Auswahl der wissenschaftlichen Literatur zum Thema „Gaudí, Antoni, 1852-1926 – Catalogs“
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Dissertationen zum Thema "Gaudí, Antoni, 1852-1926 – Catalogs"
Müller, Fábio. „O templo cristão na modernidade : permanências simbólicas & conquistas figurativas“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/5745.
Der volle Inhalt der QuelleBuchrieser, Yasmin. „Quand le tourisme construit des cathédrales : patrimonialisation et mise en tourisme de l'architecture d'Antoni Gaudi à Barcelone et de Charles Rennie Mackintosh à Glasgow“. Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H054.
Der volle Inhalt der QuelleToday, in a context of strong global competition, many cities have to find ways to position themselves on the global market and to distinguish themselves. In order to do so, some cities will specifically seek to enhance their local architectural heritage. This thesis aims to understand the role that a major cultural and symbolic capital plays in a city’s identity construction and its communication, heritage and tourist development. The research is centered on the role played in particular by the figure of an emblematic architect, and focuses especially on the role of Antoni Gaudí (1952-1926). Indeed, in only a few years, Barcelona has witnessed a spectacular increase in tourism figures and has become an international cultural destination. This increase in tourism, has been accompanied by the enhancement of the work of this representative architect of Catalan modernism. His work remained for a longtime closed to the public, and yet today they have become the major tourist attraction of the Catalan capital. Barcelona is now instantly identified with Gaudí who has become the symbol of the city. Through an in-depth comparative analysis of the the heritagization and touristification of Antoni Gaudí’s work in Barcelona and Charles Rennie Mackintosh’s work in Glasgow, this thesis aimsto understand why in some cases, the “city-architect” constructions are well developed and the cities are immediately identified to an architect, and on the other hand, why in other cases, this link that occurs between the image of a city and the image of an architect, is much less developed and obvious
Müller, Fábio. „O templo cristão na modernidade 1920 | 1970“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/34693.
Der volle Inhalt der QuelleThe study deals with the Christian temple in the modern period from 1920 to 1970 in order to rescue, to recognize and position this production, worthy of study in the context of twentieth century architecture. Panorama on the subject, has designed the compilation and systematization in chapels, parish churches and cathedrals, linking Christianity and modern times to identify and assess the liturgical and symbolic reflections, on the one hand, and functional, constructive and stylistic, the other, by a cross-relation of man and sacred art in the period. Critical historiography on the subject, besides gathering and lay judgments about the works by collecting general findings and peculiarities as a contribution to the state of modern art, unveils encouraging authors and movements in outstanding architectural and results for the Christian church, affirming their importance and promoting their due recognition. In theory, demonstrates the relevance of the Christian church architecture as a program in modernity, demonstrating its continuity, in quantity and quality, showing that the iconic representation of the sacred, what happens over time in the temple, not faded or lost at this time history, Christianity has continued through other landmark buildings, the relentless work of spiritual support and comfort that is dedicated to more than two millennia.
Bücher zum Thema "Gaudí, Antoni, 1852-1926 – Catalogs"
1852-1926, Gaudí Antoni, Hrsg. Antoni Gaudi, 1852-1926: Architecture, ideology, and politics. Milano: Electa Architecture, 2003.
Den vollen Inhalt der Quelle findenJordi, Figuerola Rotger Pere, und Museu Diocesà de Barcelona (Barcelona, Spain), Hrsg. Gaudí: L'home i la seva obra = el hombre y su obra = the man and his work. Barcelona: Museu Diocesà de Barcelona, 2002.
Den vollen Inhalt der Quelle findenZerbst, Rainer. Gaudi 1852-1926: Antoni Gaudi i Cornet - a life devoted to architecture. Cologne: Taschen, 1993.
Den vollen Inhalt der Quelle finden1852-1926, Gaudí Antoni, Hrsg. Antoni Gaudí, 1852-1926: Arquitectura, ideología y política. Madrid: Electa, 1993.
Den vollen Inhalt der Quelle findenRubió, Ignasi Solà-Morales. Antoni Gaudí. Barcelona: Ediciones Polígrafa, 2003.
Den vollen Inhalt der Quelle findenZerbst, Rainer. Gaudí, 1852-1926: Antoni Gaudí i Cornet : une vie en architecture. Köln: Benedikt Taschen, 1988.
Den vollen Inhalt der Quelle findenZerbst, Rainer. Gaudí, 1852-1926: Antoni Gaudí i Cornet : a life devoted to architecture. Köln: Benedikt Taschen Verlag, 1991.
Den vollen Inhalt der Quelle findenZerbst, Rainer. Gaudî, 1852-1926: Antoni Gaudî i Cornet : a life devoted to architecture. Cologne: Benedikt Taschen Verlag, 1997.
Den vollen Inhalt der Quelle finden1852-1926, Gaudí Antoni, Hrsg. Gaudí, 1852-1926: Antoni Gaudí i Cornet, ein Leben in der Architektur. Köln: Taschen, 1987.
Den vollen Inhalt der Quelle findenZerbst, Rainer. Gaudí, 1852-1926: Antoni Gaudí i Cornet : una vida dedicada a la arquitectura. Koln: Benedikt Taschen, 1991.
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