Auswahl der wissenschaftlichen Literatur zum Thema „Hernández (Firm)“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Hernández (Firm)" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Hernández (Firm)"
Matusiak, Thomas. „A jaguar in Paris: Teo Hernández’s shamanic cinema“. Studies in Spanish & Latin-American Cinemas 18, Nr. 3 (01.09.2021): 341–50. http://dx.doi.org/10.1386/slac_00060_1.
Der volle Inhalt der QuelleGalicia Isasmendi, Berenize. „La presencia de Ingmar Bergman en la poesía de Francisco Hernández. Una lectura desde la hermenéutica analógica“. Interpretatio. Revista de hermenéutica 7, Nr. 2 (14.09.2022): 201–27. http://dx.doi.org/10.19130/irh.2022.7.2.00x27s0040.
Der volle Inhalt der QuelleGARCÍA LÓPEZ, Rubén. „LA TRANSICIÓN EN DISPUTA: CON UÑAS Y DIENTES (Paulino Viota, 1978)“. Signa: Revista de la Asociación Española de Semiótica 30 (06.01.2021): 447. http://dx.doi.org/10.5944/signa.vol30.2021.24107.
Der volle Inhalt der QuelleCoulter, Dale M. „Subversive Fire: The Untold Story of Pentecost - By Albert Hernández“. Religious Studies Review 37, Nr. 4 (Dezember 2011): 269–70. http://dx.doi.org/10.1111/j.1748-0922.2011.01555_19.x.
Der volle Inhalt der QuelleRilwan, Jewaidu, Poom Kumam und Idris Ahmed. „Overtaking optimality in a discrete-time advertising game“. AIMS Mathematics 7, Nr. 1 (2021): 552–68. http://dx.doi.org/10.3934/math.2022035.
Der volle Inhalt der QuelleCervera Ferrer, Lorena. „Militancy, feminism and cinema: The case of Grupo Feminista Miércoles“. Journal of Italian Cinema & Media Studies 10, Nr. 2 (01.03.2022): 267–84. http://dx.doi.org/10.1386/jicms_00126_1.
Der volle Inhalt der QuelleSuárez, Nicolás. „The Pampas in motion: figurations of the landscape from José Hernández’s Martín Fierro to the film Nobleza gaucha“. Anclajes 22, Nr. 1 (01.01.2018): 73–94. http://dx.doi.org/10.19137/anclajes-2018-2215.
Der volle Inhalt der QuellePineda Franco, Adela. „Editor’s introduction: New approaches to Mexican cinema“. Studies in Spanish & Latin-American Cinemas 18, Nr. 3 (01.09.2021): 335–40. http://dx.doi.org/10.1386/slac_00059_1.
Der volle Inhalt der QuelleSuárez, Nicolás. „Movimiento y proyección en el matadero del cine argentino: Martín Fierro (1923) de Alfredo Quesada“. Catedral Tomada. Revista de crítica literaria latinoamericana 5, Nr. 9 (05.01.2018): 295–320. http://dx.doi.org/10.5195/ct/2017.273.
Der volle Inhalt der QuelleSaifutdinova, Olena, und Andriy Stepanov. „FUNCTIONALITY OF VERBAL THINKING IN THE NOVEL THE ROCKING CHAIR BY ANNA HERNÁNDEZ“. PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, Nr. 44 (2023): 54–65. http://dx.doi.org/10.17721/2663-6530.2023.44.06.
Der volle Inhalt der QuelleDissertationen zum Thema "Hernández (Firm)"
Morales, Hernandez Mauricio. „Médiatisation technologique et voix du réel. : une anthropologie historique du regard — de la trace à l'écran“. Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0041.
Der volle Inhalt der QuelleWe begin by observing the importance of the image in the anthropogenesis’ process because the fixed image reveals temporal mediation, namely, the creation of reported time, mediatizing our relation to the real and thus, transgressing our fields of the perceptual. On this basis, the image’s history appears as a development of various static eidetic models that are going to be in a negotiation and permanent relationship with dynamic eidetic models: language, gestures, equipment, music, dance, the habitat; models that, in return, are mediations enabling us to invest the space and divide it up. The intermingling of the dynamic and static models would constitute the character defining man as a political animal, in the myriad and diversity of the elements that are components for each culture. That is how we are able to detect an ontological difference at the time when the photographic trace appears, a trace not resulting from a formal, symbolic idealization but from an idealization of distance, from which the screen materializes by articulating the eye from a new operative scale. The image’s essential contribution would thus have entered a new phase that would have transformed man into a media animal after almost two centuries. That is where the history of the new trace becomes the core of all political issues in its most consistent manifestation, under the surge of digital technology, that of cinematographic expression.In doing so, we have addressed and favoured one of cinema’s histories at a time when there was a development of specific issues in relation to the real, notably using the work of a Mexican filmmaker, Téo Hernández, mainly done in Europe between 1968 and 1992 as an example. Its powerful phenomenological dimensions — the importance of the body while filming — and also the deep reflexion on the medium and its relation to the real, have provided us with a keystone that enables us to understand the major changes in media that happened during the 1980s and determined the political outlook of the world today
Bücher zum Thema "Hernández (Firm)"
Osorio, Gilberto Martínez. Arquitectura del Caribe Colombiano en la 2da mitad del siglo XX: Prácticas e ideas desde la obra de Ujueta, Cepeda, Delgado y Hernández. Bogota: Cecar Editorial, 2015.
Den vollen Inhalt der Quelle findenQuinn, Rachel Afi. Being La Dominicana. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043819.001.0001.
Der volle Inhalt der QuelleBuchteile zum Thema "Hernández (Firm)"
Armendáriz-Hernández, Alejandra. „Female Authorship, Subjectivity and Colonial Memory in Tanaka Kinuyo’s The Wandering Princess (1960)“. In Tanaka Kinuyo, 155–86. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474409698.003.0007.
Der volle Inhalt der Quelle„Biomedicine and Ancestral Knowledges“. In Healthcare in Latin America, herausgegeben von David S. Dalton und Douglas J. Weatherford, 241–56. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9781683402619.003.0015.
Der volle Inhalt der QuelleSuárez, Juan A. „Glitter and Queer Embodiment in 1960s and 1970s Experimental Film and Performance“. In Experimental Film and Queer Materiality, 116–50. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197566992.003.0005.
Der volle Inhalt der QuelleBal, Mieke, und W. J. T. Mitchell. „Multi-Tentacled Time: Contemporaneity, Heterochrony, Anachronism For Pre-Posterous History“. In Image-Thinking, 131–74. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474494229.003.0004.
Der volle Inhalt der Quelle