Auswahl der wissenschaftlichen Literatur zum Thema „Giovanni Battista (Lecce, Italy)“
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Zeitschriftenartikel zum Thema "Giovanni Battista (Lecce, Italy)"
Andjelkovic, Sladjana, Cedo Vuckovic, Suzana Milutinovic, Tomislav Palibrk, Marko Kadija und Marko Bumbasirevic. „Giovanni Battista Monteggia (1762-1815)“. Srpski arhiv za celokupno lekarstvo 143, Nr. 1-2 (2015): 105–7. http://dx.doi.org/10.2298/sarh1502105a.
Der volle Inhalt der QuelleFavero, Giancarlo, und Sandro Baroni. „Giovanni Battista Lacchini: An Amateur Astronomer from Italy“. International Astronomical Union Colloquium 98 (1988): 44–45. http://dx.doi.org/10.1017/s0252921100092149.
Der volle Inhalt der QuelleClerici, Carlo Alfredo, Laura Veneroni und Marco Poli. „Giuseppe Pasta (1742–1823): protophysician and pioneer of psychological studies in the medical field“. Journal of Medical Biography 17, Nr. 4 (November 2009): 189–94. http://dx.doi.org/10.1258/jmb.2009.009011.
Der volle Inhalt der QuelleTUBBS, R. S., R. G. LOUIS, M. LOUKAS, A. A. GUPTA, M. M. SHOJA und J. OAKES. „The First Description of the Palmaris Brevis Muscle“. Journal of Hand Surgery (European Volume) 32, Nr. 4 (August 2007): 382–83. http://dx.doi.org/10.1016/j.jhse.2007.04.020.
Der volle Inhalt der QuellePinheiro, Maciel. „Relation among Theology, Natural Philosophy and New Science in Giovanni Battista Riccioli (1598-1671)“. Circumscribere International Journal for the History of Science 30 (12.07.2023): 38. http://dx.doi.org/10.23925/1980-7651.2022v30;p38.
Der volle Inhalt der QuelleMajori, Giancarlo. „SHORT HISTORY OF MALARIA AND ITS ERADICATION IN ITALY“. Mediterranean Journal of Hematology and Infectious Diseases 4, Nr. 1 (10.03.2012): e2012016. http://dx.doi.org/10.4084/mjhid.2012.016.
Der volle Inhalt der QuelleBoffano, Paolo, Fabio Roccia, Cesare Gallesio, K. Karagozoglu und Tymour Forouzanfar. „Inferior Alveolar Nerve Injuries Associated with Mandibular Fractures at Risk: A Two-Center Retrospective Study“. Craniomaxillofacial Trauma & Reconstruction 7, Nr. 4 (Dezember 2014): 280–83. http://dx.doi.org/10.1055/s-0034-1375169.
Der volle Inhalt der QuelleBACCIAGALUPPI, CLAUDIO. „CLASSIFYING MISATTRIBUTIONS IN PERGOLESI’S SACRED MUSIC“. Eighteenth Century Music 12, Nr. 2 (24.08.2015): 223–29. http://dx.doi.org/10.1017/s1478570615000329.
Der volle Inhalt der QuelleMerlo, Elisabetta, und Valeria Pinchera. „Configuring Cultural Emerging Industries: A Comparison of the French and Italian Fashion Industries“. Business History Review 97, Nr. 4 (2023): 779–807. http://dx.doi.org/10.1017/s0007680523000880.
Der volle Inhalt der QuelleCecalupo, Chiara. „The Rome Pavilion at the Italian General Exhibition in Turin in 1884: the exposition of Maps and Plans of Rome by Giovanni Battista de Rossi and the City Museum“. ACME 75, Nr. 2 (05.10.2023): 129–45. http://dx.doi.org/10.54103/2282-0035/21302.
Der volle Inhalt der QuelleDissertationen zum Thema "Giovanni Battista (Lecce, Italy)"
Haskell, Diane. „Preparing the Way: Confraternal Art in the Oratory of San Giovanni Battista in Urbino, 1390-1440“. Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17648.
Der volle Inhalt der QuelleTsoumis, Karine. „Giovanni Battista Cavalieri's Ecclesiae militantis triumphi : Jesuits, martyrs, print, and the counter-reformation“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83842.
Der volle Inhalt der QuelleAlburquerque, Kira d'. „Giovanni Battista Foggini et la sculpture à Florence à l'époque des derniers Médicis (1670-1737) : la condition sociale de l'artiste et la pratique du dessin“. Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4054.
Der volle Inhalt der QuelleThis thesis, presenting sculptors active in Florence at the time of the last two grand dukes of the Medici dynasty, Cosimo III (1670-1723) and Gian Gastone (1723-1737), is a synthetic study which situates these sculptors in their historical and societal contexts. The work takes into account all the aspects of the profession: the training, in Rome and in Florence, the living and working conditions, the social status, the organisation of the workshops, the creative process, the division of work among the specialists, as well as the important role of drawing in designing and executing the works. When Cosimo III came into power, he decided to bring about a revival in Florentine sculpture and rapidly took many initiatives in this direction: he reformed artistic education, developed the production of luxury artefacts within the Galleria dei Lavori and facilitated the work of sculptors in many ways, offering many of them monthly pensions, official functions and locations for workshops. Even though the period saw a significant number of sculptors working in Florence, artistic life actually centred around a limited number of major figures. Giovanni Battista Foggini, the most important, was settled in the famous sculpture workshop located in Borgo Pinti. At the height of his long career, Foggini was First sculptor as well as Architect of the Galleria dei Lavori, hence managing a vast team of collaborators, assistants and craftsmen. The research is based on a thorough analysis of the archives related to the period as well as an extensive study of the preparatory drawings. A volume of appendices contains a repertory of the sculptors and also the transcription of many unpublished documents
Russell, Lucy. „Domesticating Winckelmann : his critical legacy in Italian art scholarship, 1755-1834“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:8e2d3058-1ae8-46ab-8fab-8f2c9b473860.
Der volle Inhalt der QuelleVeselá, Markéta. „Transfer záalpských krajinných motivů v grafice do vybraných děl italských rytců na začátku 16. století“. Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-352511.
Der volle Inhalt der QuelleBücher zum Thema "Giovanni Battista (Lecce, Italy)"
Mantua (Italy). Archivio storico comunale. Fondo Giovanni Battista Intra: Inventario. Mantova: G. Arcari, 2003.
Den vollen Inhalt der Quelle findenKuoma, Chryso. San Giovanni Battista dei Genovesi. [Roma]: Istituto nazionale di studi romani, 1986.
Den vollen Inhalt der Quelle findenKouma, Chryso. San Giovanni Battista dei Genovesi. [Roma]: Istituto nazionale di studi romani, 1986.
Den vollen Inhalt der Quelle findenLister, Warwick. Amico: The life of Giovanni Battista Viotti. New York: Oxford University Press, 2009.
Den vollen Inhalt der Quelle findenClaudia, Conforti. Giovanni Michelucci: La Chiesa di San Giovanni Battista ad Arzignano. Arzignano: Cora, 1992.
Den vollen Inhalt der Quelle findenCallia, Raffaele. Giovanni Battista Montixi: Un vescovo liberale nell'Ottocento. Cagliari: AM&D, 1998.
Den vollen Inhalt der Quelle findenVilla, Massimo. La chiesa parrocchiale di S. Giovanni Battista a Garbagna. Alessandria: Edizioni dell'Orso, 1986.
Den vollen Inhalt der Quelle findenGalazzo, Alberto. L' organo "Giovanni Bruna 1794" della Chiesa di S. Giovanni Battista Magnano. [Magnano, Italy]: Festival musica antica a Magnano, 1994.
Den vollen Inhalt der Quelle findenMancini, Renzo. San Giovanni Battista di Lucoli: Storia, cronologia, restauro. L'Aquila: L.U. Japadre, 2001.
Den vollen Inhalt der Quelle findenSchaal-Gotthardt, Susanne. Musica scenica: Die Operntheorie des Giovanni Battista Doni. Frankfurt am Main: P. Lang, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Giovanni Battista (Lecce, Italy)"
Birocchi, Italo. „Giovanni Battista De Luca (1613–1683)“. In Law and the Christian Tradition in Italy, 297–310. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-18.
Der volle Inhalt der QuelleFavero, Giancarlo, und Sandro Baroni. „Giovanni Battista Lacchini: An Amateur Astronomer from Italy“. In Stargazers, 44–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 1988. http://dx.doi.org/10.1007/978-3-642-74020-6_12.
Der volle Inhalt der QuelleSchouppe, Jean-Pierre. „Giovanni Battista Montini (Pope Paul VI) (1897–1978)“. In Law and the Christian Tradition in Italy, 432–45. Abingdon, Oxon ; New York, NY : Routledge, 2020. | Series: Law and religion | “Produced by the Center for the Study of Law and Religion, Emory University”: Routledge, 2020. http://dx.doi.org/10.4324/9781003014539-27.
Der volle Inhalt der QuelleVillani, Stefano. „Learning Italian“. In Making Italy Anglican, 83–100. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197587737.003.0007.
Der volle Inhalt der QuelleViroli, Maurizio. „After the Revolution“. In As If God Existed, übersetzt von Alberto Nones. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691142357.003.0012.
Der volle Inhalt der QuelleCarter, Tim. „Resemblance and Representation: Towards a New Aesthetic in the Music of Monteverdi“. In Con che soavità Studies in Italian Opera, Song, and Dance, 1580-1740, 118–34. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198163701.003.0006.
Der volle Inhalt der Quelle„9. Of Oak and Elder, Cloud-like Angels, and a Bird’s Nest: The Graphic Interpretations of Titian’s The Death of St. Peter Martyr by Martino Rota, Giovanni Battista Fontana, Valentin Lefebre, John Baptist Jackson, and their Successors“. In Green Worlds in Early Modern Italy, 197–216. Amsterdam University Press, 2019. http://dx.doi.org/10.1515/9789048535866-011.
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