Dissertationen zum Thema „Generale (Motion picture)“
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Callaghan, Joanna. „Ontological narratives“. Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/75134/.
Der volle Inhalt der QuelleBirks, Chelsea. „Limit cinema : Bataille and the nonhuman in contemporary global film“. Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/9086/.
Der volle Inhalt der QuelleTodd, Laura J. „Youth film in Russia and Serbia since the 1990s“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33632/.
Der volle Inhalt der QuelleShaw, Spencer. „Showtime : the phenomenology of film consciousness“. Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3045/.
Der volle Inhalt der QuelleMcBlane, Angus. „Corporeal ontology : Merleau-Ponty, flesh, and posthumanism“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.
Der volle Inhalt der QuelleFotiou, Mikela. „The cinematic work of Nikos Nikolaidis and female representation“. Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6729/.
Der volle Inhalt der QuelleSpurr, Graeme R. „Amateur video : technology, behaviour and practice, 1965-2015“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7473/.
Der volle Inhalt der QuelleMulliken, Douglas. „Objectively violent : the cinema of Pablo Trapero“. Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9066/.
Der volle Inhalt der QuelleCarthy, Nikki. „Deconstructing offenders' narratives“. Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/20354/.
Der volle Inhalt der QuelleMukhida, Leila. „Politics and the moving image : contemporary German and Austrian cinema through the lens of Benjamin, Kracauer and Kluge“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5669/.
Der volle Inhalt der QuelleOyarzabal, Santiago. „Representations of social crisis in recent Argentine cinema“. Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/57028/.
Der volle Inhalt der QuelleDuncan, Dean William. „Classical music in narrative film : strategies for use and analysis“. Thesis, University of Glasgow, 2000. http://theses.gla.ac.uk/9082/.
Der volle Inhalt der QuelleConstantinou, Odysseas Symeon. „Sound-to-picture : the role of sound in the audio-visual semiosis of non-fiction film“. Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/54109/.
Der volle Inhalt der QuelleMussell, Simon Paul. „Constellations of Adornian theory and film : readings of Adorno with Tarkovsky and Haneke“. Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6964/.
Der volle Inhalt der QuelleTweed, Hannah Catherine. „Aesthetics of autism? : contemporary representations of autism in literature and film“. Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/5996/.
Der volle Inhalt der QuelleSilvester, Hannah. „Translating banlieue film : an integrated analysis of subtitled non-standard language“. Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30976/.
Der volle Inhalt der QuelleNeely, Sarah. „Adapting to change in contemporary Irish and Scottish culture : fiction to film“. Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/7486/.
Der volle Inhalt der QuelleJordan, James. „Bearing witness to the Holocaust in the courtroom of American fictive film“. Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50607/.
Der volle Inhalt der QuelleParry, Sarah. „Caution & distortion : consuming narratives of violent actors and spaces in Colombian cultural products, 1990-2005“. Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2004319/.
Der volle Inhalt der QuelleNakao, Tomyo. „The representation of Japan in British POW films of the 1950s“. Thesis, University of Essex, 2015. http://repository.essex.ac.uk/16055/.
Der volle Inhalt der QuelleChan, Mei-kuen Elaine. „Expression of modality in the language of the mass media“. Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21160375.
Der volle Inhalt der QuelleReynolds, Kevin Patrick. „That justice be seen : the American prosecution's use of film at the Nuremberg International Military Tribunal“. Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7595/.
Der volle Inhalt der QuelleBalmain, Colette Jane. „Genre, gender, giallo : the disturbed dreams of Dario Argento“. Thesis, University of Greenwich, 2004. http://gala.gre.ac.uk/5795/.
Der volle Inhalt der QuelleCarta, Silvio. „Documentary film, observational style and postmodern anthopology in Sardinia : a visual anthropology“. Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3674/.
Der volle Inhalt der QuellePeters, Claire Isla MacLeod. „Le Paris de la mémoire : traces of the Holocaust and the Algerian War in the 'city of light'“. Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4714/.
Der volle Inhalt der QuelleVang, Jens. „Avenging the Anthropocene : Green philosophy of heroes and villains in the motion picture tetralogy The Avengers and its applicability in the Swedish EFL-classroom“. Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86044.
Der volle Inhalt der QuelleLangley, Richard Mark. „Ameritocracy : Hollywood blockbusters and the universalisation of American values“. Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3376/.
Der volle Inhalt der QuellePowell-Jones, Lindsay. „Deleuze and Tarkovsky : the time image and post-war Soviet cinema history“. Thesis, Cardiff University, 2016. http://orca.cf.ac.uk/93276/.
Der volle Inhalt der QuelleChan, Mei-kuen Elaine, und 陳美娟. „Expression of modality in the language of the mass media“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31951831.
Der volle Inhalt der QuelleRandell, Karen Mary. „Hollywood and war : trauma in film after the First World War and the Vietnam War“. Thesis, University of Southampton, 2003. https://eprints.soton.ac.uk/50596/.
Der volle Inhalt der QuellePeláez-Alegría, Stefanny-Francesca. „El reconocimiento de la diferencia en el cine regional. caso: “Juanito, el huerfanito”“. Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4696.
Der volle Inhalt der QuelleTrabajo de investigación
Yuan, Yilei. „Subtitling Chinese cinema : a case study of Zhang Yimou's films“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7724/.
Der volle Inhalt der QuelleRossi, Samuel E. „Reagan, Rambo, and the Red Dawn“. Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180975486.
Der volle Inhalt der QuelleJustice, Rebecca Claire. „Falling through the meshwork : images of falling through 9/11 and beyond“. Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7339/.
Der volle Inhalt der QuelleBarber, Cody. „The Virtual Steamroller: How CGI Paved the Way for 3D's Comeback“. Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1323194803.
Der volle Inhalt der QuelleTohline, Andrew M. „“Around the Corner”: How Jam Handy’s Films Reflected and Shaped the 1930s and Beyond“. Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1248295030.
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