of Mieczysław Porębski(1921-2012), an outstanding Polish art historian and art critic, which is vital for understanding his proposed idea of creating a metacritical language that would allow description of the contemporary art world − Introduction to Metacriticism (first edition around 1966, second 1983). All Porębski's publications on this subject are mentioned in the article to obtain a full picture of this concept in the researcher's writings. The importance of creating it for critical-artistic methods is emphasized. The sources of inspiration for the idea of metacriticism (including bibliographic ones) and the implementation of its assumptions in the text itself are shown, taking into account the approximate mid-twentieth century historical context of methodologies developed on the basis of structuralist reflection, especially the influence of information theory and game theory. The ways in which Porębskicame to formulate the assumptions of metacriticism are presented, also through analysis of the language itself. The idea of metacriticism is placed in the wider context of the researcher's scientific work too, linking it with his proposal to divide the history of art criticism into the so-called criticism of poets and criticism of experts, as well as the idea of the iconosphere postulated by him, which proves to be a pioneering one for contemporary research on visual culture. Finally, the paper suggests that the idea of metacriticism can be the beginning of the present-day style of writing about art.
42
Smith, Nathan E. C. „Narrative histories in mycology and the legacy of George Edward Massee (1845–1917)“. Archives of Natural History 47, Nr. 2 (Oktober 2020): 361–80. http://dx.doi.org/10.3366/anh.2020.0661.
Der volle Inhalt der QuelleAnnotation:
Mycology is a relatively small and young discipline that has yet to achieve the institutional presence of similar disciplines such as botany and zoology. Because of this, mycological histories are often written by practitioners aiming to establish a narrative of professionalization that confirms mycology as a scientific discipline instead of a natural history pursuit. George Edward Massee (1845–1917) was one of the foremost mycologists of the late nineteenth century, achieving the top position in the field as Principal Assistant (Cryptogams) at the Royal Botanic Gardens, Kew, and publishing over 250 books and articles. Providing a link between the great Victorian mycologists Mordecai Cubitt Cooke (1825–1914) and the Revd Miles Joseph Berkeley (1803–1889) and the more modern school that included the likes of Elsie Maud Wakefield (1886–1972), he achieved this position without a university education. However, since his death, his achievements have been subject to multiple negative assessments and, as a result, he has become increasingly obscured in the history of British mycology. The majority of these unfavourable appraisals originated from the publications of Dr John Ramsbottom (1885–1974), a mycologist and historian who was a key member of the British Mycological Society and a founding member of the Society for the Bibliography of Natural History. These articles were published across the first half of the twentieth century, and Ramsbottom's works have since become standard texts in both the biography of Massee and the history of British mycology. Here I question the validity of the substance of Ramsbottom's claims against Massee, given the circumstances under which Ramsbottom's articles were written and the relationship between Massee and the fledgling British Mycological Society, initially run by Carleton Rea (1861–1946) and of which Ramsbottom was a senior member. I examine wider reasons for such strong criticism of Massee and explore the professional differences and relationships between Massee and Ramsbottom, placing the analysis firmly in the context of changing scientific practice occurring in the early twentieth century.
43
Alicki, Wiesław. „D. F. WATSON, A. J. HAUSER, Rhetorical Criticism of the Bibie. A Comprehensive Bibliography with Notes on History and Method, E. J. Brill, Leiden–New York–Köln 1994“. Ruch Biblijny i Liturgiczny 51, Nr. 1 (31.03.1998): 75. http://dx.doi.org/10.21906/rbl.647.
Der volle Inhalt der Quelle
44
Starikova, Nadezhda. „Socio-political transformations of the 1968 and 1989 in the mirror of contemporary European culture“. Slavic Almanac, Nr. 1-2 (2022): 468–76. http://dx.doi.org/10.31168/2073-5731.2022.1-2.5.06.
Der volle Inhalt der QuelleAnnotation:
The review presents a collective monograph published in Slovenia, which in a multidisciplinary manner illuminates the processes that took place in the sociocultural space of Europe from May 1968 to November 1989, that is, from the emergence of student unrest in France to the fall of the Berlin Wall and the beginning of the Velvet Revolution in Czechoslovakia, and their reflection in literary theory and practice. The book includes articles by Slovenian and other foreign humanities scholars specializing in research in the field of history, sociology, political science, literary criticism, cultural studies, and art history. In most of the articles, the Slovenian themes and problems are the leading ones. They are embedded by the authors in a broad European and Yugoslav socio-political, historical and literary context. The monograph consists of five sections, has a name index, a bio-bibliographic list of authors and an extended English-language summary, including article-by-article annotations.
45
Bergeret Muñoz, Roger Joseph, Alejandro Quintero León und Mónica Corazón Gordillo Escalante. „Complexity of Acapulco Evolution as a Tourist Destination“. Journal of Intercultural Management 9, Nr. 3 (01.09.2017): 5–27. http://dx.doi.org/10.1515/joim-2017-0011.
Der volle Inhalt der QuelleAnnotation:
AbstractThe paper analyzes diachronically the evolution and complexity of tourist activity in Acapulco, which was a very significant part of the history of Mexico in the 20th century and even centuries before, it was configured as Mexican icon of tourism for the world. This study is supported by evolution and complexity theories. The research presented is qualitative, inductive, diachronic and hermeneutical; relies on heuristics, criticism and synthesis. Applied materials were documentary, bibliographic and historical sources and statistical records on tourist activity. It is concluded that Acapulco, throughout the evolution history, has been an important factor in the economic, social and historical development, related to tourism, arising as an enclave of freedom, fantasy, imagination and hedonism, located on a life cycle of replenishment or rejuvenation in a sub-stage of stagnation although that is not what strategists, society and private initiative want, due changes in market behavior, complex actions are demarcated, they are not sustainable but still are being applied.
46
Geritz, Albert J. „Paul G. Haschak, Utopian/Dystopian Literature : A Bibliography of Literary Criticism. Metuchen, New Jersey, and London : The Scarecrow Press, Inc., 1994, 371 + viii pp., ISBN 0-8108-2752-2, $ 52.50“. Moreana 32 (Number 123-, Nr. 3-4 (Dezember 1995): 163–64. http://dx.doi.org/10.3366/more.1995.32.3-4.23.
Der volle Inhalt der Quelle
47
Tímár, Árpád. „Kállai Ernő német nyelven megjelent írásainak könyvészeti jegyzéke (1938-1944) •“. Művészettörténeti Értesítő 71, Nr. 1 (24.05.2023): 125–52. http://dx.doi.org/10.1556/080.2022.00007.
Der volle Inhalt der QuelleAnnotation:
A collection of Ernő Kállai’s writings was published forty years ago, in 1981, by Corvina publisher. The pieces were selected, prefaced and the bibliography compiled by Éva Forgács. (Kállai Ernő: Művészet veszélyes csillagzat alatt. Válogatott cikkek, tanulmányok [art under a perilous constellation. Selected articles, studies]. Ed. and pref. Éva Forgács. Budapest 1981). Kállai’s last – published – writing appeared about lászló Mednynászky in the paper Politika on 9 July 1949. He was excommunicated from the profession, silenced, he lived in misery. He made ends meet by translating, selling items of his library, or pawning. “Old chum, i learnt yesterday that the ‘Breton Calvaries’ was only worth 35 forints. That’s the price then i want for them. Segers, Hausenstein – Klee are absolute rarities or amateur values, so i can wholeheartedly recommend them to your Excellency’s attention. Can we strike a bargain?” “By the way, i must return the typewriter to doctor Kővári. That means, until i can redeem mine, i must obtrude myself on you. and type on the small remington. – i’m sorry,” he wrote to his friend Miklós Szentkuthy in 1949. (Szentkuthy Miklós válogatott levelezése [Selected correspondence of M.Sz.] Ed. Hernád imre. Budapest 2008, 150–151.) Sporadically one or another Kállai writing appeared in anthologies before 1981 (Kortársak szemével. Írások a Magyar művészetről [Through the eyes of contemporaries. Writings about Hungarian art]. Ed. and pref. Perneczky Géza. Budapest 1967; Kritikák és képek. Válogatás a Magyar képzőművészet dokumentumaiból 1945–1975 [reviews and pictures. Selection from the documents of Hungarian arts 1945–1975] Compiled: art Historical research Group, HaS. Budapest 1976.). His books – cherished treasures of their owners – passed from hand to hand among the interested.Already Éva Forgács stressed that “the precondition for restoring him to his deserved place in the history of Hungarian art which he lost thirty years ago is, apart from the collection and publication of his works, a change in attitude: not least, the still viable convention must be superseded which values and ranks a mediocre aesthete or art philosopher higher, takes him more seriously than an outstanding critic, saying that after all, he is only a critic.” (Forgács Éva: Bevezető [introduction]. in Kállai op.cit. 9). This work was accomplished by árpád Tímár, who edited the works of Ernő Kállai in eight volumes.He knew best the history of art criticism in Hungary whose foundations he laid with several decades of research into the “cemetery of dailies”, publishing writings by imre Henszlmann, lajos Fülep, György lukács, leó Popper, artúr Elek. The Kállai collection fits in this series. He termed the “possibly complete” bibliography in the volume edited by Éva Forgács a “till now unavoidable” starting point (Kállai Ernő: Összegyűjtött írások = Ernst Kállai: Gesammelte Werke i. articles, studies in Hungarian 1912–1925. Ed., after-word: Tímár árpád. Budapest 1999, 236), but during his researches he corrected and extended her list. He worked alone elaborating the Hungarian articles, and with Csilla Markója and Monika Wucher in libraries of Munich, Berlin, Pozsony and Vienna to scan the majority of German-language papers inaccessible then (and today) in Hungary, exploring several so-far unknown writings. The collected material appeared in eight elegant tomes between 1999 and 2010 (Kállai Ernő: Összegyűjtött írások = Ernst Kállai: Gesammelte Werke. i–Vi, Viii, X. Budapest 1999–2012), except volumes 7 and 9, which ought to have contained the articles published in german in 1938–1944 (in Forum, Pester Lloyd). árpád Tímár prepared the bibliography of this material – which differs in volume and the accuracy of the items from the list presented in 1981 – but he had no drive or energy to type the text of hundreds of pages; he wished to work on more important engagements. Was he right to think others could also finish this project? Well, as long as it remains a project for the future, we offer some help for those interested with the bibliography of articles written in German between 1938 and 1944
48
CROW, T. „Review. A Bibliography of Salon Criticism in Paris from the Ancien Regime to the Restoration, 1699-1827. McWilliam, Neil, Vera Schuster and Richard Wrigley (eds)“. French Studies 47, Nr. 1 (01.01.1993): 78. http://dx.doi.org/10.1093/fs/47.1.78.
Der volle Inhalt der Quelle
49
Колодный, Евгений Юрьевич. „Bibliographic Review of Representative Commentaries on the Epistle to the Hebrews (mid. XIX - XXI Centuries)“. Библия и христианская древность, Nr. 4(8) (25.12.2020): 215–31. http://dx.doi.org/10.31802/bca.2020.8.4.010.
Der volle Inhalt der QuelleAnnotation:
В настоящей статье содержится обзор наиболее значимых критических комментариев на Послание к Евреям, написанных в период с середины XIX по XXI век. Для каждого комментария предлагается описание содержания (наличие разделов, посвящённых исагогике и богословию, библиографических обзоров и т. д.); его характерных особенностей; теорий, лежащих в основе комментария и критики некоторых из них с точки зрения современной науки (в частности, идеи зависимости Послания к Евреям от учения Филона или от гностицизма). The present article contains a survey of the most representative critical commentaries on Hebrews, written since the middle of 19th century onwards. There is a description of each commentary content (introduction materials, theology accounts, reviews on previous studies, exegesis history); commentaries’ characteristics; underlying theories and their criticism (e.g. the concept of Heb. dependence on Philo or Gnosticism).
50
Lee, Deborah. „Hornbostel-Sachs Classification of Musical Instruments“. KNOWLEDGE ORGANIZATION 47, Nr. 1 (2020): 72. http://dx.doi.org/10.5771/0943-7444-2020-1-72.
Der volle Inhalt der QuelleAnnotation:
This paper discusses the Hornbostel-Sachs Classification of Musical Instruments. This classification system was originally designed for musical instruments and books about instruments, and was first published in German in 1914. Hornbostel-Sachs has dominated organological discourse and practice since its creation, and this article analyses the scheme’s context, background, versions and impact. The position of Hornbostel-Sachs in the history and development of instrument classification is explored. This is followed by a detailed analysis of the mechanics of the scheme, including its decimal notation, the influential broad categories of the scheme, its warrant and its typographical layout. The version history of the scheme is outlined and the relationships between versions is visualised, including its translations, the introduction of the electrophones category and the Musical Instruments Museums Online (MIMO) version designed for a digital environment. The reception of Hornbostel-Sachs is analysed, and its usage, criticism and impact are all considered. As well as dominating organological research and practice for over a century, it is shown that Hornbostel-Sachs also had a significant influence on the bibliographic classification of music.