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Summary In this paper an attempt has been made to draw a picture of linguistics in the Netherlands during the 19th century. The aim of this survey is to make clear that the influence of German linguistics on Dutch works of the period is characteristic of the development of Dutch linguistics in that century. Emphasis has been placed on the period 1800–1870; three traditions are distinguished: First of all there is the tradition of prescriptive grammar and language instruction. Next attention is drawn to the tradition of historical-comparative linguistics. Finally, by about the middle of the century, the linguistic views of German representatives of general grammar become prominent in Dutch school grammars. Successively we point to the reception by the schoolmasters of K. F. Becker’s (1775–1849) work; then Taco Roorda (1801–1874) is discussed, and the relationship between L. A. te Winkel (1809–1868) and H. Steinthal (1823–1899) is presented. In conjunction with Roorda’s work on Javanese the analysis of the so-called exotic languages is mentioned, an aspect of Dutch linguistics in the 19th century closely connected with the Dutch East Indies. It is obvious that the German theme is one of the most conspicuous common elements in 19th-century Dutch linguistics, as Dutch intellectuals in many respects took German culture as a model.
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Gosewinkel, Dieter. „Einbürgern und Ausschließen. Staatsangehörigkeit und Bürgerrecht in Deutschland während des 19. und 20. Jahrhunderts“. Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 137, Nr. 1 (25.08.2020): 364–88. http://dx.doi.org/10.1515/zrgg-2020-0006.
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AbstractNaturalizing and excluding. Nationality and citizenship law in 19th and 20th century Germany. Nationality law in Germany came up as a legal institution of German federal states at the beginning of 19th century and underwent a process of nationalization. The principle of descent (Abstammungsprinzip), which was – before a legal reform in 2000 – hegemonic, was used to define German nationality primarily as a community of ethno-cultural descent. This restrictive use of German nationality law did not establish, however, a direct line of conceptual and political continuity between ‘ethno-cultural’ and ‘racial’ criteria, and it was primarily based on a politico-social constellation of political, demographic and national instability, not on a specific German national discourse.
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Curran, Kathleen. „The German Rundbogenstil and Reflections on the American Round-Arched Style“. Journal of the Society of Architectural Historians 47, Nr. 4 (01.12.1988): 351–73. http://dx.doi.org/10.2307/990381.
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This article investigates the German Rundbogenstil and its influence on the American "round-arched style." A stylistic and theoretical phenomenon of the 19th century, the German Rundbogenstil held both a specific and a generic meaning: as a contemporary building style and as a term for historical round-arched architecture. In modern scholarship, the Rundbogenstil has come to denote any round-arched building with Romanesque or Italianate features designed by certain early to mid-19th-century German architects. A general contextual analysis of the complex nature of the 19th-century round-arched styles or "tendencies" in Germany helps to define more precisely the Rundbogenstil. Following a theoretical and stylistic examination of major monuments in Karlsruhe, Munich, and Berlin, the present paper outlines the salient characteristics of the Rundbogenstil and its influence in America in the hands of certain central European emigrant architects in New York and two major mid-19th-century American architects. The fundamental theoretical change which the style underwent in the United States in both of these groups warrants a distinct label-the American "round-arched style."
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Mudry, Albert, Robert Mlynski und Burkhard Kramp. „History of otorhinolaryngology in Germany before 1921“. HNO 69, Nr. 5 (13.04.2021): 338–65. http://dx.doi.org/10.1007/s00106-021-01046-9.
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AbstractIn 2021, the German Society of Otorhinolaryngology, Head and Neck Surgery is celebrating the 100th anniversary of its foundation. The aim of this article is to present the main inventions and progress made in Germany before 1921, the date the society was founded. Three chronological periods are discernible: the history of otorhinolaryngology (ORL) in Germany until the beginning of the 19th century, focusing mainly on the development of scattered knowledge; the birth of the sub-specialties otology, laryngology (pharyngo-laryngology and endoscopy), and rhinology in the 19th century, combining advances in knowledge and implementation of academic structures; and the creation of the ORL specialty at the turn of the 20th century, mainly concentrating on academic organization and expansion. This period was crucial and allowed for the foundation of the German Society of Otorhinolaryngology, Head and Neck Surgery on solid ground. Germany played an important role in the development and progress of ORL internationally in the 19th century with such great contributors as Anton von Tröltsch, Hermann Schwartze, Otto Körner, Rudolf Voltolini, and Gustav Killian to mention a few.
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Southcott, Jane E. „Early 19th century music pedagogy – German and English connections“. British Journal of Music Education 24, Nr. 3 (November 2007): 313–33. http://dx.doi.org/10.1017/s0265051707007607.
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Calls to improve congregational psalmody in 18th century England strongly influenced early music pedagogy. In the first decades of the 19th century English music educators, concerned with psalmody and music in charitable schools, looked to Germany for models of successful practice. The Musikalisches Schulgesangbuch (1826) by Carl Gotthelf Gläser (1784–1829) influenced the music materials designed by Sarah Anna Glover (1786–1867). These, in turn, directly influenced John Turner (dates unknown), William Hickson (1803–1870) and, indirectly, John Curwen (1816–1880). It is illuminating to explore how influential a small collection of German didactic songs could be during an early and very active phase of the development of English school music curricula.
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Luh, Andreas. „Großunternehmen und Betriebssport in Deutschland vom Kaiserreich bis in die Gegenwart. Ein (zu) wenig beachtetes sozial- und sporthistorisches Phänomen“. STADION 44, Nr. 2 (2020): 300–337. http://dx.doi.org/10.5771/0172-4029-2020-2-300.
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Since the end of the 19th century, company sports appeared as a part of company’s social welfare policy. Large companies in Germany still offer company sport activities as a part of voluntary social benefits today, but their scope, kind and function have changed enormously. The present study focuses on the development of company sports during the German Empire, its expansion and institutionalization as a part of company’s social welfare policy in the Weimar Republic as well as its restructuring in the context of the efforts of the German Labour Front in NS Germany. Furthermore, the study examines the reorganization of company sports based on social partnership concepts and corporate identity - and corporate social responsibility strategies in the Federal Republic of Germany. It asks, what kind of changes took place in company sports in Germany under the conditions of a structural changing economic and capitalist system from the 19th to the 21st century, in four political epochs of German history, from the German Empire to the Federal Republic of Germany?
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Kiehnle, Arndt. „The long journey of ‘Privatautonomie’“. Tijdschrift voor Rechtsgeschiedenis 87, Nr. 4 (19.12.2019): 473–503. http://dx.doi.org/10.1163/15718190-00870a09.
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SummaryIndividual autonomy was rediscovered in modernity when it came to the persecution of dissenters in Germany after the Reformatio n. Since the 18th century the ‘Privatautonomie’ of the individual has been established in German private law. Later, in the 19th century, the term autonomy gained ground in the legal terminology of French private law, also thanks to the German emigrant Foelix. In the 20th century autonomy, not least thanks to German-speaking jurists who fled from the Nazis, became a legal term also used in the private law of the USA and Great Britain.
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Kiermayer, Alex. „The evolution of German Cut Fencing in the 19th century viewed through the works of Friedrich August Wilhelm Ludwig Roux“. Acta Periodica Duellatorum 6, Nr. 2 (20.10.2020): 77–102. http://dx.doi.org/10.36950/apd-2018-008.
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This article takes a look at the characteristics of German civilian fencing with cutting swords in the 19th century, especially the style taught by the Roux family of fencing masters. One of the most prominent members of this family was Friedrich August Wilhelm Ludwig Roux. By comparing his early work Anweisung zum Hiebfechten mit graden und krummen Klingen and his later work Deutsches Paukbuch one is able to discern some of the changes in German Hiebfechten or fencing with cutting weapons during the 19th century, in particular on the students’ duelling ground.
Fencing in 19th century Germany was practiced for a number of different reasons. These included military service, physical education and the civilian duel. A particular form of the civilian duel in Germany was the student’s Mensur. The works of the Roux family naturally revolve mostly but not exclusively around thissubject as most of them were employed as University fencing masters. In the military and in physical education the contemporary method of the “Berliner Turnschule” was more popular.
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Kotova, Elena. „The German Question in the Foreign Policy of the Austrian Empire in 1850—1866“. ISTORIYA 12, Nr. 6 (104) (2021): 0. http://dx.doi.org/10.18254/s207987840016050-4.
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For centuries, the House of Austria (the Habsburgs) maintained its leadership in the Holy Roman Empire, and later in the German Union. But in the middle of the 19th century the situation changed, Austria lost its position in Germany, lost to Prussia in the struggle for hegemony. The article examines what factors influenced such an outcome of the German question, what policy Austria pursued in the 50—60s of the 19th century, what tasks it set for itself. The paper traces the relationship between the domestic and foreign policy of Austria. Economic weakness and political instability prevented the monarchy from pursuing a successful foreign policy. The multinational empire could not resist the challenge of nationalism and prevent the unification of Italy and Germany. Difficult relations with France and Russia, inconsistent policy towards the Middle German states largely determined this outcome. The personal factor was also important. None of the Austrian statesmen could resist such an outstanding politician as Bismarck.
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Baier, Martin. „The Importance of Dutch and German 19th-Century Sources“. Anthropos 110, Nr. 1 (2015): 206–10. http://dx.doi.org/10.5771/0257-9774-2015-1-206.
Lee, Young-Joo. „An examination of 19th century Austro-German violin sonatas“. College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9768.
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Thesis (D.M.A.) -- University of Maryland, College Park, 2006. Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;
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Bauer, Petra. „The reception of E.T.A. Hoffmann in 19th century Britain“. Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.
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Silbert, Ariel. „Late 19th century German-Jewish Korperkultur and its philosophical and aesthetic sources“. Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23320.
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Weibye, Hanna Margaret. „Friedrich Ludwig Jahn and German nationalism 1800-1819“. Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708112.
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Von, Herff Michael. „"They walk through the fire like the blondest German" : African soldiers serving the Kaiser in German East Africa (1888-1914)“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60565.
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The maintenance of German colonial rule in East Africa depended on a strong military presence. The Kaiserliche Schutztruppe fur Deutsch Ostafrika was established to meet this need, but financial and political constraints dictated that this force be manned by an African rank and file. Initially, most of the African recruits came from outside of the colony, but, as time passed, the Germans began recruiting from a few specific ethnic groups in the colony. The relationship between the African soldiers and their German employers yielded military successes for the new colonial government and, by extension, an enhanced status for the soldiers themselves. Over time, the Africans within the Schutztruppe distanced themselves from other Africans in the colony and began to develop separate communities at the government stations, which in turn fostered the growth of an askari group identity. The interests of these communities became inextricably linked to the German presence in the region. The development of this relationship helps to explain the askaris' support of the German campaign against the British during the First World War.
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Mills, Andrew Joseph. „Escaping satisfaktion dueling violence and the German literary canon of the long 19th century /“. [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378372.
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Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2009. Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.
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Martin, Nicholas. „Untimely aesthetics : a critical comparison of Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie“. Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:28d4a61e-c4a5-45f6-a6c7-8f17052c47a6.
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The thesis is two-fold. First, that Nietzsche's early writings owe more to Schiller than he subsequently wished to admit. This is demonstrated by evidence from Die Geburt der Tragödie and the Nachlass notes of the same period. Second, that there are tangible parallels of content and intent between Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie. The thesis is not an 'influence study', although the issue is addressed. By examining his hitherto neglected attitude to Schiller, this study sheds light on Nietzsche's tactics when dealing with men and their ideas in his writings. This, however, is not the main point of the thesis, which is to analyse the connections between the two texts. The essential point of comparison is that Die Geburt der Tragödie and the Ästhetische Briefe both set out aesthetic prescriptions for a diseased culture. Certain kinds of art are deemed capable, by virtue of their timeless and incorruptible properties, of reforming the human psyche, and by extension of promoting cultural integrity and vitality. After analysing Nietzsche's attitude to Schiller, particularly in connection with the argument of Die Geburt der Tragödie, the thesis compares the strategies adopted in the two texts: both present triadic schemes of historical development, in which the Greek experience is regarded as crucial; their aesthetic 'reform programmes' are predicated on psycho-metaphysical pictures of human nature; and both texts reject attempts to cure human ills by political means. The thesis is an attempt to articulate, compare, and criticise the respective projects and to see in what sense(s) they were untimely. Both projects were untimely, in the sense that they were deliberately out of step with their times. In each case, the alleged remedial properties of art themselves are characterised as untimely. They are borrowed from another time, or are said to be out of time altogether. The thesis concludes that the two texts, although outstanding contributions to aesthetic theory, were inappropriate (untimely) attempts to tackle larger problems.
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Schor, Ruth. „Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6.
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This dissertation situates late nineteenth-century Berlin's reception of naturalist drama in contemporary discourse about European modernism, which to date has disregarded the significant impact of this cultural environment. Examining the Berlin avant-garde's demand for "truth" and "authenticity," this study highlights its legacy of promoting more honest and dynamic forms of human interaction. Sketching the historical background, Chapter 1 demonstrates how the reception of Henrik Ibsen in Berlin fuelled creative strategies for a more honest approach to theatre. From literary matinees to more egalitarian ways of directing theatre, this moment in cultural history significantly shaped people's understanding of theatre as a tool for social criticism and as a means of creating a sense of intimacy. Two important figures are highlighted here: literary critic and theatre director Otto Brahm, central to the promotion of naturalism, and his more prominent protégé Max Reinhardt, who developed Brahm's legacy. Situating these developments in a theoretical framework, Chapter 2 draws on the concept of "the everyday" as set out by Toril Moi, Stanley Cavell, and Ludwig Wittgenstein to link the role of the ordinary on stage to the avant-garde's search for authenticity and truthfulness. Through this framework, Ibsen's social dramas from A Doll's House to Hedda Gabler (Chapter 3) can be seen perfectly to exemplify this shift in perspective from the 1880s through the 1890s, revealing the complexity of truthfulness in communications. Tracing these themes in other dramatic works, innovative readings of Arthur Schnitzler's Liebelei (Chapter 4) and Rainer Maria Rilke's Das tägliche Leben (Chapter 5) shed new light on these two fin-de-siècle authors. By highlighting these authors' previously unrecognised connections with Berlin's avant-garde theatre scene and their dramatic exploration of interpersonal connection, this study shows both how theatre functioned as a tool to examine human relationships and to what extent twentieth-century literature was grounded in this way of thinking.
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Magerski, Christine 1969. „The constitution of the literary field in Germany after 1871 : Berlin modernism, literary criticism and the beginnings of the sociology of literature“. Monash University, German Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8724.
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Kinney, Tracey Jane. „Challenging the myth of Young Germany, conflict and consensus in the works of Karl Gutzkow, Heinrich Laube, Theodor Mundt and Ludolf Wienbarg“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25079.pdf.
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Menz, Christopher. Colonial Biedermeier and German Art in South Australia during the 19th century. Adelaide: Art Gallery Board of South Australia, 1992.
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Dumke, Rolf H. German economic unification in the 19th century: The political economy of the Zollverein. München: Institut für Volkswirtschaftslehre, Universität der Bundeswehr München, 1994.
Elspass, Stephan. „Standard German in the 19th century?“ In Standardization, 43–65. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/cilt.235.05els.
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Milford, Karl. „Inductivism in 19TH Century German Economics“. In Vienna Circle Institute Yearbook, 273–91. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2196-1_20.
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Eitner, Lorenz. „German Romantics“. In An Outline of 19th Century European Painting, 101–19. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-5.
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Tribe, K. „German Economics in the Early 19th Century“. In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_2080-1.
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Tribe, K. „German Economics in the Early 19th Century“. In The New Palgrave Dictionary of Economics, 5234–40. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2080.
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Peckhaus, Volker. „The Reception of Leibniz’s Logic in 19th Century German Philosophy“. In New Essays on Leibniz Reception, 13–24. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0346-0504-5_2.
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Signore, Mario. „Social and Philosophical Theory in the 19th Century German Thought“. In The Discovery of Historicity in German Idealism and Historism, 134–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/3-540-27352-2_9.
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Buchheim, Christoph. „Germany on the World Market at the End of the 19th Century“. In German Yearbook on Business History 1985, 41–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-71196-1_3.
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Wilfing, Alexander. „Kant and German Romanticism in the Eyes of Austrian 19th Century Writers“. In Detours, 265–68. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737004817.265.
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Wilkins, Mira. „German chemical firms in the United States from the late 19th century to post-World War II“. In The German Chemical Industry in the Twentieth Century, 285–321. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-015-9377-9_10.
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Konferenzberichte zum Thema "German 19th century":
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Alschner, Stefan. „Der Wagner-Sänger Joseph Aloys Tichatschek – Vom Nachlass zum Netzwerk“. In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.46.
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The Richard Wagner collection in Eisenach contains the estates of several important 19th century Wagner performers. The inheritance of the Heldentenor Joseph Tichatschek provides insight into the live and influence of the tenor. Tichatschek is considered as one of the greatest German speaking tenors of his generation and performed the leading roles in the world premieres of Richard Wagner’s Rienzi und Tannhäuser. The paper provides an introduction into the extensive networks Tichatschek apparently used to promote his own career as well as the works of composers close to him, like Richard Wagner. The study focusses on Tichatschek’s connections to the German courts, newspaper editors, and artists. The daughter of the singer, Josephine Rudolph-Tichatschek – wife to the German tenor Eduard Rudolph –, appears as a so far completely unknown figure with likewise extensive networks which helped to preserve the inheritance of her father after his death.
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Dimarogonas, Andrew D. „On the Axiomatic Foundation of Design“. In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0027.
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Abstract Mechanical design methodology has its origins in the writings of ancient Greek and Alexandrine authors between 300 BC and 100 AD when also the first aesthetic theory was proposed. German authors of the middle of 19th Century have introduced the foundation for Mechanical Design on basic Design Principles, modernized the machine element methodology and introduced the parallel development of the function with the form. F. Redtenbacher introduced a set of design principles. Reuleaux (1852) introduced two fundamental Design Principles (Ground Rules), re-introduced recently in axiomatic form by Suh et al. The paper discusses the merits of establishing Design Principles or Design Axioms as the fundamental Rules of design and the implications of these Rules on the design and manufacturing methodology. The relation of the Design Rules with the principles of the total quality engineering in the Taguchi sense is also investigated.
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Kim, Ji Young. „Clara Schumann and Jenny Lind in 1850“. In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.85.
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Clara Schumann’s 1850 tour of northern Germany with her husband officially ended with a successful concert in Altona where Jenny Lind made a surprise appearance. Immediately thereafter, one more concert featuring the pianist, singer, and Robert’s music was added at the last minute to take place in Hamburg. This too was a success. But a detail that made it especially memorable was Lind’s position behind the piano lid so that, as Clara recounted in her diary, many audience members could hardly catch a glimpse of her. This paper explores the rationales and implications of this singular and fleeting moment, and teases out aspects of the two star performers’ relationship both on and off the stage. In the process, the paper draws attention to hitherto neglected variables in the performance practice of Lieder and seeks to expand our lines of inquiry with regards to the 19th-century Lied as cultural practice.
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Themelis, Nickolas J. „Changes in Public Perception of Role of Waste-to-Energy for Sustainable Waste Management of MSW“. In 19th Annual North American Waste-to-Energy Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/nawtec19-5439.
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In the last ten years, public and government perceptions of waste-to-energy have changed considerably. Most people who bothered to visit waste management facilities recognize that landfilling can only be replaced by a combination of recycling and thermal treatment with energy recovery. During the same period, the Earth Engineering Center (EEC) of Columbia University research and public information programs have concentrated on advancing all means of sustainable waste management in the U.S. and abroad. The results of EEC research are exemplified in the graphs of the Hierarchy of Waste Management and the Ladder of Sustainable Waste Management of nations; in this paper, the latter has also been used to compare the waste management status of the fifty states of the Union. This paper also describes how the European Union has directed that thermally efficient treatment of MSW is equivalent to recycling. The rapid growth of WTE in this century is exemplified by the hundreds of new WTE plants that have been built or are under construction, most with, government assistance as in the case of other essential infrastucture. The need for concerted action by concerned scientists and engineers around the world has led to the formation of the Global WTERT Council. By now there are sister organizations of EEC and WTERT in Brazil, Canada, China, France, Germany, Greece (SYNERGIA) and Japan. Others are being formed in other countries.
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Zunno, Antonio. „La fortezza e il suo giardino: uno sguardo dal mare“. In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11368.
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The fortress and its garden: a view from the seaThe Fortress was built from 1554, on the ruins of an ancient convent, at the behest of Philip of Austria, and it was completed in about 55 years under the direction of Giulio Cesare Falco, knight of the Order of Malta and Captain General against the Turks. The maine structure, called Forte a Mare, was joined with the Opera a Corno, a mighty rampart with the function of enclosure of the intermediate island, separated from the other island in 1598 by the construction of the Angevin canal: here were arranged the lodgings of the troops and garrisons. Castello and Forte, were named by the Spaniards Isla Fortalera que abre el Puerto Grande, because of its particular position to protect the port. The complex was entrusted to the Germans in 1715, then conquered by the French Revolutionaries and, in 1815, re-annexed to the Kingdom of Naples and destined to lazaretto. A period of decline follows until the end of the 19th century when Brindisi became a first class naval base and the fort became a garrison of the Royal Navy, destined, during the Great War, to recover torpedoes and detonators The recovery of the complex, starting in the 1980s, allowed the conservation of the structures but was never included in a real valorisation program. With this intervention in progress, a first visit is expected through the visit from the walkways through a circular route from the Castle to the whole Opera in Corno: the itinerary will allow you to retrace the history of the Fortress and enjoy a unique view from the high towards the sea, also through the passage in a curtain of Mediterranean scrub that has colonized the walls over the centuries, creating a veritable hanging garden on the sea. The aim is to lead the visitor to the rediscovery a forgotten place that is closely connected to the coastal landscape, for which it is a privileged point of view also in relation to the city and the port.
Berichte der Organisationen zum Thema "German 19th century":
1
Szołtysek, Mikołaj, Siegfried Gruber, Sebastian Klüsener und Joshua R. Goldstein. Spatial variation in household structures in 19th-century Germany. Rostock: Max Planck Institute for Demographic Research, Oktober 2010. http://dx.doi.org/10.4054/mpidr-wp-2010-030.
