Thematische Bibliographien / Good and evil – Poetry

Auswahl der wissenschaftlichen Literatur zum Thema „Good and evil – Poetry“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024
Zuletzt aktualisiert am 26. Juli 2024

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Zeitschriftenartikel zum Thema "Good and evil – Poetry"

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Mestanov, Sunay. „THE GOOD HERO AND THE BAD HERO IN THE EPIC "THE BOOK OF DEDE KORKUT"“. Годишник на Шуменския университет. Факултет по Хуманитарни науки XXXIIIA, Nr. 2 (10.11.2022): 422–33. http://dx.doi.org/10.46687/zaul8254.

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A person is born, learns to live with life's difficulties and struggles, and in the meantime acquires many qualities such as love, understanding, respect, greed, hatred and anger. Qualities such as anger and greed can sometimes force a person to do evil unintentionally, even if he is not a bad person, but a lesson must be learned from this situation so that he does not completely become a bad person. Evil is a negative concept when viewed independently. However, when we explore it together with the concept of good, which is the opposite of evil, we understand that this is not such a negative concept. Because if there was no evil in the world, there would be no good. Therefore, good and evil are two concepts that have existed since the beginning of mankind and will persist forever. These are two opposing concepts that have been discussed for years by philosophers, authors of novels, short stories and poetry. We will analyze in this article the behavior and actions of the good and bad heroes in two of the detsnas of the epic The Book of Dede Korkut – A Song about how Basat kills Tepegöz and A Song about the son of Duha Kodzha, Deli Dumrul.
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Kuzmina, Ekaterina V. „Concepts “good” and “evil” in the Russian poetry of the Silver age“. Bulletin of the Moscow State Regional University (Russian philology), Nr. 3 (2017): 18–22. http://dx.doi.org/10.18384/2310-7278-2017-3-18-22.

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Koichumanova, G. „Philosophical Poetry Nature and Genesis“. Bulletin of Science and Practice 8, Nr. 1 (15.01.2022): 299–303. http://dx.doi.org/10.33619/2414-2948/74/44.

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Research relevance: philosophical poetry expands the level of not only the poet, but also the reader, enriches his inner world, and teaches him to short, clear, figurative speech, showing the power of verbal art. Research purpose: is to consider the features of philosophical poetry, the relationship between philosophy and philosophical poetry. Philosophical poetry focuses on the philosophical meaning of being, man and the philosophical views of the lyrical character. Research methods and materials: attempts are being made to study worldview orientations and philosophical problems on the basis of their artistic heritage. The article also characterizes the nature and basis of philosophical poetry. Philosophical anthropological concepts, views and ideas of poets are studied. The article deals with the difference from philosophy, philosophical lyricism expresses the poet's artistic perception of the poetic world. Research results: direct contact between the author and the reader, as an old friend who shares good and evil, joy and sadness with him, creates a close and trusting atmosphere between them. Conclusions: Despite this universality, philosophical lyricism reflects the fundamental features and national worldview.
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Paul Cahill. „Globalizing Good and Evil in the Poetry of Jorge Urrutia and Jorge Riechmann“. MLN 125, Nr. 2 (2010): 457–76. http://dx.doi.org/10.1353/mln.0.0247.

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Strokal, Oleksandr. „Between good and evil: linguistic explication of the ambivalence of the universe in O. Dovhiy's poetry“. Actual issues of Ukrainian linguistics: theory and practice, Nr. 40 (2020): 40–57. http://dx.doi.org/10.17721/apultp.2020.40.40-57.

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The peculiarities of the linguistic expression of contrast reception in Oleksii Dovhiy's poetry are analyzed in the article. The author deals with such theoretical issues as а poetic text and the reception of contrast in poetry. Аnalyzing the role of evaluation in а poetic text, the author emphasizes the importance of its functions in verse language and human consciousness as a means of structuring cognizable reality. In the process of researching these problems, the author finds that in O. Dovhiy's poetic language, there are units that name both positive and negative realities within the same context, reflecting the artist's view of a particular organization of the world and the universe. Analyzing language units used by the poet to denote the phenomena of nature, elements of landscape and their attributes, we have noticed that in some cases such language units are used by the artist to reflect life challenges that influence the existential choice of a lyrical hero. Depicting the inner world of a lyrical hero, Oleksii Dovhiy uses a number of linguistic constructions that help the artist to emphasize the importance and the decisive role in such a choice of the inner willpower effort-decision of his hero. The analysis made it possible to distinguish among others a number of linguistic units that, when used in one or another context, create the same images with different axiological semantics. Such peculiarities of contextual use of the respective lexemes made it possible to form a separate group of nominations of contrasting images. The researcher has found out that one of Oleksii Dovhiy's brightest ambivalent images is the image of a word. In one case, this image is understood by the lyric hero as a word that has no weight and a weighty word. In the other case we have an emphasis on such a characteristic as the power of a word, its healing properties. Alongside the image of a word, a series of verbalizers is presented in the artist's poetry to denote the image of fire as a creative and at the same time destructive beginning. Stylistic analysis of the features of contextual functioning of lexemes for the designation of environmental phenomena has revealed a number of language units with stereotypically negative semantics, which in the literary context acquire a neutral or a positively marked tonality. It is proved that in Oleksii Dovhiy's poetry the aforementioned linguostylistic feature is unique
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Wood, Derek N. C. „‘Perswasive Rhetoric’ and the Harlot’s Varnished Cheek: Eloquence Good and Evil in Milton’s Poetry“. Florilegium 16, Nr. 1 (Januar 1999): 155–65. http://dx.doi.org/10.3138/flor.16.013.

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McCrea, Lawrence. „Poetry Beyond Good and Evil: Bilhaṇa and the Tradition of Patron-centered Court Epic“. Journal of Indian Philosophy 38, Nr. 5 (26.08.2010): 503–18. http://dx.doi.org/10.1007/s10781-010-9098-4.

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Mihăilescu, Clementina, und Stela Pleşa. „Food Imagery in Lesley Saunders’ Poetry“. East-West Cultural Passage 19, Nr. 2 (01.12.2019): 40–54. http://dx.doi.org/10.2478/ewcp-2019-0011.

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Abstract The essay entitled “Food Imagery in Lesley Saunders’ Poetry” expands upon various food issues that will be approached via Gaston Bachelard’s aesthetic theory which situates us in the proximity of a sensible point of objectivity further enlarged upon from a phenomenological perspective that merges the exterior substantiality of food with the reality of imagination. The acquired intimate connotations of the poetess’ food environment are tackled in terms of the inner/outer opposition and the Platonic dialectics that involves old versus new, good versus evil, plenty versus scarcity, revealing the dynamic virtues of “roots,” the emblem of the diversity of food. Our approach to the house, where various types of food are being prepared, in relation to its pivotal functions of dwelling, preparing food and sharing it, turns both the house and food into the unfailing communality and sociality constructs of all places and ages.
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Saikovska, O. Yu. „Fundamentals of National Identity in Bulgarian and Rusinian Literature (Based on the Works by Hristo Botev and Alexander Dukhnovych)“. Rusin, Nr. 66 (2021): 67–85. http://dx.doi.org/10.17223/18572685/66/5.

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The article focuses on the manifestations of national identity in the poetry of “buditel” (a metaphor of spiritual awakening; i.e. enlightener, awakener) of the Bulgarian people Hristo Botev and the outstanding figure of the Ukrainian people of Transcarpathia (Rusins) Alexander Dukhnovych. The analysis of the national identity foundations is determined by a multilevel approach, which addresses the psychological, cultural, territorial, historical, and political constituents. The main components of national identity, identified in H. Botev’s and A. Dukhnovych’s poetry, are folk song, folklore, mythology, beliefs and everyday life, folk heroes, national characters, and language. The dominant themes of the poetry of both authors are Motherland, national liberation war, heroism and patriotism, people and enemies, confrontation between good and evil, life and death, freedom and slavery. Traditional images in H. Botev’s poetry are those of woman-mother, beloved girl, man-haiduk (rebel), the haiduk’s song, Bulgarian people, patriot. The main images and images-symbols in A. Dukhnovych’s poetry are those of mother, beloved girl, Russian children, Mother-Russia, unity, falcon, forget-me-not. The common images are freedom, homeland, people, dream.
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Alieva, Fatima Abdulovna. „CREATIVE ACHIEVEMENTS OF THE POET-SONGWRITER OF MODERNITY MAZHID AKHMEDOV“. Herald of the G. Tsadasa Institute of Language, Literature and Art, Nr. 22 (15.06.2020): 28–31. http://dx.doi.org/10.31029/vestiyali22/4.

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The article analyses the poetry of Kubachi poet-songwriter Mazhid Akhmedov, whose work has found artistic embodiment of the burning problems of modernity, his poems tell about good and evil, about honor and dishonor, about patriotism, hard work, love for his native land, fellow villagers. The collection especially richly presents love lyrics, which use all kinds of poetic devices and means – epithets, metaphors, comparisons, and figurative expressions characterized by special expressiveness, as well as bearing the imprint of ethnicity.
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Dissertationen zum Thema "Good and evil – Poetry"

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Soft, Max. „Irenaeus and his view of evil“. Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Johansson, Emelie. „Up against Good, Evil, Destiny, and God himself“. Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27069.

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Syftet med denna uppsats är att undersöka hur religiösa teman manifesterar sig i TV-serien Supernatural (2005 ff.), och i vad mån dessa teman motsvarar en "banal religion". Fyra scener ur serien har analyserats med avseende på dess tematik och estetik för att fastställa hur Supernatural har anpassat berättelsen om Kain och Abel samt skapelseberättelsen till en modern miljö med övernaturliga inslag. Studien påvisar att serien använder sig av religiösa berättelser för att skapa narrativ som inte behöver beaktas som religiöst av åskådaren. Supernatural har hämtat fragment från bibliska berättelser och anpassat tematiken till seriens handling och genre men en viss symbolik finns fortfarande kvar och på sätt kan dess tematik och estetik kopplas till en banal religion.
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Павленко, Д. В., Ольга Олександрівна Жулавська, Ольга Александровна Жулавская und Olha Oleksandrivna Zhulavska. „Відображення концептів GOOD та EVIL в англомовному дискурсі“. Thesis, Сумський державний університет, 2014. http://essuir.sumdu.edu.ua/handle/123456789/34596.

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Концепти (поняття) – це дискретні складові свідомості, які групуються у складні структури, так звані понятійні категорії та зводять усі існуючі явища та факти навколишньої дійсності до єдиного поняття. Таким чином, на думку багатьох вчених, у концепті сконцентровано багатовіковий досвід, культура та ідеологія народу, які синтезуються та фільтруються в тезаурусі мовної особистості. Концепти утворюються в процесі мисленнєвого конструювання (концептуалізації) предметів і явищ оточуючого світу і відображають зміст знань і досвіду людини, отриманих нею у результаті практичної і пізнавальної діяльності, у вигляді певних одниць, "квантів" знання. При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/34596
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Shenk, Richard. „Following the tension between necessary-evil and conforming-freedom toward hope : an investigation of the problem of evil“. Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683236.

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Faneye, Benedict O. „The psychology of the choice of evil“. Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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Jones, David A. „Death: a good or an evil? : a theological enquiry“. Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365636.

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Rauch, Peter E. (Peter Edward). „Playing with good and evil : videogames and moral philosophy“. Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39151.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007.
Includes bibliographical references (p. 90-92).
Despite an increasingly complex academic discourse, the videogame medium lacks an agreed-upon definition. Its relationship to previous media is somewhat unclear, and the unique attributes of the medium have not yet been fully catalogued. Drawing on theory suggesting that videogames can convey ideas, I will argue that the videogame medium is capable of modeling and critiquing elements of moral philosophy in a unique manner. To make this argument, I first address a number of questions about the proper definition of videogames, how games in general and videogames specifically convey ideas, and how games can be constructed to form arguments. Having defined my terms, I will conduct case studies on three games (Fable, Command & Conquer: Generals, and The Punisher), clarifying how the design of each could be modified to address a specific philosophical issue.
by Peter E. Rauch.
S.M.
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Thweatt-Bates, Jennifer Jeanine. „Chaos theory and the problem of evil“. Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Mayne, Peter. „Radical evil and highest good : the philosophy of Immanuel Kant“. Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306785.

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Ruyle, Roberta L. „Understanding therapists' views of the construct of evil and its usefulness in creating meaning a phenomenological study /“. Click here for text online. The Institute of Clinical Social Work Dissertations website, 2002. http://www.icsw.edu/_dissertations/ruyle_2002.pdf.

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Dissertation (Ph.D.) -- The Institute for Clinical Social Work, 2002.
Roberta L. Ruyle dissertation ends on PDF page 277. a second dissertation by Orkut Buyukkokten titled: Wireless Web Access on Handheld Devices, begins on PDF page 281. A dissertation submitted to the faculty of the Institute of Clinical Social Work in partial fulfillment for the degree of Doctor of Philosophy.
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Bücher zum Thema "Good and evil – Poetry"

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Arthur, Symons. Images of good and evil. Poole: Woodstock Books, 1996.

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Symons, Arthur. Images of good and evil, 1899. New York: Woodstock Books, 1996.

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Kizer, Carolyn. Election day, 1984. [Port Townsend, Wash.]: Copper Canyon Press, 1996.

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Ekāḍemī, Oḍiśā Sāhitya, Hrsg. Mātr̥muktimuktāvalī. Bhubaneśvara: Oḍiśā Sāhitya Ekāḍemī, 2001.

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King, Stephen. The dark man. Baltimore: Cemetery Dance Publications, 2013.

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Hill, Geoffrey. The triumph of love. Boston: Houghton Mifflin, 1998.

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Hill, Geoffrey. The triumph of love. Boston: Mariner Books, 2000.

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A, French Peter, Wettstein Howard K und LePore Ernest 1950-, Hrsg. Philosophy and poetry. Boston: Blackwell Pub., 2010.

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Ọlásebikan, Ayọ̀ọlá Ìdòwú. Òréré ayé. Ibadan: Kunbam Nig. Ent., 2003.

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Nikčević, Želidrag. Neko je prošao ovim putem: Izabrani eseji. Beograd: Službeni glasnik, 2010.

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Buchteile zum Thema "Good and evil – Poetry"

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Taheri, Alireza. „Good and evil“. In Hegelian-Lacanian Variations on Late Modernity, 90–94. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003057390-16.

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Svensson, Frans. „Good and evil“. In Descartes’s Moral Perfectionism, 8–44. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003472254-2.

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Waldron, Dara. „Good and Evil“. In Encyclopedia of Heroism Studies, 1–7. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17125-3_14-1.

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Gaita, Raimond. „Evil Done and Evil Suffered“. In Good and Evil: An Absolute Conception, 66–75. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21202-6_5.

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Pellegrino, Edmund D. „When Evil was Good and Good Evil: Remembrances of Nuremberg“. In Medicine after the Holocaust, 11–16. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230102293_2.

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Arden, John, Margaretta D’Arcy und Edward Bond. „Beyond ‘Good’ and ‘Evil“. In British and Irish Political Drama in the Twentieth Century, 99–117. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-21106-7_7.

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Irwin, William. „Beyond Good and Evil“. In Black Sabbath & Philosophy, 3–11. Oxford: John Wiley & Sons, Inc, 2012. http://dx.doi.org/10.1002/9781118523087.ch1.

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Leeming, David A., Fredrica R. Halligan, Philip Browning Helsel, Ingeborg Rosario, Gilbert Todd Vance, Kenneth L. Nolen, Marta Green et al. „Good and Evil Conflict“. In Encyclopedia of Psychology and Religion, 365. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_1013.

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„Good and Evil“. In Georg Trakl's Poetry, 89–94. Penn State University Press, 1991. http://dx.doi.org/10.5325/j.ctv14gp69d.9.

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„6 Good and Evil“. In Georg Trakl's Poetry, 87–94. Penn State University Press, 1991. http://dx.doi.org/10.1515/9780271072890-008.

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Konferenzberichte zum Thema "Good and evil – Poetry"

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Juhásová, Jana. „Sanjuanist motifs in the poetic work of Erik Jakub Groch“. In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-19.

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One of the key poets of Slovak post-November poetry was shaped in the Komúna dissent group headed by philosopher and artist M. Strýko during the communist regime. Operating in dissent supported the radicality of his poetic gesture and lifestyle, the image of an active, evolving individual freed from the senselessness of civilization, and also the idea that it is possible to integrate evil into a higher good. These ideas also form branches to the sanjuanist motifs and intellectual solutions that are close to Groch. The article seeks these penetrating places with special attention on the symbol of the journey and pilgrimage, and at the same time points to Groch’s creative updates of one of the most famous spiritual teachings of the West.
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Rzasoy, Seyfəddin. „The Concept of “Imam Ali” in The Sufism Thinking System: Functional Structure of Epic-İrfani Code“. In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201818.

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Sufism is the philosophical-theoretical teaching and socio-cultural practice of the model of God-World-Human relations based on the Sharia-Creation-Truth-Evolution-based evolution scheme. The sufism forms the core of the Sufi teaching concept of "Imam Ali". This concept plays the role of nuclear and concentration center, covering all manifestations and expression levels of the system of sufism. The concept of "Imam Ali" plays a formulas of socio-cultural organization by bringing together all the elements of imaginative systems as a moral idea. The concept of "Imam Ali" shows itself in all the manifestation levels of the Islamic world. It is impossible to imagine medieval classical poetry beyond that. Even beyond the concept of "Imam Ali", the cultural manifestations contradicting him must also be based on literary-art traditions based on this concept. One of the cultural space and codes of use that all the artistic-psychological freshness of the concept of "Imam Ali" is Azerbaijan's love epics. The content, idea and shaping of the love epics of Azerbaijan are directly related to Imam Ali's cult. There are two heroes of this epic: Lover and Beloved. Lover and Beloved, and the opponent (Antihero), according to our own observations, are instructed by God-Human-Satan trixotomic model. On the basis of the functional structure stands the mechanism of the struggle between Truth and False, the Good and Evil, the Good and the Evil. Keywords: Sufism, Imam Ali, Code, Sharia, Sect, Enlightenment, Lover, Beloved.
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Bahrini, Mehrdad, Nima Zargham, Johannes Pfau, Stella Lemke, Karsten Sohr und Rainer Malaka. „Good vs. Evil“. In CHI PLAY '20: The Annual Symposium on Computer-Human Interaction in Play. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3383668.3419887.

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Liu, Xiangyu, Zhe Zhou, Wenrui Diao, Zhou Li und Kehuan Zhang. „When Good Becomes Evil“. In CCS'15: The 22nd ACM Conference on Computer and Communications Security. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2810103.2813668.

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Zhang, Yue, und Zhiqiang Lin. „When Good Becomes Evil“. In CCS '22: 2022 ACM SIGSAC Conference on Computer and Communications Security. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3548606.3559372.

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Dekel, Ofer, und Ohad Shamir. „Good learners for evil teachers“. In the 26th Annual International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1553374.1553404.

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Balan, Corneliu-Dragos. „DIALECTICS OF GOOD AND EVIL“. In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/22/s09.059.

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Connolly, Randy W. „Beyond good and evil impacts“. In the 16th annual joint conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1999747.1999812.

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Adams, Phillip M. „GOOD VS. EVIL: ATTRIBUTION OR PLAGIARISM“. In HUFLIT INTERNATIONAL CONFERENCE 2020. Publishing house for Science and Technology, 2020. http://dx.doi.org/10.15625/vap.2020.00103.

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Bérelle, Léon, Dominique Boidin, Maxime Luere und Rémi Kozyra. „Beyond good and evil 2 cinematic trailer“. In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3209800.3232908.

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Berichte der Organisationen zum Thema "Good and evil – Poetry"

1

Zilberman, Mark. Good and Evil from the Point of View of Physics. Intellectual Archive, Dezember 2022. http://dx.doi.org/10.32370/iaj.2763.

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Annotation:
The article analyzes the concepts of "good" and "evil" from the point of view of physics. Although the physical concept of “entropy” as a measure of disorder was the first candidate who could serve as the physical basis of these ethical concepts, in fact it is not suitable for this purpose. However, the “entropic potential of the event” Z (T, A) that describes the impact of the event A that occurred in the moment T0 in the system R to the entropy of this system at the future moment T (T > T0) is well suited for our analysis. The article describes methods for calculating the “entropic potential of the event” for certain real-life events and discuss several other related ideas, such as “time factor”, “averaging” and “universality”.
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2

Zhytaryuk, Marian. Агресія росії проти України і світу. Рефлексії в контексті виправдання війни д. мєдвєдєвим та в. путіним 4 листопада 2022 р. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11744.

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In this article the author analyzes in detail the “holiday” speeches by the former president of the russian federation dmitry medvedev and the current president vladimir putin devoted to the day of national unity of russia on November 4, 2022, in which politicians justify the war, call it sacred, a struggle between Good and Evil and predict their own victory. With the help of methods of critical analysis, the refutation of historical myths, the denial, an exposure and the generalization, the falsity and cynicism of the statements made regarding the expediency and possibility of geopolitical changes are demonstrated. The civilizational war of the russian federation against the Western democratic world, which began with aggression against the disobedience of neighboring Ukraine, which chose the Western vector of development, is gaining momentum. It would seem that in the 21st century global conflicts over territories are almost impossible, it is the time for the fourth-generation of war, but we can see that russia has various means in its arsenal, including weapons of mass destruction: aerial bombs, artillery, aviation, missile attacks, nuclear blackmail, rewriting history and ordinary lies. An analysis of the kremlin leaders’ military-strategic narratives about Ukraine and the West, shows the inadequacy and detachment of moscow politicians at the highest echelon of power from reality. Their aggressive and false rhetoric based on historical manipulations and maniacal efforts to transform the world order suggests that the kremlin will not stop on its own. Someone must stop him just decisively: either Ukraine or Ukraine’s allies. Sanction policy against the russian federation, political statements and words of support for Ukraine, even assistance with military equipment and finances may not be enough, because all these are certain procedures, a waste of time, and time today is the greatest value. Key words: Ukraine, russian federation, russian aggression, dmitry medvedev, vladimir putin, geopolitics.
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