Auswahl der wissenschaftlichen Literatur zum Thema „Generale (Motion picture)“
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Zeitschriftenartikel zum Thema "Generale (Motion picture)"
Echizen, I., H. Yoshiura, T. Arai, H. Kimura und T. Takeuchi. „General quality maintenance module for motion picture watermarking“. IEEE Transactions on Consumer Electronics 45, Nr. 4 (1999): 1150–58. http://dx.doi.org/10.1109/30.809196.
Der volle Inhalt der QuelleFovet, Frederic. „120 BPM [Motion Picture]“. Journal of Homosexuality 66, Nr. 11 (18.10.2018): 1626–28. http://dx.doi.org/10.1080/00918369.2018.1517498.
Der volle Inhalt der QuelleJu, Yang. „Study of Human Motion Recognition Algorithm Based on Multichannel 3D Convolutional Neural Network“. Complexity 2021 (26.05.2021): 1–12. http://dx.doi.org/10.1155/2021/7646813.
Der volle Inhalt der QuelleCleveland, David. „Preservation of motion picture films“. Journal of Audiovisual Media in Medicine 8, Nr. 4 (Januar 1985): 133–36. http://dx.doi.org/10.3109/17453058509155997.
Der volle Inhalt der QuelleFastiuk, Yevhen, Ruslan Bachynskyy und Nataliia Huzynets. „Methods of Vehicle Recognition and Detecting Traffic Rules Violations on Motion Picture Based on OpenCV Framework“. Advances in Cyber-Physical Systems 6, Nr. 2 (17.12.2021): 105–11. http://dx.doi.org/10.23939/acps2021.02.105.
Der volle Inhalt der QuelleStauder, Jürgen, Corinne Porée, Patrick Morvan und Laurent Blondé. „Motion Picture Versioning by Gamut Mapping“. Color and Imaging Conference 18, Nr. 1 (01.01.2010): 178–83. http://dx.doi.org/10.2352/cic.2010.18.1.art00031.
Der volle Inhalt der QuelleDonelan, P. S., C. G. Gibson und W. Hawes. „Trajectory singularities of general planar motions“. Proceedings of the Royal Society of Edinburgh: Section A Mathematics 129, Nr. 1 (1999): 37–55. http://dx.doi.org/10.1017/s0308210500027451.
Der volle Inhalt der QuelleSiregar, Epi Supriyani, Imanuddin Siregar, Dicky Edwar Daulay und Lady Rodearni Jawak. „Pengembangan Model Pembelajaran Picture and Picture Terhadap Materi Gerak Lokomotor Siswa Kelas V SD“. Journal on Education 5, Nr. 2 (29.01.2023): 5304–12. http://dx.doi.org/10.31004/joe.v5i2.1273.
Der volle Inhalt der QuelleWakabayashi, Akio, und Asami Katsumata. „The Motion Picture Mind-Reading Test“. Journal of Individual Differences 32, Nr. 2 (Januar 2011): 55–64. http://dx.doi.org/10.1027/1614-0001/a000034.
Der volle Inhalt der QuelleYe, Qiu Sun. „AI-VCR Computational Research on Visibility of 3D Materials Solids Reality Pictures“. Advanced Materials Research 143-144 (Oktober 2010): 592–97. http://dx.doi.org/10.4028/www.scientific.net/amr.143-144.592.
Der volle Inhalt der QuelleDissertationen zum Thema "Generale (Motion picture)"
Callaghan, Joanna. „Ontological narratives“. Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/75134/.
Der volle Inhalt der QuelleBirks, Chelsea. „Limit cinema : Bataille and the nonhuman in contemporary global film“. Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/9086/.
Der volle Inhalt der QuelleTodd, Laura J. „Youth film in Russia and Serbia since the 1990s“. Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33632/.
Der volle Inhalt der QuelleShaw, Spencer. „Showtime : the phenomenology of film consciousness“. Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3045/.
Der volle Inhalt der QuelleMcBlane, Angus. „Corporeal ontology : Merleau-Ponty, flesh, and posthumanism“. Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.
Der volle Inhalt der QuelleFotiou, Mikela. „The cinematic work of Nikos Nikolaidis and female representation“. Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6729/.
Der volle Inhalt der QuelleSpurr, Graeme R. „Amateur video : technology, behaviour and practice, 1965-2015“. Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7473/.
Der volle Inhalt der QuelleMulliken, Douglas. „Objectively violent : the cinema of Pablo Trapero“. Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9066/.
Der volle Inhalt der QuelleCarthy, Nikki. „Deconstructing offenders' narratives“. Thesis, University of Huddersfield, 2013. http://eprints.hud.ac.uk/id/eprint/20354/.
Der volle Inhalt der QuelleMukhida, Leila. „Politics and the moving image : contemporary German and Austrian cinema through the lens of Benjamin, Kracauer and Kluge“. Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5669/.
Der volle Inhalt der QuelleBücher zum Thema "Generale (Motion picture)"
1951-, Beltrame Giancarlo, Leoni Ezio und Romano Paolo, Hrsg. Luci sulla citta: Padova e il cinema : [catalogo generale]. Venezia: Marsilio, 2003.
Den vollen Inhalt der Quelle findenScheumann, Gerhard. Die Generale. Berlin: Verlag der Nation, 1986.
Den vollen Inhalt der Quelle findenMcCarthy, Cori. Now a major motion picture. New York: Sourcebooks, Incorporated, 2018.
Den vollen Inhalt der Quelle findenAndy, Warhol. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.
Den vollen Inhalt der Quelle findenNorth Carolina. Motion Picture Industry Commission. Report of the Motion Picture Industry Commission: Report to the 1989 General Assembly of North Carolina. [Raleigh, N.C.]: The Commission, 1989.
Den vollen Inhalt der Quelle findenNorth Carolina. Motion Picture Industry Commission. Report of the Motion Picture Industry Commission: Report to the 1989 General Assembly of North Carolina. Raleigh, N.C: The Commission, 1989.
Den vollen Inhalt der Quelle findenJippes, Daan. Who framed Roger Rabbit?: Based on the motion picture from Touchstone Pictures and Steven Spielberg. New York, NY: Marvel Comics, 1988.
Den vollen Inhalt der Quelle findenMcEwan, Ian. Soursweet. London: Faber, 1988.
Den vollen Inhalt der Quelle findenMcEwan, Ian. Soursweet: Screenplay. London: Faber, 1988.
Den vollen Inhalt der Quelle findenJohnson, David. Inception and philosophy: Because it's never just a dream. Hoboken, N.J: Wiley, 2012.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Generale (Motion picture)"
Gibson, C. G., W. Hawes und C. A. Hobbs. „Local Pictures for General Two-parameter Planar Motions“. In Advances in Robot Kinematics and Computational Geometry, 49–58. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-015-8348-0_5.
Der volle Inhalt der QuelleYabuki, Nobuyoshi, Tomohiro Fukuda und Ryu Izutsu. „As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data“. In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 1117–24. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/10.36253/979-12-215-0289-3.111.
Der volle Inhalt der QuelleYabuki, Nobuyoshi, Tomohiro Fukuda und Ryu Izutsu. „As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data“. In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 1117–24. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0289-3.111.
Der volle Inhalt der QuelleImposti, Gabriella Elina. „Guerra e nazionalismo nel futurismo italiano e nel futurismo russo“. In Biblioteca di Studi Slavistici, 157–68. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-672-9.18.
Der volle Inhalt der QuelleImposti, Gabriella Elina. „Guerra e nazionalismo nel futurismo italiano e nel futurismo russo“. In Biblioteca di Studi Slavistici, 157–68. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-910-2.18.
Der volle Inhalt der QuelleGleeson-White, Sarah. „Readerly Pleasures: Screen Reading, and The Motion Picture Story Magazine“. In Silent Film and the Formations of U.S. Literary Culture, 150–91. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197558058.003.0005.
Der volle Inhalt der QuelleSalzberg, Ana. „Love Stories and General Principles: The Development of the Production Code“. In Produced by Irving Thalberg, 94–117. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.003.0005.
Der volle Inhalt der QuelleGillespie, Michael Patrick. „Gothic Forms in Irish Cinema“. In Irish Gothic, 83–97. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399500555.003.0005.
Der volle Inhalt der QuelleReddy, M. Karthikeyan, K. Jai RamaKrishna und Dr V. Joshi Manohar. „IOT BASED LINE CONTROLLED ROBOT“. In Futuristic Trends in IOT Volume 2 Book 15, 52–61. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2023. http://dx.doi.org/10.58532/v2bs15p1ch5.
Der volle Inhalt der QuelleMarzola, Luci. „The Academy Technical Bureau, Cooperative Research, and the Building of the Studio System“. In Engineering Hollywood, 164–94. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190885588.003.0007.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Generale (Motion picture)"
Inui, Masatomo, und Makoto Takano. „Fast and Smooth NC Milling Animation Using Partial Redrawing Technique“. In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/cie-21260.
Der volle Inhalt der QuelleSillyman, Sheldon S. „Forming a clear picture of holograms“. In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.wo4.
Der volle Inhalt der QuelleAndreeva, Ekaterina. „ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945“. In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.
Der volle Inhalt der QuelleGhosal, Ashitava, und Bahram Ravani. „Differential Geometric Analysis of Singularities of Point Trajectories of Serial and Parallel Manipulators“. In ASME 1998 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/detc98/mech-5967.
Der volle Inhalt der QuelleEdwards, R. „Multi-Directional Seas - A practical Tool for Evaluating the Feasibility of Marine Operations“. In SNAME 22nd American Towing Tank Conference. SNAME, 1989. http://dx.doi.org/10.5957/attc-1989-033.
Der volle Inhalt der QuellePumas, Roland A. „Total quality management … the big picture“. In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/oam.1991.tub1.
Der volle Inhalt der QuelleKobus, C. J., und Y. P. Chang. „Teaching Kinematics and Kinetics From a Project-Based Experience Analyzing Sci-Fi Motion Pictures: A Star Trek Example“. In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88215.
Der volle Inhalt der QuelleJordaan, Ian, und Philippa Gosine. „The Titanic Disaster and Ice Mechanics: Completing the Picture“. In SNAME 10th International Conference and Exhibition on Performance of Ships and Structures in Ice. SNAME, 2012. http://dx.doi.org/10.5957/icetech-2012-149.
Der volle Inhalt der QuelleSoni, Prashant K., und Carl M. Larsen. „Vortex Pattern Comparison for Periodic and Harmonic Combined Cross-Flow and In-Line Forced Oscillations“. In ASME 2009 28th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2009. http://dx.doi.org/10.1115/omae2009-80089.
Der volle Inhalt der QuelleSoltani, Mohammad Reza, und Mohammad Farahani. „Experimental Investigation of Flow Instability in a Supersonic Inlet“. In ASME 2010 10th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2010. http://dx.doi.org/10.1115/esda2010-24858.
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