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Thematische Bibliographien / GIRISH KARNAD

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Auswahl der wissenschaftlichen Literatur zum Thema „GIRISH KARNAD“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "GIRISH KARNAD"

1

Saxena, Ritu. „Girish Karnad : A Tribute“. Dialogue: A Journal Devoted to Literary Appreciation 15, Nr. 1-2 (30.12.2019): 1–4. http://dx.doi.org/10.30949/dajdtla.v14i1-2.1.

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Girish Karnad is a writer, dramatist, director and actor par excellence. He belongs to a generation that has produced Dharamveer Bharati, Mohan Rakesh and Vijay Tendulkar who have created a national theatre for modern India, which is the legacy of his generation. Jnanpitha Awardee, Karnad is the author of many well known plays in Kannada and English. He has represented Indian art and culture in foreign lands. Girish Karnad was a conscious writer, who had keenly observed cultural and political upheavals in India and brings in a new equation in his plays. In this paper, I propose to analyze the selected plays of Indian playwright Grirish Karnad who has experimented with the fusion of the traditional and the modern dramatic forms and content. Karnad is most famous as a playwright and his plays have become a byword for imagination, innovation and craftsmanship. In the subsequent years, Karnad continued to post script narratives, interpreting for us histories and myths, forging an idiom of writing that was tethered to both the past and present. Karnad's practice of drawing source from myths and tales lends the play an immediacy of appeal. This paper thus studies Karnad's selected plays from the point of view of themes and techniques. While doing so, the focus will mainly be on the history and myth in his dramatic works-Karnad's journey from his first drama 'Yayati holds a mirror to the very evolution of a truly 'Indian theatre.'

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., Dr Manju Singh. „Girish Karnad “Yayati”: The Cultural Values“. International Journal for Research in Applied Sciences and Biotechnology 6, Nr. 1 (31.01.2019): 4–5. http://dx.doi.org/10.31033/ijrasb.6.1.2.

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3

Mrityunjoy Mondal. „Masking and Unmasking: A Study of Girish Karnad’s The Fire and the Rain“. Creative Launcher 5, Nr. 5 (30.12.2020): 145–53. http://dx.doi.org/10.53032/tcl.2020.5.5.19.

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Girish Karnad was a versatile genius. He was a prolific Kannada writer, a brilliant playwright, a fantastic actor, a talented film director and a meritorious scholar. His long stay in Europe has confirmed him that the Western theatre has nothing to provide him. Therefore, in search of a new mode of expression, he has used ancient Indian myths and history to represent the contemporary issues. The Fire and the Rain is one of the most successful drama of Karnad. In this drama, Karnad has made a brilliant and innovative use of mask. In Indian dramatic culture, masks were used frequently to represent the dramatic characters. But in The Fire and the Rain, mask is both a stage-prop as well as an important tool for the dramatist, by which he has successfully been able to expose the brahminical society. In this paper I will focus on how Girish Karnad has used the mask to unmask the upper-caste Brahmins.

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Manju, Manju, und Dr Nempal Singh. „Thematic Concern and Technical Features in Karnad’s Tale-Danda“. International Journal of Teaching, Learning and Education 2, Nr. 4 (2023): 8–14. http://dx.doi.org/10.22161/ijtle.2.4.2.

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Girish Karnad, a writer, explores Kalyan-Kranti's last days in his play Tale-danda. Girish hopes to draw attention to the divisions in Indian society and government. The centuries-old societal problem of caste is given the attention it deserves. Sharana's effort to outlaw it was brought to life. The plot revolves on the unconventional union of a Brahmin bride and a Cobbler groom. The failed marriage and its aftermath highlight the crude nature of the caste system. Sovidev's political plotting against his own father, Bijjal, is emblematic of the universal lust for power. Karnad brilliantly illustrates the social and political tensions of modern civilization by merging these two subjects.

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Saxena, Ruchi, und Dr Anshu Raj Purohit. „Feminist concern of Girish Karnad Novel: Nagamandala“. International Journal of Multidisciplinary Research Configuration 1, Nr. 4 (28.10.2021): 41–44. http://dx.doi.org/10.52984/ijomrc1406.

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This present paper attempts to critically analyse the selected novel of Girish Karnad _Nagamandala. Girish Karnad, as a dramatist, is free from any such feminist tags and like Shashi Deshpande, an Indian woman novelist, treats ‘woman as a woman’ and as ‘a human being’. As a male feminist, he has treated the feminist issues like child marriage, loveless marriage, exploitation of wife in the hands of husband, double standards of society and law operating against her in the society etc. It also expresses the hollowness and injustice of patriarchal society. He insists that it is not patriarchy but matriarchy which is essential for society. Thus, the refined sensibilities of woman like love, sex, compassion and tolerance make her unsurpassable in the society. The pride of woman also finds a space in his play Naga Mandala.

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Dr. Uzma Khanam. „Contrast between Rani and Padmini in Girish Karnad’s Female Characters“. Creative Launcher 5, Nr. 5 (30.12.2020): 50–53. http://dx.doi.org/10.53032/tcl.2020.5.5.06.

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Girish Karnad has the persona of giving his characters an air of freedom. The characters of his plays are mostly liberated from the pro-social norms or at-least tried their best to get that air. In every play we can find that kind of character very easily, especially in the female characters. This is the most distinct feature of Karnad, of giving the female characters, the lead in his plots. But still there is an exceptional case in this scenario too. The main focus of this paper is to picture the two contrasting female characters of Karnad i.e. Rani’s character from Naga-Mandala and Padmini’s characters from Hayavadana. It also interrogates the actions of both character in the similar situation and its outcome.

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Sadhu, Maun, und Yesha Bhatt. „Exploring Urban Dynamics: Setting in Girish Karnad's Dramatic Universe“. RESEARCH REVIEW International Journal of Multidisciplinary 9, Nr. 2 (15.02.2024): 88–95. http://dx.doi.org/10.31305/rrijm.2024.v09.n02.009.

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This study delves into the complex urban dynamics portrayed within the dramatic universe of renowned playwright Girish Karnad. Through an in-depth exploration of characters inhabiting Karnad's urban landscapes, this study seeks to explore the multifaceted interactions, conflicts, and transformations that represent urban life. Drawing upon textual analysis and theoretical frameworks from different plays of Karnad, it examines the ways in which Karnad's characters negotiate identity, power dynamics, and societal norms within the urban environment. By analysing the complexities of urban existence as depicted in Karnad's works, this study aims to contribute to a deeper understanding of contemporary urban experiences and their representation in Indian theatre. The study contains three plays and critical analysis of the characters with opposite mindsets and struggling to adjust their existence in the modern digital world. The study has first analysed the setting of all the three plays separately. The study explores the dramatic universe of Karnad and unfolds the complexities of the dual world.

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Patra, Mintu. „FEMALE IDENTITY IN THE PLAYS OF GIRISH KARNAD“. Journal of English Language and Literature 09, Nr. 01 (2022): 137–41. http://dx.doi.org/10.54513/joell.2022.9115.

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Feminists have taken a renewed interest in studying the earlier texts of women writers and interpreting them in new ways to determine how women's writings share commonalities with male writing and how much they are part of it. Feminist writers primarily focus on women's perspectives and expressions about their own lives. In the current era of postcolonial literature, women have become the focal point of debate, not only in India but also in Western countries. Amartya Sen mentions two main reasons for gender inequality in his book "more than 100 million women are missing." The first is cultural bias and discrimination while providing nutritious food and general medical treatment. Cultural biases always maintain male dominance at the top. Silvia Wallaby depicts patriarchy as a system of social structures and practises in which men dominate, oppress, and exploit women in her article "theorising patriarch."

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Reddy, G. Kiran Kumar, und Paul Krupakar. „Dalit aspects in the plays of Bohie Bhimmana and Girish Karnad: A Comparison“. International Journal of English Literature and Social Sciences 8, Nr. 3 (2023): 023–25. http://dx.doi.org/10.22161/ijels.83.3.

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Girish Karnad , a genius, one of the most prominent English play-wrights. Bohie Bhimanna hails from Andhra Pradesh. Karnad from Karnataka, while both writers exposed contemporary social and political issues in their plays. They highlighted the darker aspects of life so as to revolutionize and reform the men and manners of the people. Both writers tried to voice the hardships, emotions, and feelings of the poor, down trodden and subjugated people in their works.

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Rashmi, Rashmi, und Dr Brij Govind. „Exploring Mythic Archetypes and Cultural Identity in the Plays of Girish Karnad“. International Journal of Language, Literature and Culture 3, Nr. 4 (2023): 25–28. http://dx.doi.org/10.22161/ijllc.3.4.4.

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Girish Karnad, a visionary playwright and cultural icon, intricately weaves mythic archetypes into his theatrical narratives, reflecting the profound relationship between mythology, cultural identity, and contemporary human experiences. This study endeavors to delve into the plays of Girish Karnad, unveiling the archetype-driven structures that shape his theatrical works. By analyzing these archetypal narratives, the research aims to illuminate the deeper cultural and psychological implications they hold. The study commences by introducing the concept of mythic archetypes and their role in literature and theatre. It then focuses on a selection of Girish Karnad's plays, each drawing from ancient Indian mythology and folklore. By conducting a meticulous analysis of characters, plot structures, symbols, and themes, the study aims to identify recurring archetypes such as the hero's journey, the trickster, and the wise sage. Through the lens of archetype-driven narratives, the research aims to unravel the connection between mythic storytelling and the exploration of cultural identity. Karnad's plays often transcend time and place, tapping into universal human experiences while remaining grounded in their Indian context. By examining how these archetypal narratives resonate with both Indian and global audiences, the study illuminates how mythology serves as a bridge between tradition and modernity.

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Dissertationen zum Thema "GIRISH KARNAD"

1

Bhattacharyya, Joydeep. „THE PLAYS OF VIJA Y TENDULKAR AND GIRISH KARNAD: CRITIQUING POST-INDEPENDENCE INDIAN SOCIETY“. Thesis, University of North Bengal, 2013. http://hdl.handle.net/123456789/1505.

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2

Khan, Amara. „The use of masks in Indian and Nigerian theatre : a comparative study of Girish Karnad and Wole Soyinka“. Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/13435/.

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Bücher zum Thema "GIRISH KARNAD"

1

Girish Karnad: History and folklore. Delhi: B.R. Pub. Corp., 2011.

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Girish Karnad: Poetics and aesthetics. Delhi: B.R. Pub. Corp., 2011.

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3

Jaydipsinh, Dodiya, Hrsg. The plays of Girish Karnad: Critical perspectives. New Delhi: Prestige, 1999.

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4

Potsangbam, Amita. Myth and psychology in the plays of Girish Karnad. New Delhi: Sunmarg Publishers & Distributors, 2017.

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5

The Indian imagination of Girish Karnad: Essays on Hayavadana. New Delhi: Prestige Books, 2000.

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6

The plays of Girish Karnad: De-colonisation of language and techniques. New Delhi: Authorspress, 2013.

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Plays of Girish Karnad: His poetics of gender, identity and culture. Delhi: B.R. Publishing Corporation, 2015.

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8

Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Jaipur: Rawat Publications, 2009.

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9

Peyma, Nasser Dasht. Postcolonial drama: A comparative study of Wole Soyinka, Derek Walcott, and Girish Karnad. Jaipur: Rawat Publications, 2009.

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10

Three plays of Girish Karnad: A study in poetics and culture : Hayavadana, Tale-danda, the Fire and the rain. New Delhi: Prestige Books, 2004.

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Buchteile zum Thema "GIRISH KARNAD"

1

Menon, Nirmala. „The Hullabaloo About Hybridity: Kiran Desai’s The Inheritance of Loss, Girish Karnad’s Yayati and Heaps of Broken Images and Lalithambika Antherjanam’s Cast Me Out If You Will“. In Remapping the Indian Postcolonial Canon, 71–110. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53798-0_3.

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2

„Girish Karnad b. 1938“. In Name Me a Word, 227–37. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300235654-029.

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3

„Girish Karnad and an Indian theatre of roots“. In An Introduction to Post-Colonial Theatre, 136–60. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511627675.009.

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4

„INTERCULTURAL EPIC IN PERFORMANCE: PETER BROOK AND GIRISH KARNAD“. In Performance and Performativity in Contemporary Indian Fiction in English, 87–103. Brill | Rodopi, 2015. http://dx.doi.org/10.1163/9789004292604_005.

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5

Hasan, Anjum. „Ambiguous Journeys and Halfway Homes in Ramanujan, Narayan, Karnad, and Ananthamurthy“. In The Oxford Handbook of Modern Indian Literatures, C28P1—C28P85. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.28.

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Abstract This chapter is a reading of the ambivalent, playful, and embodied relationship to the binaries of tradition and modernity, rural and urban, past and present, in four great Karnataka writers and contemporaries—A. K. Ramanujan (1929–1993), R. K. Narayan (1906–2001), U. R. Ananthamurthy (1932–2014), and Girish Karnad (1938–2019). Using Ashis Nandy’s idea of the journey between the village and city (and back) as the archetypal anxiety of Indian civilization, the chapter analyzes how this bind has been a creative source for the fiction, playwriting, and poetry of these four writers. Their works reveal the possibility of an Indian sensibility highly attuned to its own contradictions, both rooted and open minded. With the hardening in public life of the divide between liberal and conservative views of culture, this secular slant, as poetics rather than only politics, is losing appeal. This also brings into question where these four might have failed to create the new paradigms, forms, and idioms that could have anticipated, if not helped forestall, the ideological battles of the present.

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„Mixed Attachments in Girish Karnad’s Hayavadana (1971)“. In The Transnational in Literary Studies, 21–43. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110688726-002.

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7

ÇELİK, Suat. „Karma Yöntem Araştırmaların Temel Özellikleri“. In Karma Yöntem Araştırmalarına Giriş, 1–10. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.01.

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ÇELİK, Suat. „Karma Yöntem Araştırma Tasarım Adımları“. In Karma Yöntem Araştırmalarına Giriş, 11–22. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.02.

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ÇELİK, Suat. „Karma Yöntem Araştırmasını Yürütmek İçin Gerekli Olan Beceriler“. In Karma Yöntem Araştırmalarına Giriş, 23–34. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.03.

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ACAR, İbrahim H. „Temel ve Gelişmiş Karma Yöntem Desenleri“. In Karma Yöntem Araştırmalarına Giriş, 35–52. Pegem Akademi Yayıncılık, 2017. http://dx.doi.org/10.14527/9786053184720.04.

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Konferenzberichte zum Thema "GIRISH KARNAD"

1

Çelik, Hilal, und Ahmet Çınar. „Karar Ağacı Algoritması ile E-ticaret Uygulaması“. In International Students Science Congress. Izmir International Guest Student Association, 2021. http://dx.doi.org/10.52460/issc.2021.025.

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İnternet kullanımının büyük bir ivme ile arttığı son yıllarda internet sadece bir araştırma ve veri depolama ortamı olmaktan ziyade birer alış veriş merkezi haline dönüştü. E-ticaret olarak adlandırılan bu kavram iş dünyası pazarına farklı bir boyut kazandırdı. Özellikle sosyal medya siteleri son zamanlarda birden fazla e- ticarete dönüşmüştür. Gelişen e-ticaret dünyasında doğru müşteri kitlesine daha yüksek doğruluk payıyla ulaşmaya çalıştığımız bu çalışmada amaç sisteme yeni giriş yapan bir müşteriye eldeki mevcut ürünün satışı yapılabilir mi? Bu çalışma Knime platformu üzerinde KDD veri bilimi yöntemi adımları takip edilerek makine öğrenmesi algoritmalarından karar ağaçları kullanılmış ve öğrenme tiplerinden gözetimli öğrenme ile gerçekleştirildi. Bu çalışmanın scorer sonucu olarak %93,487 bir doğruluk payı elde edildi. Bu çalışmada veri setin üzerinde daha kolay çalışabilmek için Knime’nin düğümlerinden olan Rule Engine vasıtasıyla sözcük türünde aynı tür veriler sayısal veriye dönüştürülerek hem veri setinin daha kolay yorumlanması sağlanmış hem de veri seti üzerinde çalışılırken zamandan kazanç sağlanmıştır.

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