Thematische Bibliographien / Gesture taxonomy

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Auswahl der wissenschaftlichen Literatur zum Thema „Gesture taxonomy“

Autor: Grafiati

Veröffentlicht am 24. Juni 2021

Zuletzt aktualisiert am 3. Februar 2022

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Zeitschriftenartikel zum Thema "Gesture taxonomy"

King, Elaine. „Musical Shaping Gestures: Considerations about Terminology and Methodology“. Empirical Musicology Review 8, Nr. 1 (24.10.2013): 68. http://dx.doi.org/10.18061/emr.v8i1.3925.

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Fulford and Ginsborg’s investigation into non-verbal communication during music rehearsal-talk between performers with and without hearing impairments extends existing research in the field of gesture studies by contributing significantly to our understanding of musicians’ physical gestures as well as opening up discussion about the relationship between speech, sign and gesture in discourse about music. Importantly, the authors weigh up the possibility of an emerging sign language about music. This commentary focuses on three key considerations in response to their paper: first, use of terminology in the study of gesture, specifically about ‘musical shaping gestures’ (MSGs); second, methodological issues about capturing physical gestures; and third, evaluation of the application of gesture research beyond the rehearsal context. While the difficulties of categorising gestures in observational research are acknowledged, I indicate that the consistent application of terminology from outside and within the study is paramount. I also suggest that the classification of MSGs might be based upon a set of observed physical characteristics within a single gesture, including size, duration, speed, plane and handedness, leading towards an alternative taxonomy for interpreting these data. Finally, evaluation of the application of gesture research in education and performance arenas is provided.

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Choi, Eun-Jung, Dong-Hun Lee und Min-K. Chung. „Three Dimensional Hand Gesture Taxonomy for Commands“. Journal of the Ergonomics Society of Korea 31, Nr. 4 (31.08.2012): 483–92. http://dx.doi.org/10.5143/jesk.2012.31.4.483.

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Pérez-Medina, Jorge-Luis, Santiago Villarreal und Jean Vanderdonckt. „A Gesture Elicitation Study of Nose-Based Gestures“. Sensors 20, Nr. 24 (11.12.2020): 7118. http://dx.doi.org/10.3390/s20247118.

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Presently, miniaturized sensors can be embedded in any small-size wearable to recognize movements on some parts of the human body. For example, an electrooculography-based sensor in smart glasses recognizes finger movements on the nose. To explore the interaction capabilities, this paper conducts a gesture elicitation study as a between-subjects experiment involving one group of 12 females and one group of 12 males, expressing their preferred nose-based gestures on 19 Internet-of-Things tasks. Based on classification criteria, the 912 elicited gestures are clustered into 53 unique gestures resulting in 23 categories, to form a taxonomy and a consensus set of 38 final gestures, providing researchers and practitioners with a larger base with six design guidelines. To test whether the measurement method impacts these results, the agreement scores and rates, computed for determining the most agreed gestures upon participants, are compared with the Condorcet and the de Borda count methods to observe that the results remain consistent, sometimes with a slightly different order. To test whether the results are sensitive to gender, inferential statistics suggest that no significant difference exists between males and females for agreement scores and rates.

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Hassemer, Julius, und Leland McCleary. „The multidimensionality of pointing“. Gesture 17, Nr. 3 (31.12.2018): 417–63. http://dx.doi.org/10.1075/gest.17018.has.

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Abstract This paper proposes a novel analysis of deictic gestures which yields a taxonomy of manual pointing. ‘Gesture form analysis’ brings into relief the diversity of pointing by considering the imaginary forms necessarily involved in interpreting a gesture. It combines into a single framework insights found in the literature on how the meaning of any gesture is enabled by a series of spatial operations leading from the physical form of the articulators to the form of the target. Seven distinct spatial operations combine to define a gesture type, twenty-seven of which are illustrated with examples from open-data corpora. Most types involve not the prototypical linear vector of pointing, but the plane of an open hand. Not only deictic, but also iconic and other functions are shown to be rooted in imaginary forms and their ability to draw attention to and specify locations, directions, areas and volumes of space.

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Legg, Andrew. „A taxonomy of musical gesture in African American gospel music“. Popular Music 29, Nr. 1 (Januar 2010): 103–29. http://dx.doi.org/10.1017/s0261143009990407.

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AbstractAfrican American gospel music seems without obvious parallel as a musical and social phenomenon of the twentieth century. It is a powerful musical and ‘spiritual’ expression that is to a larger extent defined by the musical style, vocal techniques and performance practices of one of its central figures: the gospel singer. Although these originally African American gospel vocal techniques and practices have now also significantly influenced the development of contemporary popular music and the broader gospel vocal style, the specific terminology used to describe them lacks precise definition, and also highlights the failure of conventional notation in successfully capturing or representing them.This article seeks then to firstly define and annotate some of the key descriptive terms commonly applied to African American gospel singing techniques in order that greater consistency and clarity can be achieved in relation to their usage within contemporary popular music research. Secondly, it will also introduce an analytical notational system, accompanied by a series of annotated musical transcriptions, that forms the basis of the author's taxonomy of musical gesture for African American gospel music, and which may provide a framework for comparative analytical research within the field of gospel-inspired contemporary popular music.

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Wolf, Catherine G., und James R. Rhyne. „A Taxonomic Approach to Understanding Direct Manipulation“. Proceedings of the Human Factors Society Annual Meeting 31, Nr. 5 (September 1987): 576–80. http://dx.doi.org/10.1177/154193128703100522.

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This paper presents a taxonomy for user interface techniques which is useful in understanding direct manipulation interfaces. The taxonomy is based on the way actions and objects are specified in the interface. We suggest that direct manipulation is a characteristic shared by a number of different interface techniques, rather than a single interface style. A relatively new interface method, gesture, is also described in terms of the taxonomy and some observations are made on its potential.

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Schwan, Alexander. „Ethos Formula: Liturgy and Rhetorics in the Work of Ted Shawn“. Performance Philosophy 3, Nr. 1 (25.06.2017): 23. http://dx.doi.org/10.21476/pp.2017.31168.

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Beginning with Giorgio Agamben�s alignment of ethics and potentiality, this essay questions the ethical dimension of gesture in the field of dance as an eminently potentiality-bound art form. This draws on Daniel Sibony�s concept of law and dance, according to which the body simultaneously repels and longs for the law as a nexus of heteronomous structures. I frame this through a revision of Aby Warburg�s rhetorical concept, pathos formula, into the corollary term, ethos formula, as the encoded movement patterns of ethical attitudes or comportments which are motivated by decision-making rather than emotional content. Do gestures and their citation in dance bear an ethical dimension similar to the encoded transmission of emotions through movement?This new concept of ethos formula finds an excellent example in the work of the American choreographer Ted Shawn (1891�1972). His strikingly hybrid use of ethos formula from the 19th century Catholic theorist Fran�ois Delsarte and his parallel practice of quoting liturgical gestures from Protestant church services, pursues the ambiguity and uncanniness of modernity itself. For Shawn�like many other protagonists of modernist dance�argues on the one hand for freeing the body from the boundaries of classical ballet in the name of individual expression, and on the other hand for an instrumentalized body that still clings to principles of taxonomy and normativity.

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Satchidanand, Antara, Jeff Higginbotham, Ann Bisantz, Naif Aldhaam, Ahmed Elsayed, Iman Carr, Ahmed A. Hussein und Khurshid Guru. „“Put the what, where? Cut here?!” challenges to coordinating attention in robot-assisted surgery: a microanalytic pilot study“. BMJ Open 11, Nr. 7 (Juli 2021): e046132. http://dx.doi.org/10.1136/bmjopen-2020-046132.

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IntroductionDuring robot-assisted surgery (RAS), changes to the operating room configuration pose challenges to communication by limiting team members’ ability to see one another or use gesture. Referencing (the act of pointing out an object or area in order to coordinate action around it), may be susceptible to miscommunication due to these constraints.ObjectivesExplore the use of microanalysis to describe and evaluate communicative efficiency in RAS through examination of referencing in surgical tasks.MethodsAll communications during ten robot-assisted pelvic surgeries (radical cystectomies and prostatectomies) were fully transcribed. Forty-six referencing events were identified within these and subjected to a process of microanalysis. Microanalysis employs detailed transcription of speech and gesture along with their relative timing/sequencing to describe and analyse interactions. A descriptive taxonomy for referencing strategies was developed with categories including references reliant exclusively on speech (anatomic terms/directional language and context dependent words (CD)); references reliant exclusively on gesture or available aspects of the environment (point/show, camera focus/movement in the visual field and functional movement); and references reliant on the integrated use of speech and gesture/environmental support (integrated communication (IC)). Frequency of utilisation and number/percent ‘miscommunication’, were collated within each category when miscommunication was defined as any reference met with incorrect or no identification of the target.ResultsIC and CD were the most frequently used strategies (45% and 26%, respectively, p≤0.01). Miscommunication was encountered in 22% of references. The use of IC resulted in the fewest miscommunications, while CD was associated with the most miscommunications (42%). Microanalysis provided insight into the causes and nature of successful referencing and miscommunication.ConclusionsIn RAS, surgeons complete referencing tasks in a variety of ways. IC may provide an effective means of referencing, while other strategies may not be adequately supported by the environment.

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Legg, Andrew, und Carolyn Philpott. „An analysis of performance practices in African American gospel music: rhythm, lyric treatment and structures in improvisation and accompaniment“. Popular Music 34, Nr. 2 (30.04.2015): 197–225. http://dx.doi.org/10.1017/s0261143015000264.

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AbstractAfrican American gospel music is a unique and distinctive idiom that has had a pervasive influence upon the development of contemporary popular music. While there are now many sources available on African American gospel music, the focus of the vast majority of these studies is on the sociological, historical and stylistic aspects of the genre, rather than on identifying and codifying specific musical characteristics and performance practices. This paper extends the discussion of gospel singing techniques in Andrew Legg's 2010 article ‘A taxonomy of musical gesture in African American gospel music’ (Popular Music, 29/1) by examining some of the key performance practices associated with rhythm and lyric treatment in African American gospel music, as well as common structures in gospel music improvisation and accompaniment. Through analysis of selected recordings, this research proposes a codified frame of reference for the definition and discussion of terminologies and performance practice techniques inherent within African American gospel music.

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Moslemi, Amir Abbas. „An Exordium to a Promise“. International Letters of Social and Humanistic Sciences 54 (Juni 2015): 45–52. http://dx.doi.org/10.18052/www.scipress.com/ilshs.54.45.

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James Joyce’s fine shades of philosophy have been neglected in recent times, especially when it comes to fill either epistemological or ontological lacuna in taxonomy as to whereabouts of his canon. Epistemology and ontology are a couple of the core areas of philosophy. Since mirroring cognitive and post-cognitive questions in postmodern literature may invite a rereading of potential authors, a historiography of “theory of knowledge” and ontological nuances is reviewed in this paper not to represent literary examples, but to mind a hiatus in descriptive poetics. The idea is that Ulysses and Finnegans Wake gesture differently in their philosophical ‘dominance’. Analyzing the philosophical borders of the realm, it is sought to consult with literary critics beside canonical authors who dissected their mind in epistemology just to propound an initial disquisition about a novelist who never wanted his works to be prescribed by simple bounds due to their literary nature. This paper may be useful to those who pursue any link between literature and philosophy, specifically those who are willing to know more about postmodernist philosophical concerns of literature.

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Dissertationen zum Thema "Gesture taxonomy"

Wierzba, Weronika. „Beyond the screen. : Exploring the usability of non-visual modalities in cross-device systems“. Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43660.

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This thesis explores how non-visual modalities, especially gestures, can be utilized to enhance User Experience, taking as a probe an existing multi-screen, cross-device system. In the first Chapters of the thesis a theory on cross-device systems is being reviewed for the existing design frameworks, principles and practices, and a case study to further investigation of challenges and issues occurring in a chosen cross-device system is conducted. As a conclusion of both theoretical and empirical research, the pivotal change in the design approach is made. The design opportunity focuses on exploring non-visual modalities in the context of the above-mentioned cross-device system. As a result of design activities, especially the co-creation session, gesture taxonomy is proposed. Gestures are described and documented in order to contribute to the field of HCI and to become an inspiration for designers aiming to design for cross-device systems beyond the screens.

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Buchteile zum Thema "Gesture taxonomy"

Maricchiolo, Fridanna, Augusto Gnisci und Marino Bonaiuto. „Coding Hand Gestures: A Reliable Taxonomy and a Multi-media Support“. In Cognitive Behavioural Systems, 405–16. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34584-5_36.

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Konferenzberichte zum Thema "Gesture taxonomy"

Thakur, Aditya, und Rahul Rai. „User Study of Hand Gestures for Gesture Based 3D CAD Modeling“. In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-46086.

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Gestures are an important medium of human communication and have been studied throughout the centuries from different viewpoints and in different domains ranging from arts, linguistics, philosophy and engineering. Recent developments in gestures based human-computer interaction (HCI) studies are noteworthy. However, commercial application of hand gestures in computer aided sketching and modeling is rarely found. The present study focuses on identifying various aspects of hand gestures that can be used as an input to a gesture based CAD software for sketching and 3D modeling tasks. First, we experimentally observed and studied hand gestures performed by users to convey CAD sketch and 3D modeling commands. Next, we performed literature study to compile a repository of gestures used by researchers in conveying various commands for gesture based human computer interaction. With the knowledge gleaned from these two steps a simplified yet representative taxonomy was created to classify hand gestures which can be used for drawing tasks in CAD. During the course of these studies we identified various attributes/requirements of a gesture based CAD software, consideration of which will help in enhancing the CAD designer experience.

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Solomon, Amber, Mark Guzdial, Betsy DiSalvo und Ben Rydal Shapiro. „Applying a Gesture Taxonomy to Introductory Computing Concepts“. In ICER '18: International Computing Education Research Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3230977.3231001.

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Zhang, John R., Kuangye Guo, Cipta Herwana und John R. Kender. „Annotation and taxonomy of gestures in lecture videos“. In 2010 IEEE Computer Society Conference on Computer Vision and Pattern Recognition Workshops (CVPR Workshops). IEEE, 2010. http://dx.doi.org/10.1109/cvprw.2010.5543253.

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Scoditti, Adriano, Renaud Blanch und Joëlle Coutaz. „A novel taxonomy for gestural interaction techniques based on accelerometers“. In the 15th international conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1943403.1943414.

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Firestone, Justin W., Rubi Quinones und Brittany A. Duncan. „Learning from Users: an Elicitation Study and Taxonomy for Communicating Small Unmanned Aerial System States Through Gestures“. In 2019 14th ACM/IEEE International Conference on Human-Robot Interaction (HRI). IEEE, 2019. http://dx.doi.org/10.1109/hri.2019.8673010.

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