Thematische Bibliographien / Helter Skelter

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile

Auswahl der wissenschaftlichen Literatur zum Thema „Helter Skelter“

Autor: Grafiati
Veröffentlicht am 25. Juni 2021
Zuletzt aktualisiert am 14. Februar 2022

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Zeitschriftenartikel zum Thema "Helter Skelter"

1

Pitcher, E. W. „Helter-Skelter“. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 15, Nr. 4 (Januar 2002): 39. http://dx.doi.org/10.1080/08957690209600083.

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Carlin, Gerald, und Mark Jones. „“Helter Skelter” and Sixties Revisionism“. Volume !, Nr. 9 : 2 (15.12.2012): 34–49. http://dx.doi.org/10.4000/volume.3407.

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Sayers, W. „Out Of Kelter, Helter-Skelter“. Notes and Queries 57, Nr. 2 (31.03.2010): 179–81. http://dx.doi.org/10.1093/notesj/gjq045.

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Schwartz, Erik, Vincenzo Palermo, Chris E Finlayson, Ya-Shih Huang, Matthijs B J. Otten, Andrea Liscio, Sara Trapani et al. „“Helter-Skelter-Like” Perylene Polyisocyanopeptides“. Chemistry - A European Journal 15, Nr. 11 (02.03.2009): 2536–47. http://dx.doi.org/10.1002/chem.200801746.

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Lewis, Jon. „Helter Skelter: An American Myth“. Journal of American History 108, Nr. 1 (01.06.2021): 222–24. http://dx.doi.org/10.1093/jahist/jaab057.

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Carlin, Gerald, und Mark Jones. „“Helter Skelter” et l'héritage polémique des années 1960“. Volume !, Nr. 9 : 2 (15.12.2012): 33–49. http://dx.doi.org/10.4000/volume.3403.

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7

Hellmann, Donald C. „A Decade After the Asian Financial Crisis: Regionalism and International Architecture in a Globalized World“. Asian Survey 47, Nr. 6 (November 2007): 834–49. http://dx.doi.org/10.1525/as.2007.47.6.834.

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The China-driven rise of Asia to the center of the global political economy since the Asian financial crisis under systems of political economy manifestly different from those of the Washington Consensus poses a challenge that has been met by neither helter-skelter Asian regionalism nor by American strategic inattentiveness of the past decade.
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Madhuri, A., und K. Raji Reddy. „Equity Analysis Of It & Banking Sector At Monarch Networth Capital Ltd“. Think India 22, Nr. 3 (25.09.2019): 329–35. http://dx.doi.org/10.26643/think-india.v22i3.8259.

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In the genuine climate’s unending phylogeny Indian tuppenny, amidst the opposite profitable institutions, the apportionment digs has adorn assent to of a mischievous unstintingly-spring of possessions for Eternally majority assortment of investors ranging foreigner beamy institutional investors to condensed distinction punter . Weird obsolete cycle forthwith second-forswear chap worn to vestments reward ripsnorting in helter-skelter daring and greatly loyal solvent institutions and apparatus ventilate in and Formal area Banks, Administration Restriction and policies etc., today’s investors attack forth-ranging get ahead hoard altercation is a ingenious largely-spring of earning quicker and revenues on their investments as compared to the tight-fisted warranted in ordinary subsidy methods.
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Minogue, S., und A. Palmer. „Helter Skelter, Topsy-Turvy and 'Loonycolour': Carnivalesque Realism in Saturday Night and Sunday Morning“. English 51, Nr. 200 (01.06.2002): 127–43. http://dx.doi.org/10.1093/english/51.200.127.

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Baker, Paul J. „The Helter-Skelter Relationship between Teaching and Research: A Cluster of Problems and Small Wins“. Teaching Sociology 14, Nr. 1 (Januar 1986): 50. http://dx.doi.org/10.2307/1318299.

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Dissertationen zum Thema "Helter Skelter"

1

Couture, Élisabeth. „Relations entre processus de création théâtrale et spectacle théâtral, Helter skelter de momentum“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ25397.pdf.

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2

Kellerman, Beatrix. „Rompslomp en Soutstories (Helter-Skelter and Salty Yarns) : Creating place for meaning in a forgotten bay“. Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/7525.

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This dissertation examines the creation of public place that is rich in experience. The design project is located at the Small Fishing Harbour of Saldanha Bay. The research was based primarily on the following: Topics around place character and meaning were investigated and the use of poetry as a phenomenological method to illuminate the character of place was researched. The significance of recovered landscapes and peripheral sites was also investigated. The possibility of uncovering different spatial identities of site by investigating space at different scales was researched. New technologies that are suitable for application in the specific context such as fog catchers and Integrated Multi-trophic Aquaculture (IMTA) practices were also investigated. Through theoretical research the conclusion was reached that it is important to create place in such a way that it is rich in experience and has unique character. Places that are rich in experience have the potential to carry meaning in the minds of their users. Place needs both character and meaning for people to be able to identify with it and have a sense of belonging. Urban analysis showed that the Small Fishing Harbour is a peripheral site which is very important in terms of its physical location in the town of Saldanha Bay. It provides access to the water's edge to a segregated community. It was concluded that re (claiming) the Small Fishing Harbour as public place, through remediation of the site and an improved urban link to the town centre, is necessary for it to become a sustainable public place. It was illustrated that understanding existing context in terms of history and different spatial identities is important. Site specifics inform how existing experiences can be celebrated and/or reinforced in the design project.
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Hjelm, Zara Luna. „Mirror, Mirror : Embodying the sexed posthuman body of becoming in Sion Sono’s Antiporno (アンチポルノ, 2016) and Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012)“. Thesis, Linköpings universitet, Tema Genus, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-177284.

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This thesis examines the embodiment of the sexed body and the struggle of fitting into the narrow frames of what a woman is supposed to behave and look like in Japanese cinema. Using the medium of film, I, therefore, seek to produce knowledge regarding the internalized gaze of the oppressor, and self-objectification, caused by the capitalist heteropatriarchy. Thus, I am drawing from cyborg feminism, and the second wave of sexual difference theory’s concept of becoming, expanded upon by the Italian-Australian philosopher Rosi Braidotti. I further use the French sociologist Pierre Bourdieu’s notion of masculine domination and the American philosopher Gayle Rubin’s charmed circle, in creating a theoretical framework, and using the methods of cultural and feminist film analysis to contextualize the films and locate the subjectification of the women. The movies that I will be analyzing are the Japanese director and poet Sion Sono’s Antiporno (アンチポルノ, 2016) and the Japanese director and photographer Mika Ninagawa’s Helter Skelter (ヘルタースケルター, 2012), which both center around two women and their struggle in becoming-cyborg, in relation to power, trauma, sexuality, technology, and beauty ideals in ‘modernized’ Japan. In that sense, I will study the phenomenon of operating outside the lines of social norms of femininity and desire.
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Couture, Élisabeth. „Relations entre processus de création théâtrale et spectacle théâtral : Helter Skelter de Momentum /“. 1997. http://proquest.umi.com/pqdweb?did=736929091&sid=12&Fmt=2&clientId=9268&RQT=309&VName=PQD.

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Bücher zum Thema "Helter Skelter"

1

Silber, Rolf. Helter Skelter: Roman. Frankfurt am Main: Eichborn, 1993.

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The helter skelter murders. London: Titan, 1995.

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Columbo: The helter skelter murders. London: Hale, 1995.

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Columbo the Helter Skelter murders. New York: Forge, 1994.

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1931-, Gentry Curt, Hrsg. Helter Skelter: The True Story of the Manson Murders. 2. Aufl. New York: W.W. Norton, 1994.

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Bugliosi, Vincent. Helter skelter: The true story of the Manson murders. New York: Barnes & Noble Digital, 2001.

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1931-, Gentry Curt, Hrsg. Helter skelter: The true story of the Manson murders. New York: W.W. Norton, 1994.

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Preston, Gabrielle. Helter skelter: Families, disabled children and the benefit system. London: Centre for Analysis of Social Exclusion, London School of Economics, 2005.

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author, Kenner Ron joint, Hrsg. The Garbage People: The Trip to Helter-Skelter and Beyond With Charlie Manson and the Family. Los Angeles, USA: Amok, 1995.

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Bugliosi, Vincent, und Curt Gentry. Helter Skelter. Arrow Books Ltd, 1992.

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Buchteile zum Thema "Helter Skelter"

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Boruru, Eunice Ongoro, Edward Ontita, William Okelo Ogara und Nicholas Otienoh Oguge. „Climate Change and the Emergence of Helter-Skelter Livelihoods Among the Pastoralists of Samburu East District, Kenya“. In Climate Change Management, 97–110. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22315-0_6.

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„‘Helter Skelter’ and Sixties Revisionism“. In Countercultures and Popular Music, 115–28. Routledge, 2016. http://dx.doi.org/10.4324/9781315574479-13.

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„The Triumph of Helter Skelter:“. In Yesterday's Monsters, 56–79. University of California Press, 2020. http://dx.doi.org/10.2307/j.ctvwcjj05.8.

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„THREE. The Triumph of Helter Skelter“. In Yesterday's Monsters, 56–79. University of California Press, 2020. http://dx.doi.org/10.1525/9780520965287-006.

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Sorensen, Janet. „Provincial Languages out of Place“. In Strange Vernaculars. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691169026.003.0006.

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This chapter explores the relation of the glossaries, poems, print dialogues, and novels that attempted to place provincial languages to the vernacular in complex terms of embodiment and disembodiment and of transparency and obscurity. While the chapter claims that representing the helter-skelter assortment of languages from across the space of Britain helped to constitute a full understanding of the English language, it also contends that eighteenth-century print representations also helped to institute these languages as part of an English vernacular. Here, the chapter turns to the works of Francis Grose in gleaning, ordering, and publication of strange languages, as well as presenting them as part of the language of the British “common people,” not only with his cant and vulgar words collection but also with a compendium of provincial terms and lore.
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Kerner, Aaron Michael, und Jonathan L. Knapp. „Arousal: Graphic Encounters“. In Extreme Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402903.003.0005.

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This chapter explores the inclusion of graphic sexual content in post-millennial cinema. Art films have increasingly incorporated scenes of unsimulated, hardcore sex acts—traditionally associated with pornography—into their narratives in recent years. Arousal, perhaps more so than any of the other themes explored in Extreme Cinema, wields the potential for affective dissonance. In these films, sexual transgression and eroticism might turn towards disgust, signifiers of pain might be confused for signifiers of sexual arousal, or morally objectionable content might elicit sensual arousal—at the intersection of violence and fetishism. The films discussed in this chapter include: Wetlands, Nymphomaniac Volumes I and II, 9 Songs, Helter Skelter.
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Van Hulle, Inge. „International Law and the Settlement of Disputes with Regard to West Africa on the Eve of the Scramble (1840–84)“. In Britain and International Law in West Africa, 206–55. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198869863.003.0006.

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The haphazard nature in which treaties had been concluded sat awkwardly with the Western rules relating to title to territory. Once imperial competition intensified, rival claims with respect to territory needed to be untangled and brought to stark light the contrast between formal international law and its practical imperial ‘vernacular’. Chapter 5 analyses the varied legal responses resorted to by European states to neutralize conflicts that resulted from the helter-skelter creation of imperial legal techniques, which culminated in the organization of the Berlin Conference. It discusses early occurrences of inter-Western arbitration, the conclusion of sphere of influence treaties, and the outcome of the Berlin West Africa Conference. Finally, it highlights how the legal competition between imperial rivals brought to stark light the lack of theoretical legal consistency with regard to imperial state practices.
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Sandler, Daniela. „Counterpreservation in Reverse“. In Counterpreservation. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501703164.003.0006.

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This chapter examines the Topography of Terror, an open-air exhibition and documentation center at the heart of Berlin where archaeological excavations of Gestapo structures once mingled with postwar ruins and debris. The site began as a temporary, guerrilla exhibition, and its helter-skelter quality earned it the nickname “open wound.” It proved to be charismatic enough for the temporary, grassroots exhibition to be made permanent and official; and it also inspired a trove of academic publications. Initially an exemplary of counterpreservation, the Topography of Terror was eventually redesigned in 2005 according to a more definitive and all-encompassing plan. This chapter looks at the new configuration of the site, and probes whether it might be considered an example of counterpreservation—and conversely, whether counterpreservation is the most appropriate response for the site.
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Pisters, Patricia. „Growing Pains: Breasts, Blood and Fangs“. In New Blood in Contemporary Cinema, 54–87. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474466950.003.0002.

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This chapter features a new take on vampires, werewolves and other contrived souls, especially in relation to tortured coming-of-age stories that address social pressure and childhood traumas. After a short encounter with Woolf in the company of a vampire, this chapter commences with a return to Stephanie Rothman’s psychedelic exploitation film The Velvet Vampire (1971) and Katherine Bigelow’s vampire western Near Dark (1987). The vampire as connected to the confusing experiences of coming of age is picked up Moth Diaries (Mary Harron 2011) and in a less explicit but no less horrific way in Sarah Plays a Werewolf (Katharina Wyss 2017). The promise of the myth of eternal life and beauty, and the legacy of Elisabeth Bathory is revised in The Countess (July Delpie 2009) and acquires a particular twist in contemporary Japan in Helter Skelter (Mika Ninagawa 2012). Claire Denis’s Trouble Every Day (2001) takes the genre to its ontological extremes. This chapter will also turn to Butler’s re-imagination of the vampire in her novel Fledgling (2005) and the imagination of alternative relations between the human and nonhuman and looks at the new ethics of the vampire in A Girl Walks Home Alone at Night (Ana Lily Amirpour, 2014).
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Gelernter, David. „Simple Mind Machines“. In Mirror Worlds. Oxford University Press, 1991. http://dx.doi.org/10.1093/oso/9780195068122.003.0013.

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we plunge now into the deepest, trickiest, most treacherous and remarkable undersea cavern in the whole coral reef, the question of simulated experience. when we get to the bottom we will be face to face with the fundamental question of artificial intelligence (henceforth AI). we won’t know how to solve it, but we will be shining a flashlight in its face. what does it mean to think? How does thinking work? Not “how does the brain work,” but what does the thinking process consist of, in logical terms? we don’t need to understand lungs to realize that respiration has something to do with grabbing air, letting it soak in somehow and then pushing it out. Thinking is (one suspects) just as basic a physiological process as breathing; how does it work? Presumably it’s not mere random helter skelter scurrying about. There is some system at work, some process, presumably. Even when you are not hard at work solving a math problem, planning a strategy or wracking your brain for the name of someone’s daughter, there is something ticking over in there, as steadily (maybe even as rhythmically) as breathing. what is this process? As usual, we have a particular, concrete problem and a software solution in mind. The problem is crucial to Mirror worlds: How do we make the experience key work? In answering we will (again) be addressing a major problem in the non-Mirror world as well. In the last chapter, I discussed the extraction of information from fastflowing data streams at the source. we turn now to oceans of data that have accumulated in databases. what can we do with this stuff? All those multi-billions of records on file? Here, the focus is different. You don’t worry so much about extracting information fast, as the data values fly by. You focus instead on the problem of comparing many stored incidents or situations. In pursuing this concrete problem, I’ll keep the deep questions and long-term implications at bay, for the most part—but they do have a tendency to wind their tendrils around the subject matter in this chapter. I will be describing a “simulated mind” designed for a well-defined, utilitarian purpose.
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